Working Together and Working: Public and Private School Collaboration. INSTITUTION Columbia Univ., New York, NY
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Live Among the White Trash: a History of Nono----Manman on Stage
Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain. -
Annual Report 2019
Annual Report 2019 Table of Contents Year In Review........................Page 4 Financial Report.....................Page 6 Treasurer’s Report................Page 7 Contributors............................Page 8 Gifts in Honor/Memory.......Page 16 Volunteers................................Page 25 Accessions...............................Page 26 Oral Histories.......................... Page 27 Board & Staff...........................Page 28 3 2019 Year in Review How do we even begin to capture what an eventful campus in those first nine months. We gained 1,000 and historic year 2019 was for the Martha’s Vineyard new members and 10,000 new followers on social Museum? It was the year when our cherished, media. More than 1,000 people came to our Pecha long-held dream finally came true, but there is so Kucha presentations — now held at the Museum much more to share! for the first time in our history — and 8,560 visitors came to the Edgartown Lighthouse and 548 to the Yes, the Martha’s Vineyard Museum finished East Chop Light. Free Tuesday evenings, sponsored restoring and improving the landmark 1895 by Cronig’s Market and Cape Cod Five Bank, Vineyard Haven Marine Hospital. Yes, Island history allowed us to give free admission to over 6,000 finally took its rightful place center-stage, at the top visitors. Inquiries to the MVM research library more of a majestic hill. Yes, the museum was warmly than quadrupled. embraced by the Island community beginning March 13th, the day it opened to the public for the Education programs grew at a healthy pace in 2019, first time. All these things were dearly hoped-for. with 119 classes being taught to 1,015 unique Island But 2019 brought a plethora of wonderful school children. -
Porcupine Tree — the Sound of Muzak 13 — 14
Porcupine Tree The Sound Of Muzak Track Porcupine Tree — The Sound Of Muzak 13 — 14 Als 2002 zum Album „In Absentia“ Gavin Harrison als neuer Drummer zu Porcupine Tree kam, holte man damit einen echten Spezialisten für vertrackte Rhythmen an Bord. Polyrhythmik, Akzentverschiebungen und ungeraden Rhythmen machen sein Spiel unverwechselbar. Genau diese Stilelemente findet man auch in „Sound Of DH: Was macht den Drumpart von „The Sound Of Muzak“ Muzak“. Dazu kurz vorweg: Dieser Song ist rhythmisch und denn so charakteristisch? spieltechnisch ein echter Brecher, also nicht unbedingt was für Einsteiger. Aber dafür dürfen wir mit Stolz verkünden, Gavin: Es is ist das spezielle Feel in der Strophe. Den dass Gavin höchstselbst unsere Transkription gecheckt hat Hauptrhythmus denke ich als 7/8-Takt, aber darüber spiele und als „... the most accurate version I've seen of this Song!“ 7/4. Das gibt dem Hörer eine bessere Orientierung. Wenn bezeichnet hat. ich diese Viertel-Akzentuierung wegließe, wäre es ein sehr Zudem stand Harrison uns noch für das folgende Mini- ruckeliger Rhythmus. Interview Rede und Antwort: DH: Wie lange benötigtest du, um deinen Drumpart für „The DH: Gavin, die meisten Songs von Porcupine Tree schreibt Sound Of Muzak“ aufzunehmen? Steve Wilson. Gibt er dir auch genau vor, wie du deinen Part zu spielen hast? Gavin: Ich glaube, der Song war mit dem ersten Take im Kasten. Gavin: Also, dieser Song war fertig, bevor ich zur Band stieß. Ich flog nach New York als Session Drummer und spielte das Album in sechs Tagen ein. Steve hatte das 7/8-Pattern auf einem Drumcomputer programmiert. -
2016 St. Andrew's Holiday Classic
2016 St. Andrew’s Holiday Classic Teams 1. St. Andrew’s School (RI) 12. Lawrence Academy (MA) 2. Wheeler School (RI) 13. Bradford Christian Academy (MA) 3. Brimmer and May School (MA) 14. Cheshire Academy (CT) 4. Cushing Academy (MA) 15. Topflight Academy (CN) 5. Tilton School (NH) 16. Proctor Academy (NH) 6. Gould Academy (ME) 17. City Reach United Academy (NH) 7. Worcester Academy (MA) 18. Avalon School (MD) 8. Bridgton Academy (ME) 19. Smithfield High School (RI) 9. Loomis Chaffee School (CT) 20. Coyle and Cassidy High School (MA) 10. Brooks School (MA) 21. Barrington High School (RI) 11. Choate Rosemary Hall (MA) 22. Wilbrham and Monson Academy (MA) 23. Hyde School (ME) Friday, Dec. 16, 2016 3:30 pm- Bridgton Academy (ME) vs. Proctor Academy (NH) (Sage Gym) 4:00 pm- Loomis Chaffee School (CT) vs. Bradford Christian Academy (MA) (Raffa Court) 5:15 pm- Cushing Academy (MA) vs. Choate Rosemary Hall (CT) (Sage Gym) 5:45 pm- Cheshire Academy (CT) vs. Brimmer and May School (MA) (Raffa Court) 7:00 pm- Lawrence Academy (MA) vs. Tilton School (NH) (Sage Gym) 7:15 pm- Gould Academy (ME) vs. Worcester Academy (MA) (Raffa Court) 8:45 pm- Topflight Academy (CN) vs. St. Andrew’s School (RI) (Sage Gym) 9:00 pm- Brooks School (MA) vs. City Reach United Academy (NH) (Raffa Court) Saturday, Dec. 17, 2016 12:00 pm-Choate Rosemary Hall (CT) vs. St. Andrew’s School (RI) (Sage Gym) 1:00 pm- Cushing Academy (MA) vs. Brimmer and May School (MA) (Raffa Court) 1:45 pm- Bradford Christian Academy (NH) vs. -
Class AA, Class A, Class B, Class C, Class D, Class E
2020 NEPSAC GIRLS' BASKETBALL TOURNAMENT Class AA, Class A, Class B, Class C, Class D, Class E 2020 NEPSAC Girls' Basketball Tournament Class AA Bracket Wednesday, March 4 Saturday, March 7 Sunday, March 8 Quarterfinals Semifinals Finals 1 # Noble and Greenough Noble and Greenough # 8 # Northfield Mount Hermon # 4 # St. Andrew’s School LIVE St. Andrew’s School 3:00 PM # #5 Bradford Christian Academy # 6:45 PM Rappaport Gymnasium 3 # Worcester Academy Champions Worcester Academy 3:30 PM # 6 # The Rivers School # 2 # Tabor Academy Tabor Academy 4:30 PM # 7 # New Hampton School Contests with a LIVE indicator will be live streamed here: www.bit.ly/NEPSACLIVE 3/8/20 ALL-STAR GAMES IN RICHARDSON GYMNASIUM: CLASS A - 11:00 AM; CLASS B - 12:30 PM; CLASS D/E- 2:00 PM; CLASS C - 3:30 PM 2020 NEPSAC GIRLS' BASKETBALL TOURNAMENT Class AA, Class A, Class B, Class C, Class D, Class E 2020 NEPSAC Girls' Basketball Tournament Class A Bracket Wednesday, March 4 Saturday, March 7 Sunday, March 8 Quarterfinals Semifinals Finals 1 # Marianapolis Preparatory LIVE Marianapolis Preparatory 4:00 PM # 8 # Choate Rosemary Hall # 4 # Deerfield Academy LIVE Deerfield Academy 4:30 PM # 5 # Thayer Academy # 5:00 PM Rappaport Gymnasium 3 # Loomis Chaffee Champions Loomis Chaffee # #6 Buckingham Browne & Nichols # 2 # Tilton School Tilton School # 7 # Phillips Academy Andover Contests with a LIVE indicator will be live streamed here: www.bit.ly/NEPSACLIVE 3/8/20 ALL-STAR GAMES IN RICHARDSON GYMNASIUM: CLASS A - 11:00 AM; CLASS B - 12:30 PM; CLASS D/E- 2:00 PM; CLASS C - 3:30 PM 2020 NEPSAC GIRLS' BASKETBALL TOURNAMENT Class AA, Class A, Class B, Class C, Class D, Class E 2020 NEPSAC Girls' Basketball Tournament Class B Bracket Wednesday, March 4 Saturday, March 7 Sunday, March 8 Quarterfinals Semifinals Finals 1 # Brooks School Brooks School # 8 # Cushing Academy # 4 # Lawrence Academy LIVE Lawrence Academy # 5 # Proctor Academy # 3:15 PM Rappaport Gymnasium 3 # Miss Porter’s School Champions Miss Porter’s School # 6 # Groton School # 2 # St. -
Forma Y Fondo En El Rock Progresivo
Forma y fondo en el rock progresivo Trabajo de fin de grado Alumno: Antonio Guerrero Ortiz Tutor: Juan Carlos Fernández Serrato Grado en Periodismo Facultad de Comunicación Universidad de Sevilla CULTURAS POP Índice Resumen 3 Palabras clave 3 1. Introducción. Justificación del trabajo. Importancia del objeto de investigación 4 1.1. Introducción 4 1.2. Justificación del trabajo 6 1.3. Importancia del objeto de investigación 8 2. Objetivos, enfoque metodológico e hipótesis de partida del trabajo 11 2.1. Objetivos generales y específicos 11 2.1.1. Objetivos generales 11 2.1.2. Objetivos específicos 11 2.2. Enfoque metodológico 11 2.3. Hipótesis de partida 11 3. El rock progresivo como tendencia estética dentro de la música rock 13 3.1. La música rock como denostado fenómeno de masas 13 3.2. Hacia una nueva calidad estética 16 3.3. Los orígenes del rock progresivo 19 3.4. La difícil definición (intensiva) del rock progresivo 25 3.5. Hacia una definición extensiva: las principales bandas de rock progresivo 27 3.6. Las principales escenas del rock progresivo 30 3.7. Evoluciones ulteriores 32 3.8. El rock progresivo hoy en día 37 3.9. Algunos nombres propios 38 3.10. Discusión y análisis final 40 4. Conclusiones 42 5. Bibliografía 44 5.1. De carácter teórico-metodológico (fuentes secundarias) 44 5.2. General: textos sobre pop y rock 45 5.3. Específica: rock progresivo 47 ANEXO I. Relación de documentos audiovisuales de interés 50 ANEXO II. PROGROCKSAMPLER 105 2 Resumen Este trabajo, que constituye un ejercicio de periodismo cultural, en el que se han puesto en práctica conocimientos diversos adquiridos en distintas asignaturas del Grado de Periodismo, trata de definir el concepto de rock progresivo desde dos perspectivas complementarias: una interna y otra externa. -
New England Independent School Wrestling Association NEW ENGLAND CHAMPIONSHIPS – INDIVIDUAL RESULTS & RECORDS Update the Records with Corrections Or Omissions
New England Independent School Wrestling Association NEW ENGLAND CHAMPIONSHIPS – INDIVIDUAL RESULTS & RECORDS Update the records with corrections or omissions. Email Bill Barron, [email protected] {Team Championship Results: Separate Document} NEISWA Championships: OUTSTANDING WRESTLERS {1949 – 1961: public & private combined; 1962 – 1970: private separate, no championship held} 1949 – 1950 – 1951 – 1952 – Nathaniel Raymond, Browne & Nichols, 167 1953 – Edward Amerantes, E.Providence HS (PUB), 115 1954 – Peter Howard, Phillips Exeter, 167 1955 – Isadore Ramos, E. Providence HS (PUB), 115 1956 – Wade Williams, Noble & Greenough, 138 1957 – Wade Williams, Noble & Greenough, 147 1958 – Joseph Marciano, Mt. Pleasant HS (PUB), 147 1959 – James Ferguson, Kent, 177 1960 – Dennis Kearney, LaSalle Academy, 127 1971 – Rich Solomon, Rivers, 115 1972T – William Haley, Hopkins, 127 1972T– Scott Harrigan, Roxbury Latin, 145 1973 – Sean Bilodeau, North Yarmouth Academy, 152 1974 – George Utley, Taft, 152 1975 – Harold Conforti, Williston Northampton, 127 1976 – [no tournament] 1977 – Michael Hogan, Tabor, 133 1978 – Robert Eon, Maine Central Institute, 145 1979 – Paul Oullet, Milton, 167 1980 – Robert Ginsberg, Loomis, 127 1981 – 1982 – Thomas Fraser, Tabor, 127 1983 – 1984 – 1985 – Scott Schwartz, St. Mark’s, 121 1986 – Courtney Henry, Roxbury Latin, 127 1987 – Randy Peck, Avon Old Farms, 127 1988 – Scott Carlsten, Loomis, 160 1989 – Ty Romeyn, Tabor, 125 1990 – Rei Tanaka, Exeter, 125 1991 – Jung Lee, Brooks, 145 1992 – Bradford Woodworth, Phillips -
Stefano Panunzi – Beyond the Illusion
Stefano Panunzi – Beyond The Illusion (67:16, CD, Vinyl,Burning Shed/Just For Kicks, 2021) Gar nicht einmal so unbekannt ist dieser Stefano Panunzi, war der umtriebige italienische Keyboarder bisher doch schon auf Produktionen von u.a. Mick Karn, Jakko M. Jakszyk, Gavin Harrison, Tim Bowness oder Richard Barbieri zu hören. Ein Fakt, das sich auch auf sein neues, drittes Soloalbum niederschlägt. Denn er kann sich hier auf eine illustre Gästeschar, darunter eben Tim Bowness (‚I Go Deeper‘) oder gar Gavin Harrison (‚We Are Not Just We Are‘) verlassen. Eher Pop, beziehungsweise Avantgarde-Pop-lastig denn rockig orientiert sich Stefano Panunzi hierbei an den schöngeistigen Liederzyklen von Japan oder David Sylvian, was aus ‚Beyond The Illusion‘ einen ebenso schöngeistigen Liederzyklus macht. Die Bässe, liebevoll energisch eingespielt von seinen Landsmännern Lorenzo Feliciati, Nicola Lori und Fabio Fraschini, kommen mit der gleichen pumpend, semi-jazzenden Attitüde eines Mick Karn (‚The Bench‘ ist dem Japan-Bassisten gewidmet, der auch auf Panunzis ersten beiden Soloalben spielte und leider schon 2011 verstarb), dezente Trompeten und die Vocals des Londoner Sängers und Musikers GRICE (der sich, und hier schließt sich der Kreis, durch seine Kollaborationen mit Steve Jansen und Richard Barbieri einen Namen machte) mit den melancholischen Art-Pop Atmos der AchtzigerDavid Sylvian-Produktionen, nordisch-kühlere Streiflichter mit der Ästhetik Nils-Petter Molvaer‘schen Cooljazz‘ (‚Mystical Tree‘). Bewertung: 13/15 Punkten Surftipps zu Stefano Panunzi: Facebook Twitter YouTube Soundcloud Spotify Deezer last.fm ProgArchives. -
Richard Barbieri – Under a Spell
Richard Barbieri – Under A Spell (49:28, CD, Vinyl, Digital, Kscope, 2021) Zwar ist Richard Barbieri bereits seit vielen Jahrzehnten aktiv, doch „Under A Spell“ ist erst das vierte Soloalbum des einflussreichen Künstlers, der vor allem durch seine Mitarbeit bei Japan oder Porcupine Tree, sowie diversen Kollaborationen in Erscheinung trat. Das aktuelle Album war in dieser Art so nicht geplant. Die ursprüngliche Idee hatte vielmehr eine Fortsetzung seines 2017er Albums „Planets + Persona“ als offene Zusammenarbeit von verschiedenen Musikern vorgesehen. Doch dann kam die Covid-19 Pandemie und auf einmal veränderte sich alles. „Ich schrieb und nahm das Album in meinem Studio zu Hause auf, während sich draußen diese eigenartigen Dinge abspielten. So wurde es etwas komplett Anderes: ein verrücktes, unabhängiges, in einer Art Traumzustand befindliches Album.“ So stehen bei diesem Werk in erster Linie Stimmungen im Vordergrund, es scheint mehr darum, zu gehen, den eigenen Geisteszustand zu reflektieren, als sich um ausgeklügelte Arrangements und Melodien zu kümmern. Die offensiven elektronischen Elemente, die man teilweise von seinen anderen Werken kennt, sind mehr in den Hintergrund gedrängt, vielfach schweben die abstrakten Sounds mehr, als dass sich eine prägnante Tonfolge erkennen lässt. Dennoch gelingt eine überaus spannende Verbindung aus Ambient, Electronic und jazzigen Farbtupfern. Einerseits erkennt man bei ruhigeren Stücken ‚Clockwork‘ oder ‚Star Light‘ den innerlichen Stillstand, wird bei mehr treibenden Nummern wie ‚Flare 2‘, dem düsteren ‚Sketch 6‘ oder dem geisterhaften ‚Serpentine‘ die Unbestimmtheit, Verlorenheit und Nervosität greifbar. Selbst wenn Richard Barbieri vieles im Alleingang einspielte und mit diversen Samples arbeitet, so verzichtet er dennoch nicht auf Gastmusiker. Marillion Frontmann Steve Hogarth und die schwedische Sängerin Lisen Rylander-Löve bringen ihre Stimmen auf experimentelle Weise ein, ohne diese gesanglich zu verwenden. -
Seattle Symphony Runs: April 7-29 CONTENTS NO NEED to HOLD the APPLAUSE the Vision and Commitment of United Way’S Million Dollar Roundtable Is Music to Our Ears
APRIL 2017 MORLOT CONDUCTS BRUCKNER LEIF OVE ANDSNES & MARC-ANDRÉ HAMELIN DUO RECITAL TALL-TAKACS’ MUSICAL LEGACY Encore Magazine: Seattle Symphony Runs: April 7-29 CONTENTS NO NEED TO HOLD THE APPLAUSE The vision and commitment of United Way’s Million Dollar Roundtable is music to our ears. This group is leading the way, building a foundation for our community where people have homes, students graduate and families are financial stable. These generous donors have committed to gifts of $1 million or more over a period of five years or less. So, no need to wait to clap. Cheering them on means cheering our community on. Ginger Ackerley Theresa E. Gillespie and Satya and Rao Remala Foundation Anonymous (1) John W. Stanton John and Nancy Rudolf Bacon Family Foundation Anne E. Gittinger Herman and Faye Sarkowsky Ballmer Group Greenstein Family Foundation Charitable Foundation Stan and Alta Barer Matt Griffin and Evelyne Rozner The Schultz Family Foundation Carl and Renee Behnke Nick and Leslie Hanauer Jon and Mary Shirley Foundation Foundation Brettler Family Foundation Jim and Jan Sinegal John C. and Karyl Kay Brad Smith and Kathy Surace-Smith Jon and Bobbe Bridge Hughes Foundation Orin Smith Family Foundation Jeffrey and Susan Brotman Craig Jelinek Charlie’s Produce James Solimano and Firoz and Najma Lalji Karen Marcotte Solimano Barney A. Ebsworth and John and Ginny* Meisenbach Rebecca Amato Tom Walker Blake and Molly Nordstrom Ellison Foundation Robert L. and Mary Ann T. Wiley Brandy and Pete Nordstrom Fund Richard and Barrie Galanti Bruce and Jeannie Nordstrom Gifts are as of December 31, 2016. -
Ssatb Member Schools in the United States Arizona
SSATB MEMBER SCHOOLS IN THE UNITED STATES ALABAMA CALIFORNIA Indian Springs School Adda Clevenger Pelham, AL San Francisco, CA SSAT Score Recipient Code: 4084 SSAT Score Recipient Code: 1110 Saint Bernard Preparatory School, Inc. All Saints' Episcopal Day School Cullman, AL Carmel, CA SSAT Score Recipient Code: 6350 SSAT Score Recipient Code: 1209 ARKANSAS Athenian School Danville, CA Subiaco Academy SSAT Score Recipient Code: 1414 Subiaco, AR SSAT Score Recipient Code: 7555 Bay School of San Francisco San Francisco, CA ARIZONA SSAT Score Recipient Code: 1500 Fenster School Bentley School Tucson, AZ Lafayette, CA SSAT Score Recipient Code: 3141 SSAT Score Recipient Code: 1585 Orme School Besant Hill School of Happy Valley Mayer, AZ Ojai, CA SSAT Score Recipient Code: 5578 SSAT Score Recipient Code: 3697 Phoenix Country Day School Brandeis Hillel School Paradise Valley, AZ San Francisco, CA SSAT Score Recipient Code: 5767 SSAT Score Recipient Code: 1789 Rancho Solano Preparatory School Branson School Glendale, AZ Ross, CA SSAT Score Recipient Code: 5997 SSAT Score Recipient Code: 4288 Verde Valley School Buckley School Sedona, AZ Sherman Oaks, CA SSAT Score Recipient Code: 7930 SSAT Score Recipient Code: 1945 Castilleja School Palo Alto, CA SSAT Score Recipient Code: 2152 Cate School Dunn School Carpinteria, CA Los Olivos, CA SSAT Score Recipient Code: 2170 SSAT Score Recipient Code: 2914 Cathedral School for Boys Fairmont Private Schools ‐ Preparatory San Francisco, CA Academy SSAT Score Recipient Code: 2212 Anaheim, CA SSAT Score Recipient -
For Immediate Release Contact: Susan Carpenter Far Hills Country Day School T
PRESS RELEASE: For Immediate Release Contact: Susan Carpenter Far Hills Country Day School T. 908.766.0622 ext. 427 September 16, 2015 Email: [email protected] Far Hills Country Day School to Host Annual Secondary School Fair Far Hills, NJ – Far Hills Country Day School (Far Hills) will be hosting its annual Secondary School Fair on Thursday, September 24, 2015 at 3:45 p.m. This event is free and open to the public and is the largest secondary school fair on the east coast. Nearly 120 secondary schools will be in attendance, representing the finest day and boarding schools in the country. Local NJ day schools: Delbarton School, Gill St. Bernard’s School, Immaculata High School, Kent Place School, Montclair Kimberley Academy, Morristown-Beard School, Oak Knoll School of the Holy Child, Oratory Preparatory School, Pingry School, Princeton Day School, Rutgers Preparatory School, Saint James School, and The Wardlaw-Hartridge School. Local NJ Boarding Schools: Blair Academy, The Hun School, The Lawrenceville School, Peddie School, Pioneer Academy, and Princeton International School of Mathematics & Science. US Boarding Schools: Andrews Osborne Academy, Avon Old Farms School, Baylor School, Berkshire School, Brewster Academy, Buxton School, The Canterbury School, Cate School, Chapel Hill-Chauncy Hall School, Chatham Hall, Cheshire Academy, Choate Rosemary Hall, Christchurch School, Colorado Rocky Mountain School, Concord Academy, Cushing Academy, Darlington School, Darrow School, Deerfield Academy, Dublin School, EF Academy International,