Made in Melbourne! Enjoyed Nationally & Internationally! JULY 2013
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The Boy from Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (In Alphabetical Order) Andrew Bongiorno, Michayla Brown, Marcus S
and Bruce W. Zisterer present in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner, and Jack Morrissey The Boy From Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (in alphabetical order) Andrew Bongiorno, Michayla Brown, Marcus S. Daniel, Michael Taylor Gray*, Erica Hanrahan-Ball*, Kelly Lester*, Chelsea Martin, Michael Mittman, Nathan Mohebbi, Bess Motta, Jessica Pennington*, Shanta’ Marie Robinson Scenic Designer Lighting Designer Costume Designer Yuri Okahana Derrick McDaniel Michael Mullen Properties Designer Sound Designer Hair and Wig Designer Michael O’Hara Eric Snodgrass Byron Batista Marketing/PR Casting David Elzer/DEMAND PR Jami Rudofsky Production Stage Manager Graphic Designer Photographers Jennifer Leigh Sears* Huntley Woods Casey Kringlen and Kevin McIntyre Assistant Director Associate Producer Assistant Choreographer Kyle Cooper Mark Giberson Michael Quiett Produced by Andrew Carlberg Musical Direction by Bryan Blaskie Choreographed by Janet Roston Directed by Michael A. Shepperd *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. Original Production by Ben Gannon and Robert Fox by arrangement with David Spicer Productions www.davidspicer.com.au CAST (Alphabetical) ANDREW BONGIORNO Peter Allen MICHAYLA BROWN Young Peter Allen MARCUS S. DANIEL Chris and Others MICHAEL TAYLOR GRAY* Dee and Others ERICA HANRAHAN-BALL* Karen and Others KELLY LESTER* Marion Woolnough CHELSEA MARTIN Linelle and Others MICHAEL MITTMAN Greg and Others NATHAN MOHEBBI Mark and Others BESS MOTTA Judy Garland JESSICA PENNINGTON* Liza Minnelli SHANTA’ MARIE ROBINSON Shena and Others SWINGS (See Insert) *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. -
Memphis Is Made Possible By
2015-16 SEASON CT3 PEOPLE CON OTHER STAGES BOARD OF DIRECTORS ARTISAN CENTER THEATRE TUil 11AN'l'AS'l'Wl{S CHAIR ScottT. Williams APR 22 -JUN 4 Bye Bye Birdie by Tom Jones and Harvey Schmidt BOARD MEMBERS CIRCLE THEATRE December 3 - 27, 2015 Marion L. Brockette, Jr., Suzanne Burkhead, APR 22 -JUN 4 Under the Skin RaymondJ. Clark, Sid Curtis, Katherine C. Eberhardt, Laura V. Estrada, Sally Hansen, David G. Luther, Jr., DALLAS CHILDREN'S THEATRE David M. May, Chris Rajczi, Margie J. Reese, Dana APR 28-MAY 21 TheBFG(BigFriendly Giant) W. Rigg, Elizabeth Rivera, Eileen Rosenblum, Ph.D. 'I' Bil Gl,AS S )IllNA Glllll ll on HONORARY BOARD MEMBERS DALLAS THEATRE CENTER by Tennessee Williams by Neil Tucker Virginia Dykes, Gary W. Grubbs, APR 20-MAY 14 DeferredAction July 30 -August 23, 2015 January 21 - February 14, 2016 John & Bonnie Strauss GARLAND CIVIC THEATRE APR 14-MAY 7 Hank Williams: Lost Highway ADMINISTRATION ACTING ARTISTIC DIRECTOR Bruce R. Coleman MAINSTAGE ·IRVING• LAS COLINAS MAN AG I NG DIRECTOR Merri Brewer MAY13-28 TheGreatGatsby UGil'I' UP 'l'Dll SKY 111x Hll, .rnsus BOOKKEEPER Linda Harris by Helen Sneed by Moss Hart ONSTAGE IN BEDFORD COMPANY MANAGER Kat Edwards September 17- October 11, 2015 March 10 -April 3, 2016 MAY 20 -JUN 5 Kitchen Witches PUBLICITY, MARKETING & DESIGN SoloShoe Communications, LLC PEGASUS TH EATRE MAY 20 -29 CPA Ron King A 1rifleDead! HOUSEKEEPING Kevin Spurrier POCKET SANDWICH THEATRE PU)NW )lll)IPIIIS MAY 20 -JUN 18 Moon OverBuffalo by William Inge by David Br yan and Joe Di Pietro PRODUCTION October -
Case Study: Watertower Theatre
HIGHLIGHTS • Corporate Brand Identity CASE STUDY: • Website Design WATERTOWER THEATRE • Direct Mail Season Brochure • Direct Mail Postcards Rainmaker Advertising has served as WaterTower Theatre’s • Digital Banner Ads agency of record for more than 20 years. We enjoy partnering • Print Advertisements with this iconic regional theatre as they promote their vital • Lobby Signage mission of opening minds with a diverse mix of plays and • 30+ Playbill Design and Fulfillment educational programs. Not only does Rainmaker assist with • Educational Brochures • Fundraising Brochures maintaining and communicating the theatre’s corporate brand • Event marketing and identity, but the agency is tasked with developing a unique • Utility Insert and exciting season subscriber campaign each year. The 2015-2016 season campaign, Telling Stories, was introduced to their customer base with a dramatic direct mail piece that exuded colorful brand graphics and engaging photos that communicate the importance of the story-telling tradition in our society. This high-impact direct mail piece expands to reveal a huge 16” x 18” poster and calendar. To BRAND DEVELOPMENT MARKETING STRATEGY increase the shelf life of the marketing component, Rainmaker included a calendar-at-a-glance that details the show schedule and encourages recipients hang the poster for the duration of the season. DIGITAL BANNER ADS, WEB DESIGN Once the season brand imagery was established, Rainmaker communicated it throughout their website and via digital online banner ads, as well as with postcards, magazine and newspaper PRINT ADS, DIRECT MAIL, publications, utility inserts and other print media POSTCARDS, UTILITY INSERTS, pieces. Rainmaker handles all components of the INVITATIONS non-profit theatre’s marketing including strategy, design, print media and fulfillment. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Chatting with the Stars: Stephanie J. Block with a Score by Dolly Parton
Chatting with the Stars: Stephanie J. Block With a score by Dolly Parton, the new Broadway production of 9 to 5: The Musical has been delighting audiences at Broadway’s Marquis Theatre since it began previews this spring. Stephanie J. Block plays Judy Bernly, the downtrodden secretary originated in the similarly titled film by Jane Fonda. Block is no stranger to Broadway audiences or to theatregoers across North America. She created the role of Elphaba for the first national tour of Wicked, a role she recently reprised in New York. On Broadway she has also been seen in The Boy from Oz and The Pirate Queen. The afternoon before 9 to 5: The Musical’s official opening night, she sat down in her dressing room with correspondents Ben Pesner and Sam Corbett to chat about her career and upcoming solo CD. Q: Talk a little bit about Dolly Parton as a Broadway composer. Stephanie J. Block: Dolly comes from the Tennessee mountains. That’s what she’s familiar with, but she’s such a musician in every sense. If one were to say, “Write a song for this character,” or, “Write a song for this plotline,” or “Write a song for this experience,” she will do it quickly and beautifully. Or if one were to say, “These lyrics don’t quite feel like they’re moving the story along,” or “This doesn’t quite feel like the voice of the character,” she will walk away, grab whatever’s there--a napkin, a paper plate--and she’ll just start writing. -
Keir Nuttall Thesis
I’m With Muriel: Applying a Persona- Centred Songwriting Technique to the Creation of a New Australian Musical Keir Nuttall BMus Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Creative Practice Faculty of Creative Industries, Education and Social Justice QUT 2021 Table of Contents Table of Figures ......................................................................................................................... 5 Abstract ..................................................................................................................................... 6 Statement of Original Authorship .............................................................................................. 8 Acknowledgements ................................................................................................................... 9 Chapter 1: Introduction............................................................................................................ 11 Situating the Researcher ............................................................................................................................. 16 Chapter 2: Literature and Contextual Review ........................................................................... 24 Part One: Authenticity and the Music Business ........................................................................ 24 The Artist vs Culture and Society ................................................................................................................ 25 -
Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers. -
LOCAL BOYS Turning the Four Seasons’ Saga
THEATRE LOCAL BOYS Turning the Four Seasons’ saga By David Barbour Shubert Alley handwringers, a small but talent creates the group’s unique sound; tunes (plus a handful of others, including, vocal group, are once again announcing the Nick Massi, the quiet professional who memorably, “My Boyfriend’s Back”) driving death of musical theatre. The alleged culprit always feels on the outside of the action; the action. The production’s tempo and this time is the jukebox musical, an overly and Frankie Valli, whose unearthly, high- unity of purpose is, everyone interviewed broad term applied to shows that make use pitched voice and well-honed survival skills for this article agrees, the work of director of a pop-song catalogue instead of an origi- ensure his stardom through the decades. Des McAnuff, who carefully pared away nal score. Never mind that shows like All the ingredients are there for a stan- any frills during last year’s out-of-town Mamma Mia!, the recently departed Lennon, dard, tears-and-laughter backstage melo- engagement at La Jolla Playhouse, where and the upcoming Johnny Cash revue Ring drama: four young men fight their way out he is artistic director. of Fire have virtually nothing to do with each of poverty, achieve overnight fame, and run Under McAnuff’s influence, the show’s other; among the true believers, they’re a amok; their success turns sour, they come singular blend of gritty reality and pop nos- blight to be avoided, at all costs. apart, then reunite at the Rock and Roll Hall talgia is embodied in the design. -
Education Resource Stephen Sondheim & James Lapine
Stephen Sondheim & James Lapine INTO THE WOODS Education Resource Theatre Studies INTO THE WOODS RESOURCE – VCE THEATRE STUDIES UNIT 4 INTRODUCTION Figure 1: Victorian Opera - Into the Woods © Jeff Busby “A gem of a fairy tale with a soundscape of soaring melodies, shimmering colours and extraordinarily witty and moving lyrics.”– Richard Mills A darkly enchanting story about life after the ‘happily ever after’. Stephen Sondheim and James Lapine reimagine the magical world of fairy tales as the classic stories of Jack and the Beanstalk, Cinderella, Little Red Ridinghood and Rapunzel collide with the lives of a childless baker and his wife. A brand new production of an unforgettable Tony award-winning musical. Into the Woods | Stephen Sondheim & James Lapine. 19 – 26 July 2014 | Arts Centre Melbourne, Playhouse Music and lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine By arrangement with Hal Leonard Australia Pty Ltd Exclusive agent for Music Theatre International (NY) 2 hours and 50 minutes including one interval. Victorian Opera 2014 – Into the Woods Theatre Studies Resource 1 Figure 2: Victorian Opera - Into the Woods © Jeff Busby Into the woods and down the dell, The path is straight, I know it well. Into the woods, and who can tell What's waiting on the journey? In the Prologue to Into the Woods, the main characters sing these words and a magical quest begins. In many ways the experience you will have seeing Into the Woods will be similar. The audience must go ‘on the journey’ with the characters to truly experience the production; the audience’s presence ensures the characters’ reality. -
Cabaret Playbill Richard Hopkins, Producing Artistic Director
Cabaret Playbill Richard Hopkins, Producing Artistic Director presented as part of the SARASOTA FESTIVAL OF NEW PLAYS Dane Becker, Richie McCall, William Selby, and Emily Mikesell. Photo by Matthew Holler. This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture and the State of Florida OLDER THAN DIRT developed by Richard Hopkins, Rebecca Hopkins with arrangements by Jim Prosser Original parody material by Rebecca Hopkins, Stephan DeGelder, Nick Santa Maria, Jim Prosser and Phyllis Silverman CAST Dane Becker Richie McCall Emily Mikesell William Selby with Jim Prosser on Piano Music Director Choreographer Darren Server Kathryn Gasper Costume Designer Lighting Designer Sound Designer Susan Angermann Thom Beaulieu Toby Algya Sound and Light Board Operator Jennifer London Directed by Richard Hopkins Season Underwriters Gulf Coast Community Foundation, Dennis & Graci McGillicuddy, Anne H.S. Nethercott, The Woman’s Exchange, Inc. Co-Producer Jan & Larry Coleman, Thomas B. Wilson & Patrick J Crimmings, Joan & Jim Zawacki, SRQ Media Older Than Dirt will be performed The taking of photographs and in two acts with one 15-minute the use of recording devices is intermission. strictly prohibited. Florida Studio Theatre is a Constituent of Theatre Communications Group (TCG), the national organization for the American Theatre. ARTIST PROFILES DANE BECKER is overjoyed co-written by Emily and director Michael Barakiva.) to be back home at Florida WILLIAM SELBY FST 2016: Studio Theatre. Now based in Laughing Matters (vol. 5). Los Angeles, Dane appeared Starred as ‘Bernadette’ in the in The Boy From Oz at the Gateway/Ogunquit Playhouse Celebration Theatre (Winner co-productions of Priscilla, of 6 Ovation Awards- Queen of the Desert (Broadway Including Best Musical and World Award nominee, Best Acting Ensemble) as well as Grease: Live on THE Best Actor). -
Cast of the Tail-Waggin' Good Tuner Because of Winn Dixie Announced
NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] “AWOOO!” CAST OF THE TAIL-WAGGIN’ GOOD TUNER BECAUSE OF WINN DIXIE ANNOUNCED The Heartwarming New Musical is set for this summer at The Goodspeed EAST HADDAM, CONN; MAY 30, 2019: Not since Annie has a stray dog inspired such joyful noise! This summer Goodspeed Musicals will produce the heartwarming new musical Because of Winn Dixie. This touching tale based on the award-winning novel by Kate DiCamillo will run June 28 – September 1 at The Goodspeed in East Haddam, Conn [Official Press Opening will be July 17, 2019]. In a Southern town filled with lost souls, a new leash on life is just around the corner when a preacher and his daughter take in a mutt named Winn Dixie. The beloved, award-winning novel about a quirky community learning to get along now sings for the first time in this uplifting new musical. Let Grammy and Tony winner Duncan Sheik (Spring Awakening) and Tony nominee Nell Benjamin (Legally Blonde, Mean Girls) take you on a heartwarming adventure for all ages. Because of Winn Dixie is made possible in part by Updike, Kelley & Spellacy, P.C., the Lucille Lortel Foundation, Robinson + Cole and ACMT, Inc.. This project is supported in part by the National Endowment for the Arts. Because of Winn Dixie will be Directed by John Rando and Choreographed by Chris Bailey with Animal Direction by William Berloni. Because of Winn Dixie features Book and Lyrics by Tony and Drama Desk Award nominee Nell Benjamin. -
Roundabout Theatre Company's Tony Award
NEWS RELEASE For immediate release: Thursday, August 18, 2016 Contact: Sarah Knab, 608.258.4438 / [email protected] PRODUCTION PHOTOS: Click here. "DIVINELY, DANGEROUSLY DECADENT." – Ben Brantley, The New York Times “One of musical theatre’s GREATEST TRIUMPHS!” -Houston Chronicle "Truly unmissable! Even if you saw it last time, you are strongly advised - no, URGED - to return." -USA Today ROUNDABOUT THEATRE COMPANY’S TONY AWARD® -WINNING PRODUCTION OF CABARET COMES TO MADISON AT OVERTURE CENTER Madison, Wis. – Overture Center announced that individual tickets for the Madison engagement of Roundabout Theatre Company’s CABARET will go on sale Saturday, August 27 at 9 a.m. in person at the Overture Center ticket office at 201 State Street (doors open at 8:30 a.m.), 11 a.m. online at overture.org or 11 a.m. by phone at 608.258.4141. Subscriptions available now. Tickets for groups of 10 or more available now by calling 608.258.4159. Direct from Broadway, the musical masterpiece comes to Madison! As part of their 50th Anniversary Season, the critically acclaimed and award-winning Roundabout Theatre Company is proud to present the national tour of Sam Mendes (Skyfall, American Beauty) and Rob Marshall’s (Into the Woods and Chicago, the films) Tony Award®-winning production of CABARET, playing Tuesday, March 21-Sunday, March 26, 2017, at Overture Center as part of the 2016/17 Broadway Series. John Kander, Fred Ebb, best known for their legendary musical, CHICAGO and Joe Masteroff’s Tony- winning musical features some of the most memorable songs in theatre history, including “Cabaret,” “Willkommen” and “Maybe This Time.” CABARET is set in the infamous Kit Kat Klub, where the Emcee, Sally Bowles and a raucous ensemble take the stage nightly to tantalize the crowd––and to leave their troubles outside.