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Holiday 2002

The Alliance of Canadian Cinema, Television and Radio Artists Beachcombers! The show that made B.C.’s coast famous around the world is back as a TV movie. PAGE 17

Inside: ACTRA member’s cycling adventure for charity PAGE 4

Income Security: articles on The Performing Arts Lodges PAGE 6 and The Actors’ Fund PAGE 12 Holiday Greetings from ACTRA’s Branch Presidents PAGE 11 What safety net? The insecurity of performer income Thor Bishopric

n addition to the traditional time with also means performers can’t claim ‘employ- ACTRA celebrates our 60th Anniversary Ifamily and friends, holidays tend to be a ment insurance’ when not working, adding in 2003. Our members have a rich and time of generosity and goodwill to others. to our financial instability. Shouldn’t we accomplished history to be proud of, and Artists, though often without means, are get the best of both worlds? a bright future to look forward to. We’re generous – giving to others of their time, In addition to battling the plight of the thrilled that so many branches have talents and hard-earned money while hav- individual performer, ACTRA the organi- embraced the idea of re-instituting branch ing trouble making ends meet themselves. zation is suffering financial hardship of ACTRA Awards, and we hope you will share Performers face a particular hardship. Even late. Our June meeting saw the establish- in our celebrations. those who achieve success and prosperity ment of a Finance Committee to review I wish you all happiness and health over are at risk of destitution in later life. A our situation. National Treasurer Jamie the holidays, and work and fulfillment in strong income stream from one project Bradley has a brief report on this commit- the new year. does not guarantee financial security or tee in the news section. future engagements. Dan MacDonald writes on Performing At ACTRA’s June policy conference, Arts Lodges – an inspiring organization we resolved to act on two policy fronts: that is making strides across the country. Canadian content, and income security for performers. Since June, we’ve launched our Campaign for Canadian Programming, to raise awareness about the decline in Canadian TV dramatic series production. We are pressuring Dying a dramatic death? the government and the CRTC to change regulations and get back on track with TV drama series that create Canadian culture is. meaningful jobs for performers and broadcast Canadian culture to Since CRTC rule changes in 1999, production of English-Canadian television Canadians. drama has seriously declined. We are also embarking on the serious issue of income security for performers – or insecurity. David Hope writes for us on Why should you care? the difficult and all-too-common situa- “A country without a healthy diet of continuing, homegrown drama is tion of the artist in financial hardship. lacking in the fibre of contemporary storytelling. In every country that As Executive Director of the Actors’ Fund has even the vaguest notion of a culture and identity, there is a distinct of , he has a unique knowledge link between the idea of itself and the fictive imagination. A country is of the performer struggle. Making the simply inauthentic if its stories are not reflected back to itself." precarious financial life of performers J D Globe and Mail TV columnist, July 18, 2002 more secure is a challenge. Where does one start? One effort that has been forced upon Support ACTRA’s Campaign for Canadian Programming us is to protect the independent con- tractor tax status of performers. With a rash of audits by the Canada Customs It’s easy – visit and Revenue Agency (CCRA), particu- larly in B.C., ACTRA has been trying www.actra.ca legal means and has had discussions and send an email with the CCRA to curb the audits of our members. While we value being we perform letter to your MP. independent contractors, this status

2 InterACTRA HOLIDAY 2002 In this issue of InterACTRA...

PRESIDENT’S MESSAGE The Income Security Issue by Thor Bishopric...... 2

FEATUREPedal pushing UBCP/ACTRA member’s Since 1958, the Actors’ Fund of Canada has helped to bicycle adventure for charity by D. Neil Mark ...... 4 thousands of performers and other entertainment industry professionals in financial crisis to get back on their feet after a major setback. When artists in need have nowhere else to turn, the Fund can intervene at a critical moment with a rent cheque, grocery money, a subsidy for prescription drugs or other assistance. If you are ill, injured, or have suffered a financial catastrophe that puts your health, shelter or ability to work in jeopardy, contact the Fund for quick and confidential help. The Actors’ Fund of Canada is a registered charity FEATURE The Performing Arts Lodges of Canada: sustained by members of the entertainment industry PAL’s with you all the way! by Dan MacDonald ...... 6 professions. For more information or to make a tax- deductible donation, contact the Fund at: NEWS ACTRA/CAEA reciprocal agreement; updates on CBC, 10 St. Mary Street, Suite 860, Toronto, ON M4Y 1P9 CTV and UBCP Master Production Agreement; National Council heads TEL: (416) 975-0304 (TOLL-FREE 1-877-399-8392) toward recommending a dues increase; protecting (416) 975-0306 FAX: performers’ tax status ...... 8 E-MAIL: [email protected] www.actorsfund.ca POLICY Update on ACTRA’s Campaign for Canadian TV Drama by Christie MacFadyen .... 10

SEASON’S GREETINGS Reflections on ACTRA members’ Holiday 2002 Volume 8, Issue 3 generosity by each of our InterACTRA is the official publication of ACTRA (Alliance of 10 Branch Presidents ...... Canadian Cinema, Television and Radio Artists), a Canadian union 11 of performers affiliated to the Canadian Labour Congress and the International Federation of Actors. InterACTRA is free of charge FEATURE Actors helping actors A feature on income security to all ACTRA Members. by the Actors’ Fund of Canada’s Executive Director David Hope ..12 Editorial Advisory Committee: Thor Bishopric, David Macniven, Brian Gromoff, Stephen Waddell, Kim Hume FAREWELL Goodbye to Sandy Hoyt and Linda Racine ...... 14 Contributors: Lorraine Ansell, Randy Birch, Jamie Bradley, Dave Clarke, Joy Corion, Sharon Davidson, Ferne Downey, Richard Hardacre, Matt Holland, APPLAUSE Congrats to ACTRA mem- David Hope, Amy House, Tracey Hoyt, Rick Jenkins, John Juliani, bers Nia Vardalos, Michael Moriarty, Dan MacDonald, Christie MacFadyen, Dan Mackenzie, Percy Saltzman, Sharon, Lois and Andrew MacVicar, D. Neil Mark, Wayne Nicklas, Chris Scott, Anne Marie Scheffler, Stephanie Stevenson, Carol Taverner, Abby Zotz Bram, The New Beachcombers, Rita Design: Joss Maclennan Design Deverell, Daniel MacIvor, Laura Printed in Canada by union labour at Thistle Printing Regan, Joy Coghill, Karen Kain, and All contents are copyright © 2002 ACTRA. All rights are reserved and our Gemini Award winners...... 16 contents, in whole or in part, may not be reprinted without permission. The points of view expressed do not necessarily represent those of ACTRA. ...... Please return any undelivered mail to: by Anne Marie Scheffler 19 ACTRA, 625 Church Street, Suite 300, Toronto, M4Y 2G1 PHONE 1-800-387-3516 OR (416) 489-1311 FAX (416) 489-8076 ACTRA’s 60th ANNIVERSARY www.actra.ca [email protected] celebrating 60 in 2003 ...... 20 Publications Mail Agreement #40069134 Cover photo of The New Beachcombers courtesy CBC. Photo by Phil Hersee. Cameron Bancroft, Deanna Milligan, Got a computer? Want to receive InterACTRA by email? Jackson Davies, , . If you’d like InterACTRA in your e-mailbox instead of by mail, C email us at [email protected] with your membership number.

HOLIDAY 2002 InterACTRA 3 Pedal pushing Branch-to-branch bicycle adventure raises funds, makes ACTRA connections by D. Neil Mark

ike any great adventure, it started with the CKNW Orphan’s Fund, and ideas of grandeur. Visions of sweltering the University of Victoria’s Keith Lhot days, mountains rising to the Provost Memorial Scholarship heavens, fields of wheat swaying in a prairie in Theatre. I chose these two breeze, and the sun shimmering off myriad because the Orphan’s Fund lakes passed through my imagination like reaches a broad range of people comets traversing the night sky. I had and I was adopted when a baby; always wanted to do a long bicycle tour, Keith Provost was a friend and and Canada was definitely one of my goals. fellow actor, who exemplified When I was eight, I made the trip from the qualities of a great human Alison Vieira Victoria to with my Mom, her being. He was tragically taken friend, my two older sisters, and the family at the tender age of 40 while dog in a Toyota Corolla. When I was older, riding his bicycle in Vancouver. I took the bus back. This trip though, was I left on August 1st at 7 a.m., “The D” with Thor Bishopric, ACTRA’s National President, a spiritual trip that would find me riding from the site where Keith’s bicy- and Richard Hardacre, President of ACTRA Toronto 4,500 km completely on my own in an esti- cling accident occurred. About Performers, on the successful completion of his ride. mated schedule of 24 days. It was no small 18 people came out to send me feat, but I knew I was up to the challenge. off, including Keith’s widow Janet I lost my cell phone. Next came a 50-km Traveling by bicycle is a way to actually and her parents. I was presented with a detour around the Port Mann Bridge, see the country how few do. I am at peace folder containing some info about Keith because bicycles aren’t allowed to cross it. when on my bike, and the stresses of life and his untimely passing, and received By the time I had finished my first day, are washed away like the sweat in a shower the best good luck hugs and kisses ever. I had been introduced to how the rest of after a long ride. It was an emotional moment for others, the trip was to turn out: frustrating! There was another reason for the ride, and for me, but I truly couldn’t have asked The landscape and the weather were the and that came in the form of raising money for a better ‘bon voyage’. Trans-Canada hardest things to deal with. From the high for a couple of charities. It was the sugges- Highway, here I come. mountain passes of B.C. and , to the tion of my close friend, UBCP/ACTRA The first day tested my will right from flat, straight prairies, to the rolling miles of member Bruno Verdoni. He suggested that the start. I was hoping to do a live inter- Ontario, add in the weather that isn’t sup- since I was already going on the ride, why view for a local morning TV show, but the posed to happen in August and you have not attach a charity to it? I thought it was reporter was called away on an emergency a formidable opponent to a cyclist and his a great idea and decided to choose two: story. Then, before I made it out of the city, 85-lb. bike. Despite being told by many

D. Neil Mark sets out on his journey from Vancouver to Toronto. TheThe flatflat,, straightstraight

4 InterACTRA HOLIDAY 2002 for a friend that: the Rockies would grind me down, the prairies would burn me to a crisp, the Donations can be sent directly to: bugs in Manitoba would eat me alive, and the humidity of Ontario would melt me, I The Keith Provost Memorial was keen to go. In fact, most of that never Scholarship in Theatre really happened. I loved climbing the high University of Victoria mountain passes, there was no sweltering c/o Development Office heat to contend with, the bugs didn’t mate- rialize and the humidity evaporated away. P.O. Box 3060, Stn. CSC What didn’t go away and seemed to follow Victoria, B.C. V8W 3R4 me wherever I went was the rain and cool CKNW Radio Orphan’s Fund weather: everything from a constant drizzle, to a deluge of biblical proportions. Even Suite 2000 – 700 West Georgia St. hail! Of the 22 days it took me to reach Vancouver, B.C. V7Y 1K9 Toronto, I had rain for 14 or 15 of those days. That makes for really tough riding and camping. that I never want to ride across Canada During my journey I was able to drop again!! Or go for a long bike ride like that in at the local ACTRA branch offices in without having someone to share it with , Regina and Winnipeg. There I each day. Friends are what helped me get found a few surprises – mostly how small through my struggles, and friends are what our other branches really are. I knew they I missed and thought about most. And didn’t compare with Vancouver or Toronto, believe me, I had lots of time to think. but still, they’re tiny – sometimes just one Really, friends are the reason why I went person. I was pleasantly surprised at how on my journey in the first place. great the staff is considering the workload So, in ending this article, I must give they endure. Each time I was treated like a thanks to those who have helped me hero, fed, and sent on my way with hearty achieve the greatest feat of my life. congratulations on my endeavours. I was Thanks, friends. Cheers to you!

really impressed. So, the next time you Alison Vieira think no one is there to help you, go down UBCP/ACTRA member D. Neil Mark is a and watch the staff at work. Thanks to all competitive cyclist and carpenter as well as an those at the ACTRA branches who helped actor. His ride raised funds for the CKNW’s Orphan’s Fund and over $1,000 for the Keith along the way. D. Neil Mark arrives in Toronto on completion Provost Memorial Scholarship in Theatre. In the end, I discovered a lot about our of his 4,500 km ride from Vancouver. country, my friends, and myself. Mostly, www3.telus.net/thedpage prairiesprairies went went onon andand onon……

HOLIDAY 2002 InterACTRA 5 From Halifax to Vancouver – PAL’s with you all the way! Performing Arts Lodges now have active chapters across the country by Dan MacDonald

rom a longing in the hearts of a few “Pal Place Toronto is a performers in the 1980s to look after Four own aging colleagues, Performing microcosm of the national Arts Lodges of Canada (PAL) has become a coast-to-coast organization three full years ahead of schedule. While our 10-year-old arts scene.” Performers ‘pilot lodge’, Pal Place in Toronto, is the only actual residence, superbly serving the such as Ardon Bess, needs of older members of ‘the biz’, vibrant PAL chapters are actively preparing to Len Doncheff, Jack erect geared-to-income buildings in Vancouver and Stratford. PAL Halifax Duffy, Colin Fox, Robert is not far behind. There are efforts afoot in Montreal, Calgary and Winnipeg to Haley, Elva Mai Hoover, establish PAL chapters. PAL is now here for you, wherever you live and work. Frances Hyland, James Housing is not our only aspect. With the encouragement of activist and moving spirit Kirchner, Arlene Patty Gail Peaker, Supporting Cast is up and running in every PAL chapter from Halifax Meadows, Billie Mae PAL activist Patty Gail Peaker with ACTRA/CAEA to Vancouver. Supporting Cast is a terrific member and PAL resident, the late Peter group of volunteers dedicated to helping Richards, Patricia Scott, Sturgess, at his birthday party in PAL’s Crest the elderly, frail or disabled lead comfort- Theatre Green Room, July 1999. able and secure lives in familiar surround- Paul Soles, and Murray ings. The name was coined by one of its founders, ACTRA’s own Lynn Gorman. Westgate, are joined by Supporting Cast’s dedicated volunteers do many necessary things: run errands, take many other ACTRA a colleague to medical appointments, help with meals – any task able to be performed members, as well as by a volunteer, short of those requiring licensed medical help. So you see, producers, dancers, Performing Arts Lodges of Canada is, and does, much more than most people think. agents, critics, visual We are a service organization; a national charitable organization committed to ensur- artists, casting people, ing that, as they age, those who have dedi- cated their lives to any of the aspects of the directors, designers, and performing arts, receive the respect, dignity and gratitude that is their due. Our man- on and on… date is to provide affordable housing and health services to this constituency. Why?

Brian D Brian Because, if we don’t, no one else will! Coming from every part of Canada, they A microcosm of the national arts scene, have opted to remain in the city in which ennehy the Toronto residence is filled with actors, most have spent the bulk of their careers. producers, dancers, agents, critics, visual Our successful maintenance of the per- artists, casting people, directors, and former in his or her milieu is much envied Honourary President of PAL Vancouver Joy Coghill designers. Interestingly, most of the 219 by visitors from other climes. Nowhere else with Jackson Davies and Donnelly Rhodes. residents are not original Torontonians. do you find the feisty liveliness of PAL.

6 InterACTRA HOLIDAY 2002 Believe it, PAL is no retirement home! One resident performer described Toronto’s Pal Place as “the world’s biggest theatrical Want to get involved with PAL? boarding-house.” The beauty is, if you want company, it’s a few steps outside your apart- ment; if you want privacy, close your door PALVancouver and you will be undisturbed. Box 2249, Main P.O. Pal Place (Toronto) While all PAL chapters may soon launch Vancouver, B.C. V6B 3W2 110 The Esplanade, Suite 328 drives to provide affordable accommodation, Phone: (604) 255-4312 Toronto, ON M5E 1X9 their object is always to provide assistance and email: [email protected] Phone: (416) 777-9674 fellowship to those who need it, wherever and Volunteer with Supporting Cast or drop email: [email protected] however that help can be provided in by for Thirsty Thursday gatherings on Supporting Cast volunteers Canada. Beyond providing affordable living the third Thursday of the month, 2-3 p.m. welcome! Many gatherings, services spaces, PAL offers many other important at the Subeez Café, corner of and programs for performers. Call services. All these cost money, which is Homer and Smythe. (PAL surveys or email for more information. raised through membership fees, donations online at www.palvancouver.org) and bequests, fundraising events, and PAL Halifax through whatever federal and provincial PAL Stratford c/o ACTRA Maritimes programs still exist in this cost-cutting, P.O. Box 21045 (interim address) user-pay world we now live in. Stratford, ON N5A 7V4 1660 Hollis Street, #103, ACTRA has supported PAL from the Phone: (519) 273-8058 Halifax, NS B3J 1V7 beginning, joining with CAEA and AF of M email: [email protected] Phone: (902) 420-1404 to provide seed money to kick start the Drop by our Coffee Time every email: [email protected] operation in 1986. This support continues. Wednesday at 9:30 a.m. at the As the newest chapter, we’re Final touches are being made to a voluntary Elizabethan Restaurant on Ontario St. looking for people with energy contributions mechanism negotiated into New members always welcome. and ideas and willingness to get the IPA, and through Equity’s ‘deputy pack- involved. age’ system. Of special importance, many This just in! PAL Vancouver site is a go! PALVancouver received the go-ahead individual members donate time, effort and from city hall in November for the Bayshore Gardens site. PAL was money to PAL each day, including PAL’s several organizations vying for the location and now one of lion before the end of January needs to raise $2.5 mil- Board of Directors, the bulk of the volunteer to hold onto the site. army without which PAL would grind to a Vancouver at (604) 255-4312 or visit www.palvancouver.org.To help out, contact PAL halt, and the many bequests and sizeable monetary contributions made by individuals. This support is critical. Financial consid- eration is important, of course, but what is perhaps of more importance is a demonstrat- ed commitment to the philosophy of PAL that it represents. Performers have always been in the forefront in such efforts, in “caring for our own.” Who started the Actors’ Fund of Canada? Performers. Who began an envied benefit society (Actra Fraternal Benefit Society) when artists were being excluded from such assistance? Mainly performers. And, who began instituting services to older members to keep them in contact with their special community, to provide security, affordable housing and con- tinuing involvement with their artistic com- munity? Yep, performers! Performers helped raise over $7,000 for PAL Canada in The Second City Second Annual Alumni Week in May; in September performers raised over $10,000 for PAL

A Stratford with a concert version of Stephen udrey H Sondheim’s A Little Night Music; performers

ozack have brought many evenings of pleasure and dollops of cash to PAL’s coffers through (continued on page 15) Canada Day at the PAL Courtyard in Toronto.

HOLIDAY 2002 InterACTRA 7 InterACTRA, ACTRA National Organizer Agreement terms were ratified by ACTRA Don Dudar explained that the Christian members in October by 94%. Labour Association of Canada (CLAC), Citing significant changes in the broad- considered an employer-dominated union, cast industry over the past decade, CTV was claiming to represent performers at argued for substantive amendments to the Chinook Animation, offering fees and agreement. While not an ideal deal, standards inferior to ACTRA rates. ACTRA views the successful conclusion In order to dry up the pool of profes- of negotiations as a positive step forward ACTRA, Equity updating sional performers available to Chinook in improving relations with CTV, thereby Animation, and encourage Chinook to encouraging more work opportunities for reciprocal agreement engage professional performers at ACTRA ACTRA members at the network and its ACTRA and Canadian Actors’ Equity rates, ACTRA sought and has obtained the local stations. Association (CAEA) have long had a support of CAEA in advising its members – Stephen Waddell reciprocal agreement in place, defining not to accept work at Chinook – all in an our respective jurisdictions, pledging mutu- effort both to ensure fair rates and working al support and recognizing the professional conditions for professional performers and status of our members by offering reduced- a level playing field in our industry. The rate membership entry fees when a member ACTRA/CAEA Joint Statement and Reciprocal accepts work in the other union’s jurisdic- Agreement are at www.actra.ca in the tion. As a result, many professional per- Document Library under Reciprocal formers in Canada are members of both Agreements. CAEA and ACTRA. www.clacwatch.com The first ACTRA/CAEA reciprocal www.actracalgary.com agreement was nailed down in 1971, - Stephen Waddell and subsequently updated in 1996. A small joint committee has been working on an update of the reciprocal agreement. ACTRA renews terms with CTV UBCP reaches tentative The joint committee expects to conclude After a brief but intensive period of bar- MPA deal its work shortly. The usefulness of the gaining, ACTRA successfully negotiated reciprocal agreement has become evident a renewal of its agreement with CTV In July, UBCP began re-negotiation of recently as a result of ‘rival union’ activity Network in August, updating the 1990-1991 the 1999-2002 B.C. Master Production in Alberta. In the Spring 2002 issue of ACTRA/CTV Agreement. The new Agreement (BCMPA) with representatives of both the B.C. Branch of the CFTPA and Canadian affiliates of the Alliance of Motion Picture and Television Producers (AMPTP). The current agreement expires March 31, The Stage Mom 2003. At press time, a tentative agreement had been reached, subject to review by the Survival Guide UBCP Executive Board and ratification by the UBCP membership. for parents of young performers in the Canadian film and television www.ubcp.com industry, by Robyne Ropell- – John Juliani Baruchel, published by ACTRA.

The guide is free to ACTRA members (under 18), or $15 (incl. CBC GST) for adult members and non- The CBC Television and Radio Agreements members. recently ratified by ACTRA members, expired on June 30, 2002, and ACTRA The Stage Mom Survival Guide and CBC may soon be back at the table is available at ACTRA branches trying to reach another deal. This bizarre across Canada or call 1-800- situation resulted from two years of pro- 387-3516 for more info. longed negotiations after the expiry of the previous agreement. And by the time that

8 InterACTRA HOLIDAY 2002 better bargain, better organize and better enforce our rights as Canadian performers. At press time, National Council was considering the Finance Committee’s recommendation that member dues be new deal was reached, it was set to expire. increased. The next step would be to ask On a positive note, ACTRA has succeeded you for your assent – watch your mailboxes in getting CBC to participate actively in a for an important referendum. joint committee to monitor digital media, www.actra.ca/actra/control/referendum or (to employ CBC jargon) the use of Tommy Banks material on ‘alternative platforms’ (read: – Jamie Bradley internet). That committee’s work will At press time, National Council (EI) deductions. One of the major producers support ACTRA’s struggle to negotiate who attended the meeting – David Mirvish – fair performer terms for digital media under was reviewing the Finance believes these assessments would destroy all our agreements. Committee’s report. A dues productions like the Lion King and Mamma – Stephen Waddell increase would require a Mia, and have a significant impact on the tourism industry. The Canadian Conference of referendum: watch your mailbox the Arts (CCA) has been lobbying to change Finance Committee established for an “Important Referendum”! the unfair tax treatment of artists for several June brought about the formation of the years – and ACTRA, as a CCA member – Finance Committee. Some of our union’s big is supporting these efforts. In attendance at thinkers are on the team and we have been Tommy Banks onside re: this initial meeting were ACTRA’s National given the task of creating world peace. Executive Director Stephen Waddell, Okay, so at first it seemed that daunting. performer tax status ACTRA’s new Federal Outreach We performers are dead in the middle of In October, ACTRA member Coordinator in Ottawa Chris Cornish, and a wildly fluctuating business and while pro- and Senator, Tommy Banks, convened a reps from CAEA, UdA, AF of M, the CCA, duction goes up and down, the needs of our cross-section of Canada’s artists’ organiza- Stratford, the National Arts Centre and the members remain the same. More and better tions to protect the self-employment tax Canada Council. We welcome Senator Banks’ services are in great demand. status of artists. What brought them togeth- initiative to focus on the self-employment Your Finance Committee is doing a study er is the significant concern that the Canada tax status issue and look forward to working of how ACTRA receives money and where Customs and Revenue Agency (CCRA) has together in the coming months. The group it goes. The aim is to find the perfect bal- been re-classifying certain performers and believes that the only long-term solution is ance between all of ACTRA’s units so that musicians as ‘employees’ – and assessing to make changes in the Income Tax Act and all have enough money to better lobby, huge back-taxes for Employment Insurance the Status of the Artist Act.

If ACTRA doesn’t ACTRA Full and Apprentice members: have your photo, this icon is what Get yourself in the picture! Send us your latest headshot. casting directors and producers will If you don’t know what your password is... see in Face to Face Send an email to [email protected] with your full name, Online. member number and your agency (if applicable) and ask to have your password re-sent, OR call 1-800-387-3516 and ask for Face to Face.

Make sure you’re in Face to Face Online – ACTRA’s searchable talent catalogue – at www.actra.ca (It’s free.)

HOLIDAY 2002 InterACTRA 9 Stop the destruction of Canadian TV drama! by Christie MacFadyen

said they will raise our concerns with their From 12… CTRA’s Campaign for Canadian caucus colleagues and have also sent letters Programming is inspiring political action across the country. Performers to the Prime Minister and to the Heritage A Minister supporting our cause. to 5 and other Canadians who care are sending At the National Policy Conference in hundreds of letters to their Members of June we resolved to focus on political out- Parliament via ACTRA’s websites. We are In 1999, there were 12 reach. ACTRA will not stand by while demanding action from the CRTC to stop English-Canadian one- broadcasters alone influence government the disappearance of Canadian drama from hour dramatic series our TV screens due to the steady dwindling policy that affects performer livelihoods. of Canadian indigenous television pro- Performers’ voices will be heard as well. produced in Canada: We must get our message out to the public gramming. The City and to the government and you can help! Please ACTRA’s National Political Action go to www.actra.ca or www.actratoronto.com Committee (PAC) has formed and branches and follow the simple directions to send a letter Code Name: Eternity from B.C to the Atlantic are campaigning. Da Vinci’s Inquest Performers are lobbying MPs and Cabinet to your MP. Emily of New Moon Ministers and have appeared before the Do it now. It’s your career we’re talking about, and your country. Nothing Too Good for a Cowboy Macerola Committee review of Canadian Content regulations. Members are working Power Play Christie MacFadyen is an Psi Factor in tandem with labour, industry and cultur- ACTRA National Councillor Riverdale al groups to win support in our campaign. and VP External at ACTRA These Arms of Mine Toronto branch marched proudly in the Toronto Performers. Labour Day parade distributing leaflets and Traders placed campaign ads in the major local arts Wind at My Back magazine, NOW, raising public support. Go to www.actra.ca or ACTRA and other union leaders met www.actratoronto.com and …and in 2002 with Heritage Minister Sheila Copps in Banff to call for action. ACTRA National follow the directions to send The Eleventh Hour President Thor Bishopric, performer/ Blue Murder writer/director and Toronto a letter to your MP. Now! Cold Squad Executive Director Brian Topp met with Da Vinci’s Inquest the Chair of the CRTC, Charles Dalfen, to Tom Stone explore possible solutions to this problem – and he agreed to be the keynote speaker at (Left): Corporal Marina Di Luzio (Janet Kidder) Toronto’s November members’ conference! and undercover crime-solving partner Tom The response from politicians and the Photo courtesy CBC Stone (Chris William Martin) in the Calgary- public has been powerful and positive. MP based CBC series Tom Stone, one of only five indigenous drama series on TV in 2002. Dennis Mills mailed a letter in his riding to over 100,000 constituents supporting (Below): ACTRA members ACTRA’s campaign and calling on the and Sonja Smits meeting with the Hon. Bill Prime Minister for decisive steps. MPs have Graham, MP. Alison Vieira

10 InterACTRA HOLIDAY 2002 Reflections on the generosity ’S of ACTRA members by our SEASON 10 Branch Presidents GREETINGS m p s a i a t w t h u i i a o o c T h b s t m i g w g i t g o s e h t a o W r a o i m o g i a d v A a o c o i a p o a c i s o a i o i e P A L i V t a A m p s d a c Randy Birch t c t o John Juliani f o s m S Calgary UBCP President President

b p o b P o t t o g d m o B i n l o g T g o T S T v i w m F s o B n f p I P w g l y t r a f c t g p t p a c t p a s w t h p y h G v a T h m a d i a y t w a e Chris Scott p l i a p o g Dave Clarke y c S Saskatchewan Edmonton President President p i o c m Q w t s o t i o a b l A o R d h r t I s M C r t h A M a a t S f w p t M C R J O a c t a S P s t e f m D B P A C h b th r s h t s C t d f t A F P a Richard Hardacre o 5 m h e M Wayne Nicklas t t Q h s a a Toronto President g a o t i Manitoba m President g f M a a m b t g o o A i N 2 w m f p f t c o a v c a c e t r p r b f a c i n A g R a c f y f t h t t p f M a d i t n w s o o m t A F o a c W h t c o m f S t Matt Holland t y a r o e Lorraine Ansell J h h Montreal i t c Ottawa President President g f N a s f A L B I k w a p t a t t I w l t s t o t H C o m a t c t P A L S t p g t t o m p k r i a l A a a t w c o t t t c a d t A u a h h f n a c t a f m a Amy House H a a Andrew MacVicar a t g c a Newfoundland/ h Maritimes Labrador President President HOLIDAY 2002 InterACTRA 11 The Canadian Conference of the Arts has an excellent policy paper on income security for artists. Actors helping actors ACTRA is a long-time member of the CCA and we support the proposals included in the CCA’s The Actors’ Fund tides performers over when ends don’t meet. federal pre-budget submission. A feature on income security, or rather, insecurity. by David Hope • re-introduction of the income averaging provision for self- employed individuals • make the first $60,000 per year CTRA members know that they are studio facilities in places like Regina and of income earned by artists players in a risky game. While the Toronto might help. and/or derived from copyright Afilm and television production indus- The Actors’ Fund of Canada was itself royalties tax-exempt try in Canada was not unique in experienc- conceived as a response to the problem of • lobby the Department of Finance ing a dramatic downturn in the months fol- income insecurity in the entertainment to undertake a “full and lowing 9/11, it’s now more than one year industry. In the past year the Fund provided comprehensive study into self- later and production volume is recovering just under $250,000 in emergency financial employment” slowly. Add in the steep decline in produc- assistance to community members – a large www.ccarts.ca tion of Canadian dramatic series television amount for a very small organization, and (look under Resources and and producers’ fears of labour disruptions a new record for the amount of aid distrib- Reports) by SAG members in 2001, and ACTRA uted in the community on an annual basis. members have experienced more than their For artists working without the safety share of turbulence in recent times. net of substantial savings or a steady job, As said recently, “None of a small amount of money can make the us got into this business for job security.” difference between survival and destitution. Film and television production is an unpre- The Actors’ Fund helps people whose dictable industry in which to make a living health, housing or ability to work are in Read this! in the best of times. But if the contribu- jeopardy due to a variety of difficult cir- tions made by entertainment industry cumstances. The Fund’s clients are men More on work to protect workers are truly of value to Canada’s and women; they are old and young, and culture and its economy, surely something they live in every region of the country: self-employed artists must be done to mitigate the effects of income insecurity in an industry where through public policy...... layoffs don’t typically come with a sever- ance package to cushion the blow. at www.ccarts.ca What are the appropriate responses for us as a society in the face of this seemingly untenable situation affecting our perform- The Actors’ Fund ing artists? What should the unions and professional associations representing helps people workers in our sector be doing to address this? What can we do as whose health, individuals? For artists working Advocacy on the part of housing or ability ACTRA and others for increased without the safety net Canadian television drama pro- to work are in duction and revised Canadian of substantial savings content regulations for broad- jeopardy due casters is important. Work or a steady job, a small being done by the Canadian to a variety Conference of the Arts to study amount of money can models that might provide of difficult self-employed performers with access to Employment Insurance circumstances. make the difference benefits is promising. Efforts to create more affordable housing between survival and for performers and other Canadians are laudable. New destitution. employment generated through the development of large-scale

12 InterACTRA HOLIDAY 2002 • They are people like Philip, a RRSPs senior living alone on a fixed RRSP savings are the backbone of your income who was injured in a retirement. With all of us living longer, car accident and unable to planning for retirement is the responsibility earn the small amount of of the individual. extra income he needed to make ends meet. The Fund • start now helped Philip to pay his • untaxed growth of untaxed dollars out-pace rent for a short time until non-RRSP savings even in a short period he recuperated from his • contribute up to your limit every year injuries and was able to • contribute early in the year audition again. • make smaller contributions more often • They are people like Sandra, an actor who was • don’t touch your RRSP diagnosed with an advanced They are people Over 40 years, untaxed compound growth stage of breast cancer and at 7% will almost double the value of a underwent a year’s worth of $50/month savings plan. Over 20 years, the intense chemotherapy, radia- who, like you, effect is less pronounced, but you’ll still be tion and surgery. The Fund way ahead if your savings are untaxed in an helped Sandra through the worst never thought RRSP. days of her treatment, assisting SOURCE: Actra Fraternal Benefit Society her with housing costs and other they would need living expenses to help give her the peace of mind she needed get on the to ask for help How RRSP savings may road to recovery. work for you • They are people like Jason, a performer from the Fund. The key to having a successful retirement who was the primary caregiver for his income is to make the maximum partner living with AIDS. Jason himself contributions to your retirement plan became ill and was unable to work dur- each year and from an early age. ing his brief illness. Jason had been the The Actors’ Fund cannot change the For example, if you are 25 and contribute household’s sole income earner, and unpredictable nature of the business. It is $2,500 each year for the next 30 years to with no savings to draw upon, Jason and not an activist organization or an advocate an RRSP, your total contributions will be Bernard were facing eviction. The Fund for investment or policy change. It is not a $75,000. If the annual compounded rate of return is 10%, at 55 your total fund value will helped them to stay in their home and substitute for the foresight needed to build be about $410,000. pay for the medication Jason needed to up savings when times are good to provide regain his health and ability to work. for oneself when work is scarce. It cannot If you wait until you are 40 and begin to • They are people like Dawn, an actor who call forth the resourcefulness that a per- contribute $5,000 each year for the next 15 had always been careful to save money former needs in order to develop skills that years, your total contributions will also be $75,000, but with a 10% annual compounded for a ‘rainy day’ but whose savings were could lead to a parallel career. The Actors’ rate of return, your total fund value will only wiped out by the cost of extensive dental Fund helps performers to cope in the hard amount to about $158,000. work she needed in order to save her places and the desperate moments at which teeth. The Fund shared the cost of some a performer’s needs for dignity, respect and Actra Fraternal Benefit Society (AFBS) will of Dawn’s dental work, which allowed the freedom to create collide with his or accept voluntary contributions from members her to keep smiling for the camera. her needs for food, shelter, health care and and their families and invest the funds in the other elements critical to physical survival. same Balanced Fund or Bond Fund options They are people who, like you, never that are used for mandatory contributions. thought they would need to ask for help When it’s the first of the month, you’ve got no money and the rent is due, it’s good Contact Actra Fraternal for more information: from the Fund. 1-800-387-8897 or (416) 967-6600. The Fund believes that performing to remember that the Actors’ Fund is your SOURCE: Actra Fraternal Benefit Society artists should not have to accept the risk fund, too. of extreme income insecurity as a conse- quence of pursuing their chosen career. All efforts to create a more favourable climate for working artists and to reduce their potential exposure to economic peril should be supported. As individuals and organizations, we all have a role to play in creating the condi- tions that will enable our most talented David Hope is Executive Director artists to continue doing their best work. of the Actors’ Fund of Canada.

HOLIDAY 2002 InterACTRA 13 SANDY HOYT 1939-2002 “That nice man on the radio”

In Memory of andy had a passion for radio from the time he was a boy, growing up in New Glasgow, Nova Scotia. LINDA CATHERINE RACINE SHe worked his way up the broadcasting ladder, doing odd jobs at a local station before landing at CJCH Halifax, spinning Top-40 hits in the late 1950s. Actor, Singer: 1959-2002 Then Ontario beckoned. After working at a number of stations in southwestern Ontario, Sandy became a fixture y friend Linda Racine lost her battle with brain at CHCH-TV in Hamilton, where he covered sports and cancer on August 29th, 2002. A talented per- appeared in Party Game, A Special Place (as the elderly Mformer with a stunning voice, Linda could just as Mr. Nickel) and announced for Tiny Talent Time. easily belt I Dreamed a Dream, as she could deftly render Sandy was then hired by CFTR/CHFI, where he Queen of the Night. Born in Deep River, Ontario, she worked for nearly 20 years. He became known as “that grew up singing with her older brother Leon, their moth- nice man on the radio.” er Joan teaching them Italian art songs at bath time. There was a brief return to Cape Breton in 1976, Linda studied music at Humber College, the Banff where Sandy was general manager of a new station called Centre, and in New York City. She performed in musical CIGO. theatre across the country, including as Fantine in the Back in Toronto, he also juggled freelance work in Canadian touring production of Les Misérables. Other Radio and TV, including many years on The Santa Claus credits include soprano soloist in Alisa Palmer’s A Play Parade for Global. About the Mothers of the Plaza de Mayo and Maria in West A type-I diabetic, Sandy devoted many years to charity Side Story. Her film and television work included com- work and community service, receiving numerous awards mercials and background in such shows as Wind at My for his generous efforts. Back and . Linda proudly watched her He had a tremendous sense of humour – Sandy’s youngest son Quinn receive his first ACTRA Apprentice impersonations of co-workers, family members and credit at the tender age of 16 days. celebrities were legendary. We laughed a lot when we I first met Linda at His Majesty’s Feast in the late 80s. celebrated his life at Gilda’s Club Greater Toronto on She was wily and vivacious and her humour was August 14th, 2002. snowflake unique. A true lover of performing, her zeal for Sandy died of complications due to brain cancer. He the business and passion for the rights of performers were leaves behind six children, five grandchildren and many inspiring. She was also a mother, wife, daughter, sister, wonderful memories. Greatly missed by family, friends, friend, Buddhist, feminist and she revelled in all these colleagues and listeners, we will never forget that roles. Her two beautiful children, Jasper, 4, and Quinn, 1, mischievous smile, those Bambi-like eyelashes or that and her loving husband Ulf helped bring her generosity beautiful voice. of heart, spiritual insight and love of life into full, albeit brief, blossom. “We rise again in the faces of our children.” Linda Pinda, I wish you peace and freedom and I thank – The Rankin Family you for the honour of sharing this journey with you.

Tracey Hoyt Abby Zotz

14 InterACTRA HOLIDAY 2002 Performing Arts Lodges – continued from page 7 presentations at the Pal Place Crest Theatre Green Room; it is performers such as Joy Coghill, who spearheaded the successful launch of PAL Vancouver and continue to raise thousands of dollars. Not satisfied with the amazing progress of the past three years, plans are now afoot to provide extended-care facili- ties, a service becoming more necessary as our members age. You can see that much is happening at PAL, but much needs to be done. We trust you also see how much PAL needs your participation. Hey, it’s your organization! PAL is only for the performing arts communities. That’s you! Become a member (only $20), become a volunteer (con- Brian D tact a PAL chapter or the National Office in Toronto),

ennehy become a donor, or remember PAL in your will. You may also want to apply for residency in a PAL lodge. With your help now, when you are ready to move into a facility, accommodation will be available. Join the gang! PALVancouver: Norman Support PAL, it’s yours, it’s ours! Young, PAL VP Internal, Chuck Slonecker, PAL Dan MacDonald is President of Performing VP External, Phil Arts Lodges of Canada. He was Chair of Boname, Acting PAL ACTRA Performers’ Guild through the reor- President, John Juliani, ganization of ACTRA in the early 90s, and President of UBCP, and Joy Coghill, PAL served as its first President from 1993-95. He Vancouver’s Honourary established Canadian Actors’ Equity Association as an organi- President, posing with zation independent from American Actors’ Equity in 1976, the Bayshore Gardens and also served as its first President. site.

Taking Care of Our Own

PALStratford’s President John Banks with Performing Arts Lodges PALresident David King. of Canada Under the distinguished patronage of Her Excellency, the Right Honourable , Governor General of Canada PAL is a national charitable organization offering assistance to older, disabled or needy members and associates of Canada’s professional performing arts community in the areas of health, well-being and accommodation. PAL is a provider of services, not simply an assisted housing provider. Thus the establishment of assistance to individuals, such as that provided through Supporting Cast, is vitally important. Share the PAL vision. Become a PAL member, or make a tax-deductible donation. For information about all our Chapters, you may contact us at: PAL Canada, 110 The Esplanade, #328, Toronto ON M5E 1X9 PHONE: (416) 777-9674 • FAX:(416) 777-0427 [email protected] • www.palcanada.org

David Renton, Chair of PAL Halifax.

HOLIDAY 2002 InterACTRA 15 applause Five ACTRA members named to In early July, Canada’s Governor General ogy, translating its complexities into Adrienne Clarkson announced 99 new layman’s terms. The end of his CBC-TV appointments to the Order of Canada. weather report was always punctuated by Five ACTRA members are among the new his trademark toss of the chalk. In addition appointees. Congratulations to Sharon, Lois to broadcasting and performing, Percy has and Bram (Sharon Hampson, Lois Lilienstein also been involved with a special needs and Bram Morrison), Percy Saltzman and program for disabled seniors at the Austin Willis. Baycrest Centre for Geriatric Care. Sharon, Lois and Bram are icons of chil- Austin Willis is an artist of multiple dren’s musical entertainment and televi- talents who has delighted Canadians for sion. In addition to many recordings and 40 years on radio, stage, television and film. concerts since their debut album One He was a regular presence on the CBC, Elephant, Deux Éléphants in 1978, they hosting and acting in radio and television have appeared on national and educational programs, including Of All Things and TV networks in Canada and the U.S. in Cross-Canada Hit Parade. His career also their two television series, Sharon, Lois & took him to the stages of London and Bram’s Elephant Show, and Skinnamarink Broadway and to the screens of Hollywood TV. Sharon, Lois and Bram are also activists and Europe. Since his return to Canada, for childrens’ causes, and have lent their he has moved behind the camera and was a Congratulations, Nia! voices and performed for numerous organi- key player in the project Comrades in Arms, Congrats to ACTRA member zations, including Mariposa in the Schools through which he is keeping alive the Nia Vardalos on the spectacular and UNICEF. memories, achievements and sacrifices success of her film My Big Fat Percy Saltzman of World War II veterans. www.gg.ca Greek Wedding. The indie pro- is a pioneer in duction she wrote and starred Canadian TV in is now the top-grossing inde- broadcasting and pendent film ever, in Canada meteorology service and the U.S. The ‘sleeper’ hit whose career was was originally developed for the one of many firsts. (Far left): Percy Saltzman. stage as a one-woman show, The night CBC-TV which she performed in Los began broadcasting (Near left): Austin Willis. Angeles. Tom Hanks’ wife, 50 years ago, he was Rita Wilson, saw the show and the first person to (Below): Sharon, Lois and Bram. the rest, as they say, is history. be seen on English- Success stories like Nia’s keep Canadian televi- the dream of ‘making it’ alive. sion. With his easy- Way to go! going manner, he simplified meteorol-

Michael Moriarty takes home Emmy

In September, ACTRA member Michael Moriarty won an Emmy Award as Outstanding Supporting Actor for his role as James Dean’s father Winton Dean in the TV movie James Dean. Congratulations, Michael! The Annual Primetime Emmy Awards honour achievement in U.S. national nighttime programming. www.emmys.tv

16 InterACTRA HOLIDAY 2002 applause

Rita Deverell named to Broadcast Hall of Fame ACTRA member Rita Deverell was among 10 Canadians inducted into the Canadian Broadcast Hall of Fame in October. Over her successful 30-year career on air and behind the scenes, Rita has been a journalist, producer, host, professor and activist. As one of the founders of Photo by Phil Hersee. Courtesy of CBC. VisionTV, the first multi-faith and multicultural broadcaster in the world, she is known for her work promoting the careers of visible minorities and women. The honours took place during the Canadian Association of Broadcasters conven- tion in Vancouver.

Welcome back Beachcombers! Beachcombers, then and now (Top): The original Beachcombers (front l-r): The New Beachcombers returned to CBC as a made-for-TV movie in November. Bruno Gerussi as Nick Adonidas, Charlene The movie stars Dave Thomas and Graham Greene, with Jackson Davies and Cameron Aleck as Sara; (back l-r): Reg Romero as Bancroft returning from the original cast. Commissioned for CBC Television’s 50th McLoskey, Juliet Randall as Margaret anniversary, the drama began before the shooting started – the project was originally Carmody, Rae Brown as Molly Carmody, denied Telefilm funding. But with a public outcry, the funding came through and the Bob Park as Hugh Carmody, Pat John as film was back on track. The original Beachcombers series ran for a record 19 seasons on Jesse Jim and Robert Clothier as Relic. CBC from 1972 to 1991, and was shown in more than 35 countries around the world, making B.C. scenery famous. Producers are hopeful the movie will lead to a new The New Beachcombers (front l-r): Kendall Cross, Deanna Milligan, Jackson Davies, Beachcombers series. (back l-r): Graham Greene, Cameron Bancroft, Dave Thomas.

HOLIDAY 2002 InterACTRA 17 ACTRA applause members 27 are Gemini winners!

Prestigious Honours The Gemini Award statuette was created by Scott Thornley. Congratulations to the for Coghill, Kain 27 ACTRA members who received Geminis at the 17th Members Joy Coghill and Karen Kain Annual Gemini Awards, were among winners of the annual November 2-4, 2002, in Governor General’s Performing Arts Toronto. Congratulations Awards, presented in November. also to the 100+ ACTRA The award is one of Canada’s most members nominated this prestigious artistic honours, and year. Way to go! comes with a commemorative Rick Mercer medallion and $15,000. Best Performance by an Best Writing in a Comedy Joy Coghill is considered a west Actress in a Featured or Variety Program or coast theatre scene pioneer. An actor, Supporting Role in a Series, and Best Ensemble Dramatic Program or Mini- Performance in a Comedy director, playwright, teacher and arts Series, Armistead Maupin's Program or Series, Made advocate, she plays Da Vinci’s mother Further Tales of the City In Canada on Da Vinci’s Inquest. She is a Howard Busgang Leah Pinsent Member of the Order of Canada. Best Comedy Program or Best Ensemble Performance Now artist-in-residence, Karen Series, An American in in a Comedy Program or Canada Series, Made In Canada Kain was a principal dancer with the National Ballet of Canada Garry Chalk James Rankin Best Performance by Best Performance in a for 25 years. A Canadian icon, an Actor in a Featured Pre-School Program or Ms. Kain is a Companion of the Supporting Role in a Series, Scoop and Doozie 3 Order of Canada and an inductee Dramatic Series, Cold Squad V Donnelly Rhodes into Canada’s Walk of Fame. Best Performance by an Julia Chantrey Actor in a Continuing Best Performance by an Leading Dramatic Role, Actress in a Guest Role Da Vinci's Inquest Dramatic Series, Blue Murder Tom Scholte Best Performance by ACTRA members win an Actor in a Guest Best Performance by an Role Dramatic Series, Actor in a Leading Role in Da Vinci's Inquest kudos at Atlantic Film a Dramatic Program or Mini-Series, Trudeau Dixie Seatle Fest Best Performance by an Wayne Grigsby Actress in a Featured ACTRA members Daniel MacIvor Best Writing in a Dramatic Supporting Role in a and Laura Regan took home per- Program or Mini-Series, Dramatic Series, formance and writing awards from Trudeau Paradise Falls the 22nd Atlantic Film Festival Peter Keleghan Julie Stewart awards in September, 2002. Best Ensemble Performance Best Performance by an in a Comedy Program or Actress in a Continuing MacIvor took home two awards – Series, Made In Canada Leading Dramatic Role, Outstanding Writer for Marion Cold Squad V Dan Lett Bridge, and Outstanding Best Ensemble Performance Jackie Torrens Performance by an Actor for his in a Comedy Program or Best Ensemble Performance role in Past Perfect. Regan won Series, Made In Canada in a Comedy Program or Series, Made In Canada for her portrayal of Emma in Bette MacDonald My Little Eye. ACTRA member Best Individual Codco – Andy Jones, Cathy Performance in a Comedy Jones, , Mary Jacob Tierney won an honourable Program or Series, Halifax Walsh and the late Tommy mention in the Best Canadian Comedy Fest Gala Sexton The Short category for directing Dad. Ron MacLean www.atlanticfilm.com Best Sports Broadcaster, Patrick Watson 2002 Winter Olympic The Games Kevin May The Humanitarian Award Best Childrens' or Youth Fiction Program or Series, Gordon Michael Woolvett The Famous Jett Jackson The Geminis’ Hottest Star

18 InterACTRA HOLIDAY 2002 CP (Kevin Frayer)

TH 17GEMINIANNUAL

AWARDS by Anne Marie Scheffler Our stars are shining on television

ell, it started with dancing and it ended finesse as any Prime Minister alive or dead, “I am with dancing. I’m talking about the 17th the luckiest actor in this country,” I silently wished WAnnual Gemini Awards on November 4th he’d run for PM one day. at the Convention Centre in Toronto. A deserving Julie Stewart accepted the lead Now I am the type of girl who likes to dress up actress award for Cold Squad, and thanked her and get a little attention for any event. But being show’s creators for “realizing that the lady could be an actress, an event like the Geminis is particularly the lead.” “I’m thrilled,” she said, and so were we. high brow, even if I have to explain to my cab The Earle Grey Award was presented to Codco, driver what the Geminis are. But then it dawned and the late Tommy Sexton’s mother came up with on me, as I explained to Mr. Taxi that it’s like the the Codco crew and thanked the Academy on her Emmy Awards, that maybe this party might not be son’s behalf. A moving moment – and what an all that fun. But despite the regrettable pre-Gemini honour to witness that. press, and the dismal state of Canadian television And Sean Cullen. Oh, Sean Cullen. With little drama series dwindling from 12 to five over the last quips like “You can clap if you want to – it’s fun” he three years, it somehow ended up being quite an made the show a genuine celebration of ourselves. inspirational evening, (and night, and wee hours Like my cab driver said, “If you don’t celebrate of the morning). yourselves, no one else can celebrate you.” This year’s host, the insanely talented Sean And then it was off to The Lone Star bar on the Cullen, opened the show with a stellar dance north side of Front Street for more celebrating, and number complete with a chorus of gorgeous get this, Sean Cullen and his band playing cover dancers back flipping and high kicking in front tunes until dawn. And that’s when I did lots of of pyrotechnics! With Sean in charge, and the dancing, with the gorgeous dancers from the open- clever writing, the show clipped along so quickly ing number. we were eating lamb in no time. It was a happy night, a reminder that we need Highlights included a zippy new category, much more good Canadian television, and more the Geminis’ Hottest Star, and role model Wendy great leaders. This is our industry. If we don’t get Crewson accepting the Humanitarian Award for her dressed up and get a little attention for ourselves, work with ALS, saying “Playing a role is nothing how can anyone else give us any attention? I look compared to living and dying from the disease,” forward to a time when cab drivers all over this referring to her lead role in The Sue Rodriguez country will not only know what the Geminis are, Story. When Colm Feore accepted his sure-bet best but who they are driving there to accept their actor award for Trudeau, he declared, with as much awards.

(Pictured at left, from top to bottom): Colm Feore celebrates his Gemini win with a Trudeauesque pirouette. Wendy Crewson received the Humanitarian Award for her work for ALS. ACTRA member and writer/producer Howard Busgang won a Gemini for . ACTRA members at the Geminis: Collette Stevenson and her husband Maurice Dean Wint, Gemini nominee for Blue Murder. Author Anne Marie Scheffler with Gemini winner Bette MacDonald after the awards. (Pictured at right): It started with dancing: Gemini host Sean Cullen and dancers in the opening number. Photo courtesy The Academy of Canadian Cinema & Television. By Kodak Entertainment Imaging.

HOLIDAY 2002 InterACTRA 19 Photo courtesy CBC Still Collection, Toronto. A CTRA 1943–2003: Celebrating 60 years

he history of Canadian media performers goes back to the first days of radio. In the early 1940s, radio performers Twere forced to work long hours for as little as $15 a day. This prompted a small group of performers to get together and form the Radio Artists of Toronto Society (RATS). They fought to win better fees and improved working conditions for their members. Shortly thereafter, radio performers in Montreal, Winnipeg and Vancouver also organized to fight for artists’ rights, working con- ditions and better fees. In 1943, the Association of Canadian Radio Artists (ACRA) was formed as a loose national coalition of actors’ groups. Either as RATS, ACRA or ACTRA, members have always been proud of the accomplishments and achievements they attained together. The Mission of ACTRA – and its predecessors – has always been to negotiate, safeguard and promote the professional rights of our members. ACTRA continues to grow as the pre-eminent performer union in the English-language recorded jurisdiction in Canada. Our membership and the industries in which our members work are constantly changing, and ACTRA is changing with the times, meeting the challenges of digital media and performers’ rights management, global production and global unionism. We are proud to be celebrating our 60th Anniversary in 2003 – 60 years of Canadian performing talent, 60 years of contributions to , and 60 years of advances in protecting per- formers. We have a number of celebrations in the works to honour our members and our anniversary, including a commemorative issue of InterACTRA. Celebrate ACTRA’s 60th with us!

ACRA: The first national organization of ACTRA: An organizational performers in Canada – restructuring results in the : Celebration of the Association of Alliance of Canadian ACTRA Canadian Radio Artists – Cinema, Television and our 60th Anniversary: is formed Radio Artists 1943-2003 1943 1984 2003

1941 1963 1993 RATS: The first ACTRA: The ACTRA: Reorganization of performer union in Association of ACTRA – writers and broadcast Canada – the Radio Canadian Television journalists leave the Alliance, Artists of Toronto and Radio Artists ACTRA becomes the ACTRA Society – is born Performers’ Guild

PUBLICATIONS MAIL AGREEMENT #40069134

www.actra.ca