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Kid Atlas by Condor, Dec. 05, 2019 AIM Reproduced by Permission of the Author Kid Atlas by Condor, Dec. 05, 2019 AIM Reproduced by permission of the author. Page 1 of 237 Kid Atlas by Condor, Dec. 05, 2019 AIM Reproduced by permission of the author. Kid Atlas Inside Jacket Ayn Rand (AR) boasted that she was the first writer to ever perfect the art of building a story in three “tiers”. On May 18, 1934, twenty‐nine‐year‐old AR wrote, in a letter1 to Kenneth MacGowan, a film producer and director: “If the plot of a story is simple and understandable enough to be interesting, alone, by itself, to even the lowest type of mentality, if it has the plain elements that can appeal to all, and if, at the same time, that plot carries a deeper meaning, a significance which can be reached only by the highest, then the problem is solved. I must emphasize once more that it is not merely a matter of a plain story—for the sake of the “lowbrow”— artistically presented for the sake of the “highbrow”. It is a matter of the plot, the story, the very meat of the film arranged ingeniously enough to satisfy both. Is there any reason why a story cannot be built in such a way that it is convincing and interesting to those who cannot analyze it and yet just as convincing to those who can? “Those who still want to go further…Such is my theory of building a story in tiers. It is, in a way, the same principle as that of an airplane carried by three motors. If two of them fail, the third one is still enough to carry the plane safely…this is the principle which I have applied to every story I have written so far, but I have never developed it as plainly and obviously and, if I and say so, as skillfully, as in Red Pawn. Also, I’ve never had a chance to attempt to explain my theory to anyone, as I have done it here. I have no doubt that it will work. No doubt, but also no proof, for I have not seen it tried yet. It is my anxiety to see it tried which prompted me to write this letter. It is, of course, difficult to have any new theory tried, for there is always an element of chance in the attempt. But in this case, it occurs to me that there is hardly any chance at all, for disregarding all my considerations, the story, I believe, is good enough to stand on its own just as any movie. I can go on as all pictures, with just the one motor. What the other two motors, which it carries, will do—that is what the experiment will show. (See image to right. Most people eventually find two images and stop there. Can you find a possible third image in the advertisement to the right?) Was Manhattan Project leader Doctor Robert Oppenheimer in dire need of such a skill back in late 1945, several months after the Atomic Bomb had been unleashed onto the world stage? Oppenheimer had turned down hundreds of 1 Letters of Ayn Rand, Michael S. Berliner, Introduction by Leonard Peikoff. 1995, A Dutton Book, Pages 6-9. Page 2 of 237 Kid Atlas by Condor, Dec. 05, 2019 AIM Reproduced by permission of the author. requests for interviews in Hollywood and around the country. Hal B. Wallis’s movie studio2 had repeatedly requested a possible interview with Oppenheimer since he lived locally. Wallis left numerous personal messages but heard nothing. When Wallis was about to give up on pursuing a screen play he suddenly received a personal return called from Oppenheimer. Oppenheimer indicated he would be willing to sit for two lengthy interviews, and even a third interview by his wife over a three‐week period in January 1946. He had but one condition. Oppenheimer wanted to be interviewed by Wallis’s new screenwriter, Ayn Rand. Did Oppenheimer purposely schedule two personal meetings with Ayn Rand to first, take a measure of the author and screenwriter? Should Oppenheimer feel comfortable with the author of Anthem, after the first session, was he going to spill highly dangerous confidences with the author which might make them both killing targets of the Global Elites should it ever get out in their lifetimes? Did Oppenheimer challenged Ayn Rand to possibly hide a premonition so terrible that it became the third tier or third motor Rand’s last epic novel, Atlas Shrugged? If mankind could survive past the threat of nuclear annihilation in the 20th century, did Oppenheimer want a time capsule message delivered to the 21st century American public, warning us, about an evil malignant, cancer preying on humanity? It appears to be a cancer, which if humanity does not recognize, and cut out, will again tear the fabric of our civilization apart. We will be hurled, once more, into another terrible Dark Age riddled with death and destruction. Oppenheimer knew this was how those who control the levers behind the curtain, have been able to manipulate major conflicts and wars around the world and keep mankind from exposing this evil pariah for millennia. The historical novel, Kid Atlas, attempts to bring back to life a remarkable untold history of many icons from the prior century who helped shape the 21st century reality, for better or worse, we are living today. It is from this research a number of American Intelligence Media articles have been published in recent months. Here are links to two major thorium and patent thief articles which lead, in turn, to other Condor links: https://aim4truth.org/2018/11/21/galt‐the‐best‐kept‐ secret‐in‐the‐world‐that‐could‐free‐humanity‐with‐ unlimited‐free‐ene rgy/ https://aim4truth.org/2018/04/15/thorium‐energy‐technology‐can‐free‐the‐world‐from‐nuclear‐ poisons‐today/ 2 Among the significant movies Hal produced were Casablanca, Dark Victory, The Adventures of Robin Hood, The Maltese Falcon, Sergeant York, and Now, Voyager. He produced True Grit, for which John Wayne won the Academy Award for Best Actor of 1969, and its sequel. After moving to Universal Pictures he produced Mary, Queen of Scots and Anne of the Thousand Days. In 1975, he received the Golden Globe Cecil B. DeMille Award for lifetime achievement in motion pictures. Page 3 of 237 Kid Atlas by Condor, Dec. 05, 2019 AIM Reproduced by permission of the author. Here is an opportunity no avid Atlas Shrugged reader has ever thought possible. You can listen to the life story of the man behind GALT, in his own words, at age 69. My research suggests Ayn Rand first met her future John Galt, when he was but eleven. If you listen to this remarkable interview, can you identify all the amazing coincidences between the Weinberg family, education and life experiences and that of Ayn Rand’s main character, John Galt? See video link @: https://youtu.be/ofs6‐K7UCSU . Page 4 of 237 Kid Atlas by Condor, Dec. 05, 2019 AIM Reproduced by permission of the author. Kid Atlas Contents Part I: (December 3, 1903 ‐ April 1, 1946) ..................................................................................... 24 Prologue—To Enjoy a Classic Detective Mystery you Need a Body and a Bunch of Suspects! . 24 Is It A Wonderful Life? Who Is John GALT? ................................................................................ 24 Introduction—Real Life Can Be Stranger than Fiction ....................................................... 28 Century Long Historical Journey took its first step on May 28th, 2011. ..................................... 32 BACKGROUND ............................................................................................................................... 34 Chapter 01: California Dreamers ............................................................................................... 45 Chapter 02: Top Secret Movie Script Found in President Truman’s Library! ............................. 48 Chapter 03: A Twentieth Century Child is born ......................................................................... 50 Chapter 04: The Only Path to Tomorrow ................................................................................... 54 Chapter 05: Rand’s Boss Implores her to Manage Top Secret Screenplay ................................ 61 Chapter 06: Screenplay, Top Secret, is a Go! ............................................................................. 70 Chapter 07: Top Secret’s Last Interview with Dr. J. Robert Oppenheimer ................................ 76 Flashback of AR as Alissa Rosembaum .......................................................................................... 81 Chapter 08: Alissa Rosenbaum Comes to the Crossroads of America ....................................... 81 Chapter 09: Good‐bye Chicago—Hello Hollywood .................................................................... 85 Chapter 10: The Most Difficult Writing Job I have Ever Attempted‐Ayn Rand .......................... 95 Chapter 11: Rise of the Reactionary ........................................................................................ 102 Chapter 12: You are Hereby Ordered to Immediately Stop all Work on Top Secret! ............. 110 Chapter 13: The Beginning or the End! .................................................................................... 114 Epilogue: The Real da Vinci Code – April Fool’s Day! ............................................................... 121 Part II: (April 1, 1946 ‐ December 31, 1969) ................................................................................ 131 Prologue: Kid Atlas’s Two Minute Warning, November 4, 1946 ............................................. 131 Chapter 01: Kid Atlas’s Congressional Campaign in Los Angeles District 12 ........................... 132 Chapter 02: Kid Atlas’s Supports Denatured Thorium ............................................................. 145 Chapter 03: A Tutor for Margret Despres ...............................................................................
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