Reopening Plan Carillon Concerts Birds of Pray

Total Page:16

File Type:pdf, Size:1020Kb

Reopening Plan Carillon Concerts Birds of Pray CarillonA QUARTERLY PUBLICATION OF GROSSE POINTE MEMORIAL CHURCH FALL 2021 “From the rising of the sun to its setting the name of the Lord is to be praised.” Psalm 113:3 Inside this issue Concerts at GPMC Fall Kick-Off Social Welcome back to Sunday School “A light by the lakeshore” A Presbyterian Church (U.S.A.) PASTOR’S CORNER PROGRAM STAFF Mission Possible Rev. Sarah Godbehere Associate Pastor/Acting Head of Staff: Rev. Sarah Godbehere, ext. 132 “Sealed by the Holy Spirit and marked as Coordinator of Outreach Ministries: Christ’s own forever, we are called and Sue Acton, ext. 138 committed to living out our love for God. Through worship, study and service, we Minister of Music: strive to continue God’s transforming work...” James Biery, ext. 134 -Grosse Pointe Memorial Church Director of Pastoral Ministries: revised Mission Statement Carol Beltz Marks, ext. 127 As part of our transition process as we seek a new pastor, GPMC Minister of Adult Education: completed a mission study and revised our mission statement in 2020. Rev. Susan Mozena, ext. 138 You may have noticed this revised mission statement on our bulletins or printed in the Carillon. In June 2021, the Session compared our Director of Finance and Operations: new mission statement to the old version and observed that the new Jim Schultz, ext. 126 statement is strongly action oriented. We express our commitment Director of Children’s Ministries: to God through the things we do, “living out our love for God.” Our Lisa Turner, ext. 135 new mission statement focuses on three areas, “worship, study, and service.” In conversation together, seeking to discern God’s will for Director of Mornings @ Memorial: GPMC, the Session felt strongly drawn to focus on the “service” part Marie Calcaterra, ext. 140 of our mission. As Jesus reminded the disciples, we are called “not to be served but to serve” (Mark 10:45). Office hours: So in the coming months, GPMC’s leaders would like to invite you Mon-Thurs. 8:30 a.m. to 4:30 p.m. to “live out our love for God” through service. As we launch our Fri. 8:30 a.m. - 3 p.m. fall programs and return to a more normal schedule, there are many different opportunities to serve the church, the community, and the The Carillon is world. Here at the church, we need hundreds of volunteers to make published quarterly by Grosse our life together fruitful. We are particularly seeking ushers, volun- Pointe Memorial Church. teers for the adult choir and bell choir, and teachers for our children Managing Editor: and youth. Please contact us if you’d like to volunteer and offer your Susan Griffin gifts in service as we return to our usual church programs. Please send article submissions to: We also have many opportunities to serve our community and the [email protected] world. Outreach Council is planning several hands-on service pro- grams each month, including donation drives, Unpack the Truck, Publication layout: Life Remodeled and Shelter Week. See pages 8 - 9 for more details. Linda Pobocik-Insisiengmay Perhaps you will join together with fellow church members and On the cover: serve our community. Or maybe you will find other opportunities to put your faith into action in the coming months. Cover photograph of worship on Trinity Terrace provided We truly are called and committed to living out our love for God. As by Susan Griffin the fall begins, let us join in service and continue God’s transforming work in the world. As members and friends of GPMC, it is our joy to join in this shared mission! Blessings, Pastor Sarah 2 Grosse Pointe Memorial Church, “A light by the lakeshore” | 313.882.5330 | gpmchurch.org CONTENTS Features & News Departments 4 Fr. Elias Chacour returns to GPMC 2 Deacons 6 Session Nuggets 4 Adult Education 5 Music Ministry & Parish Life 7 What’s Happening 6 Session 10 High School Mission Trip 2021 8 Outreach Sunday School and Young Children 11 10 Christian Education and Worship 12 Learning about the Bible WHO WE ARE Grosse Pointe Memorial Church is a 1,200 Deacons By Bev Butler member congregation of the Presbyterian Church (U.S.A.). Started in 1865 as the Grosse Pointe Evan- gelical Protestant Association, the oldest Protestant congregation in the Grosse Pointes, our 156-year history is a rich one. The greatest treasures we have are our members. As a Presbyterian church, we are a congregation where every member is a minister. Our Mission and Vision Statement: Sealed by the Holy Spirit and marked as Christ’s own forever, we are called and committed to living GPMC Deacons: Wendy Beal, Tim Klepp and Lynn Wood out our love for God. Through worship, study and service, we strive to continue God’s transforming The Board of Deacons is excited to return to the work by worshiping God joyfully, welcoming others GPMC fall schedule and continuing to welcome and graciously, supporting one another lovingly, and serve. During the pandemic, the Deacons met month- faithfully responding to our community and world ly and enjoyed fellowship by Zoom. We were able with compassion. to remain connected with parishioners by phone and stay active in the life of the church. Since the return of in-person services in April, it has been a privilege to set up communion, deliver the birth roses and greet folks from the desk in the lakeside entrance. We look forward to being back and seeing everyone! Fall 2021 - Carillon 3 ADULT EDUCATION Fr. Elias Chacour Returns to GPMC The Birthplace of Pilgrims of Ibillin By Rev. Susan Mozena The evening of July 27th born of the likes of God. This has been my guideline found 45 people, adults and for my life…I consider [all the students] my children…I children, in GPMC’s sanc- care that all are children of God. The school was built tuary to welcome Fr. Elias for all to come and find our dignity together.” (From the Chacour, the emeritus arch- Summer 2021 Pilgrims Post, the newsletter of Pilgrims bishop of the Melkite Greek of Ibillin). Catholic Church in the Holy Rigdon invited Chacour to be GPMC’s Ecumenical Min- Land. Upon turning in to ister in the early 1990s, through the generosity of Es- the church’s driveway, Fr. ther Porter, who founded the Ecumenical Minister Fund Chacour said, “I feel as in memory of her parents. GPMC fell in love with Fr. though I’m coming home. Chacour during that visit and asked him, “What can we Fr. Elias Chacour This is a wonderful church.” do to help Mar Elias?” The non-profit Pilgrims of Ibillin Elias Chacour’s connection to GPMC began on the is- was born out of that visit and the answer to that ques- land of Crete in 1962, where he met another young man tion. GPMC pastors have served as board members and of God, Rev. V. Bruce Rigdon, a Presbyterian minister board president, scores of youth and adults from GPMC who later became pastor and head of staff of GPMC. The have been to Mar Elias for educational visits and to do two young men were attending a meeting of the World construction work, and GPMC has continued to support Council of Churches and struck up a conversation and Pilgrims through outreach donations. deep friendship which continue today. Immediately following his ordination, Fr. Chacour was posted by his bishop to the impoverished Galilean vil- lage of Ibillin, in northern Israel. The young priest quick- ly realized that the children of Ibillin, especially the girls, needed more education, few of them finishing high school and even fewer attending university. He founded Mar Elias School in Ibillin in 1982. Thirty-nine years lat- er, the Mar Elias Educational Institutions (MEEI) have over 3,000 students, kindergarten through high school. Sixty-five percent of the students are Muslim and 35 per- Church members attend service lead by Fr. Elias Chacour cent are Christian. The faculty are Muslim, Christian and Jewish. No longer a school just for the children of Ibil- During his time with us in July, Fr. Chacour wove into his lin, students come from more than twenty villages and narrative stories of inter-religious dialogue, beginning in towns. Graduates score at the highest levels of the Israeli Ibillin and expanding over the years to ecumenical con- national exams and are to be found in leadership in many nections across Israel, in the Middle East and throughout different professions and at the heart of many communi- the world. His life’s ministry rooted in his conviction ty activities. that we all belong to one another as sisters and brothers Central to MEEI is the bedrock faith of Fr. Chacour made his stories of the hard and often very sad work of which he describes this way, “We have one thing in living that conviction as a Palestinian Arab Christian cit- common, whether we are Jews, Palestinians, White or izen of Israel very moving. His narrative was, indeed, a Black Americans…we are born babies. All people are sermon we very much needed to hear, our own nation so in need of seekers of mercy, justice, and peace. May God continue to bless his ministry. 4 Grosse Pointe Memorial Church, “A light by the lakeshore” | 313.882.5330 | gpmchurch.org MUSIC MINISTRY Concerts at GPMC ented brass players. On Sunday, November 7 at 3 p.m., “Melodies for Two” will feature Scandinavian music for solo instrument and keyboard with Laura Larson, flute, Stephanie Shapiro, oboe, Rose Urbiel, violin, and Mari- lyn Biery at the organ and piano.
Recommended publications
  • About the RPT Exams
    About the RPT exams... Tuning Exam Registered Piano Technicians are This exam compares your tuning to a “master professionals who have committed themselves tuning” done by a team of examiners on the to the continual pursuit of excellence, both same piano you will tune. Electronic Tuning in technical service and ethical conduct. Aids are used to measure the master tuning Want to take The Piano Technicians Guild grants the and to measure your tuning for comparison. Registered Piano Technician (RPT) credential In Part 1 you aurally tune the middle two after a series of rigorous examinations that octaves, using a non-visual source for A440. the RPT test skill in piano tuning, regulation and In Part 2 you tune the remaining octaves by repair. Those capable of performing these any method you choose, including the use of tasks up to a recognized worldwide standard Electronic Tuning Aids. This exam takes about exams? receive the RPT credential. 4 hours. No organization has done more to upgrade the profession of the piano technician than Find an Examiner PTG. The work done by PTG members in Check with your local chapter president or developing the RPT Exams has been a major examination committee chair first to see if contribution to the advancement of higher there are local opportunities. Exam sites Prepare. include local chapters, Area Examination standards in the field. The written, tuning Boards, regional conferences and the Annual and technical exams are available exclusively PTG Convention & Technical Institute. You to PTG members in good standing. can also find contact information for chapter Practice.
    [Show full text]
  • Cathedral Chimestm
    32 Cathedral ChimesTM A fresh approach to organ chimes Patented striker design is quiet, efficient, and virtually maintenance free. Dampers lift off tubes for as long as a key is held. Solid state relay with fixed strike pulse timing is included. Very easy to install in most organs. Custom keying cables are available to further simplify installation. Beautiful brushed brass tubes or aluminum chime bars. Also available as an “action only” for use with older chime tubes. Some years ago, Peterson set out to see what could Beautiful satin-finished brass chime tubes or silver be done to modernize and improve the traditional colored anodized aluminum bars are precision tuned tubular chimes that have been part of fine organs for with Peterson stroboscopic tuning instruments and decades. It was quickly realized that chimes and chime engineered for optimal harmonic development. A actions were still being made the same way they had Peterson chime rail and relay may also be provided been made 40 years earlier. They still had the same as an “action only” to replace an old, defective action problems with imprecise tuning; uneven and difficult to while utilizing original tubes having diameters up to adjust actions; heavy and hard-to-install cables; sparking 1-1/2 inches. contacts; and a host of other pitfalls all too well known The Cathedral Chimes system’s easy connection to organbuilders and service technicians. A subsequent to almost any pipe organ requires only a small cable, two-year development program was begun to address making it practical to display chimes and to better and overcome these concerns, and ultimately the TM capitalize on their beautiful appearance.
    [Show full text]
  • A New History of the Carillon
    A New History of the Carillon TIFFANY K. NG Rombouts, Luc. Singing Bronze: A History of Carillon Music. Translated by Com- municationwise. Leuven: Leuven University Press, 2014, 368 pp. HE CARILLON IS HIDDEN IN plain sight: the instrument and its players cannot be found performing in concert halls, yet while carillonneurs and Tkeyboards are invisible, their towers provide a musical soundscape and focal point for over six hundred cities, neighborhoods, campuses, and parks in Europe, North America, and beyond. The carillon, a keyboard instrument of at least two octaves of precisely tuned bronze bells, played from a mechanical- action keyboard and pedalboard, and usually concealed in a tower, has not received a comprehensive historical treatment since André Lehr’s The Art of the Carillon in the Low Countries (1991). A Dutch bellfounder and campanologist, Lehr contributed a positivist history that was far-ranging and thorough. In 1998, Alain Corbin’s important study Village Bells: Sound and Meaning in the Nineteenth-Century French Countryside (translated from the 1994 French original) approached the broader field of campanology as a history of the senses.1 Belgian carillonneur and musicologist Luc Rombouts has now compiled his extensive knowledge of carillon history in the Netherlands, Belgium, and the United States, as well as of less visible carillon cultures from Curaçao to Japan, into Singing Bronze: A History of Carillon Music, the most valuable scholarly account of the instrument to date. Rombouts’s original Dutch book, Zingend Brons (Leuven: Davidsfonds, 2010), is the more comprehensive version of the two, directed at a general readership in the Low Countries familiar with carillon music, and at carillonneurs and music scholars.
    [Show full text]
  • The Grand Piano Action Functioning Demystified Thanks to the Multibody Approach
    The Grand Piano Action Functioning Demystified thanks to the Multibody Approach 1 1 1 Fisette Paul , Baudouin Bokiau and Sébastien Timmermans 1 Institute of Mechanics, Material and Civil Engineering, Université catholique de Louvain, Louvain-la-Neuve, Belgium Abstract. Piano actions are striking mechanisms whose functioning is based on dynamic principles. Producing a sound on a struck keyboard instrument by press- ing a key slowly is impossible because the hammer needs momentum to hit the strings. For this reason, many modern studies on the piano take advantage of en- gineering tools in order to measure the exact behaviour of their actions in terms of time response, involved forces and displacement values. A complementary approach to study piano actions consists in modeling them, giving us a virtual mechanism to work with. In this case, the above-mentioned motion and behav- iour are computed instead of being measured. The modeling approach used in this work, called multibody dynamics, consists in computing the motion and the forces acting upon each component of the action. Subsequently, the response of the mechanism to any key stroke can be computed and visualized. In this paper, the functioning of the most modern double escapement action found in grand pianos is demystified thanks to the multibody modeling features. The goal, which is mostly pedagogical, is achieved with three progressive mod- els; the first one is a simplified version of the action to which components of the complete action have been (virtually) removed. The stepwise progression leads to a single escapement action for the second model, and finally to the full double escapement action for the third.
    [Show full text]
  • Guide to the Dowd Harpsichord Collection
    Guide to the Dowd Harpsichord Collection NMAH.AC.0593 Alison Oswald January 2012 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: William Dowd (Boston Office), 1958-1993................................................ 4 Series 2 : General Files, 1949-1993........................................................................ 8 Series 3 : Drawings and Design Notes, 1952 - 1990............................................. 17 Series 4 : Suppliers/Services, 1958 - 1988...........................................................
    [Show full text]
  • Accordion Catalog
    ACCORDION “I NEVER FEEL AS TRULY ALIVE AS WHEN I PLAY MUSIC.” For generations, HOHNER has been dedicated to music for one simple reason: Music is a way of life. In fact, you could say it’s the best way of life. People who aren’t into music simply don’t know what they’re missing. Of course we would say that, wouldn’t we? But like countless musicians all over the world, from beginner to professional, we feel so strongly about music that we want to help open the door to this experience to everyone. With instruments designed to convey the joy and the passion that inspire everybody to improve their skills and develop further. We wouldn’t be where we are now, as world market leader for harmonicas and accordions, if it wasn’t for our passion and our shared commitment to our craft and the traditions that it has inspired. This is a defining element of the HOHNER sound, a key to unlock the world of music. Our mission is to pass this passion on to you, with perfectly crafted instruments that enable you to truly Enjoy music. Get the full experience at HOHNER.DE WHICH ACCORDION TO CHOOSE? There is a variety of accordions with different styles, keys, tunings, and more. It can be quite overwhelming if you’re new to this world. Which is why we have designed a product finder at HOHNER.DE to give you at least some guidance. And if you can’t get online right away, here are the biggest differences explained.
    [Show full text]
  • A Brief History of Piano Action Mechanisms*
    Advances in Historical Studies, 2020, 9, 312-329 https://www.scirp.org/journal/ahs ISSN Online: 2327-0446 ISSN Print: 2327-0438 A Brief History of Piano Action Mechanisms* Matteo Russo, Jose A. Robles-Linares Faculty of Engineering, University of Nottingham, Nottingham, UK How to cite this paper: Russo, M., & Ro- Abstract bles-Linares, J. A. (2020). A Brief History of Piano Action Mechanisms. Advances in His- The action mechanism of keyboard musical instruments with strings, such as torical Studies, 9, 312-329. pianos, transforms the motion of a depressed key into hammer swing or jack https://doi.org/10.4236/ahs.2020.95024 lift, which generates sound by striking the string of the instrument. The me- Received: October 30, 2020 chanical design of the key action influences many characteristics of the musi- Accepted: December 5, 2020 cal instrument, such as keyboard responsiveness, heaviness, or lightness, which Published: December 8, 2020 are critical playability parameters that can “make or break” an instrument for a pianist. Furthermore, the color of the sound, as well as its volume, given by Copyright © 2020 by author(s) and Scientific Research Publishing Inc. the shape and amplitude of the sound wave respectively, are both influenced This work is licensed under the Creative by the key action. The importance of these mechanisms is highlighted by Commons Attribution International centuries of studies and efforts to improve them, from the simple rigid lever License (CC BY 4.0). mechanism of 14th-century clavichords to the modern key action that can be http://creativecommons.org/licenses/by/4.0/ found in concert grand pianos, with dozens of bodies and compliant elements.
    [Show full text]
  • TC 1-19.30 Percussion Techniques
    TC 1-19.30 Percussion Techniques JULY 2018 DISTRIBUTION RESTRICTION: Approved for public release: distribution is unlimited. Headquarters, Department of the Army This publication is available at the Army Publishing Directorate site (https://armypubs.army.mil), and the Central Army Registry site (https://atiam.train.army.mil/catalog/dashboard) *TC 1-19.30 (TC 12-43) Training Circular Headquarters No. 1-19.30 Department of the Army Washington, DC, 25 July 2018 Percussion Techniques Contents Page PREFACE................................................................................................................... vii INTRODUCTION ......................................................................................................... xi Chapter 1 BASIC PRINCIPLES OF PERCUSSION PLAYING ................................................. 1-1 History ........................................................................................................................ 1-1 Definitions .................................................................................................................. 1-1 Total Percussionist .................................................................................................... 1-1 General Rules for Percussion Performance .............................................................. 1-2 Chapter 2 SNARE DRUM .......................................................................................................... 2-1 Snare Drum: Physical Composition and Construction .............................................
    [Show full text]
  • Piano Technician IV
    Piano Technician IV PEIMS Code: N1170200 Abbreviation: PINTECH4 Grade Level(s): 11-12 Award of Credit: 1.0 Approved Innovative Course • Districts must have local board approval to implement innovative courses. • In accordance with Texas Administrative Code (TAC) §74.27, school districts must provide instruction in all essential knowledge and skills identified in this innovative course. • Innovative courses may only satisfy elective credit toward graduation requirements. • Please refer to TAC §74.13 for guidance on endorsements. Course Description: The Piano Technician IV course is the completion course in piano tuning and technical skills with an emphasis on refining tuning, repairs, introducing voicing and business management practices. The Piano Technician IV courses will provide students with the knowledge, skills, and technologies required for employment in the music industry as a piano tuner or piano technician. Students will perfect tuning theory in practice, string repairs/replacement, piano moving, cabinetry repair, voicing, regulation, action repair, financial literacy, professional conduct, and OSHA safety protocols. Upon successful completion of the set of Piano Technician courses, the skills taught will allow students to begin advanced study at trade or postsecondary schools, as well as begin working at institutions and piano dealers as a fully competent piano technician. Essential Knowledge and Skills: (a) General Requirements: This course is recommended for students in Grade 12. Required prerequisite completion of Piano Technician III. Students shall be awarded one credit for successful completion of this course. (b) Introduction. (1) Fine arts instruction provides content aligned with challenging academic standards and relevant technical knowledge and skills for students to further their education and succeed in the current piano tuning/technician profession.
    [Show full text]
  • Recovering the Clavichord for the Modern Pianist
    Recovering the Clavichord for the Modern Pianist A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2012 by Albert Mühlböck Magister Artium, University of Music and Performing Arts Vienna, Austria, 1996 Committee Chair: Steven Cahn, Ph.D. ABSTRACT This document examines the history of the clavichord, explores similarities between clavichord and piano technique, and makes suggestions about the respects in which traditional principles of clavichord playing can improve the playing of pianists and piano students. For centuries the clavichord was considered the basis from which all other keyboard instruments could be approached. After a time of relative obscurity in the second half of the nineteenth century, followed by a revival in the twentieth century, the clavichord again enjoys enough dissemination and familiarity to resume that noble role. This study finds, through examination of ancient and contemporary sources, that especially a pianist’s sensitivity of touch and clarity of playing can be improved by playing the clavichord. Practical suggestions are also given. For future, extended versions of this thesis, please check www.albert-muhlbock.com. ii iii TABLE OF CONTENTS ABSTRACT ii TABLE OF CONTENTS iv TABLE OF FIGURES vi CHAPTER 1 – INTRODUCTION 1 CHAPTER 2 – THE CLAVICHORD 4 Construction of the Clavichord 4 History of the Clavichord 13 Before 1500 13 The 16th Century 15 The 17th Century 17 The 18th Century 18 Individual Composers 23 J.S. Bach 23 Joseph Haydn 26 W.
    [Show full text]
  • The Invention and Evolution of the Piano
    The Invention and Evolution of the Piano Nicholas Giordano The piano was invented 300 years ago — and the instrument has changed considerably since then. Postal: Department of Physics Introduction Auburn University Auburn, AL 36849-5319 The piano is a fascinating instrument with an interesting history. The inventor of USA the piano was Bartolomeo Cristofori, a gifted and creative maker of keyboard in- struments, who spent his most productive years in the employ of the Medici family Email: in Florence (Pollens, 1995; Good, 2002). Cristofori lived at essentially the same [email protected] time as the celebrated luthier, Antonio Stradivari, and both worked in what is now northern Italy (although there is no evidence that they ever met). A number of Cristofori's instruments can be found in museums around the world, including harpsichords and other string instruments, as well as the three oldest known pianos. These pianos were built in the 1720s and can be seen in the Met- ropolitan Museum of Art in New York City, the Museo Nationale degli Strumenti Musicali in Rome (which houses the piano in Figure 1), and the Musikin- strumenten-Museum in Leipzig. These instruments resemble in a general way the Italian-style harpsi- chords of that period, but with the incorporation of hammers and what is now known as the piano "action." The action is the mechanical mecha- nism that links each hammer to a key lever, and it is this mechanism that gives the piano its unique capa- bilities, setting it apart from its fore- runner, the harpsichord. The piano Figure 1.
    [Show full text]
  • User Manual Nord Stage 2 HA/SW
    User Manual Nord Stage 2 HA/SW OS Version 1.7x Part No. 50361 Copyright Clavia DMI AB Print Edition: J The lightning flash with the arrowhead symbol within CAUTION - ATTENTION an equilateral triangle is intended to alert the user to the RISK OF ELECTRIC SHOCK presence of uninsulated voltage within the products en- DO NOT OPEN closure that may be of sufficient magnitude to constitute RISQUE DE SHOCK ELECTRIQUE a risk of electric shock to persons. NE PAS OUVRIR Le symbole éclair avec le point de flèche à l´intérieur d´un triangle équilatéral est utilisé pour alerter l´utilisateur de la presence à l´intérieur du coffret de ”voltage dangereux” non isolé d´ampleur CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK suffisante pour constituer un risque d`éléctrocution. DO NOT REMOVE COVER (OR BACK). NO USER SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL. The exclamation mark within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the ATTENTION:POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE literature accompanying the product. PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L´USAGER. Le point d´exclamation à l´intérieur d´un triangle équilatéral est CONFIER L´ENTRETIEN AU PERSONNEL QUALIFE. employé pour alerter l´utilisateur de la présence d´instructions AVIS: POUR EVITER LES RISQUES D´INCIDENTE OU D´ELECTROCUTION, importantes pour le fonctionnement et l´entretien (service) dans le N´EXPOSEZ PAS CET ARTICLE A LA PLUIE OU L´HUMIDITET. livret d´instructions accompagnant l´appareil.
    [Show full text]