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Kijkwijzer (Netherlands Classification) Some Content May Not Be Appropriate for Children This Age
ACCM Kijkwijzer (Netherlands Classification) Some content may not be appropriate for children this age. Parental Content is age Kijkwijzer Australian guidance appropriate for (Netherlands Year Netflix Classification recommended children this age Classification) Kijkwijzer reasons 1 Chance 2 Dance 2014 N 12+ Violence 3 Ninjas: Kick Back 1994 N 6+ Violence; Fear 48 Christmas Wishes 2017 N All A 2nd Chance 2011 N PG All A Christmas Prince 2017 N 6+ Fear A Christmas Prince: The Royal Baby 2019 N All A Christmas Prince: The Royal Wedding 2018 N All A Christmas Special: Miraculous: Tales of Ladybug & Cat 2016 N Noir PG A Cinderella Story 2004 N PG 8 13 A Cinderella Story: Christmas Wish 2019 N All A Dog's Purpose 2017 N PG 10 13 12+ Fear; Drugs and/or alcohol abuse A Dogwalker's Christmas Tale 2015 N G A StoryBots Christmas 2017 N All A Truthful Mother 2019 N PG 6+ Violence; Fear A Witches' Ball 2017 N All Violence; Fear Airplane Mode 2020 N 16+ Violence; Sex; Coarse language Albion: The Enchanted Stallion 2016 N 9+ Fear; Coarse language Alex and Me 2018 N All Saints 2017 N PG 8 10 6+ Violence Alvin and the Chipmunks Meet the Wolfman 2000 N 6+ Violence; Fear Alvin and the Chipmunks: The Road Chip 2015 N PG 7 8 6+ Violence; Fear Amar Akbar Anthony 1977 N Angela's Christmas 2018 N G All Annabelle Hooper and the Ghosts of Nantucket 2016 N PG 12+ Fear Annie 2014 N PG 10 13 6+ Violence Antariksha Ke Rakhwale 2018 N April and the Extraordinary World 2015 N Are We Done Yet? 2007 N PG 8 11 6+ Fear Arrietty 2010 N G 6 9+ Fear Arthur 3 the War of Two -
Creating Their Worlds
Skip to Content ? CAL POLY M A G A Z N E Home Past Issues Alumni Giving Contact Table of Contents Sum In This Editio n: Creating Their Worlds A Collective Vision Comes to Lif e Close Ties Between Cal Poly and Dream Works are Giving Alums the Chance to Make Movie Editor's Note Magic By JoAnn Lloyd The Apprentices Become the Masters Chris Gi bson hadn' t thought much about Around campus applying his comput er sci ence degree to a film career. Creating Their Worlds But a couple of Cal Poly computer science Green and Gold graphics courses opened his eyes and, he said, "unraveled some mysteries of movie-m aking." Citizen Science Then he saw " How to Train Your Dragon," t he 2010 hit movie from DreamWorks Ani mation. Hard Work Under Pressure And it clicked . Class Notes "Some of the things I saw on the screen i n that movi e really inspired me," said Gibson (B.S., cal Poly students polish oft their graphics project in a spring class. (Photos by Br ittany App) Their dassroom, the World M .S., Computer Science, 2011). " I reali zed I w anted t o work on a Drea m Works movie." University News He applied to t he company, and two years lat er dream became reality. Gibson was cred it ed as "technical d irect o r" on the November 2012 Closing Thoughts rel ease "Rise of t he Guard ians," a Gol den Globe nominee for best animated feature. This year, he not ched his second cred it w it h the spring re lease "The Croods.11 Gibson i s one of t hree Cal Poly Computer Science alum s who helped bring " Rise of the Gua rdians" to t he big screen and among an even larger group of grads helping to make movie magic w it h Drea mWorks. -
Movie Program Family Movies in Canada Exclusively the BEST NEW SUMMER MOVIES at ACF!
Call us now at The best copyright Exclusive access to the 1 800 289-8887 coverage for your largestlargest selectionselection ofof Movie Program family movies in Canada Exclusively THE BEST NEW SUMMER MOVIES at ACF! The best blockbusters available! 1 800 289-8887 ★ www.acf-film.com ★ [email protected] Fax: 514-493-9058 COPYRIGHT MOVIE LICENSING ABOUT US WHAT DOES THE LAW SAY? Founded in 1966, Audio Cine Films Inc. is one of the The Canadian Copyright Act applies in all cases, even if films are: largest rights representatives in Canada, and is Purchased from retail stores or online vendors. Obtained from personal collections or borrowed from the exclusive Canadian non-theatrical distributor for public libraries (for example). numerous major studios, producers and thousands of Shown freely, for charity purposes or to small groups. films. As such, it issues performance licenses that legalize Complete information on copyrights can be found at the public presentation of commercially available films. www.acf-film.com. ACF HAS EXCLUSIVE RIGHTS IN CANADA No other entity in Canada or the United States is allowed to issue public performance licenses from our partner studios (among others) and their movies. Licenses obtained from organizations outside of Canada do not cover or allow for the presentation of movies from the studios we represent in Canada. A complete listing of studios exclusively represented by ACF in Canada is available in this document. 100% Canadian . Since 1966. HOW TO OBTAIN A LICENSE? Simply complete the application form included -
Comparative Study Between Chinese and Western Culture in Kung Fu Panda 2
ISSN 1923-1555[Print] Studies in Literature and Language ISSN 1923-1563[Online] Vol. 6, No. 3, 2013, pp. 70-73 www.cscanada.net DOI:10.3968/j.sll.1923156320130603.x2007 www.cscanada.org Comparative Study Between Chinese and Western Culture in Kung Fu Panda 2 HUANG Kun[a],* [a]Lecturer, Sichuan Agricultural University, China. back and uncovering his mystery of life could he find the * Corresponding author. key power to defeat the enemies. This movie perfectly blends two principal themes of China, the Kung Fu and Received 10 April 2013; accepted 17 June 2013 the Panda, in the culture transmission form of movie by western artists. It fully embodies their comprehensions Abstract and understandings about the Chinese culture and mixes Kung Fu Panda 2 is a typical cinematographic works of many elements of western culture, displaying coexistence the perfect integration of Sino-western culture. Through and integration of cultural diversity in the new period. interpreted and understood Chinese traditional culture, The movie is an inspirational one which has Chinese this film is intertwined with western cultural elements, and western culture and philosophical concept, not only which convey the core ideas of multicultural coexistence reflects the American Dream idea “everyone can become and prompting mutual development of culture in Chinese a hero through struggle”, but also actively advocate the and western culture collision. On the culture and idea Chinese traditional thought “justice will prevail”. More side, Kung Fu Panda 2 is the film which is integrated with importantly, this film has proven the successful blending Chinese and western culture successfully and delivers the of Chinese and Western Cultures, whether image design, culture. -
La Caligrafía En El Diseño De Estilos Gráficos Para El Cine De Animación: Grangel Studio Y El Ejemplo De Corpse Bride
DOI: http://dx.doi.org/10.15304/qui.16.3317 LA CALIGRAFÍA EN EL DISEÑO DE ESTILOS GRÁFICOS PARA EL CINE DE ANIMACIÓN: GRANGEL STUDIO Y EL EJEMPLO DE CORPSE BRIDE Alberto Carrere Universitat Politècnica de València Data recepción: 2016/05/12 Data aceptación: 2017/04/24 Contacto autor: [email protected] ORCID: https://orcid.org/0000-0001-5933-2278 RESUMEN El dibujo está en la base del estilo gráfico de una película de animación. Por su parte, la caligrafía se relaciona con el dibujo y la pintura por la gestualidad del trazo, ese índice tan significativo del signo plástico en arte y comunicación visual. Además, la caligrafía tiene un lugar diferenciado en la historia del diseño gráfico y la escritura. Grangel Studio crea personajes y estilos gráficos para DreamWorks, Sony Animation o Warner Bros, en los que la caligrafía tiene un papel relevante. Con ese marco teórico y referentes, el artículo indaga cómo la caligrafía participa en el estilo de las películas, con el caso paradigmático de Corpse Bride (2005), donde las caligrafías del filme y promociones, junto al dibujo de personajes, colaboran con el universo del relato, afín a las recreaciones neogóticas del director Tim Burton. Palabras clave: caligrafía, tipografía, estilo, Corpse Bride, gótico ABSTRACT Drawing is the basis of the graphic style of animated films, while calligraphy relates to drawing and painting through the nature of its strokes, that meaningful indicator of the plastic sign in visual arts and communication. Calligraphy also occupies a prominent place in the history of graphic design and writing. Grangel Studio creates graphic characters and styles for DreamWorks, Sony Animation and Warner Bros, a process in which calligraphy plays an important role. -
Dreamworks Animation SKG, Inc
DreamWorks Animation SKG, Inc. Website dreamworksanimation.com DreamWorks Animation SKG, Inc. (NASDAQ: DWA) is an American animation studio based in Glendale, California that creates animated feature films, television program and online virtual worlds. They have released a total of 22 feature films, including Shrek, Madagascar, Kung Fu Panda and How to Train Your Dragon series. Although the studio also made traditionally animated films about serious subjects earlier, such as The Prince of Egypt, Joseph: King of Dreams, The Road to El Dorado, Spirit: Stallion of the Cimarron, and Sinbad: Legend of the Seven Seas, most of their computer-generated films and television series have now gained the studio a reputation for being focused on popular culture and satire. The studio was formed by the merger of the feature animation division of DreamWorks and Pacific Data Images (PDI). Originally formed under the banner of DreamWorks in 1997 by some of Amblin Entertainment's former animation branch Amblimation alumni, it was spun off into a separate public company in 2004. DreamWorks Animation currently maintains two campuses: the original DreamWorks feature animation studio in Glendale, California and the PDI studio in Redwood City, California. Films produced by DreamWorks Animation are currently distributed worldwide by Paramount Pictures, a subsidiary of Viacom, who acquired the DreamWorks live-action studio in February 2006, spinning it off again in 2008. History The PDI/DreamWorks Studio in Redwood City, California 1994–2004 On October 12, 1994, DreamWorks SKG was formed and founded by a trio of entertainment players, director and producer Steven Spielberg, music executive David Geffen, and former Disney executive Jeffrey Katzenberg. -
DVD List As of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret
A LIST OF THE NEWEST DVDS IS LOCATED ON THE WALL NEXT TO THE DVD SHELVES DVD list as of 2/9/2013 2 Days in Paris 3 Idiots 4 Film Favorites(Secret Garden, The Witches, The Neverending Story, 5 Children & It) 5 Days of War 5th Quarter, The $5 A Day 8 Mile 9 10 Minute Solution-Quick Tummy Toners 10 Minute Solution-Dance off Fat Fast 10 Minute Solution-Hot Body Boot Camp 12 Men of Christmas 12 Rounds 13 Ghosts 15 Minutes 16 Blocks 17 Again 21 21 Jumpstreet (2012) 24-Season One 25 th Anniversary Rock & Roll Hall of Fame Concerts 28 Weeks Later 30 Day Shred 30 Minutes or Less 30 Years of National Geographic Specials 40-Year-Old-Virgin, The 50/50 50 First Dates 65 Energy Blasts 13 going on 30 27 Dresses 88 Minutes 102 Minutes That Changed America 127 Hours 300 3:10 to Yuma 500 Days of Summer 9/11 Commission Report 1408 2008 Beijing Opening Ceremony 2012 2016 Obama’s America A-Team, The ABCs- Little Steps Abandoned Abandoned, The Abduction About A Boy Accepted Accidental Husband, the Across the Universe Act of Will Adaptation Adjustment Bureau, The Adventures of Sharkboy & Lavagirl in 3-D Adventures of Teddy Ruxpin-Vol 1 Adventures of TinTin, The Adventureland Aeonflux After.Life Agatha Cristie’s Poirot-The Murder of Roger Ackroyd Agatha Cristie’s Poirot-Sad Cypress Agatha Cristie’s Poirot-The Hollow Agatha Cristie’s Poirot-Five Little Pigs Agatha Cristie’s Poirot-Lord Edgeware Dies Agatha Cristie’s Poirot-Evil Under the Sun Agatha Cristie’s Poirot-Murder in Mespotamia Agatha Cristie’s Poirot-Death on the Nile Agatha Cristie’s Poirot-Taken at -
Dreamworks Animation and Macy's Launch KUNG FU PANDA's Po on First-Ever National Balloon Tour Beginning April 15Th
DreamWorks Animation and Macy's Launch KUNG FU PANDA's Po on First-Ever National Balloon Tour Beginning April 15th KUNG FU PANDA 2 OPENS NATIONWIDE ON MAY 26th HOLLYWOOD, Calif., April 15, 2011 /PRNewswire via COMTEX/ -- DreamWorks Animation SKG, Inc. (Nasdaq: DWA) and Macy's today announced that KUNG FU PANDA's Po will embark on the first-ever U.S. tour of an official Macy's Thanksgiving Day Parade® balloon, beginning this Friday, April 15th. Po is scheduled to make a six-city, cross-country tour of awesomeness, culminating in his debut visit to Los Angeles to mark the opening of KUNG FU PANDA 2 this Memorial Day weekend. (Logo: http://photos.prnewswire.com/prnh/19991206/PARLOGO) Po is scheduled to visit the following cities: Miami, FL on April 16th; St. Louis, MO on April 22nd; Dallas, TX on April 30th; Chicago, IL on May 6th; Phoenix, AZ on May 14th; and Los Angeles, CA on Memorial Day weekend. At 42-feet tall, 46- feet long and 34-feet wide, the Po balloon is truly larger-than-life and is posed in one of Po's signature martial arts moves from the DreamWorks Animation feature film. Po's appearance in each city will coincide with a day of family-friendly festivities, all open to the public, which will include an opportunity to take a picture with Po, as well as see an official KUNG FU PANDA martial arts presentation. The day will also feature coloring, airbrush tattoos and face painting stations, as well as special prize giveaways. Said Anne Globe, head of Worldwide Marketing for DreamWorks Animation, "We are thrilled to join forces once again with our friends at Macy's, who have done an incredible job of bringing our character of Po to life as a giant balloon for audiences to enjoy at the annual Macy's parade and now in cities across the country. -
Download This Report in PDF (Spanish)
ANIMAYO 2018 PRESENTA UN CARTEL DE LUJO QUE REÚNE EN GRAN CANARIA A LOS MEJORES PROFESIONALES DEL CINE DE ANIMACIÓN Y DE LOS VIDEOJUEGOS La XIII ed ! "# de$ S%&& ', Confe+e#!e a#d I#'e+#a' )#a$ F $& Fe,' va$ )* A# &a' )#, V ,%a$ E*fe!', a#d V de).a&e, ANIMAYO( /a0o e$ e,1e! a$ 2Pa+e0a,, '3#de&, 4 e5% 1),6, !%e#'a !)# %# 1$a#'e$ de a%'7#' !o $%0o e#'+e ,%, e,'+e$$a, #- 'ada,8 29 +e1%'ado, a+' ,'a, 4 !+eado+e, e,1a:)$e, de$ ! #e de a# ma! "# 5%e ;a# '+a/a0ado !)# &<' !), e,'%di),( !)&) I$$%& #a' )# Ma!G%**( D+ea&=)+>,( ILM( D ,#e4 4 So#4 P !'%+e( #'e+- e#e# e# ,%, di*e+e#'e, &3,'e+!$a,,e,( 1)#e#! a,( *)+),( !%+,),( 'a$$e+e,( +e- , "# de 1)+'*)$ ), 4 ?+e!+% 'me#',@8 E$ Sum& '( C)#*ere#!e and I#'erna' )na$ F $& Fe,' -a$ )* A# &a' )#( Vi,ua$ E**e!', and Vide)ga&e, ANIMAYO celebrará en mayo de 2018 su décimo tercera edición. Es la apuesta más ambiciosa de este Festival internacional que del 2 al 5 de mayo, re ne en !ran "anaria a los me#ores artistas y creadores españoles de la industria del cine de animación y de los video#ue%os. Fi%uras tan destacadas y reconocidas a nivel mundial que dotan de una enorme e&pectación a este 'estival que crece cada año y que se (a convertido en un re'erente en el campo de la animación a escala internacional. -
Tal Shwarzman (Aka Jeremy Shaw) TEL 818.245.0719 14625 DICKENS ST
Tal Shwarzman (aka Jeremy Shaw) TEL 818.245.0719 14625 DICKENS ST. #101, SHERMAN OAKS, CA 91403 EMAIL [email protected] OBJECTIVE To continue the endless journey of learning the craft of animation, while bringing my experience and skills into creation of animated stories. To be a part of a driven environment that allows me to breath life and thought into a character. To grow in a creative studio that pushes my artistic boundaries, challenges my skills as an artist and entices my love for storytelling. EXPERIENCE 2006–Present DreamWorks Animation SKG Glendale, CA Character Animator for “How to Train Your Dragon 2”, 2014 Character Animator, Lead Animator on Sophie for feature “Rise of the Guardians”, 2012 Character Animator for “Kung Fu Panda 2”, 2011 Character Animator for “Shrek goes Forth”, 2010 Character Animator for “Monsters vs. Aliens”, 2009 Character Animator for “Kung Fu Panda”, 2008 2006 ReelFX Creative Studios Dallas, TX Character animator for “Everyone’s Hero”, 2006 {credited as Jeremy Shaw} 2005–2006 Blue Sky Animation Studios White Plains, NY Character Animator for “Ice Age 2 — The Meltdown”, 2006 {credited as Jeremy Shaw} 2004–2005 Gravity Studio (Post-production) Tel-Aviv, Israel Modeled, rigged and animated a variety of characters for commercials and film teasers 2002–2004 IDT Entertainment Beith-Shemesh, Israel Character Animator on “Star Point Academy” Character Animator for TV shows: “Hip Hop & Hamilton”, “Monster Monster Trucks” by Jim Jenkins Development of curriculum and instruction of 3D animation class 2000–2001 -
Kung Fu Panda 2 ™ & © 2011 Dreamworks Animation LLC
Popcorn ELT Readers Teacher’s Notes Kung Fu Panda 2 ™ & © 2011 DreamWorks Animation LLC. All Rights Reserved. Welcome to the Popcorn ELT Readers series, a graded readers series for low-level learners of English. These free teacher’s notes will help you and your classes get the most from your Kung Fu Panda 2 Popcorn ELT Reader. Level 3 Popcorn ELT Readers level 3 is for students who are reading confi dently in English, based on a 300 headword list. Basic knowledge of the simple past tense is built upon at this level. Kung Fu Panda 2 has a total story wordcount of 1138 words. Kung Fu Panda 2 – synopsis Kung Fu Panda 2 – Po the panda and his friends, the Furious Five, use their kung fu skills the fi lm to protect the people of China. But Po is troubled by his past. As a Released: 2011 baby he remembers seeing a strange red eye and his mother leaving Genre: animated action him. Po asks his dad, a goose, about this memory, and learns that Suitable for: children with the goose adopted him. parental guidance Meanwhile, a white peacock called Shen wants to rule all of China. Actors: Jack Black (voice of He takes control of Gongmen City, beating some of the country’s Po), Gary Oldman (voice of best kung fu fi ghters with the help of a strange new weapon – a Shen), Angelina Jolie (voice of cannon. Will this cannon mean the end of kung fu? Tigress), Dustin Hoffman (voice Po and the Furious Five go to Gongmen City to fi ght Shen. -
The Art of “Including Art” in Animation: Dreamworks' Intertextual Games For
The Art of “Including Art” in Animation: DreamWorks’ Intertextual Games for All Rebeca Cristina López González. Universidad de Vigo, Spain. [email protected] Abstract Art forms become interrelated when intertextual phenomena occur. The choice of previous art forms to create humour may seem to be a playful game, but it is the result of many kinds of inserted messages. Fourteen animated feature films by DreamWorks have been analysed and classified in depth (by using Sebeok’s (1986) intertextual categories, which were also described by Hatim & Mason (1990)), in order to demonstrate how animation is an art that encompasses other artistic productions. Firstly, art and animation will be defined in order to, secondly, use the corpus to exemplify the intertextual connections from other art forms. Lastly, the final quantitative and qualitative results will substantiate the conclusion that these productions by DreamWorks are an example of artistic cinematographic intertextuality. Key words: animation, intertextuality, art forms, Children’s Literature.. Resumen Las formas artísticas se interrelacionan cuando se pone en práctica el fenómeno intertextual. El uso de formas artísticas previas para crear humor puede parecer un juego pero es el resultado de la inserción de varios tipos de mensajes en un texto/discurso. Se analizan y clasifican en profundidad catorce películas de animación creadas por DreamWorks (se emplea para ello las categorías intertextuales propuestas por Sebeok (1986) descritas, a su vez, por Hatim & Mason (1990)), con el propósito de demostrar cómo la animación es un arte que engloba a otras producciones artísticas. En primer lugar, se definen los conceptos de arte y animación para, acto seguido, mostrar mediante el corpus cuáles son las conexiones intertextuales que provienen de otras formas artísticas.