Agreement for the Production, Printing, Distribution and Sale of Manuscript
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Instructions for Authors
INSTRUCTIONS FOR AUTHORS MANUSCRIPT SUBMISSION Manuscript Submission Submission of a manuscript implies: that the work described has not been published before; that it is not under consideration for publication anywhere else; that its publication has been approved by all co-authors, if any, as well as by the responsible authorities – tacitly or explicitly – at the institute where the work has been carried out. The publisher will not be held legally responsible should there be any claims for compensation. Permissions Authors wishing to include figures, tables, or text passages that have already been published elsewhere are required to obtain permission from the copyright owner(s) for both the print and online format and to include evidence that such permission has been granted when submitting their papers. Any material received without such evidence will be assumed to originate from the authors. Online Submission Authors should submit their manuscripts online. Electronic submission substantially reduces the editorial processing and reviewing times and shortens overall publication times. Please follow the hyperlink “Submit online” on the right and upload all of your manuscript files following the instructions given on the screen. If the link is not activated, please mail your submission to [email protected]. TITLE PAGE The title page should include: The name(s) of the author(s) A concise and informative title The affiliation(s) and address(es) of the author(s) The e-mail address, telephone and fax numbers of the corresponding author Abstract Please provide an abstract of 150 to 200 words. The abstract should not contain any undefined abbreviations or unspecified references. -
Please Order Books by Using the Contact Information Listed Under Each Press's Name, Or Visit Your Local Bookstore Or Online R
Please order books by using the contact information listed under each press’s name, or visit your local bookstore or online retailer. DEARTIME PUBLISHER WHITE CLOUD PRESS CLASSICAL GIRL PRESS [email protected], www.deartime.com PO Box 3400, Ashland, OR 97520 1095 Middleton Dr. Boulder Creek CA 95006; (541) 488-6415 (831) 338-4023; DEAR TIME: CIRCLE OF www.whitecloudpress.com www.classicalgirlpress.com, [email protected] LIFE by Jon Ng THE CHARISMA CODE OUTSIDE THE LIMELIGHT Premonitions, nightmares, and paranor- Communicating in a Language Beyond by Terez Mertes Rose mal phenomena bring John and Jeanne Words Kirkus’ Indie Books of the Month Selec- together as they journey the world in by Robin Sol Lieberman tion Jan 2017. Two competing dancer search of answers connecting the past, “The Charisma Code offers a wealth of sisters reexamine loyalty when a devastat- present, and future. tools for resolving conflict, inspiring en- ing medical condition leaves one fighting 9789671457900 • Paperback, $18.99 gagement, and changing culture.” –Tony for her career. “A lovely and engaging tale Hsieh, CEO, Zappos.com. of sibling rivalry in the high-stakes dance 9789671457917 • eBook, $2.99 world.” – Kirkus 9781940468402 • Paper, $18.95 492 pages • Fiction, Epic Fantasy 9780986093432 • Paper, $12.99 240 pages • Leadership / Personal Growth Available on Ingram, barnesandnoble. 390 pages • Contemporary women’s com, amazon.com, & lulu.com. See author’s website: robinsol.com. fiction Also available at amazon.com and your Author website: terezrose.com. Available favorite independent booksellers. through amazon.com and Ingram Book Company. IVORY LEAGUE PUBLISHING NATURE SPEAKS NICK BROWN www.ivoryleaguepublishing.com Art & Poetry for the Earth [email protected], www.theapologybook.com. -
The Considerations of Editing Previously Published Works
Portland State University PDXScholar Book Publishing Final Research Paper English 5-2015 The Considerations of Editing Previously Published Works Ariana Marquis Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/eng_bookpubpaper Part of the English Language and Literature Commons, and the Publishing Commons Let us know how access to this document benefits ou.y Recommended Citation Marquis, Ariana, "The Considerations of Editing Previously Published Works" (2015). Book Publishing Final Research Paper. 6. https://pdxscholar.library.pdx.edu/eng_bookpubpaper/6 This Paper is brought to you for free and open access. It has been accepted for inclusion in Book Publishing Final Research Paper by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Ariana Marquis 5/11/15 The Considerations of Editing Previously Published Works Research question: “How, if at all, do editors adjust their methods when they are editing something that has been previously published (e.g. a short story that previously appeared in a literary journal and will now be published as part of a collection of short stories)? What is their justification for these adjustments (or lack thereof)? How does their understanding of these adjustments (or lack thereof) compare to the products of their efforts?” Ariana Marquis 5/11/15 The Considerations of Editing Previously Published Works Many readers don’t realize the extent to whiCh two versions of the same work—earlier and later editions of a book, an essay that appears in two different collections, a mass market edition versus a CritiCal edition for sCholars—can differ from one another. -
The Swetky Agency Agreement ______
THE SWETKY LITERARY AGENCY LITERARY AGENCY AGREEMENT http://www.swetkyagency.com Faye M. Swetky, Representative/Owner: [email protected] ___________________________________________________________________ AGREEMENT ("Agreement"), dated 10/14/2017, defines the relationship between literary agent, The Swetky Literary Agency, 929 W. Sunset Blvd #21-285, St. George, UT 84770, 719-859-2211 / 435-579-5000 FAX, [email protected] ("Literary Agent"), and author/creator/developer _____________________(“Author”). 1. LITERARY AGENCY REPRESENTS AUTHOR For the term of this agreement, Author hereby retains Literary Agent: (a) To represent Author for the sale of all Author’s works ("Represented Works"), written or to be written by Author and not covered by a prior un-agented sale or prior agency agreement, including: (1) all book-length fiction and/or nonfiction; (2) all full-length feature screenplays and/or full-length or series-length television scripts; and (3) any other writings that Author and Literary Agent may agree upon and specifically stipulate in writing, unless the agency deems the property to be unmarketable in its presented form and so notifies author of that fact via e-mail within thirty (30) days of submission to Agent. Author hereby agrees to make available to Literary Agent all above mentioned works for consideration for representation. (b) To negotiate sales ("Represented Sales") of (1) Represented Works in the U.S., its territories, and Canada ("Domestic Sales"), if applicable, (2) Represented Works in non-domestic markets ("Foreign Sales”), and (3) derivative or secondary rights in the Represented Works (such as film, TV, recording, or other dramatic media) anywhere in the world (“Subsidiary Sales"). -
Literary Agent Michael Larsen
10 Commandments That Guarantee Your Success Handouts for a Keynote/Seminar Michael Larsen Michael Larsen-Elizabeth Pomada Literary Agents Co-director, San Francisco Writers Conference San Francisco Writing for Change Conference Author of How to Write a Book Proposal and How to Get a Literary Agent From which many of the handouts were adapted Coauthor of Guerrilla Marketing for Writers: 100 Weapons for Selling Your Work With Jay Conrad Levinson, Rick Frishman, and David Hancock Michael Larsen Michael Larsen. The commandments are the outline of a keynote and seminar. Michael Larsen-Elizabeth Pomada Literary Agents/ AAR / Helping Writers Launch Careers Since 1972 [email protected] / www.larsenpomada.com / 415-673-0939 /1029 Jones Street / San Francisco, 94109 The 12th San Francisco Writers Conference / A Celebration of Craft, Commerce & Community February 12-16, 2015 / www.sfwriters.org / [email protected] / Mike’s blog: http://sfwriters.info/blog Keynotes: Judith Curr, Yiyun Li @SFWC / www.facebook.com/SanFranciscoWritersConference The 7th San Francisco Writing for Change Conference / Changing the World One Book at a Time September, 12th, 2015 / www.sfwritingforchange.org / [email protected] Mike’s blog: http://sfwriters.info/blog / @SFWC / www.facebook.com/SanFranciscoWritersConference 0 A Golden Age for Writers: 10 Truths You Need to Know About Writing and Publishing To be a successful, you need a positive but realistic perspective about writing and publishing. These ten observations form the basis for “10 Commandments that, with Luck, Guarantee Your Success as a Writer.” 1. Because the Web empowers you to reach readers, control and profit more from your work, collaborate on monetizing and publicizing your work, and change the world faster and more easily than ever, now is the best time ever to be a writer. -
The NWU Literary Agent Agreement” 6/19/08 10:57 PM
Loading “The NWU Literary Agent Agreement” 6/19/08 10:57 PM The NWU Literary Agent Agreement (Confidential: For NWU members only) Understanding the Author-Agent Relationship A Guide to the NWU Preferred Literary Agent Agreement Introduction This guide is an educational tool for authors who are considering entering into a relationship with a literary agent, or who need help in understanding an existing author- agent agreement. It should be read in conjunction with the National Writers Union Preferred Literary Agent Agreement and used to evaluate or improve any agent agreement you may be asked to sign. Both documents are available to National Writers Union (NWU) members. Deciding to retain an agent is a major decision in any author\'s career. An agent will agree to represent your work because she believes she can sell it to a publisher or publishers. The agent is your representative, whom you hire to market your work, to negotiate your publishing contracts, and to oversee your royalty accounts. In exchange for an agent\'s representation, an author agrees to pay the agent a commission; a commission is a percentage of all income earned from those rights that the agent is able to license. Every author\'s work includes a bundle of individual rights that may be exploited: e.g., hardcover print rights; paperback print rights; electronic database rights; interactive software rights; foreign translation rights; television adaptation rights; audio cassette rights, and so forth. In addition, as new forms of media are created, new rights (e.g., CD-ROM rights) emerge and become valuable. Collectively, these individual rights form the copyright to one\'s work. -
Print Books on Demand Formatting Guide
Barnes & Noble® Print Books on Demand Formatting Guide barnesandnoble.com llc, 76 Ninth Avenue, New York, NY 10011 USA. © 2014 barnesandnoble.com llc. All rights reserved. Barnes & Noble®, NOOK®, NOOK Book®, NOOK Press®, PubIt!®, and the NOOK logos are trademarks of barnesandnoble.com llc or its affiliates. Patent Pending. Content shown may vary from actual available content, which may change without notice. All trademarks or registered trademarks that are not the property of barnesandnoble.com llc or its affiliates are the property of their respective owners. TABLE OF CONTENTS Getting Started ....................................................................................................... 6 Book File Requirements ......................................................................................... 7 What is a Print-Ready PDF? ....................................................................................................................................... 7 Pre-Press Manuscript.............................................................................................. 8 Proofread and Spell-Check ......................................................................................................................................... 8 Spacing and Text Placement ....................................................................................................................................... 8 Using Hard Returns .................................................................................................................................................................... -
Combined Book Exhibit® Xxxxxxxxxxxxxxxxxxxxxx
London Book Fair Pubmatch Bookshelf Available Rights on Display 2015 AMZ Publications (USA) AuthorHouse UK P.O. Box 2802, Liverpool, New York USA 13089-2802. 1663 Liberty Drive, Bloomington, Indiana USA 47403. Email: [email protected] Web: www.authorhouse.co.uk Web: www.amzpublications.net Inquire for international/domestic distribution, licensing, and translation Key Contact Information rights. For details, Email: [email protected]. Join AMZ Publications on [email protected] Facebook and twitter, Inquire for international/domestic distribution, licensing, and translation rights. For details, Email: [email protected]. Join 4___A HUMANITARIAN PAST: Antiquity's Impact On AMZ Publications on Facebook and twitter Present Social Conditions Adele Änggård, AuthorHouse UK, Opening a window to our historical past, Adele Key Contact Information Änggård's A Humanitarian Past pitches us into an Sales, Dept. exciting and previously unexplored part of the human [email protected] history., $27.39, PB ISBN 13: (978-1-496-99332-8) 2014., USDNA, HC ISBN 13: (978-1-496-99333-5) 2014, SOCIAL 1___MAHATMA GANDHI & MY GRANDFATHER, SCIENCE > Anthropology > General ALLAMA MASHRIQI: A Groundbreaking Narrative Of India's Partition Nasim Yousaf, AMZ Publications, In this book," Mr. Yousaf brings together nearly 17 years of research of documents as well as firsthand knowledge 5___A NEW CHRONOLOGY FOR OLD TESTAMENT and insights gained from Allama Mashriqi's wife, sons, TIMES: With Solutions To Many Hitherto Unsolved daughters, and the Khaksars..., $79.99, HC ISBN 13: (978- Problems Through The Use Of Rare Texts Jan van Tuyl, 0-982-61101-2) ISBN 10: (0-982-61101-3) 2013, HISTORY AuthorHouseUK, The answer to many unsolved > Asia > India & South Asia mysteries and meanings of Old Testament texts., $26.95, PB ISBN 13: (978-1-477-21942-3) 2012., USD35.99, HC Annie Capil, Author ISBN 13: (978-1-477-21943-0) 2012, RELIGION > Christian Theology > History 103 Teesdale Street, Christchurch, Canterbury New Zealand 8053. -
Instructions to Authors
Instructions to Authors May 2010 From Your Computer to the Global Audience .............................................. 1 Document Template ...................................................................................... 1 Manuscript Submission to Springer .............................................................. 2 Writing Your Text ......................................................................................... 2 Book Structure and Headings ........................................................................ 2 Abstract ......................................................................................................... 3 Technical Terms, Abbreviations .................................................................... 3 Tables ............................................................................................................ 4 Equations ....................................................................................................... 4 Literal Text .................................................................................................... 5 References ..................................................................................................... 5 Sources .......................................................................................................... 8 Index .............................................................................................................. 8 Figures and Illustration Data ........................................................................ -
Beacon 7. How to Form a Publishing Company/Imprint
Beacon #7 How to form a publishing company/imprint For many authors, self-publishing is a hobby or “test the waters” endeavor – but when it becomes a business, it needs to be set up and run like a business. In most U.S. states, it’s neither difficult nor expensive to form a publishing company and imprint. A publishing imprint is simply the trade name under which a publishing company releases its books. For example, Harper Collins publishes books using more than a dozen different imprints (including Amistad, Avon Books, Ecco Press, Harper, William Morrow, and Zondervan) in order to build unique brand identities within various genres and market sectors. As a self-publishing author, you would most likely establish only one imprint (at least initially). Forming your own publishing company and imprint can be a relatively simple process if you establish the business as a “sole proprietorship.” This beacon will explain the six basic steps you’ll need to take to form your own publishing company and imprint (which can often be done within a couple of hours). First, however, it’s important to understand what a sole proprietorship is, and why it is generally recommended for authors who are self-publishing for the first time. The Sole Proprietorship A sole proprietorship is an unincorporated entity owned by one person (hence, the term “sole”). It is the most common form of business ownership in the U.S. The key feature of this structure is that the law makes no distinction between the sole proprietor (the owner of the business) and the business itself. -
MRM Publisher Imprints Download
MandyRoberson.media publishing imprints guide PONDER THIS: Think of your three most favorite books. Who is the publisher of those books? Chances are high that you have no idea. The truth is, publishers don’t matter… unless there isn’t one. It’s funny how no one notices or gives a second thought to a book with an imprint, but if it doesn’t have one, the book seems less credible. The “imprint” of a publisher is a trade name under which it publishes a work. A single publishing company may have multiple imprints, often using the different names as brands to market works to various demographic consumer segments. The lists we provide in this document are not all inclusive. There are too many publishers to name them all. © MRM 2019 All Rights Reserved. This document is not to be duplicated or distributed without proper permission. MandyRoberson.media publishing imprints guide Types of Publishers and Samples of Their Imprints Traditional Publishers or Trade/Commercial Publishers: This is the publisher most authors seek to obtain for their books. They acquire, edit, produce, publish, advertise, and sell the books written by their chosen authors. They have agreements with distributors and brick-and-mortar stores. Traditional publishers will not ask an author for money upfront. The majority of costs are paid by them. When your book is acquired by a traditional publisher, you will usually receive a modest royalty advance, but you will be required to give up certain rights (typically called subsidiary rights) to your manuscript and you will do most of the marketing. -
Author Publishing Packages | Communications
Author Publishing Packages | Communications | Design Services | Distribution | Editorial | Production | Author Publishing Packages | Communications | Design Services | Distribution | Editorial | Production | Author Publishing Packages | Communications | Design Services | Distribution | Self-Publishing Service Directory Autumn 2015 Editorial | Production | Author Publishing Packages | Communications | Design Services | Distribution | Editorial | Production | Author Publishing Packages | Communications | Design Services | Distribution | Editorial | Production | Author Publishing Packages | Communications | Design Services | Distribution | Editorial | Production | Author Publishing Packages Welcome Member Code Partner WELCOME! PARTNER MEMBER CODE Welcome to the latest edition of our self- The aim of the directory is to connect A MEASURE OF QUALITY publishing services directory, our compilation indie authors with the best author services of services offered by Partner Members of the available, so they can select the perfect Explaining the ALLi Partner Member Code Alliance of Independent Authors (ALLi). service for the particular project they’re currently working on. ALLi is committed to excellence and ethics in self-publishing from When an author sets out to self-publish, they all our members, including our Partner members. can very quickly become overwhelmed by the This latest version of the directory is brought choices on offer. The self-publishing services to you by our new Partner Member Manager Every single service provider listed in this directory is vetted by our sector is, on one hand exciting, innovative Andrew Lowe, and designed by Jane Dixon- Watchdog team in accordance with ALLi’s code of standards. and fast-growing; on the other, idiosyncratic, Smith, just two of the great indie authors We take every care to ensure our members access services that illogical and incoherent.