DOCSLIB.ORG

Summer in Retrospect

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer in Retrospect Summer in Retrospect Normally, we would be sending you an update in June, to let you know about all of our events this summer, and all the ways that God is using the Barn for his glory. As we look at our schedule, however, we notice that, with everything coming up in the next few weeks, we will not be able to get these updates to you in time. So, instead we have decided to update you in retrospect. For this reason, you will find a short summary of what we have been involved in this summer, and how things went, below. May we take this moment to praise God for all he has done and all he continues to do through our ministry here at The Barn: Scarlet Steps This year we took a risk on something completely new for the Barn. We decided to host an interactive art experience themed around Easter. It was risky because the Poconos isn’t often known as a super artsy place, but all in all, the event was a huge success! We had about two dozen artists contribute and over 100 people come out to be a part of the experience (including many families). It was a really amazing thing to be a part of and to watch, and the positive feedback from the event was overwhelming! Through it we were able build deeper relationships with the local community. Missions Training Another new thing that we began doing this summer was hosting missions trainings at The Barn for Touch the World’s missions teams. This summer we were able to help facilitate two trainings (one in July and one in August) for 4 different missions teams. We were able to interact, teach, laugh, worship, and play games with individuals who were willing to spend part of their summers in Haiti; Uganda; Lynn, Massachusetts; and Cuba. Personally I was able to lead each of these teams in worship and teach about storytelling, and Antonia was able to help with food prep when she was home. Bowman Park Youth Camp Yet again this year we were blessed to be able to have been a part of Bowman Park Youth Camp! Not only do we get to help promote the camp every year, but we get to be a crucial part of everything going on during the 10 days of camp. This year both Antonia and I were counselors there, and I was also able to help plan activities, lead the worship team, film the camp video, teach a class, and discuss the scriptures with students every night. Altogether we had about 43 campers and it seemed like an impacting experience that still sticks with the campers I’ve recently talked to about it. It definitely was a highlight of the summer for the both of us. Over the course of this past year we have also been able to see our young adults ministry - ‘The Table’ - ebb and flow. It has been such a neat experience to be able to meet twice a month with those who come out. It is tough at times, however, because we have seen so many, over the past year, come and go because of marriages, jobs, colleges, and life. But regardless, God has provided a unique opportunity for us to reach out to those in search for community and it has been a beautiful experience. *You may have noticed while reading through all of this that there wasn’t a section to talk about our ministry with local teens, and that is because, after much prayer and conversation, due to the culture of our area, we have decided to cancel our Thursday night meetings for the time being. It was a very tough thing to do because it has always been such a huge part of what we do here at The Barn, but we have noticed God leading us in so many new directions currently and we felt it was wise to focus our energies where they are needed at the present. We still do, however, meet with teens individually, mentor at Faith Christian, and host events for local teens, it is just the Thursday night meetings that we are taking a break from.* Anyone who gives $25 in the month of October or November will receive a complimentary 2015 Wall Calendar! Please contact me at 570-807-7832 or [email protected] If you’d like to receive a 2015 Calendar before the holiday season. 2 .
Load more

Recommended publications
  • The Sundays of Lent
    by Félix Joseph Barrias (1860). Barrias Joseph Félix by The Temptation of Christ by the Devil Devil the by Christ of Temptation The r THE SUNDAYS OF LENT YEAR A ENTRANCE HYMN: HEAR US, ALMIGHTY GOD First Sunday: Verses 1 & 2 Second Sunday: Verses 2 & 3 Third Sunday: Verses 3 & 4 Fourth Sunday: Verses 4 & 5 Fifth Sunday: Verses 1 & 5 2 ENTRANCE ANTIPHON The choir or cantor sings the Entrance Antiphon, which comes from the Roman Missal. Its purpose is to open the liturgy, foster the unity of those who have gathered, and introduce their thoughts to the mystery of the liturgical time. First Sunday When he calls on me, I will answer him; I will deliver him and give him glory, I will grant him length of days. ~ see Psalm 91:15-16 Second Sunday Of you my heart has spoken: Seek his face. It is your face, O Lord, that I seek; hide not your face from me. ~ see Psalm 27:8-9 Third Sunday My eyes are always on the Lord, for he rescues my feet from the snare. Turn to me and have mercy on me, for I am alone and poor. ~ see Psalm 25:15-16 Fourth Sunday Rejoice, Jerusalem, and all who love her. Be joyful, all who were in mourning; exult and be satisfied at her consoling breast. ~ Isaiah 66:10-11 Fifth Sunday Give me justice, O God, and plead my cause against a nation that is faithless. From the deceitful and cunning rescue me, for you, O God, are my strength.
    [Show full text]
  • Helen Keller
    The Project Gutenberg eBook of The World I Live In, by Helen Keller This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The World I Live In Author: Helen Keller Release Date: January 1, 2009 [eBook #27683] Language: English Character set encoding: ISO-8859-1 ***START OF THE PROJECT GUTENBERG EBOOK THE WORLD I LIVE IN*** E-text prepared by David Clarke, Emmy, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) THE WORLD I LIVE IN HELEN KELLER "The autobiography of Helen Keller is unquestionably one of the most remarkable records ever published."—British Weekly. "This book is a human document of intense interest, and without a parallel, we suppose, in the history of literature."—Yorkshire Post. "Miss Keller's autobiography, well written and full of practical interest in all sides of life, literary, artistic and social, records an extraordinary victory over physical disabilities."—Times. "This book is a record of the miraculous. No one can read it without being profoundly touched by the patience and devotion which brought the blind, deaf-mute child into touch with human life, without being filled with wonder at the quick intelligence which made such communication with the outside world possible."—Queen. Illustrated, price 7s. 6d. POPULAR EDITION, net, 1s. The Story of My Life By HELEN KELLER ———— The Practice of Optimism Cloth, net, 1s.
    [Show full text]
  • David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
    David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts...................................................................................................................................
    [Show full text]
  • Touching the World – Vision, Hearing, Hapticity
    Invisible Places 7– 9 APRIL 2017 SÃO MIGUEL ISLAND, AZORES, PORTUGAL 15 Touching the World – Vision, Hearing, Hapticity and Atmospheric Perception JUHANI PALLASMAA [email protected] Architect, Professor emeritus, Helsinki The hands want to see, the eyes want to caress.1 (J.W. von Goethe) The dancer has his ear in his toes.2 (Friedrich Nietzsche) 1. Hegemony of the Eye Architecture has been predominantly theorized, taught, practised and critiqued as an art form of the eye, emphasizing form, geometry and focused Gestalt. Until the early beginnings of modernity, architecture aspired to express the order of the world through symboliza- tion and proportionality as an analogue of cosmic harmony. It was seen as an instrument of mediation between macrocosm and microcosm, divinities and mortals, myth and life, metaphysics and lived reality. Despite the general hegemony of vision in architecture, there are historical studies sug- gesting that some of the earliest structures of man, built for ritual purposes were actually conceived to articulate sound rather than visual imagery. But hearing and vision could also be regarded as equal and interacting realms. Indeed, since the theoretical studies of Pythagoras in the 5th century B.C., harmonic principles of music were applied in architecture. This fusion was particularly important in Renaissance time for architecture in its attempt to be recognized as a field of knowledge among the quadrivium of the mathematical arts of arithmetics, geometry, astronomy and music, instead of a mere craft. The eye and the ear were understood to acknowledge the same principles of harmony mediating between man and cosmos. I can confess that in my own design work since the 1960s 91I have used a Pythago- rean system of harmonic proportions developed in the 1950s by my professor and mentor 1.
    [Show full text]
  • Eating the Other Levinas’S Ethical Encounter
    Eating the other Levinas’s ethical encounter Dr Angela Hirst www.thegoodsoup.blogspot.com My being-in-the-world or my ‘place in the sun’, my being at home, have these not also been the usurpation of spaces belonging to the other man whom I have already oppressed or starved, or driven out into a third world; are they not acts of repulsing, excluding, exiling, stripping, killing? (Levinas, “Ethics as First Philosophy,” 1989:82). We live from ‘good soup’… (Levinas, Totality and Infinity, 1961:110). Contents (Pre)facing the story i Introducing avoidance, violence, and Levinas iii One Levinas separates the (hu)man from the non(hu)man, using hunger, enjoyment and anxiety to illuminate their relationship 1 1 A hungry stomach without ears 5 The world appears to me when I am alone and hungry 6 Fleeting enjoyment, or being hungry again 16 2 Eating sensibly and the anxiety of the il y a 23 Experiencing the contentment of sensibility 24 Experiencing the horror of the il y a 27 Returning to elevation (from a different perspective) 35 Two Levinas inadvertantly tells the story of technological food production and the invisible food-making work of women 39 3 Taming the stomach without ears 43 Men are called to take before consuming, to acquire and to store 45 Masculinisation of labour, unpalatability, and a brief history of animal slaughter 53 4 Making the raw into the cooked, or the invisible work of women 61 The feminine that is gentleness 62 The woman that is house 69 Remaking (the slippery tale of food) 77 Three Unravelling the roles that food, the
    [Show full text]
  • Touch the World Partners Program
    PR SID T'S M AG DANIEL P . WICHER • President, CAM International \'\farm greetings from your friends at 11nternational! Every year we look forward to this moment. God continue to work through the staff, missionaries and friends of AM International in extraordinary way . Yet, how often do we sir down and reflect on the year-celebrating the remarkable work of God in our midst? The annual ministry review gives us this opportunity. Here, we can celebrate and preserve each year of faithful ministry. As you gather in the living room, take a moment in your office, or join your family to read the contents of this report, we invite you to REJOI CE! In this report, you will see that: CAM made concrete steps toward our vision to partner with the Spanish-speaking church to go to the less-reached peoples of the world. We opened a new region of Spain for mission work, and we have another country on the horizon-Uruguay. We witnessed significant growth in our online ministry ObreroFiel, which offers biblical resources to Spanish-speaking, Christian leaders around the world. We merged our strengths in church planting and theological education to fortifY the movement of Spanish-speakers into cross-cultural missions. CAM also engaged in a variety of innovative ministries this year. You can learn about how CAM missionaries have cared for the poor, offered medical and dental services, starred schools and more to win people to Christ. Every investment you made into CAM International, step-by-step, has made an impact for Christ. The work of your hands and the prayers you offered--everything is meaningful.
    [Show full text]
  • As the Title of My Presentation Suggests, My Topic Today Will Be The
    WE CAN WORK IT CUT MUSICAL ANALYSIS AND ROCK MUSIC JOHN cavAcH UNITED STATES As the title of my presentation suggests, my topic suggest that popular music scholars could profit as well by today will be the relationship between rock music and considering some of the issues in which theorists routinely musical analysis; more specifically, I would like to explore engage in the analysis of a piece of music. whether or not it is possible to employ certain music- I would like to proceed today by briefly outlining a analytical methods to rock music - methods that are much longer paper that I presented to the Music Theory currently used by American and British music theorists in Midwest conference in Madison, Wisconsin in May 1993.2 the analysis of art music in the Western European I would then like to play a few musical examples and tradition. I should point out up front that I am sensitive suggest what I think are interesting analytical issues, in to the fact that the methods of musical analysis currently hopes of stimulating some discussion of those excerpts. in use by music theorists were developed to describe The paper I will summarize is entitled "We Won't European art music, and that for some pop music scholars Get Fooled Again: Rock Music and Music Theory." The this is enough to eliminate any consideration of the use of paper is addressed to my fellow music theorists, and I these methods in the examination of popular music. I will basically argue that theorists should open up the repertory take the position that methods developed in the study of of pieces they consider to include rock music.
    [Show full text]
  • The Practice of the Love of God
    William Penn Lecture 1942 The Practice of The Love of God Delivered at Arch Street Meeting House Philadelphia by Kenneth Boulding Published by The Book Committee Religious Society of Friends Philadelphia and Vicinity 302 Arch Street, Philadelphia KENNETH BOULDING 2 The Practice of The Love of God Published 1942 by Philadelphia Yearly Meeting Republished electronically © 2004 by Quaker Heron Press http://www.quaker.org/pamphlets email: [email protected] KENNETH BOULDING 3 The Practice of The Love of God God Is Love How do you respond to these three words? Perhaps they bring a faint smile of derision to your face, as you recall the pious phrases of Sunday School, or the plush- embroidered text that hung over Grandmother’s bed. Perhaps they represent something dim that you think you have outgrown as you have advanced into the bright intellectualism of a scientific day. Perhaps they cover you with a warm, safe feeling, perfumed with the scent of red cushions and worn benches, and lit with the gentle light that flows from the smile of a well-fed worshipper. Perhaps they lead you into a comfortable corner of your soul, well insulated from the chilly world of rational thought, where you secretly indulge in spiritual drinking. If any of these conditions is yours, then you have missed a treasure. For to some these words are a key to a Kingdom, a Kingdom where Truth reigns in so great majesty that we can hardly bear the splendour, where life springs born again from every moment of time, and where a rich joy compounded of bitter spices scents every breath we breathe.
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]
  • Terminal Prestige: the Case of Avant-Garde Music Composition Author(S): Susan Mcclary Source: Cultural Critique, No. 12, Discurs
    Terminal Prestige: The Case of Avant-Garde Music Composition Author(s): Susan McClary Source: Cultural Critique, No. 12, Discursive Strategies and the Economy of Prestige (Spring, 1989), pp. 57-81 Published by: University of Minnesota Press Stable URL: http://www.jstor.org/stable/1354322 . Accessed: 10/01/2011 21:26 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at . http://www.jstor.org/action/showPublisher?publisherCode=umnpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Minnesota Press is collaborating with JSTOR to digitize, preserve and extend access to Cultural Critique. http://www.jstor.org Terminal Prestige: The Case of Avant-Garde Music Composition Susan McClary Good evening.
    [Show full text]
  • Rock Album Discography Last Up-Date: September 27Th, 2021
    Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
    [Show full text]
  • A Conceptual Framework for Transformational Development: Definition, Indicators and Fa Facilitation1
    A CONCEPTUAL FRAMEWORK FOR TRANSFORMATIONAL DEVELOPMENT: DEFINITION, INDICATORS AND FA FACILITATION1 INTRODUCTION "Many reviews, discussion and white papers - in Japan, Europe, Africa, Latin America and the United States - evaluated the results of four decades of development assistance. There was broad agreement that the current system, having accumulated some 1.5 trillion in debt, has not produced results commensurate with resources expended Disillusioned with the results, many development practitioners and institutions are actively exploring new and more appropriate approaches to development by which much more can be done for much less. "(Sato and Smith in M. Griesgraber et al, Development of New Paradigms and Principles for the Twenty-First Century. [London: Pluto Press, 1996], 89) Since the Second World War, the concept of development as aid or assistance has been largely defined and implemented without major consideration given to the influence of spiritual factors. During the first two decades of its life, the concept of development was identified primarily with economic growth and was concerned with the accumulation of commodities and wealth. And while the term "development" was, over time, applied to gains made in an increasing number of complementary areas of human existence, spiritual factors have tended to remain outside the development equation. This secularization of human development has weakened the tools of poverty alleviation by disregarding spiritual transformation - the foundation for all other facets of transformation within the lives of individuals, households, communities and nations. The secular development perspective, with its focus on non-spiritual factors, draws heavily on expansive data gathered by the well-developed research programs of universities, governments, multilateral organizations, and private foundations.
    [Show full text]