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From Rubber Stamp to a Divided City Council Chicago City Council Report #11 June 12, 2019 – April 24, 2020
From Rubber Stamp to a Divided City Council Chicago City Council Report #11 June 12, 2019 – April 24, 2020 Authored By: Dick Simpson Marco Rosaire Rossi Thomas J. Gradel University of Illinois at Chicago Department of Political Science April 28, 2020 The Chicago Municipal Elections of 2019 sent earthquake-like tremors through the Chicago political landscape. The biggest shock waves caused a major upset in the race for Mayor. Chicago voters rejected Toni Preckwinkle, President of the Cook County Board President and Chair of the Cook County Democratic Party. Instead they overwhelmingly elected former federal prosecutor Lori Lightfoot to be their new Mayor. Lightfoot is a black lesbian woman and was a partner in a major downtown law firm. While Lightfoot had been appointed head of the Police Board, she had never previously run for any political office. More startling was the fact that Lightfoot received 74 % of the vote and won all 50 Chicago's wards. In the same elections, Chicago voters shook up and rearranged the Chicago City Council. seven incumbent Aldermen lost their seats in either the initial or run-off elections. A total of 12 new council members were victorious and were sworn in on May 20, 2019 along with the new Mayor. The new aldermen included five Socialists, five women, three African Americans, five Latinos, two council members who identified as LGBT, and one conservative Democrat who formally identified as an Independent. Before, the victory parties and swearing-in ceremonies were completed, politically interested members of the general public, politicians, and the news media began speculating about how the relationship between the new Mayor and the new city council would play out. -
National Arts Awards Monday, October 19, 2015
2015 Americans for the Arts National Arts Awards Monday, October 19, 2015 Welcome from Robert L. Lynch Performance by YoungArts Alumni President and CEO of Americans for the Arts Musical Director, Jake Goldbas Philanthropy in the Arts Award Legacy Award Joan and Irwin Jacobs Maria Arena Bell Presented by Christopher Ashley Presented by Jeff Koons Outstanding Contributions to the Arts Award Young Artist Award Herbie Hancock Lady Gaga 1 Presented by Paul Simon Presented by Klaus Biesenbach Arts Education Award Carolyn Clark Powers Alice Walton Lifetime Achievement Award Presented by Agnes Gund Sophia Loren Presented by Rob Marshall Dinner Closing Remarks Remarks by Robert L. Lynch and Abel Lopez, Chair, introduction of Carolyn Clark Powers Americans for the Arts Board of Directors and Robert L. Lynch Remarks by Carolyn Clark Powers Chair, National Arts Awards Greetings from the Board Chair and President Welcome to the 2015 National Arts Awards as Americans for the Arts celebrates its 55th year of advancing the arts and arts education throughout the nation. This year marks another milestone as it is also the 50th anniversary of President Johnson’s signing of the act that created America’s two federal cultural agencies: the National Endowment for the Arts and the National Endowment for the Humanities. Americans for the Arts was there behind the scenes at the beginning and continues as the chief advocate for federal, state, and local support for the arts including the annual NEA budget. Each year with your help we make the case for the funding that fuels creativity and innovation in communities across the United States. -
Interview with Dawn Clark Netsch # ISL-A-L-2010-013.07 Interview # 7: September 17, 2010 Interviewer: Mark Depue
Interview with Dawn Clark Netsch # ISL-A-L-2010-013.07 Interview # 7: September 17, 2010 Interviewer: Mark DePue COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. DePue: Today is Friday, September 17, 2010 in the afternoon. I’m sitting in an office located in the library at Northwestern University Law School with Senator Dawn Clark Netsch. Good afternoon, Senator. Netsch: Good afternoon. (laughs) DePue: You’ve had a busy day already, haven’t you? Netsch: Wow, yes. (laughs) And there’s more to come. DePue: Why don’t you tell us quickly what you just came from? Netsch: It was not a debate, but it was a forum for the two lieutenant governor candidates sponsored by the group that represents or brings together the association for the people who are in the public relations business. -
The 2014 Illinois Governor Race: Quinn Vs Rauner John S
Southern Illinois University Carbondale OpenSIUC The imonS Review (Occasional Papers of the Paul Paul Simon Public Policy Institute Simon Public Policy Institute) 1-2015 The 2014 Illinois Governor Race: Quinn vs Rauner John S. Jackson Southern Illinois University Carbondale, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/ppi_papers Paper #40 of the Simon Review Recommended Citation Jackson, John S., "The 2014 Illinois Governor Race: Quinn vs Rauner" (2015). The Simon Review (Occasional Papers of the Paul Simon Public Policy Institute). Paper 40. http://opensiuc.lib.siu.edu/ppi_papers/40 This Article is brought to you for free and open access by the Paul Simon Public Policy Institute at OpenSIUC. It has been accepted for inclusion in The Simon Review (Occasional Papers of the Paul Simon Public Policy Institute) by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. The Simon Review The 2014 Illinois Governor Race: Quinn vs. Rauner By: John S. Jackson Paper #40 January 2015 A Publication of the Paul Simon Public Policy Institute Southern Illinois University Carbondale Author’s Note: I want to thank Cary Day, Jacob Trammel and Roy E. Miller for their valuable assistance on this project. THE SIMON REVIEW The Simon Review papers are occasional nonacademic papers of the Paul Simon Public Policy Institute at Southern Illinois University Carbondale that examine and explore public policy issues within the scope of the Institute’s mission and in the tradition of the University. The Paul Simon Public Policy Institute acts on significant and controversial issues impacting the region, the state, the nation, and the world. -
The Cyclical Influence of Society and Music
Conspectus Borealis Volume 6 Issue 1 Article 15 3-13-2020 The Cyclical Influence of Society and Music Bailey Gomes Northern Michigan University, [email protected] Follow this and additional works at: https://commons.nmu.edu/conspectus_borealis Part of the Music Commons, Politics and Social Change Commons, Social Influence and oliticalP Communication Commons, Social Justice Commons, and the Social Media Commons Recommended Citation Gomes, Bailey (2020) "The Cyclical Influence of Society and Music," Conspectus Borealis: Vol. 6 : Iss. 1 , Article 15. Available at: https://commons.nmu.edu/conspectus_borealis/vol6/iss1/15 This Scholarly Article is brought to you for free and open access by the Journals and Peer-Reviewed Series at NMU Commons. It has been accepted for inclusion in Conspectus Borealis by an authorized administrator of NMU Commons. For more information, please contact Kevin McDonough. The Cyclical Influence of Society and Music Throughout time, there have been discussions over the age-old question: ‘which came first, the chicken or the egg?’ This type of question applies to many other areas of life and it is the basis for this paper. The question that this paper explores is ‘does society change music, or does music change society?’ This paper will show that neither came first, but rather they exist simultaneously in a never-ending cycle. By discussing the influences of two musical icons, Pearl Jam and Lady Gaga, this paper will show the perpetual cycle of how society and music influence each other. Society is constantly changing and there are always movements that gain public attention. Whether that attention is positive or negative does not matter; it is attention nonetheless. -
Letter Reso 1..3
*LRB10108178ALS53244r* HR0078 LRB101 08178 ALS 53244 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives are saddened to learn of the death of Lynda 4 DeLaforgue of Chicago, who passed away on January 12, 2019; and 5 WHEREAS, Lynda DeLaforgue was born in Chicago to James and 6 June DeLaforgue on February 18, 1958; she was raised in 7 Franklin Park; her father was a tuck pointer and a village 8 firefighter, and her mother was employed in the business office 9 of a local paper company; she graduated from Rockford College 10 in 1980, where she majored in theater and was active in local 11 community productions; in 1985, she married Hans Hintzen, and 12 they settled in Chicago's Edgewater neighborhood; they later 13 divorced; and 14 WHEREAS, Lynda DeLaforgue was working as an actress and 15 looking for part-time work when she took a job fundraising for 16 the relatively new Illinois Public Action Council; effective as 17 a door-to-door canvasser and recruiter, she soon became the 18 group's Rockford office manager and helped organize a voter 19 registration drive leading up to the 1984 election; she then 20 became the group's statewide canvass manager and helped set up 21 similar canvass operations in other states; she also took an 22 increasing role in the organization's issue work, especially 23 around health policy and consumer protection; she was HR0078 -2- LRB101 08178 ALS 53244 r 1 simultaneously involved in many progressive political 2 campaigns and helped elect Paul Simon to the U.S. -
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle
Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle by Konstantinos Chatzipapatheodoridis A dissertation submitted to the Department of American Literature and Culture, School of English in fulfillment of the requirement for the degree of Doctor of Philosophy Faculty of Philosophy Aristotle University of Thessaloniki Konstantinos Chatzipapatheodoridis Strut, Sing, Slay: Diva Camp Praxis and Queer Audiences in the Arena Tour Spectacle Supervising Committee Zoe Detsi, supervisor _____________ Christina Dokou, co-adviser _____________ Konstantinos Blatanis, co-adviser _____________ This doctoral dissertation has been conducted on a SSF (IKY) scholarship via the “Postgraduate Studies Funding Program” Act which draws from the EP “Human Resources Development, Education and Lifelong Learning” 2014-2020, co-financed by European Social Fund (ESF) and the Greek State. Aristotle University of Thessaloniki I dress to kill, but tastefully. —Freddie Mercury Table of Contents Acknowledgements...................................................................................i Introduction..............................................................................................1 The Camp of Diva: Theory and Praxis.............................................6 Queer Audiences: Global Gay Culture, the Arena Tour Spectacle, and Fandom....................................................................................24 Methodology and Chapters............................................................38 Chapter 1 Times -
Bill Brady Kirk Dillard Tio Hardimann Bruce Rauner Dan Rutherford Pat
Bill Brady Kirk Dillard Tio Hardimann Bloomington Hinsdale Hillside AGE: 52 AGE: 58 AGE: 51 JOBS/EXPERIENCE: Small JOBS/EXPERIENCE: State senator JOBS/EXPERIENCE: Activist, speaker, businessman, state senator and attorney. Chief of staff to former former head of CeaseFire Chicago OFFICES HELD: State representative, Gov. Jim Edgar, director of legislative OFFICES HELD: First time seeking state senator affairs for former Gov. Jim Thompson public office EDUCATION: Illinois Wesleyan OFFICES HELD: State senator EDUCATION: Associate degree from University, Bachelor of Science, 1983, EDUCATION: WIU, 1977, Bachelor of Harold Washington College and bachelor economics finance and political science Arts in political science and economics and master degrees from Northeastern FAMILY: Married, three adult children with honors; Juris Doctor degree from Illinois University in Chicago RUNNING MATE: Maria Rodriguez, DePaul University Law School in 1982 FAMILY: Married, four children former Long Grove village president, FAMILY: Married, two daughters and two stepchildren trustee and clerk RUNNING MATE: State Rep. RUNNING MATE: Attorney Jil Tracy, former assistant Illinois Brunell Donald attorney general Bruce Rauner Dan Rutherford Pat Quinn Winnetka Chenoa Chicago AGE: 58 AGE: 55 Age: 65 JOBS/EXPERIENCE: Chairman, JOBS/EXPERIENCE: Illinois state JOBS/EXPERIENCE: Illinois governor R8 Capital (current). Chairman, GTCR treasurer. ServiceMaster Co., Vice OFFICES HELD: Former lieutenant (retired in 2012) President International governor and state treasurer OFFICES -
NORTHERN ILLINOIS UNIVERSITY a Thesis Submitted to the University
NORTHERN ILLINOIS UNIVERSITY ‘Some of Us Just Like to Read’: Lady Gaga’s Pastiche and the Rhizome A Thesis Submitted to the University Honors Program In Partial Fulfillment of the Requirements of the Baccalaureate Degree With Upper Division Honors Department Of Art History By Anthony Amettis DeKalb, Illinois May 10, 2014 HONORS THESIS ABSTRACT “’Some of Us Just Like to Read’: Lady Gaga’s Pastiche and the Rhizome” explores intersections of network theory, new media, contemporary art and visual culture, and post-modern critical discourses. It attempts to characterize the productive tendencies of contemporary pop culture, using Lady Gaga as a lens through which these tendencies can be observed. It pays particular attention to the correlation(s) between the structure of the Internet, the exchange of texts and images within such a structure, and how Lady Gaga embodies this dynamic. This paper demonstrates, through both a critique of the concept of pastiche under current cultural conditions and a close examination of some specific performances, that Lady Gaga’s is a pastiche informed by a historical and cultural awareness, which turns pastiche into an affirmative, indexical reaction to the socio-cultural condition of the digital age. Ultimately, I argue that Lady Gaga’s tendency to pastiche reflects the structure of the current cultural moment; and that, by embodying a pastiched image, she encourages multifaceted interpretations of her music, fashion, and performances from an equally multifaceted audience. University Honors Program Capstone Approval Page Capstone Title (print or type) IJ\o Id QcaA"° Lticlu Piacn.\ PQL^HcJrvr) Qa^ri -4ho \Zki±zYV\ o________________ Student Name (print or type) An4^tTU^ AfVlLHlS Faculty Supervisor (print or type) _ Faculty Approval Signature _ Department of (print or type) Ah- -Hi^pu____ Date of Approval (print or type) XSfi.CQJtnbfft' ^ ,3.1) l'2) 'Some of Us Just Like To Read": Lady Gaga's Pastiche and the Rhizome I've overheard your theory: Nostalgia's for geeks. -
Body Vandalism: Lady Gaga, Disability, and Popular Culture Christopher R
Body Vandalism: Lady Gaga, Disability, and Popular Culture Christopher R. Smit, PhD Calvin College, USA Abstract: This essay investigates the employment of disability by the pop star Lady Gaga. Working through different illustrations of disability in her videos it is argued that Lady Gaga ushers in a new aesthetic and political platform on which disability can be redefined. In particular, the author argues that Lady Gaga unconsciously performs within the space of what Siebers has named a disability aesthetic in which the different bodies reformulate the expectations and desires of the art object. The context of popular culture is explained as a necessary component of this reframing. Keywords: disability, Lady Gaga, aesthetics “To what concept, other than the idea of disability, might be referred modern art’s love affair with misshapen and twisted bodies, stunning variety of human forms, intense representation of traumatic injury and psychological alienation, and unyielding preoccupation with wounds and tormented flesh?” –Tobin Siebers, Disability Aesthetics Introduction The body of Lady Gaga has been tortured, bruised, beaten, bloodied, hung by the neck, and killed. It has limped using crutches, been propelled by haute couture wheelchairs, and disemboweled by a lover. All in public. All in performance, as a product to be bought and sold in the pop culture marketplace. The corpse has been painted with the brush of sexuality, glamorized, objectified, and graphically presented as the consumable flesh of female celebrity. Indeed, the body-imperfect, the transitional body, is fixed to Gaga’s aesthetic story. This painful creation in her videos, photo shoots, and films hasn’t always been original, but the residue of its parts smacks of a novel aesthetic blend of the controversial, beautiful, and ugly. -
Lady Gaga (Ladygaga) on Twitter
Home Connect Discover Lady Gaga Follow @ladygaga 1,507 TWEETS mother mons†er New York, NY · http://www.ladygaga.com 138,647 FOLLOWING 25,415,133 FOLLOWERS Tweets Tweet to Lady Gaga 5h Lady Gaga @ladygaga Exciting news little monsters! I've played my new record for my label and will be announcing my new Album Title in September! X Tweets Expand Following Followers 19h Favorites Lady Gaga @ladygaga Lists Goodnight little monsters pic.twitter.com/UV1caQvY View photo Recent images 7 Jun Lady Gaga @ladygaga Somebooody got to hear all my new music last night.......*cough cough* @ladystarlightny..feel free to heckle her Expand Similar to Lady Gaga Verizon Wireless USA @Ver… Promoted · Follow Justin Timberlake @jtimberl… 7 Jun Follow Lady Gaga @ladygaga Holllllly muthhhheeeerr! New Zealand get ready I'm feeling Demi Moore @justdemi particularly pumped tonight!! Follow Expand © 2012 Twitter About Help Terms Privacy 6 Jun Blog Status Apps Resources Jobs Lady Gaga @ladygaga Advertisers Businesses Media Developers is there something wrong with weird. @ibra_Gaga ( khaki cargos might slightly upset me) Expand 6 Jun Ibra sihombing @ibra_Gaga The awkward moment when Lady Gaga thinks you dress weird. Retweeted by Lady Gaga Expand 6 Jun Lady Gaga @ladygaga @tarasavelo and @ladystarlightny said my Twitter photo looks like I'm asking my Dad for money. Ahhh!ahahahaha #OnlyFriendsWillSayTheTruth Expand 6 Jun Lady Gaga @ladygaga @ladystarlightny is here! We're having a blast. Wait till you see her amazing show! Expand 5 Jun Lady Gaga @ladygaga I hope lil monsters know me and Tara are just joking! We love eachother and like to laugh! We love you! You make us have fun! Expand 5 Jun Lady Gaga @ladygaga @tarasavelo That Tea was spilled. -
Narrativa Transmídia E a Criação De Um Universo Imersivo Na Carreira De Lady Gaga
Universidade Federal do Ceará Instituto de Cultura e Arte Curso de Jornalismo Narrativa Transmídia e a Criação de um Universo Imersivo na Carreira de Lady Gaga Victor Torres de Mello Teani Comenho Fortaleza 2016 VICTOR TORRES DE MELLO TEANI COMENHO Narrativa Transmídia e a Criação de um Universo Imersivo na Carreira de Lady Gaga Monografia apresentada ao Curso de Comunicação Social da Universidade Federal do Ceará como requisito para a obtenção do grau de Bacharel em Comunicação Social - Jornalismo, sob a orientação do Prof. José Riverson Araújo Cysne Rios. Fortaleza 2016 3 4 5 DEDICATÓRIA Dedico este trabalho a todos aqueles que conhecem os revezes e as dificuldades da pesquisa, e ainda assim continuam, convictos, a construir conhecimento, uma página de cada vez. 6 AGRADECIMENTOS Muitas pessoas contribuíram, de uma ou outra maneira, para que este trabalho chegasse, en- fim, a ser concluído. Em primeiro lugar, ficam os mais sinceros agradecimentos ao meu orientador, Riverson Rios, que esteve sempre presente, sempre disposto, oferecendo os mais valiosos conselhos não ape- nas para a produção desta monografia, mas também para a vida. Agradeço também a Helena Martins, que foi a primeira professora a ouvir o tema deste traba- lho, e que me incentivou e deu dicas valiosas, das quais me lembrei até a última página desta monografia. A Gisa Carvalho, amiga e professora, que mesmo de longe mandava lembranças e apoio, e que também contribuiu muito para minha formação acadêmica. A Júlia Miranda, que ministrou a cadeira de Pesquisa em Comunicação e que foi de funda- mental importância para que este trabalho ganhasse forma.