A Sub-Centennial-Scale Optically Stimulated Luminescence Chronostratigraphy and Late Holocene Flood History from a Temperate River Confluence Ben Pears1, Antony G
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CHURCH NEWS PERSHORE BENEFICE Monthly Edition September 2021
CHURCH NEWS PERSHORE BENEFICE Monthly Edition September 2021 Welcome to our trial copy of the Church News Monthly Edition where you can find out more about our special services, events, courses and what’s going on across the Benefice in the coming month. The weekly bulletin in our regular service sheet will keep you up to date with what’s happening week by week, but hopefully this new approach will help to ease the information overload of the Covid era! All comments and suggestions gratefully received at [email protected] CAFÉ CHURCH BEGINS THIS MONTH! Café Church is a ‘fresh expression’ of Church involving worship, music, activities, and a talk. Perhaps if you know people who may be interested who don’t currently attend church, you could mention it to them or bring them along? CALLING YOUNG DISCIPLES: This is a project that works with churches across Worcester Diocese, helping them to strengthen their engagement with children, young people and their families, so that they have the opportunity to respond to God’s call to be Jesus’ disciples and to grow in love for him. As part of this project Pershore Abbey have been allocated a Mission Enabler, to work with us intensively for 12 months. Hear more from our Mission Enabler, Sian, on the following page . NEWS FROM YOUR MISSION ENABLER – SIAN Hello, I am Sian. I am the Mission Enabler that has been placed with you. I am a wife to James and mum to 4 little ones. William who is 8, Annabel who is 6, Rose who is 5 and George who is 3. -
Herefordshire News Sheet
CONTENTS ARS OFFICERS AND COMMITTEE FOR 1991 .................................................................... 2 PROGRAMME SEPTEMBER 1991 TO FEBRUARY 1992 ................................................... 3 EDITORIAL ........................................................................................................................... 3 MISCELLANY ....................................................................................................................... 4 BOOK REVIEW .................................................................................................................... 5 WORKERS EDUCATIONAL ASSOCIATION AND THE LOCAL HISTORY SOCIETIES OF HEREFORDSHIRE ............................................................................................................... 6 ANNUAL GARDEN PARTY .................................................................................................. 6 INDUSTRIAL ARCHAEOLOGY MEETING, 15TH MAY, 1991 ................................................ 7 A FIELD SURVEY IN KIMBOLTON ...................................................................................... 7 FIND OF A QUERNSTONE AT CRASWALL ...................................................................... 10 BOLSTONE PARISH CHURCH .......................................................................................... 11 REDUNDANT CHURCHES IN THE DIOCESE OF HEREFORD ........................................ 13 THE MILLS OF LEDBURY ................................................................................................. -
The Pershore Flores Historiarum: an Unrecognised Chronicle from the Period of Reform and Rebellion in England, 1258–65*
English Historical Review Vol. CXXVII No. 529 doi:10.1093/ehr/ces311 © The Author [2012]. Published by Oxford University Press. All rights reserved. The Pershore Flores Historiarum: An Unrecognised Chronicle from the Period of Reform and Rebellion in England, 1258–65* Historians of the period of reform and rebellion in England between 1258 and 1265 make extensive use of a chronicle called the Flores Historiarum.1 This is not surprising, because the Flores covers the revolution of 1258, the baronial regime of 1258–60, the king’s recovery of power in 1261, the civil war of 1263, the battle of Lewes in 1264, and the rule of Simon de Montfort down to his defeat and death at the battle of Evesham in 1265. In the earliest surviving text of the Flores, Downloaded from which belongs to Chetham’s Library in Manchester, the account of these revolutionary years is part of a longer section of the chronicle which begins in the year 1249. From that point, until the battle of Evesham in 1265, the text is unified, and distinguished from what comes before and after, by the way in which capital letters at the beginning of sections are http://ehr.oxfordjournals.org/ decorated and, in particular, by the decoration given to the letter ‘A’ in the ‘Anno’ at the beginning of each year.2 The text is also unified, and set apart, by being written, save for a short section at the start, in the same thirteenth-century hand and having very much the appearance of a fair copy.3 Historians who have studied the chronicle have nearly all assumed that this part of the Flores was copied at St Albans Abbey from 4 the work of Matthew Paris and his continuator. -
English Monks Suppression of the Monasteries
ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES by GEOFFREY BAS KER VILLE M.A. (I) JONA THAN CAPE THIRTY BEDFORD SQUARE LONDON FIRST PUBLISHED I937 JONATHAN CAPE LTD. JO BEDFORD SQUARE, LONDON AND 91 WELLINGTON STREET WEST, TORONTO PRINTED IN GREAT BRITAIN IN THE CITY OF OXFORD AT THE ALDEN PRESS PAPER MADE BY JOHN DICKINSON & CO. LTD. BOUND BY A. W. BAIN & CO. LTD. CONTENTS PREFACE 7 INTRODUCTION 9 I MONASTIC DUTIES AND ACTIVITIES I 9 II LAY INTERFERENCE IN MONASTIC AFFAIRS 45 III ECCLESIASTICAL INTERFERENCE IN MONASTIC AFFAIRS 72 IV PRECEDENTS FOR SUPPRESSION I 308- I 534 96 V THE ROYAL VISITATION OF THE MONASTERIES 1535 120 VI SUPPRESSION OF THE SMALLER MONASTERIES AND THE PILGRIMAGE OF GRACE 1536-1537 144 VII FROM THE PILGRIMAGE OF GRACE TO THE FINAL SUPPRESSION 153 7- I 540 169 VIII NUNS 205 IX THE FRIARS 2 2 7 X THE FATE OF THE DISPOSSESSED RELIGIOUS 246 EPILOGUE 273 APPENDIX 293 INDEX 301 5 PREFACE THE four hundredth anniversary of the suppression of the English monasteries would seem a fit occasion on which to attempt a summary of the latest views on a thorny subject. This book cannot be expected to please everybody, and it makes no attempt to conciliate those who prefer sentiment to truth, or who allow their reading of historical events to be distorted by present-day controversies, whether ecclesiastical or political. In that respect it tries to live up to the dictum of Samuel Butler that 'he excels most who hits the golden mean most exactly in the middle'. -
Eternal Light: a Requiem
Eternal Light: A Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John’s Smiths Square, London The Lowry, Salford Wycombe Swan, High Wycombe Theatre Royal, Norwich Festival Theatre, Edinburgh 2009 Cymru, Llandudno Hall for Cornwall, Truro Snape Maltings Theatre Royal, Brighton Eden Court, Inverness Clwyd Theatre, Cymru, Mold Theatre Royal, Newcastle Birmingham Hippodrome, Birmingham Tewkesbury Abbey, Tewkesbury Guildhall, Plymouth Wells Cathedral, Wells Newcastle University, Australia Grand Theatre, Leeds Leisure Centre, Thame Hertogenbosch, The Netherlands St Peter’s Church, Plymouth St John the Baptist Church, Barnstaple All Saints Church, Swansea Christ Church Cathedral, Oxford All Saints Church, Douglas, Isle of Man Parish Church, Stockton State Hall, Heathfield, East Sussex Methodist Church, Belfast Methodist Central Hall, Coventry St Lukes United Methodist Church, Houston TX, USA St James the Great Church, Littlehampton St John’s Church, Old Coulsdon St Bede’s Roman Catholic Church, Basingstoke Tewskesbury Abbey St Mary’s Church, Bury St Edmunds St James, Exeter 2010 Leisure Centre, Billingshurst St Michael’s & All Angels Church, Turnham Green, London St Peters Church, Ealing, London Lady Eleanor Hollis School, Hampton All Saints Church, Putney, London Easterbrook Hall, Dumfries Waterfront Hall, Belfast First United Church, Mooretown NJ, USA Symphony Hall, Birmingham St James Piccadilly, London The Sage, Gateshead Cadogan Hall, London St Saviour’s Church, Brockenhurst St Albans -
Jedburgh Abbey Church: the Romanesque Fabric Malcolm Thurlby*
Proc SocAntiq Scot, 125 (1995), 793-812 Jedburgh Abbey church: the Romanesque fabric Malcolm Thurlby* ABSTRACT The choir of the former Augustinian abbey church at Jedburgh has often been discussed with specific reference to the giant cylindrical columns that rise through the main arcade to support the gallery arches. This adaptation Vitruvianthe of giant order, frequently associated with Romsey Abbey, hereis linked with King Henry foundationI's of Reading Abbey. unusualThe designthe of crossing piers at Jedburgh may also have been inspired by Reading. Plans for a six-part rib vault over the choir, and other aspects of Romanesque Jedburgh, are discussed in association with Lindisfarne Priory, Lastingham Priory, Durham Cathedral MagnusSt and Cathedral, Kirkwall. The scale church ofthe alliedis with King David foundationI's Dunfermlineat seenis rivalto and the Augustinian Cathedral-Priory at Carlisle. formee e choith f Th o rr Augustinian abbey churc t Jedburgha s oftehha n been discussee th n di literature on Romanesque architecture with specific reference to the giant cylindrical columns that rise through the main arcade to support the gallery arches (illus I).1 This adaptation of the Vitruvian giant order is most frequently associated with Romsey Abbey.2 However, this association s problematicai than i e gianl th t t cylindrical pie t Romsea r e th s use yi f o d firse y onlth ba t n yi nave, and almost certainly post-dates Jedburgh. If this is indeed the case then an alternative model for the Jedburgh giant order should be sought. Recently two candidates have been put forward. -
PRESS RELEASE Wentworth Church Music Festival 2013
PRESS RELEASE Wentworth Church Music Festival 2013 The historic village of Wentworth is a tranquil rural oasis in South Yorkshire and is the focal centre of the Wentworth Estates which belong to the Fitzwilliam family. The impressive large church was built by the children of the 5th Earl Fitzwilliam in memory of their parents and its splendid acoustics provide an ideal setting for our music festival. We hope that all our music loving friends will join us in celebrating 15 years of our annual festival. This year is also special because we have almost raised the funds necessary to achieve the basic £40,000 costs for the restoration and maintenance of the magnificent Father Willis organ and our target may well be reached this year: this is the first time that major work has been undertaken since the consecration of the church in 1877. However, work will have to continue around the organ and additional costs are being incurred in restoring the fabric of the building in the area of the organ, such as the gable end. Wentworth Church was erected in memory of Charles William, 6th Earl Fitzwilliam, KG (1786 – 1857) and his wife, by their children. It was designed by J.L. Pearson, a protagonist in the 19th Century revival of Gothic Architecture, who also designed Truro Cathedral. It was consecrated on 31st July 1877, when the old church, Late Norman, ceased to be used for regular worship. It measures in excess of 120 feet in length and has a prominent spire rising to 200 feet. The acoustics of the church are highly acclaimed by professional artists who have performed and regularly record in the church. -
Eternal Light: a Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John T
Eternal Light: A Requiem 2008 Theatre Royal, Bath Sadlers Wells, London Forum Theatre, Malvern Theatre Royal, Plymouth St John’s Smiths Square, London The Lowry, Salford Wycombe Swan, High Wycombe Theatre Royal, Norwich Festival Theatre, Edinburgh 2009 Cymru, Llandudno Hall for Cornwall, Truro Snape Maltings Theatre Royal, Brighton Eden Court, Inverness Clwyd Theatre, Cymru, Mold Theatre Royal, Newcastle Birmingham Hippodrome, Birmingham Tewkesbury Abbey, Tewkesbury Guildhall, Plymouth Wells Cathedral, Wells Newcastle University, Australia Grand Theatre, Leeds Leisure Centre, Thame Hertogenbosch, The Netherlands St Peter’s Church, Plymouth St John the Baptist Church, Barnstaple All Saints Church, Swansea Christ Church Cathedral, Oxford All Saints Church, Douglas, Isle of Man Parish Church, Stockton State Hall, Heathfield, East Sussex Methodist Church, Belfast Methodist Central Hall, Coventry St Lukes United Methodist Church, Houston TX, USA St James the Great Church, Littlehampton St John’s Church, Old Coulsdon St Bede’s Roman Catholic Church, Basingstoke Tewskesbury Abbey St Mary’s Church, Bury St Edmunds St James, Exeter 2010 Leisure Centre, Billingshurst St Michael’s & All Angels Church, Turnham Green, London St Peters Church, Ealing, London Lady Eleanor Hollis School, Hampton All Saints Church, Putney, London Easterbrook Hall, Dumfries Waterfront Hall, Belfast First United Church, Mooretown NJ, USA Symphony Hall, Birmingham St James Piccadilly, London The Sage, Gateshead Cadogan Hall, London St Saviour’s Church, Brockenhurst St Albans -
Architectural Stonework: an Assessment D
156 CIRENCESTER EXCAVATIONS IV ARCHITECTURAL STONEWORK: AN ASSESSMENT D. J. Wilkinson A large proportion of the stonework which was a two-thirds round. Similar ribs have been found in excavated between 1964 and 1966 was reburied at Norman work, but this example is most probably the end of the excavation because of the lack of Early English or early Decorated. storage space; the remainder is at the Corinium AF 3 and 7 displayexamples ofthe wave moulding Museum. The total number of fragments is probably which was commonly employed in late Curvilinear in excess of 1000. Only a small proportion of the and early Perpendicular arches. Both look like ribs, stonework had a recorded context; most of it seems but they are not noticeably curved. AF 68, 70 and 71 to have come from the post-l 539 destruction deposit. make use of the sunk chamfer and are probably 14th Architectural stonework from the abbey has been century. found over the years in the gardens ofAbbey House; Fragments displaying typical elements of the many of these found their way to either the Bathurst Perpendicular style, particularly the ogee and the or Cripps collections, both of which were brought broad fillet, are numerous. AF 60 is an unusual piece together when the Corinium Museum was resited in in that it uses old-fashioned elements such as rounds 1938 in Park Street, Cirencester, None of these and hollows as well as typically Perpendicular pieces is discussed here. features including the bracket moulding and In 1975 and 1976 fragments of stonework from the casement. -
The Heads of Religious Houses England and Wales III, 1377-1540 Edited by David M
Cambridge University Press 978-0-521-86508-1 - The Heads of Religious Houses England and Wales III, 1377-1540 Edited by David M. Smith Frontmatter More information THE HEADS OF RELIGIOUS HOUSES ENGLAND AND WALES 1377–1540 This final volume of The Heads of Religious Houses: England and Wales takes the lists of monastic superiors from 1377 to the dissolution of the monastic houses ending in 1540 and so concludes a reference work covering 600 years of monastic history. In addition to surviving monastic archives, record sources have also been provided by episcopal and papal registers, governmental archives, court records, and private, family and estate collections. Full references are given for establishing the dates and outline of the career of each abbot or prior, abbess or prioress, when known. The lists are arranged by order: the Benedictine houses (independent; dependencies; and alien priories); the Cluniacs; the Grandmontines; the Cistercians; the Carthusians; the Augustinian canons; the Premonstratensians; the Gilbertine order; the Trinitarian houses; the Bonhommes; and the nuns. An intro- duction discusses the use and history of the lists and examines critically the sources on which they are based. david m. smith is Professor Emeritus, University of York. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86508-1 - The Heads of Religious Houses England and Wales III, 1377-1540 Edited by David M. Smith Frontmatter More information THE HEADS OF RELIGIOUS HOUSES ENGLAND AND WALES III 1377–1540 Edited by DAVID M. SMITH Professor Emeritus, University of York © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86508-1 - The Heads of Religious Houses England and Wales III, 1377-1540 Edited by David M. -
Bibliography
BIBLIOGRAPHY Abbreviations are made according to the Council for British Archaeology’s Standard List of Abbreviated Titles of Current Series as at April 1991. Titles not covered in this list are abbreviated according to British Standard BS 4148:1985, with some minor exceptions. (———), 1793. Letter from ‘Mr W. T.’, Gentleman’s Mag., (———), 1933. ‘Proceedings ... 8 May 1933’, Trans. Bristol LXIII, 791 Gloucestershire Archaeol. Soc., LV, 1–12 (———), 1846a. ‘Proceedings ... 9 April 1845’, J. Brit. (———), 1935. ‘Carved stone in South Cerney church, Archaeol. Ass., ser. 1, I, 63–7 Gloucestershire’, Antiq. J., XV, 203–4 (———), 1846b. ‘Proceedings ... 13 August 1845’, J. Brit. (———), 1936. ‘Proceedings ... 20 May 1936’, Trans. Bristol Archaeol. Ass., ser. 1, I, 247–57 Gloucestershire Archaeol. Soc., LVIII, 1–7 (———), 1876. ‘S. Andrew’s church, Aston Blank, (———), 1949. ‘Roman Britain in 1948’, J. Roman Stud., Gloucestershire’, Church Builder, LIX, 172–4 XXXIX, 96–115 (———), 1886. ‘Diddlebury’, Trans. Shropshire Archaeol. (———), 1958–60. ‘A ninth century tombstone from Natur. Hist. Soc., IX, 289–304 Clodock’, Trans. Woolhope Natur. Fld. Club, XXXVI, (———), 1887. ‘Temple Guiting Church’, Gloucestershire 239 Notes and Queries, III, 204–5 (———), 2000. ‘Reports: West Midlands archaeology in (———), 1889. Report of the reopening of Wyre Piddle 2000’, West Midlands Archaeol., XLIII, 54–132 church, The Evesham Journal and Four Shires Advertiser, 31 (———), 2004. ‘Mystery of the disappearing font’, Gloss- August 1889, 8 ary: the joint newsletter of the Gloucestershire Record Office and (———), 1893–4a. ‘Discovery of mediæval and Roman the Friends of Gloucestershire Archives (Spring 2004), 4 remains on the site of the Tolsey at Gloucester’, Illus. Archaeol., I, 259–63 Abrams, L., 1996. -
Talk by David Ireson to the Friends of Tewkesbury Abbey Friends Festival 2 JULY 2017
Talk by David Ireson to The Friends of Tewkesbury Abbey Friends Festival 2 JULY 2017 Thank you for the double honour of Life membership of the Friends for myself and Hazel and for asking me to speak to you today. If you are still awake when I have finished I am happy to answer any questions you may have. Finding a title for the talk was not that difficult as Musica Deo Sacra has indeed been for me the journey of a musical lifetime. My own musical life started at Newcastle Cathedral where my father was a canon. My family all went to the Cathedral and I remember saying to my dad when I must have been about 5 or 6 and just having heard some music which I though was very exciting “That’s what I’d like to do” and so eventually I became a chorister. The piece? The Gloria of Stanford in C Magnificat & Nunc Dimittis – so that was what we sang last year at the MDS reunion Evensong. I still find it exciting (and it reminds me of my start in church music. I sang and learned the organ at school (correction – someone tried to teach me how to play the organ) and I studied Music at the College of St Mark and St John in Chelsea where I met Brian Coleman. Chelsea was a great place to be in the sixties! I was auditioned by Peter Hurford for St Albans Cathedral choir while still at college and was accepted. I was somewhat disappointed to be told by my personal Tutor at college (the composer Peter Dickinson) that I couldn’t take it up until I had left as he thought that I should spend my time making music in London and not at St Albans.