Boston Symphony Orchestra Concert Programs, Season 109, 1989-1990
BOSTON SYMPHONY CHAMBER PLAYERS Sunday, October 29, at 3:00 p.m. at Jordan Hall BOSTON SYMPHONY CHAMBER PLAYERS Malcolm Lowe, violin Harold Wright, clarinet Burton Fine, viola Richard Svoboda, bassoon Jules Eskin, cello Charles Kavalovski, horn Edwin Barker, double bass Charles Schlueter, trumpet Doriot Anthony Dwyer, flute Ronald Barron, trombone Alfred Genovese, oboe Everett Firth, percussion with GILBERT KALISH, piano LAURENCE THORSTENBERG, English horn MAX HOBART, violin MICHAEL ZARETSKY, viola C.P.E. BACH Quartet in A minor for piano, flute, viola, and cello, Wq 93 Andantino Largo e sostenuto Allegro assai Mr. KALISH; Ms. DWYER; Messrs. FINE and ESKIN PERLE Sextet for Piano and Winds (1988) Allegro Allegretto Andante tranquillo Allegro Mr. KALISH; Ms. DWYER; Messrs. GENOVESE, THORSTENBERG, WRIGHT, SVOBODA, and KAVALOVSKI INTERMISSION BART6K Contrasts, for violin, clarinet, and piano Verbunkos (Recruiting Dance): Moderato, ben ritmato Pineho (Relaxation): Lento Sebes (Fast Dance): Allegro vivace Messrs. LOWE, WRIGHT, and KALISH BRAHMS String Quintet No. 1 in F, Opus 88 Allegro non troppo ma con brio Grave ed appassionato — Allegretto vivace — Tempo primo — Presto Allegro energico Messrs. LOWE, HOBART, FINE, ZARETSKY, and ESKIN Baldwin piano Nonesuch, DG, RCA, and New World records . C.P.E. Bach Quartet in A minor, Wq 93, for flute, viola, cello, and piano Of all the talented offspring of Johann Sebastian Bach, the second son, Carl Philipp Emanuel, was perhaps the most gifted, certainly the most imaginative. He attended the University of Leipzig, recognizing that a full liberal education was an essential part of a musician's training, especially in an age that regarded the average musician as an ignorant servant.
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