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M a R C H 2 0 1 2 V Ol Published by the American Recorder Society, Vol. LIII, No. 2 • www.americanrecorder.org m a r c h 2 0 1 2 Moeck-Anzeige-Natur.indd 1 07.07.2010 11:53:09 Uhr NEW! Enjoy the recorder Denner great bass Mollenhauer & Friedrich von Huene “The Canta great bass is very intuitive to play, making it ideal for use in recorder “The new Mollenhauer Denner orchestras and can be great bass is captivating with recommended .” its round, solid sound, stable in every register. Its key mechanism Dietrich Schnabel is comfortable and especially (conductor of recor- well designed for small hands. An der orchestras) instrument highly recommended for both ensemble and orchestral playing.” Daniel Koschitzky Canta knick great bass (member of the ensemble Spark) Mollenhauer & Friedrich von Huene G# and E keys enable b larger finger holes and thus an especially stable sound. The recorder case with many extras With adjustable support spike … saves an incredible amount of space with the two-part middle joint … place for music … integrated recorder stand www.mollenhauer.com Order-No. 2646K Order-No. 5606 Editor’s ______Note ______ ______ ______ ______ Volume LIII, Number 2 March 2012 ’ve been reading Beethoven in America Features by Thomas Broyles (not an easy read; Spring’s Sweet Cantata becomes havingI gotten past Transcen dentalism Summer’s Symphony . 9 and Theosophy, I look forward to Peanuts The annual look at summer workshops, and Schroeder’s Beet hoven penchant) . plus a few scheduled earlier and later To my surprise, early music appears in ARS 2012 Festival . 23 4 the book’s big picture of the 20th-century The Recorder: Past, Present & Future musical world, and specifically in regard to its influence in the 1980s on period instru- The Recorder in English Newspapers, ment orchestras and fortepianists, who 1730-1800 . 29 sought a faithful Beethoven sound .To my By David Lasocki chagrin, three pages on the “authenticity” movement feature a paraphrase from con- Departments troversial musicologist Richard Taruskin: “repertoire that was mostly unknown with Advertiser Index and Classified Rates . 48 23 a performance tradition that had not sur- Book Reviews . 38 vived,” a choice of quotes that makes us Gwyn Roberts reviews an e-book by David Lasocki appear rudderless . Broyles also recites the litany of the early music revival having “its Chapters & Consorts . 20 beginnings in turn-of-the-century [1900s] Christmascellany England”—for us, a simplified version of the Music Reviews . 39 recorder’s rebirth after being cast aside as Mozart and motets to modern musical styles changed in the mid-1700s . As a scholar examining our history On the Cutting Edge . 27 27 from the “inside,” David Lasocki observes Birthday wishes from Tim Broege to Gerhard Braun that there’s much more to our story . English newspapers show that people continued to President’s Message . 3 make, buy and play recorders (page 29) . ARS President Lisette Kielson reminds you to Return your music stand to its upright attend the ARS Festival! workshop and locked position: it’s time Tidings . 4 ARS Festival (page 9) and time (page 23) . Peter Seibert to receive ARS Presidential Special Gail Nickless Honor Award; Alfred Publishing turns 90; www.youtube.com/user/americanrecordermag recorders in the Metropolitan Opera pit; 29 www.facebook.com/americanrecordermag Technique Tip from Mary Halverson Waldo: www.facebook.com/AmerRec “Developing a Better Self-Awareness of Sound” Gail Nickless, Editor ON THE COVER: Contributing Editors Tom Bickley, Compact Disc Reviews • Frances Blaker, Beginners & Technique “The Recorder: Past, Present & Future,” Timothy Broege, 20th/21st-Century Performance • Carolyn Peskin, Q & A ARS 2012 Festival Sue Groskreutz, Book & Music Reviews • Mary Halverson Waldo, Education by Charles Mullen. Advisory Board ©2012 American Martha Bixler • Valerie Horst • David Lasocki • Bob Marvin Recorder Society Thomas Prescott • Catherine Turocy• Kenneth Wollitz www.AmericanRecorder.org Copyright©2012 American Recorder Society, Inc. Who is Richard Taruskin? “The Spin Doctors of Early Music” by “Taruskin Agonistes,” by James Thoughts on early music from David Richard Taruskin, New York Times, 1990 Richman, AR, September 1998 Lasocki, www.instantharmony.net ARS Chapters Alabama Idaho North Carolina Birmingham: Les Bois (Boise): Carolina Mountains: Janice Williams (205-870-7443) Kim Wardwell (360-202-3427) Ro Metcalf (828-685-7854) Arizona Illinois Greenville Recorder Society John Shaw (252-355-2737) Desert Pipes (Phoenix): Chicago: Dennis Sherman AMERICAN George Gunnels (480-706-6271) (773-764-1920) Triangle: Mary McKinney Arizona Central Highlands Chicago–West Suburban: (919-489-2292) RECORDER (Prescott): Georgeanne Hanna Judy Stephens (630-740-0880) Ohio (928-775-5856) Louisiana Greater Cleveland: Tucson: Scott Mason (520-721-0846) SOCIETY Baton Rouge: Edith Yerger (440-826-0716) inc. Arkansas Cody Sibley (225-505-0633) Toledo: Aeolus Konsort: New Orleans: Charles Terbille (419-536-3227) Honorary President Don Wold (501-666-2787) Victoria Blanchard (504-861-4289) Oregon Erich Katz (1900-1973) Bella Vista: Barbara McCoy Maryland (479-855-6477) Eugene: Lynne Coates Honorary Vice President Northern Maryland: California (541-345-5235) Winifred Jaeger Richard Spittel (410-242-3395) Oregon Coast: Corlu Collier Central Coast: Margery Seid Massachusetts (541-961-1228) (805-474-8538) Portland: Zoë Tokar (971-325-1060) Statement of Purpose East Bay: Susan Jaffe (510-482-4993) Boston: Betty Cohen (617-447-5412) The mission of the American Recorder Society Inland Riverside: Greg Taber Recorders/Early Music Pennsylvania (951-683-8744) Metro-West Boston: Sheila is to promote the recorder and its music by Beardslee (978-264-0584) Bloomsburg Early Music Ens :. Monterey Bay: Susan Renison Susan Brook (570-784-8363) developing resources and standards to help (831-335-5869) Worcester Hills: Doug Bittner (508-852-6877) Erie: Linda McWilliams people of all ages and ability levels to play and North Coast: Kathleen (814-868-3059) Kinkela-Love (707-822-8835) Michigan study the recorder, presenting the instrument Philadelphia: Orange County: Ann Arbor: Margaret Bond to new constituencies, encouraging increased Jo Redmon (714-527-5070) Sarah West (215-984-8923) (734-665-6597) Pittsburgh: Helen Thornton career opportunities for professional recorder Redding: Kay Hettich Kalamazoo: David W . Fischer (530-241-8107) (412-486-0482) performers and teachers, and enabling and (269-375-0457) Sacramento: Mark Schiffer Metropolitan Detroit: Claudia Rhode Island supporting recorder playing as a shared social (916-685-7684) Novitzsky (248-548-5668) Rhode Island: experience. Besides this journal, ARS publishes San Diego County: Northwinds Recorder Society: Vanessa Evans (619-297-2095) David Bojar (401-944-3395) a newsletter, a personal study program, a Janet Smith (231-347-1056) San Francisco: Greta Hryciw Western Michigan: Jocelyn Shaw Tennessee directory, and special musical editions. Society (415-377-4444) ( 231-744-8248) Greater Knoxville: Sonoma County: members gather and play together at chapter Minnesota Ann Stierli (828-877-5675) Dale Celidore (707-874-9524) meetings, weekend and summer workshops, South Bay: Twin Cities: Greater Nashville: Carol Vander Wal and many ARS-sponsored events throughout Liz Brownell (408-358-0878) Barbara Aslakson (952-545-3178) (615-226-2952) Southern Middle Tennessee the year. In 2009, the Society enters its Southern California: Missouri Sharon Holmes (310-379-2061) (Tullahoma): Vicki Collinsworth eighth decade of service to its constituents. Colorado St . Louis: (931-607-9072) William Long (636-447-6191) Texas Boulder: Mike Emptage Nevada Board of Directors (970-667-3929) Austin: Frank Shirley (512-832-5600) Lisette Kielson, President Denver: Dick Munz (303-286-7909) Sierra Early Music Society: Dallas: Kathy Bohrer (775-393-9002) Laura Sanborn–Kuhlman, Fort Collins: Alice Derbyshire (940-300-5345) Cindy Henk (970-988-0160) New Hampshire Rio Grande: Vice President; Fundraising Chair Early Music Society of Western CO: Monadnock: Sylvia Burke (575-522-1742) Susan Richter, Secretary Bev Jackson (970-257-1692) Kristine Schramel (413-648-9916) Utah Ann Stickney, Treasurer, Finance Chair, Connecticut & Lynn Herzog (802-254-1223) New Jersey Utah (Salt Lake): Mary Johnson Membership Co-Chair Connecticut: Elise Jaeger (801-272-9015) (203-792-5606) Matt Ross, Asst. Secretary; Governance Chair Bergen County: Vermont Eastern Connecticut: Mary Comins (201-489-5695) Bonnie Kelly, Asst. Treasurer; Joyce Goldberg (860-442-8490) & Reita Powell (201-944-2027) Monadnock: Membership Co-Chair District of Columbia Highland Park: Donna Messer Kristine Schramel (413-648-9916) Mark Davenport, Program Chair Washington: Art Jacobson (732-828-7421) & Lynn Herzog (802-254-1223) (301-983-1310) Montclair Early Music: Virginia Jeanne Lynch, Marketing/ Julianne Pape (845-943-0610) Public Relations Chair Delaware Navesink: Lori Goldschmidt Northern Virginia: Nancy Buss Mark Dawson Brandywine: Roger Matsumoto (732-922-2750) Edward Friedler (703-425-1324) Princeton: Orum Stringer Shenandoah (Charlottesville): Greg Higby Mary McCutcheon (302-731-1430) Florida (215-295-7149) Gary Porter (434-284-2995) New Mexico Tidewater (Williamsburg): Ft . Myers: Sue Groskreutz Vicki H . Hall (757-784-2698) Staff (239-267-1752) Albuquerque: Bryan Bingham Kathy Sherrick, Administrative Director Largo/St . Petersburg: (505-299-0052) Washington Elizabeth Snedeker (727-596-7813) Las Vegas (Flat & Baroque in Las Moss Bay: PO Box 220498 Vegas):
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