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James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P
James Madison University Band Program Repertoire 2007 – Present Wind Symphony – Stephen P. Bolstad, conductor Symphony Band – Stephen P. Bolstad, conductor Concert Band – Scott D. Rikkers, conductor Wind Symphony, Stephen P. Bolstad, conductor October 7, 2007 Wiener Philharmoniker Fanfare (1924) – Richard Strauss Serenade in E flat major, Op. 7 (1881) – Richard Strauss Dance of the Jesters (1868) – Tchaikovsky/Cramer Prelude in E flat minor, Op. 34, No. 14 (1933) – Shostakovich/Reynolds Redline Tango (2004) – John Mackey Fantasia in G Major (ca. 1705) – Bach/Goldman & Leist Bells for Stokowski (2003) – Michael Daugherty Symphonic Band & Concert Band Stephen P. Bolstad & Scott Rikkers, conductors October 11, 2007 Concert Band Alleluia! Laudamus Te (1973) – Alfred Reed Be Thou My Vision (1998) – David Gillingham Rakes of Mallow (1947) – Leroy Anderson Symphonic Band Esprit De Corps (1985) – Robert Jager A Movement for Rosa (1992) – Mark Camphouse Illyrian Dances (1986) – Guy Woolfenden Russian Sailor’s Dance (1927) – Gliere/ Leidzen Wind Symphony, Stephen P. Bolstad, conductor JMU Chorale, Patrick M. Walders, conductor & JMU Symphony Orchestra Strings, Robert D. McCashin, conductor October 26, 2007 Portraits in Bluestone (2007) – Brian Balmages World Premiere Wind Symphony, Stephen P. Bolstad, conductor November 11, 2007 (Veteran’s Day) The Star Spangled Banner – Arr. by Luigi Zaninelli Profanation from “Jeremiah, Symphony No. 1” (1942) – Bernstein/Bencriscutto The Leaves Are Falling (1964) – Warren Benson Lincolnshire Posy (1937) – Percy Grainger J’ai été au bal (1999) – Donald Grantham Battle Hymn of the Republic – Arr. by Luigi Zaninelli All-Bands Concert, Stephen P. Bolstad, Scott Rikkers, conductors December 9, 2007 Concert Band Marche Des Parachutistes Belges (1945) – Leemans/Wiley Blessed Are They from “German Requiem” (1865) – Brahms/Buehlman Escape from “Plato’s Cave!” (1993) – Stephen Melillo Symphonic Band Second Suite in F for Military Band (1911) – Gustav Holst La Fiesta Mexicana (1949) – H. -
2008 Convention Program Book
F6 Flute,HighWinds 36th Annual National Flute Association Convention August 7-10,2008 Kansas City, MO 2 nfaonline.org JIM WALKER DEPENDS ON YAMAHA. Congratulations on receiving the National Flute Association Lifetime Achievement Award ©2008 Yamaha Corporation of America. All rights reserved. www.yamaha.com nfaonline.org 3 2 Shaker Road #D107 · Shirley, MA 01464 USA www.burkart.com See us at booths 209 & 211 4 nfaonline.org Welcome to Kansas City, F6 Flute—High Winds!— the 36th annual convention of the National Flute Association our officers, board of directors, CEO Phyllis YPemberton, and her staff welcome you and are delighted that you are here. We look forward to greeting each of you! We are grateful to program chair Jonathan Patti Adams Keeble, who has spent the past two years creating this high-energy whirlwind of events for all of us to enjoy. His imaginative planning, organizational skills, and great humor through it all have been wondrous to behold. We thank him, the local volunteer committee in Kansas City, and all of the NFA’s innumerable and indefatigable volunteer committees who, with their remarkable work throughout the year, have made this convention possible. Have you ever experienced the exhibit hall at our conventions? It is an amazing F6 vortex of sights and sounds, with displays from the world’s finest flute manufacturers, music publishers, and innovators. These exhibitors are showcasing for you the latest technological marvels of our industry, and we are grateful to each of them for their participation. In the exhibit hall, you’ll also find my N’Awlins neighbors, exhibits manager extraordinaire, Jim Magee, and his assistant, Patti McCleney. -
FROM the MUSIC DEPARTMENT of the NIŠ NATIONAL THEATER to the NIŠ SYMPHONY ORCHESTRA (1953–1965) UDC 785.11”1953/1965” (497.11 Niš)
FACTA UNIVERSITATIS Series: Visual Arts and Music Vol. 6, No 1, 2020, pp. 19 - 32 https://doi.org/10.22190/FUVAM2001019C Original scientific paper ORCHESTRAL PRACTICE IN NIŠ AFTER THE SECOND WORLD WAR – FROM THE MUSIC DEPARTMENT OF THE NIŠ NATIONAL THEATER TO THE NIŠ SYMPHONY ORCHESTRA (1953–1965) UDC 785.11”1953/1965” (497.11 Niš) Sonja Cvetković University of Niš, Faculty of Arts in Niš, Republic of Serbia Abstract. The paper deals with the founding of a professional orchestral practice in Niš, and its beginnings that are related to the 1950s and 1960s. The research, conducted with the aim of considering the cultural and artistic contribution of the symphony orchestra, as an institution, to the dynamics of the musical life in Niš is based on local press insights and available archival material. Frequent changes in the organizational structure, financial and personnel problems, artistic rises and falls, polemical tones of the cultural public that followed the establishing of the orchestral practice in Niš after the Second World War testify to the dynamic atmosphere during the first decade of existence and artistic work of symphony orchestras that were predecessors of the Niš Symphony Orchestra, which until the mid-1960s was the only symphony orchestra ensemble in Serbia besides the Belgrade Philharmonic Orchestra. Key words: Niš, concert orchestral practice, Music Department of the Niš National Theater, Niš Philharmonic Orchestra, City Symphony Orchestra INTRODUCTION Concert orchestral activity is a very important factor in the structure of the entire musical life of a community. Considering its continuity/discontinuity, professional engagement, and the institutional organization one can point not only to musical but also to many other aspects – ideological, cultural, economic – that have marked a certain historical period. -
ISSN 1661-8211 | 112. Jahrgang | 31. August 2012
2012/16 ISSN 1661-8211 | 112. Jahrgang | 31. August 2012 Redaktion und Herausgeberin: Schweizerische Nationalbibliothek NB, Hallwylstrasse 15, CH-3003 Bern Erscheinungsweise: halbmonatlich, am 15. und 30. jeden Monats ISSN 1661-8211 © Schweizerische Nationalbibliothek NB, CH-3003 Bern. Alle Rechte vorbehalten 782.1 Das Schweizer Buch 2012/16 782.4 Weltliche Vokalformen 782 Vokalmusik Formes de musique profane Forme vocali profane Musique vocale Furmas vocalas profanas Musica vocale Secular vocal forms Musica vocala 12–7 NB 001675399 Vocal music 100 Spielpartituren zum Liederbuch "100 x singen" [Musikdruck] : für alle Arten Instrumente : Streich-, Blas- und Tasteninstrumente, Gitarre, Orff-Instrumente / [Hrsg.:] Hansjörg Brugger. – Zofingen : "Aargauer Spielbuch", H. Brugger, cop. 2005. – 112 S. ; 30 cm Liedtexte in verschiedenen Sprachen 782.1 Dramatische Vokalformen, Opern Formes dramatiques de musique vocale, opéras 12–8 NB 001656607 Forme vocali drammatiche, opere Bächinger, Gabriela. – Chumm i miini Wält [Musikdruck] : 18 Furmas vocalas dramaticas, operas neui Chinderlieder / Gabriela Bächinger. – [Bremgarten AG Dramatic vocal forms, operas (Itenhardstr. 58)] : bmusic, cop. 2011. – 20 S. : Ill. ; 30 cm + 1 Compact Disc (12 cm) 12–1 NB 001654313 Ein- und zweistimmige Lieder mit Bezifferung für Begleitinstrument. – ISBN Furrer, Beat, 1954-. – Fama [Musikdruck] : Hörtheater für grosses 978–303–303–1326 (Liederbuch). ISBN 978–303–303–1319 (CD) Ensemble, acht Stimmen und Schauspielerin : 2004-2005 / Beat Furrer. – Partitur. – Kassel ; Basel [etc.] : Bärenreiter-Verlag, cop. 12–9 NB 001656985 2005. – 1 Partitur (216 S.) ; 42 cm Bächinger, Gabriela. – Sing im Advänt! [Musikdruck] : 19 Kin- derlieder / von Gabriela Bächinger ; Rahmengeschichte von Heinz "Auftragskomposition für die Donaueschinger Musiktage 2005". – "Leihmate- rial". – BA 7770 Bärenreiter-Verlag Lüthi. – [Küsnacht (Krummackerstr. -
Гoсtoвaњa У Инoсtрaнсtву
GUEST APPEARANCES ABROAD FROM 1937 TO TODAY 1937 (27 Oct) – Bulgaria (Sofia) – 1 concert Conductor: Lovro Matačić Soloist: Božidar Kunc (piano) Programme: K. Baranović – Striženo-košeno, overture V. Vučković – Symphony J. Gotovac – Orači; Symphonic Kolo P. Konjović – Chestnut Wood, from the opera Koštana B. Kunc – Piano concerto in B minor S. Nastasijević – Sabor L. M. Škerjanc – Suite for string quartet and string orchestra 1941 (10 Mar) – Hungary (Budapest) – 1 concert Conductor: Lovro Matačić Soloist: Zlatko Topolski (violin) Programme: B. Bartok – A Portrait W. A. Mozart – Symphony No. 40 in G minor S. Hristić – The Legend of Ohrid, two dances P. Tchaikovsky – Symphony No. 6 in B minor, Pathétique 1952 (25–30 Jul) – Greece (Athens) – 6 concerts Conductors: Živojin Zdravković and Theodore Vavayiannis Programme: H. Berlioz – Roman Carnival, Overture L. van Beethoven – Egmont, Overture Leonore Overture No.3 Symphony No. 4 in B flat major Symphony No. 5 in C minor J. Brahms – Symphony No. 4 in E minor R. Wagner – Tristan and Isolde, Prelude and Isolde's Love Death J. Gotovac – Symphonic Kolo A. Dvorak – Symphony No. 9 in E minor, From the New World P. Konjović – Symphonic Triptych from the opera Koštana B. Smetana – Vltava, from My Homeland S. Hristić – The Legend of Ohrid, suite R. Strauss – Don Juan, symphonic poem F. Schubert – Symphony No. 8 in B minor, Unfinished S. Šulek – Symphony No. 2, Eroica 1955 (29 May – 16 Jun) – Lebanon (Beirut) – 7 concerts Egypt (Cairo, Alexandria) – 7+1 concerts Conductors: Krešimir Baranović and Živojin Zdravković Soloists: Ivo Maček (piano), Branko Pajević and Ljudevit Pap (violin) Programme: ? 1956 (6–15 Oct) – Romania (Bucharest, Brasov, Arad, Sibiu, Timisoara, Iasi, Craiova) – 7 concerts Conductors: Krešimir Baranović and Živojin Zdravković Programme: K. -
Bruno Brun – Rodonačelnik Beogradske Škole Klarineta
Miloš Brun UDK: 78.071.1:929 Brun B. OŠ „Radojka Lakić“ Prilog biografiji Beograd, Srbija [email protected] Bruno Brun – rodonačelnik beogradske škole klarineta Sažetak Profesor Bruno Brun rodonačelnik je tzv. beogradske škole klarineta, čiji su izdanci najpoznatiji izvođači i nastavnici sa prostora bivših jugoslovenskih republika. Iako iz siromašne rudarske porodice, ovaj rođeni pedagog uspeo je da uz svakodnevno stručno usavršavanje, posvećenost voljenom instrumentu i predanost svojim učenicima dosegne nivo najvišeg društvenog uvažavanja. Kao član mnogobrojnih orkestara pre, tokom i nakon Drugog svetskog rata, ali i kao solista i član manjih muzičkih sastava, svoju umešnost na klarinetu iskazivao je i na koncertnim nastupima širom sveta. Svoj talenat iskazao je i kroz komponovanje, zatim sastavljajući udžbenike za polaznike škola klarineta, ali se naročito istakao i kao borac za bolje uslove života i rada kulturnih radnika Srbije, te je otuda i nagrađen Sedmojulskom nagradom. Ključne reči: Bruno Brun, klarinetista, profesor, kompozitor Bruno Brun je rođen 14. avgusta 1910. godine u Hrastniku (Slo- venija), u porodici kolonista koja je, kao i većina u tom rudarskom mestu, doseljena u prvoj polovini 19. veka iz Tirola. Kao jedno od devetoro dece rudara Hermana i domaćice Eme, Bruno je pod uti- cajem sestre Marije veoma rano zavoleo violinu, a na savet starijeg brata Jožeta, inače fagotiste, krenuo je „trbuhom za kruhom“, ali i za svojim snovima, u daleki Vršac. Još kao nebrijani pubertetlija (tj. sa 13 godina) upisao se u Vojnu muzičku školu i započeo školovanje i na klarinetu. Ubrzo će odlučiti da upravo taj duvački instrument bude njegovo životno opredeljenje (Šotra 1967, 4). Nakon trogodi- šnjeg školovanja, budući da je bio jedan od darovitijih đaka, dobio je 231 SLOVENIKA IV 2018 priliku da radi kao pomoćnik nastavnika klarineta1 i na taj je način stekao i svoja prva iskustva iz oblasti muzičke pedagogije. -
Bitstream 33844.Pdf (1.560Mb)
Časopis za kulturu, nauku i obrazovanje Časopis za kulturo, znanost in izobraževanje Beograd 2018. Časopis za kulturu, nauku i obrazovanje / Časopis za kulturo, znanost in izobraževanje IV (2018) ISSN: 2466-555X ISSN: 2466-2852 (Online) Izdavač / Založnik Univerzitet u Beogradu, Filološki fakultet / Univerza v Beogradu, Filološka fakulteta i/in Nacionalni savet slovenačke nacionalne manjine u Republici Srbiji / Nacionalni svet slovenske narodne manjšine v Republiki Srbiji Za izdavača / Za založbo Prof. dr Ljiljana Marković Saša Verbič Adresa izdavača / Naslov uredništva Terazije 3/IX, 11000 Beograd tel +381 (0)11 33 40 845 e-mail: [email protected] www.slovenci.rs Lektura i korektura / Lektoriranje in korektura Sofija Miloradović (srpski), Milica Ševkušić (engleski), Tanja Tomazin (slovenački) Dizajn korica i teksture / Oblikovanje naslovnice in teksture Marija Vauda Grafičko oblikovanje / Grafično oblikovanje Jasmina Pucarević Tiraž / Naklada 300 Štampa / Tisk SGC Beograd Štampanje publikacije finansirano je iz sredstava Ministarstva kulture i informisanja Republike Srbije i Nacionalnog saveta slovenačke nacionalne manjine u Republici Srbiji / Tiskanje publikacije je financirano iz sredstev Ministrstva kulture in informiranja Republike Srbije in Nacionalnega sveta slovenske narodne manjšine v Republiki Srbiji. Glavni i odgovorni urednici / Glavni in odgovorni urednici Prof. dr Maja Đukanović (Univerzitet u Beogradu, Filološki fakultet, Srbija) i/in Biljana Milenković-Vuković (Etnografski institut SANU, Beograd, Srbija) Međunarodna redakcija / Mednarodni uredniški odbor Dr. Tatjana Balažic Bulc (Univerza v Ljubljani, Filozofska fakulteta, Slovenija), M.A. Dejan Georgiev (Univerza v Ljubljani, Filozofska fakulteta, Slovenija), dr. Cvetka Hedžet Tóth (Univerza v Ljubljani, Filozofskaf akulteta, Slovenija), prof. dr Borko Kovačević (Univerzitet u Beogradu, Filološki fakultet, Srbija), Silvija Krejaković (Muzej grada Beograda – Zavičajni muzej Zemun, Srbija), prof. -
Instructions for Authors
Journal of Science and Arts Supplement at No. 2(13), pp. 157-161, 2010 THE CLARINET IN THE CHAMBER MUSIC OF THE 20TH CENTURY FELIX CONSTANTIN GOLDBACH Valahia University of Targoviste, Faculty of Science and Arts, Arts Department, 130024, Targoviste, Romania Abstract. The beginning of the 20th century lay under the sign of the economic crises, caused by the great World Wars. Along with them came state reorganizations and political divisions. The most cruel realism, of the unimaginable disasters, culminating with the nuclear bombs, replaced, to a significant extent, the European romanticism and affected the cultural environment, modifying viewpoints, ideals, spiritual and philosophical values, artistic domains. The art of the sounds developed, being supported as well by the multiple possibilities of recording and world distribution, generated by the inventions of this epoch, an excessively technical one, the most important ones being the cinema, the radio, the television and the recordings – electronic or on tape – of the creations and interpretations. Keywords: chamber music of the 20th century, musical styles, cultural tradition. 1. INTRODUCTION Despite all the vicissitudes, music continued to ennoble the human souls. The study of the instruments’ construction features, of the concert halls, the investigation of the sound and the quality of the recordings supported the formation of a series of high-quality performers and the attainment of high performance levels. The international contests organized on instruments led to a selection of the values of the interpretative art. So, the exceptional professional players are no longer rarities. 2. DISCUSSIONS The economic development of the United States of America after the two World Wars, the cultural continuity in countries with tradition, such as England and France, the fast restoration of the West European states, including Germany, represented conditions that allowed the flourishing of musical education. -
2006-2007 Dean's Showcase No. 3
LYNN UNIVERSITY CONSERVATORY OF MUSIC PROGRAM ::_/- I 1 · ~ Dean's Showcase Dr. Jon Robertson, Thursday, December 7, 2006 at 7:30p.m. Dean ~a~· Amamick-Goldstein Concert Hall Welcome to the 2006-2007 season. The talented . Lynn University, Boca Raton musicians and extraordinary performing faculty at Sponsored by Northern Trust Lynn represent the future of the performing arts, and you, the patrons, pave the road to their artistic suc cess through your presence and generosity. This com munity engagement is in keeping with the Conservatory of Music's mission: to provide high Sonata in E Minor for Cello and Piano, op.38 Johannes Brahms quality professional performance education for gifted Allegro non troppo young musicians and set a superior standard for Allegretto quasi Menuetto music performance worldwide. Allegro THE ANNUAL FUND Oksana Rusina, cello A gift to the Annual Fund can be designated for Oliver Salonga, piano scholarships, various studios, special concerts or to the General Conservatory Fund. Richard Strauss ADOPT-A-STUDE NT Hom Concerto no.2 You may select from the conservatory's promising Allegro moderato young musicians and provide for his or her future Andante con moto through the Conservatory Scholarship Fund . You Allegro molto will enjoy the concert even more when your student performs. A gift of $25,000 adopts a student for Brad Tatum, French hom one year. A gift of $100,000 pays for an education. Yang Shen, piano ESTATE GIFT An estate gift will provide for the conservatory in perpetuity. Your estate gift may be made as a gift of appreciated stock, real estate or cash. -
Mariam Adam & Berginald Rash
Vol. 47 • No. 4 September 2020 ALSO IN THIS ISSUE Research Competition Winner: Humming and Singing While Playing Interview with Derek Bermel Nicolas Bacri’s Ophelia’s Tears The Quarter-Tone MARIAM ADAM Extended Clarinet & BERGINALD RASH THE CLARINETISTS OF CHINEKE! TO DESIGN OUR NEW CLARINET MOUTHPIECE WE HAD TO GO TO MILAN “I am so happy to play the Chedeville Umbra because it is so sweet, dark, so full of colors like when you listen to Pavarotti. You have absolutely all kind of harmonics, you don’t have to force or push, and the vibration of the reed, the mouthpiece, the material, it’s connected with my heart.” Milan Rericha – International Soloist, Co-founder RZ Clarinets The New Chedeville Umbra Clarinet Mouthpiece Our new Umbra Bb Clarinet Mouthpiece creates a beautiful dark sound full of rich colors. Darker in sound color than our Elite model, it also has less resistance, a combination that is seldom found in a clarinet mouthpiece. Because it doesn’t add resistance, you will have no limits in dynamics, colors or articulation. Each mouthpiece is handcrafted at our factory in Savannah Georgia Life Without Limits through a combination of new world technology and old world craftsmanship, and to the highest standards of excellence. Chedeville.com President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Dear ICA Members, Jessica Harrie [email protected] hope everyone is remaining safe and healthy during the EDITORIAL BOARD COVID-19 pandemic. Although the pandemic has changed Mitchell Estrin, Heike Fricke, Denise Gainey, our lives in ways we could not have imagined just a short Jessica Harrie, Rachel Yoder time ago, inspiring musical and technological creativity is keeping us all connected. -
P.1.1 Publikacija Un
UNIVERZITET UMETNOSTI U BEOGRADU UNIVERSITY OF THE ARTS IN BELGRADE 2007 BEOGRAD BELGRADE UREDNICI | Andrija \uki}, Svetozar Rapaji}, Stjepan Fileki SARADNICI | Bojana Buri}, dr Zoran Gavri}, dr Sowa Marinkovi} FOTOGRAFIJE | Dragan Mirkovi}, Miroslav Joli} (str. 4, 5) LIKOVNI UREDNIK | Danijela Paracki PREVOD NA ENGLESKI | Ksenija Todorovi} LEKTOR | Biqana Spremo Popovi} [TAMPA | TK MONT d.o.o., Beograd TIRA@ | 500 primeraka OVA PUBLIKACIJA SE IZDAJE POVODOM PROSLAVE 50 GODINA UNIVERZITETA UMETNOSTI U BEOGRADU THIS PUBLICATION IS PRINTED ON THE OCCASION OF THE FIFTIETH ANNIVERSARY OF THE UNIVERSITY OF THE ARTS IN BELGRADE SADR@AJ Gaudeamus | 05 CONTENTS Prvi univerziteti u Evropi Iz istorije kulture moderne Srbije | 06 Za{to slavimo 50 godina 05 | Gaudeamus Univerziteta umetnosti u Beogradu? | 16 07 | First Universities in Europe Od po~etaka umetni~kog obrazovawa u Srbiji From the Cultural History of Modern Serbia do Univerziteta umetnosti | 24 17 | Why do we Celebrate Fifty Years Interdisciplinarne studije of the University of the Arts in Belgrade? Univerziteta umetnosti u Beogradu | 36 25 | From the Beginnings of Art Education in Serbia Rektori i prorektori Univerziteta umetnosti | 46 to the University of the Arts Kontakti | 58 37 | Interdisciplinary Studies 47 | Rectors and Vice-Rectors of the University of the Arts in Belgrade 59 | Contacts UNIVERZITET UMETNOSTI U BEOGRADU PRVI UNIVERZITETI U EVROPI IZ ISTORIJE KULTURE MODERNE SRBIJE UNIVERSITY OF THE ARTS IN BELGRADE FIRST UNIVERSITIES IN EUROPE FROM THE CULTURAL HISTORY OF MODERN SERBIA 1303. osnovan Univerzitet u Rimu. 1346. osnovan Univerzitet u Pragu. 1365. osnovan Univerzitet u Be~u. 1383. osnovan Univerzitet u Krakovu. 1388. osnovan Univerzitet u Kelnu. -
2011 Charlotte, Nc
3 9 THANNUALNATIONALFLUTEASSOCIATIONCONVENTION OUGH D R IV TH E Y R T S I I T N Y U MANY FLUTISTS, ONE WORLD AUGUST 11–14, 2011 CHARLOTTE, NC Professional flute cases All Wiseman cases are hand made by craftsmen in England fr om the finest materials. All instrument combinations supplied – choose fr om a range of lining colours. Wiseman Cases London 7 Genoa Road, London, SE20 8ES, England [email protected] 00 44 (0)20 8778 0752 www.wisemancases.com nfaonline.org 3 4 nfaonline.org cTable of Contents c Letter from the Chair 9 Welcome Letter from the Governor of North Carolina 12 Proclamation from the Mayor of Charlotte 13 Officers, Directors, and Committees 16 Past Presidents and Program Chairs 22 Previous Competition Winners and Commissions 26 Previous Award Recipients 32 Instrument Security Room Information and General Rules and Policies 34 Acknowledgments 36 2011 NFA Lifetime Achievement Awards 40 2011 National Service Award 42 NFA Special Publications 46 General Hours and Information 50 Schedule of Events 51 Programs 78 Guide to Convention Exhibits 200 2011 NFA Exhibitors 201 Exhibit Hall Booth Directory 202 Exhibit Hall and Meeting Rooms Floorplans 203 Westin Hotel Directory 204 NFA Commercial Members Exhibiting in 2011 205 NFA Commercial Members Not Exhibiting in 2011 218 Honor Roll of Donors 219 NFA 2011 Convention Participants 222 Schedule of Events At-a-Glance 273 Index of Music Performed 278 NFA 2012 Convention: Las Vegas, Nevada 300 Competitions for Convention 2012 301 Advertiser Index 304 Please visit nfaonline.org to fill out the post-convention questionnaire. Please address all inquiries and correspondence to the national office: The National Flute Association, Inc.