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Top 40 Singles Top 40 Albums
18 May 1986 CHART #520 Top 40 Singles Top 40 Albums Living Doll Baby You're So Strange The Broadway Album The Ultimate Sin 1 Cliff Richard and The Young Ones 21 Icehouse 1 Barbra Streisand 21 Ozzy Osbourne Last week 1 / 3 weeks WEA Last week 34 / 4 weeks FESTIVAL Last week 5 / 16 weeks Platinum / CBS Last week - / 1 weeks CBS Kiss Alice, I Want You Just For Me Brothers In Arms Making Movies 2 PRINCE 22 Full Force 2 Dire Straits 22 Dire Straits Last week 3 / 6 weeks WEA Last week 21 / 9 weeks CBS Last week 1 / 47 weeks Platinum / POLYGRAM Last week 22 / 139 weeks Platinum / POLYGRAM Chain Reaction Concrete And Clay In Concert Little Creatures 3 Diana Ross 23 Martin Plaza 3 Suzanne Prentice 23 Talking Heads Last week 4 / 6 weeks EMI Last week 26 / 2 weeks CBS Last week 9 / 4 weeks Gold / EMI Last week 24 / 42 weeks Platinum / EMI Saturday Love Say Goodbye Prince Of Romance King Of America 4 Cherelle & Alexander O'Neal 24 Hunters & Collectors 4 Richard Clayderman 24 Elvis Costello Last week 5 / 4 weeks CBS Last week 22 / 7 weeks FESTIVAL Last week 45 / 2 weeks K-TEL Last week 21 / 3 weeks RCA Harlem Shuffle A Kind Of Magic Island Life Suzanne Vega 5 Rolling Stones 25 Queen 5 Grace Jones 25 Suzanne Vega Last week 2 / 7 weeks CBS Last week 32 / 4 weeks EMI Last week 2 / 8 weeks Platinum / FESTIVAL Last week 16 / 8 weeks FESTIVAL If You're Ready West End Girls For The Working Class Man No Jacket Required 6 Ruby Turner 26 Pet Shop Boys 6 Jimmy Barnes 26 Phil Collins Last week 6 / 3 weeks FESTIVAL Last week 27 / 14 weeks EMI Last week 3 / 13 -
Top 40 Singles Top 40 Albums
25 May 1986 CHART #521 Top 40 Singles Top 40 Albums Living Doll Something About You Brothers In Arms Easy Pieces 1 Cliff Richard and The Young Ones 21 Level 42 1 Dire Straits 21 Lloyd Cole & The Commotions Last week 1 / 4 weeks Gold / WEA Last week 29 / 10 weeks POLYGRAM Last week 2 / 48 weeks Platinum / POLYGRAM Last week 27 / 9 weeks POLYGRAM Kiss Move Away The Broadway Album Suzanne Vega 2 PRINCE 22 Culture Club 2 Barbra Streisand 22 Suzanne Vega Last week 2 / 7 weeks WEA Last week 17 / 7 weeks VIRGIN Last week 1 / 17 weeks Platinum / CBS Last week 25 / 9 weeks FESTIVAL Chain Reaction Absolute Beginners Whitney Houston Falco 3 3 Diana Ross 23 David Bowie 3 Whitney Houston 23 Falco Last week 3 / 7 weeks EMI Last week 16 / 10 weeks VIRGIN Last week 11 / 43 weeks Platinum / FESTIVAL Last week 16 / 4 weeks FESTIVAL If You're Ready Good Luck To You For The Working Class Man The Ultimate Sin 4 Ruby Turner 24 Peking Man 4 Jimmy Barnes 24 Ozzy Osbourne Last week 6 / 4 weeks FESTIVAL Last week - / 1 weeks CBS Last week 6 / 14 weeks Platinum / FESTIVAL Last week 21 / 2 weeks CBS Manic Monday Sailing Away Human Frailty The Colour Of Spring 5 The Bangles 25 All Of Us 5 Hunters & Collectors 25 Talk Talk Last week 11 / 7 weeks FESTIVAL Last week - / 1 weeks SONY Last week 7 / 2 weeks FESTIVAL Last week 28 / 9 weeks EMI Saturday Love Bad Boy Hunting High And Low Dire Straits 6 Cherelle & Alexander O'Neal 26 Miami Sound Machine 6 A-ha 26 Dire Straits Last week 4 / 5 weeks CBS Last week - / 1 weeks CBS Last week 10 / 22 weeks Platinum / WEA Last week -
Journal of the Conductorsguild
Volume 18 Number L \TinterlSpring L997 Journal of the ConductorsGuild Table of Contents I i COMMENTARY A CONVERSATION \TITH LUKAS FOSS by David Thomas BOTH SIDESOF THE FENCE 13 by Barry Tuckwell FRANZ IEHAR, THE coMpLETE cosMopoLrTAN 20 by Edward Michael Gold SCORES6. PARTS 49 Hanseland Gretelby EngelbertHumperdinck compiledby Kristi Sloniger BOOKS IN REVIE\T 60 Erich Leinsdorf, Erich Leinsdorfon Music reviewedby John Jay Hilfiger Edward Heath, Music.A loy For Life reviewedby Henry Bloch '$flalter Frisch, Brahms:The Four Symphonies reviewedby Kenneth Morgan CONDUCTORS GUILD, INC. Thelma A. Robinson Award Vinners 103 South High Street,Room 6 BeatriceJona Affron Miriam Burns West Chester, PA 19382-3262 Laura Rexroth Annunziata Tomaro Tel.: 610/ 430-6010 Steven Martyn Ztke Fax: 6t0/ 430-6034 'Vinner E-mail address:[email protected] Max Rudolf Award W'ebsite:www. condudors guild.org Gunther Schuller Officers tournal of tbe ConductorsGuild President Barbara Schubert President-Elect ....'WesKenney Editor .....Jacques Voois Vice President .....Harlan D. Parker AssociateEditor .... David Daniels Secretary Mark Ettinger Treasurer Thomas Anderson Editor-at-large Jonathan Sternberg PastPresident........ Adrian Gnam Board of Directors Contributing Editors to Vol. 18, No. 1 Lukas Foss Timothv Tull Nurhan Arman Henry Bloch'r Voois Victoria Bond Emily Freeman Brown Jacques David Lewis Crosbv Murray Gross Robert Gutter Martin Hardy JosephHenry Kenneth Kiesler Contributing Authors to Vol. 12, No. 2 Andrew Kurtz TaniaJ. Le6n Michael Luxner Frederick Morden Henry Bloch Edward Michael Gold Melinda O'Neal Brian Priestman JohnJay Hilfiger Kenneth Morgan Eve Queler Kirk E. Smith Kristi Sloniger David Thomas Jonathan Sternberg'r' Leslie Stewart Barry Tuckwell \Wagar JacquesVoois Jeannine Diane M. -
Human Dignity and Bioethics
final_cover.psd Alice Neel (1900-1984), T.B. Harlem, 1940, American. Oil on Canvas. 76.2 x 76.2 cm. Courtesy of the National Museum of Women in the Arts, Washington, D.C.; gift of Wallace and Wilhelmina Holladay. © Estate of Alice Neel. hile most of the art world turned to abstraction towards the W middle of the twentieth century, Philadelphia-born Alice Neel (1900-1984) courageously chose to remain a figure painter. Occasionally she painted the rich and famous–artists, playwrights, scientists, even a papal nuncio–but mostly her subjects were the unnoticed, the overlooked, the difficult. They were her neighbors in Spanish Harlem: stay-at-home mothers, pregnant mothers, door-to-door salesmen, restaurant workers, tradesmen. Nor did she shy away from those most would rather not confront–a dying, querulous old woman, a middle-aged man in the late stages of cancer, a young man ravaged by tuberculosis. But whether her subjects are young, old, famous, unknown, nude or clothed, Neel’s gift was to reveal their common denominator: an ineffable, undefinable, invisible human quality we call dignity. T.B. Harlem, completed in 1940, is one of the most well-known of Neel’s paintings. Gaunt and resigned, the subject could have been a young man dying on a battlefield of World War II pinned with a medal of honor. Instead he is a young man in a Harlem hospital fighting an all too prevalent disease to the death. His badge of honor covers the wound of thoracoplasty, or surgically induced lung collapse, then a radical treatment of last resort for tuberculosis. -
Pedgogical Approaches to Conducting Gesture In
PEDAGOGICAL APPROACHES TO CONDUCTING GESTURE IN CONTEMPORARY MUSIC Katherine Margaret Kilburn A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2016 Committee: Emily Freeman Brown, Advisor Lara Lengel Graduate Faculty Representative Mary Natvig Robert Satterlee © 2016 Katherine M. Kilburn All Rights Reserved iii ABSTRACT Emily Freeman Brown, Advisor Conducting is non-verbal communication of musical ideas through the use of gestures made by the hands, arms, and body, as well as expressions made by the face. It is at once physical, psychological, mental, and potentially even spiritual, requiring presence, an ability to listen, respond, guide, catalyze, shape, lead, sometimes follow, and most of all, invite and inspire musicians. This document addresses gesture as a manifestation of musical sound and how conductors approach these physical, non-verbal motions to affect musical sound and how they might be interpreted by performers. Using anthropologist Ray Birdwhistell’s Kinesics in Context, and studies by psychologist Paul Ekman and his colleagues, I relate kinesics and categories of non-verbal communication to conducting and the teaching of gesture, and how this non-verbal language communicates musical intention. Through information gleaned from interviews with preeminent American conducting pedagogues as well as my own experience as a student and teacher of conducting, I present several approaches to teaching conducting aimed at helping developing conductors improve and cultivate their craft. I also offer a compilation and expansion of exercises that encourage conductors to maximize their expressive potential and most effectively communicate with their ensemble. -
Reading the Discography Sources Hunters And
READING THE DISCOGRAPHY HUNTERS AND COLLECTORS Record Labels Formed: Melbourne University, Melbourne, Victoria, Australia in 1978 by Date Release UK US AU JOHN ARCHER, DOUG FALCONER, ROBERT MILES and MARK SEYMOUR as drunken adventure THE SCHNORTTS. Evolved into THE JETSONNES (Sep (UK catalogue no.) <US catalogue no.> [Australia catalogue no.] 1979) with the addition of RAY TOSTI–GUEIRA and MARGOT O’NEILL. The = track listing as follows – different to previous track listing band had a light pop sound, only recording the gig giveaway single += add tracks to previous track listing “Newspaper” before disbanding in Sep 1980. HUNTERS AND COLLECTORS formed in May 1981, named after a track on the Landed album from Recent updates in red text. krautrockers CAN. MARGO O’NEILL was gone, instead GEOFF CROSBY and GREG PERANO, soon adding a six piece horn section the “horns of contempt”. Release Types cd Compact Disc Songwriters: Group compositions, lyrics by SEYMOUR except: I BELIEVE c Tape Cassette (Ray Charles) / STUCK ON YOU (Ian Rilen, Stephanie Rilen) / PARTING 7” 7” Record (vinyl) GLASS (traditional/Clancy Brothers) / JOHN RILEY (Bob Gibson, Ricky Neff) / 10” 10” Record (vinyl) CRIME OF PASSION (Eric Gradman, Liz Reed) / DEBRIS (Ronnie Lane) / I’M 12” 12” Record (vinyl) SET FREE (Lou Reed) / THE MOST UNORIGINAL SIN (John Hiatt) / KNOW dl Digital download / streaming YOUR PRODUCT (Ed Keupper, Chris Bailey). vhs Video Home System – video cassette dvd Digital Video Disc – video disc Album Rating: HUNTERS AND COLLECTORS (*6) / THE FIREMAN’S CURSE -a Album (*3) / THE JAWS OF LIFE (*9) / HUMAN FRAILTY (*10) / WHAT’S A FEW -s Single MEN? (*7) / FATE (*7) / GHOST NATION (*8) / CUT (*9) / DEMON FLOWER (*6) / JUGGERNAUT (*5) / MUTATIONS (*6) / HORN OF PLENTY (*8). -
Depictions of the Supernatural in Dialogue Lieder of the Nineteenth Century Delane J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Music, School of Performance - School of Music 5-2016 Uncanny Conversations: Depictions of the Supernatural in Dialogue Lieder of the Nineteenth Century Delane J. Boyd University of Nebraska - Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicstudent Part of the Musicology Commons Boyd, Delane J., "Uncanny Conversations: Depictions of the Supernatural in Dialogue Lieder of the Nineteenth Century" (2016). Student Research, Creative Activity, and Performance - School of Music. 99. http://digitalcommons.unl.edu/musicstudent/99 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. UNCANNY CONVERSATIONS: DEPICTIONS OF THE SUPERNATURAL IN DIALOGUE LIEDER OF THE NINETEENTH CENTURY by Delane J. Boyd A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Music Major: Music Under the Supervision of Professor Pamela Starr Lincoln, Nebraska May 2016 UNCANNY CONVERSATIONS: DEPICTIONS OF THE SUPERNATURAL IN DIALOGUE LIEDER OF THE NINETEENTH CENTURY Delane J. Boyd, M.M. University of Nebraska, 2016 Advisor: Pamela Starr This thesis seeks to communicate the ways in which supernatural beings were musically depicted in dialogue Lieder of the Romantic era. Through analyses of a selection of nineteenth-century German art songs featuring both human and non-human participants within the textual conversations, this study endeavors to identify musical techniques composers used to distinguish between supernatural and mortal speech in songs presented as dialogues while composed for a solo singer. -
Spectator 1986-10-22 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 10-22-1986 Spectator 1986-10-22 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1986-10-22" (1986). The Spectator. 1766. http://scholarworks.seattleu.edu/spectator/1766 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Seattle University the LVI,No.55 (478-800) Spectator Vol. College students and alcohol Wednesday,October 22,L986 SUtask force works to inform campus By Carrie Hunkapiller "SU is only part of a nationwide obtained andapprovedbeforepurchasing "Last year, JeremyStringer, director SpectatorReporter effort toeducate students," Thon said. alcohol for an event and more ofStudentLifelooked at the proposalon TheSeattleUniversity Alcohol Task He said that SU would be non-alcoholic social events will be alcohol andother drugrelatedproblems," Force is sponsoring "Alcohol Education participating in the National Collegiate planned. Thon said and the task force was set up. Week" from Oct. 20 till Oct. 26 to Alcohol Awareness Week by sponsoring "Anexample of this (non-alcoholic The task force was set up in inform students about the issues and educational programs. events) is during orientation week SU November 1985 to change the alcohol problems concerning alcohol and drug The program's topics vary from had a non-alcoholic Finally Friday, policy set in1982. abuse. The task force also met and alcohol and the law, warning signs of wherenachos,andsoda was served. -
News Release
News Release 08 October 2008 SBS takes Great Australian Albums to MIPCOM 08 Australian free-to-air broadcaster SBS announces eight compelling 52 minute documentaries in its Great Australian Albums series for next week’s MIPCOM television trade fair in Cannes (13th - 17th October 2008). The offer includes both the successful first series – featuring albums from Silverchair and Crowded House, among others – plus a brand new four-part series delving into the music of such legendary acts as Nick Cave & The Bad Seeds, Powderfinger and The Go- Betweens. SBS Content Sales Manager, Kristin Burgham, said: “Great Australian Albums explores the personalities and events that formed the backdrop for some of Australia’s iconic albums – the albums that defined their eras.” “We’re excited about showcasing both the successful first series and a further four new documentaries which will be highly attractive to international arts / music and biography channels.” Nick Cave & The Bad Seeds – Murder Ballads will resonate particularly with European audiences, given the success of the band in Europe during the 1980s. Based in Berlin for much of that decade, the band appeared memorably in the 1987 Wim Wenders film Wings of Desire before relocating to Brazil. Murder Ballads, featuring duets with PJ Harvey and Kylie Minogue, was released in 1996 and remains the band’s most successful album. Murder Ballads reached #8 on the UK Charts, #5 on the German Charts, #3 on the Australian Charts and #1 on the Norwegian Charts. Nick Cave & The Bad Seeds – Murder Ballads screened to great acclaim at this year’s Sydney Film Festival and will soon be screening at several festivals in Europe.