DOCSLIB.ORG

Karlee Leilani Perez

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Karlee Leilani Perez Karlee Leilani Perez KPA Management (212)-243-5192 [email protected] Film / Television Lucha Underground Lead – current Producers Mark Burnett/Robert Rodriguez Changelings Series Supporting “Camella” Xavmax Multimedia, Vincent Veloso MLB Redsox Principal Dunn & Company Hallies Comment Principal “Garcia” Imani Films - Web Series 2x winner, LA Film Festival - Web Series Lullaby Principal “Garcia” Imani Films – Web Series Korbel Champagne Principal Korbel - Commercial Too Face Cosmetics Eyes Live Segments HSN Home Shopping Network Too Face Cosmetics Brow Live Segments HSN Home Shopping Network Interview with a Prince Lead Independent, Director: Ken Rogers The Funny Movie Supporting Director, Alonso Mosely Stage WWE Raw – (Stage/USA Network/Syfy) – Episode dated 25 June 2012 Maxine WWE Entertainment – Episode dated 7 May 2012 Maxine WWE Entertainment – Episode dated 23 April 2012 Maxine WWE Entertainment – Episode dated 3 October 2011 Maxine WWE Entertainment WWE NXT Redemption Series – Episode #5.58 (2012) Maxine WWE Entertainment – Episode #5.57 (2012) Maxine WWE Entertainment – Episode #5.56 (2012) Maxine WWE Entertainment – Episode #5.55 (2012) Maxine WWE Entertainment – Episode #5.54 (2012) Maxine WWE Entertainment WWE Superstars Pay-Per-View – Episode dated 16 February 2012 Maxine WWE Entertainment – Episode dated 14 October (2010) Maxine WWE Entertainment – Episode dated 30 September (2010) Maxine WWE Entertainment TNA KNOCKOUT DIVA’S Pay-Per-View TNA Impact Wrestling General Manger Liviana Florida Championship Wrestling NBC Radio Sports Channel Guest Ian Beckham Training Andi Macaffey Acting Coach Andi Macaffey Dusty Rhodes Acting / Promos Dusty Rhodes Play House West Acting Tony Savant .
Load more

Recommended publications
  • The Popular Culture Studies Journal
    THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St.
    [Show full text]
  • Wxw Holds Keynote on Wxw NOW Streaming
    wXw holds keynote on wXw NOW streaming service, announces details on Germany's first wrestling network wXw just announced the first in-depth details on our new "wXw NOW" streaming network, which will launch one month from now on 8/13 at www.wxwnow.de. It will not just be a collection of shows like a lot of companies offer for a monthly fee via Pivotshare but also offer original content and a lot of archived shows, some dating back as far as 2006. We will also have our uniquely designed interface/UI, while hosting and infrastructure will be managed by Vimeo, our long-time streaming partner, dating back to 2013. Wrestling journalist Markus Gronemann (DarkMat.eu, Wrestling Observer) considers this to be the biggest launch of an over-the-top pro wrestling channel by a single promotion since New Japan World. wXw Managing Director Christian Jakobi held a keynote presentation tonight at 8 pm CEST at the wXw Wrestling Academy training school, which was streamed live on Facebook (the video is available, albeit only in German, here) and talked about what future and past events and what kind of original content would be available. We had up to 750 viewers simultaneously on Facebook and also had some students and a trainer (Toby Blunt) in attendance to provide some crowd noise and cheering at key points during the announcement. Marquee Events are wXw's version of pay-per-view caliber shows, where feuds start and end and international talent often appears. There currently are 10 marquee events on the calendar, with some of them being multi-day shows:
    [Show full text]
  • The Operational Aesthetic in the Performance of Professional Wrestling William P
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days.
    [Show full text]
  • Karlee Leilani Perez Los Angeles, CA 90038 • [email protected] • 813.433.6439 ​ ​
    Karlee Leilani Perez Los Angeles, CA 90038 • [email protected] • 813.433.6439 ​ ​ CONTACT KPA Management: Karen Riposo - 212.243.5192 / 917.405.7598 Mavrick Artist Agency: Mike Wilson - 323.931.5555 Green Room Management – Patrick Havern – 323.371.9400 Eyes: Hazel Hair: Dark Brown Height / Weight: 5’4”; 120 lb. SAG Eligible ​ ​ ​ ​ ​ ​ PERFORMANCE EXPERIENCE STAGE (2010 – Present) WWE Raw (Stage / USA Network / Syfy) June 25, 2012 Maxine WWE Entertainment May 7, 2012 Maxine WWE Entertainment April 23, 2012 Maxine WWE Entertainment October 3, 2012 Maxine WWE Entertainment WWE NEXT Redemption Series Episode #5, 58 (2012) Maxine WWE Entertainment Episode #5, 57 (2012) Maxine WWE Entertainment Episode #5, 56 (2012) Maxine WWE Entertainment Episode #5, 55 (2012) Maxine WWE Entertainment Episode #5, 54 (2012) Maxine WWE Entertainment WWE Superstars Pay-per-View February 16, 2012 Maxine WWE Entertainment October 14, 2010 Maxine WWE Entertainment September 30, 2010 Maxine WWE Entertainment FILM / TELEVISION Lucha Underground (TV Series – 39 episodes -) Lead Netflix/One Three Media (Seasons 1, 2, 3) ***Emmy Nominee (Robert Rodriguez) ​ Changeling Series Supporting Camella Xavmax Multimedia, Vincent Veloso Hallies Comment Principal Garcia Imani Films – Web Series Lullaby Principal Garcia Imani Films – Web Series *** - Los Angeles Film Festival – Best Web Series - 2x Winner COMMERCIALS MLB Boston Red Sox Television Commercial Dunn & Company Korbel Champagne Television Commercial Korbel TRAINING Master Class, Margie Haber (current) ​ Scene Study, Anthony Meindl’s Actor Workshop (AMAW), Los Angeles, CA ​ ● Emphasize on “acting in the moment” working in “imaginary circumstances” while deemphasizing “sense memory”, “mask work” in order to build the “muscle of the moment”. Intensive, Playhouse West Acting School and Repertory Theatre, Philadelphia, PA ​ ● Specialized acting school that specializes in Meisner Technique, as taught by Tony Savant.
    [Show full text]
  • 2021 Topps WWE NXT Checklist.Xls
    BASE BASE CARDS 1 Roderick Strong™ def. Bronson Reed™ NXT 2 Keith Lee™ Retains the NXT® North American Championship NXT TakeOver: Portland 3 The BroserWeights™ Win the NXT® Tag Team Championship NXT TakeOver: Portland 4 NXT® Champion Adam Cole™ def. Tommaso Ciampa™ NXT TakeOver: Portland 5 Johnny Gargano™ Attacks Tommaso Ciampa™ NXT 6 The BroserWeights™ Retain the NXT® Tag Team Championship NXT 7 Tommaso Ciampa™ and Johnny Gargano™ Brawl in the WWE® PC NXT 8 Keith Lee™ def. Dominik Dijakovic™ and Damian Priest™ NXT 9 Johnny Gargano™ def. Tommaso Ciampa™ NXT 10 Timothy Thatcher™ Fills in for The BroserWeights™ NXT 11 Karrion Kross™ Attacks Tommaso Ciampa™ NXT 12 Akira Tozawa™ def. Isaiah "Swerve" Scott™ NXT 13 El Hijo del Fantasma™ Debuts NXT 14 Jake Atlas™ def. Drake Maverick™ NXT 15 Kushida™ def. Tony Nese™ NXT 16 Isaiah "Swerve" Scott™ def. El Hijo del Fantasma™ NXT 17 Imperium™ Attacks Matt Riddle™ & Timothy Thatcher™ NXT 18 Drake Maverick™ def. Tony Nese™ NXT 19 NXT® North American Champion Keith Lee™ def. Damian Priest™ NXT 20 Johnny Gargano™ def. Dominik Dijakovic™ NXT 21 Karrion Kross™ def. Leon Ruff™ NXT 22 Adam Cole™ Retains the NXT® Championship NXT 23 Akira Tozawa™ Picks up a Tournament Victory NXT 24 Kushida™ def. Jake Atlas™ NXT 25 Jake Atlas™ def. Tony Nese™ NXT 26 Imperium™ Wins the NXT® Tag Team Championship NXT 27 Damian Priest™ Attacks Finn Bálor™ NXT 28 Riddle™ def. Timothy Thatcher™ NXT 29 El Hijo del Fantasma™ Wins Group B NXT 30 Roderick Strong™ def. Dexter Lumis™ NXT 31 Drake Maverick™ Wins Group A NXT 32 Tommaso Ciampa™ def.
    [Show full text]
  • Wwe Network Announces Programming
    For Immediate Release WWE® NETWORK ANNOUNCES PROGRAMMING LINEUP STAMFORD, Conn., February 19, 2014 – WWE Network, the first-ever 24/7 streaming network, has unveiled its programming lineup, which is highlighted by WrestleMania® 30 on Sunday, April 6 at 7 pm ET live from the Mercedes-Benz Superdome in New Orleans. In addition, for the first time ever, the WWE Hall of Fame Induction Ceremony will air live in its entirety on Saturday, April 5 at 9 pm ET on WWE Network. This year’s current inductees include The Ultimate Warrior, Jake “The Snake” Roberts and Lita. A one-hour special will also air on USA Network on Monday, April 7, immediately following Monday Night Raw®. WWE Network will officially launch on Monday, February 24 at 9 am ET and fans will instantly have access to live programming and the most comprehensive WWE video-on- demand library upon signing up exclusively at WWE.com. WWE Network will be available through the WWE App on TV via connected devices including Roku streaming devices, Sony PlayStation® 3, Sony PlayStation® 4 and Xbox 360. WWE Network will also be available through the WWE App on iOS devices, including Apple iPad and iPhone, Amazon’s Kindle Fire devices and Android devices, as well as on desktops and laptops via WWE.com. The programming line-up on WWE Network includes: WrestleMania 30 WWE’s pop-culture extravaganza, WrestleMania 30, will air live on Sunday, April 6 at 7 pm ET from New Orleans. More than 70,000 fans from all 50 states and more than 30 countries are expected to converge on the Mercedes-Benz Superdome with millions more watching around the world.
    [Show full text]
  • Cubed Circle Newsletter 241 – Consistency Is Hard
    Cubed Circle Newsletter 241 – Consistency is Hard As many of probably noticed, we have been posting late and sporadically for the last month. This was, obviously, not our intention, but with the second semester eating into my free time, staying up to date is a tall order. Even without the newsletter itself seeing weekly publication the site has still remained up to date on a weekly basis, thanks primarily to co-author Ben Carass, as well as guest writers Paul Cooke and Leslie Lee III. But, the newsletter has survived for well over 241 weeks, and will hopefully thrive in the years to come. I have attempted to make provisions for publishing related tasks which should minimize the risk of major delays (obviously there will be some regular delays, as this late issue can attest), but we have some fail safes in place in order to keep this to a minimum. With all of this said, we have a great issue for everyone this week with Paul Cooke discussing the Pro-Wrestling Only Greatest Wrestler Ever project and his personal experience with the poll, Ben covers the news including tons of results from Japan and the Lesnar USADA violation, the Mixed Bag returns with a look at comedy wrestling, Ricochet/Ospreay, and a potential WWE match of the year -- plus Ben also looks at last Sunday's Battleground show and the first RAW of the brand split (a very good show). Also, for those unaware, we now have an official Twitter account @CubedCircleWres allowing the banger to unprecedented highs at @BenCarass and @RyanClingman.
    [Show full text]
  • Pay-Per-View
    Pay-Per-View Don’t bother with the babysitter. Stop worrying about traffic. Because with Pay Per View, you get the best seats in the house without ever leaving home. From UFC fights to exclusive concerts, watch the best in live sports and entertainment right on your own TV. Ordering made easy No need to call or go online. Just order with your remote. From the Guide menu, go to the Pay Per View event channel (PPV) to see what’s playing this month. Once you’ve made your selection, all you need to do is select “Watch” and then confirm your order. It’s that easy. What’s new this month? UFC 264: Poirier vs McGregor 3 July 10th, 2021, 10:00 p.m. ET / 7:00 p.m. PT The final chapter in the trilogy between Dustin Poirier and Conor McGregor will be written on Saturday, July 10, as the lightweight superstars settle the score in the main event of UFC 264 at T-Mobile Arena in Las Vegas. After Ireland's McGregor defeated Poirier in 2014, Louisiana's "Diamond" evened the score in January, setting up the most highly anticipated rubber match in UFC history between former champions determined to be the one leaving this trilogy victorious. SD standard definition $64.99 HD high definition $64.99 Channels 324 and 611 (BlueCurve TV SD) Channels 300 and 601 (BlueCurve TV HD) Replays: Available until July 25th, 2021 Ring Of Honor: Best In The World 2021 July 11h, 2021, 8:00 p.m. ET / 5:00 p.m.
    [Show full text]
  • How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers Melissa Jacobs Clemson University, [email protected]
    Clemson University TigerPrints All Theses Theses 5-2017 "They've Come to Draw Blood" - How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers Melissa Jacobs Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Recommended Citation Jacobs, Melissa, ""They've Come to Draw Blood" - How Women Fans of World Wrestling Entertainment Perceive Women Wrestlers" (2017). All Theses. 2638. https://tigerprints.clemson.edu/all_theses/2638 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. “THEY’VE COME TO DRAW BLOOD” – HOW WOMEN FANS OF WORLD WRESTLING ENTERTAINMENT PERCEIVE WOMEN WRESTLERS A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts Communication, Technology, and Society by Melissa Jacobs May 2017 Accepted by: Dr. D. Travers Scott, Committee Chair Dr. Erin Ash Dr. Darren Linvill ABSTRACT For a long time, professional wrestling has existed on the outskirts of society, with the idea that it was just for college-aged men. With the rise of the popularity of the World Wrestling Entertainment promotion, professional wrestling entered the mainstream. Celebrities often appear at wrestling shows, and the WWE often hires mainstream musical artists to perform at their biggest shows, WrestleMania and Summer Slam. Despite this still-growing popularity, there still exists a gap between men’s wrestling and women’s wrestling. Often the women aren’t allowed long match times, and for the longest time sometimes weren’t even on the main shows.
    [Show full text]
  • Christopher Daniels
    Christopher Daniels Wissenswertes: - wollte ursprünglich Schauspieler werden - war als Dark Master von Vampiro in der WCW geplant, aus der Storyline wurde aber nichts - war Ende der 1990er unter WWF Development Vertrag - ist zusammen mit Donovan Morgan der erste Tag Team Champion von ROH - war der erste Ring of Honor Grand Slam Gewinner - war lange Zeit bei TNA / Impact Wrestling unter Vertrag - seit Januar 2019 bei AEW unter Vertrag - ist als Wrestler, Coach und Head of Talent Relations bei AEW tätig Titel: - 1x 3PW Heavyweight Title - 1x AAW World Heavyweight Title - 1x APW Worldwide Internet Title - 1x British Commonwealth Junior Heavyweight Title - 2x CWF Tag Team Titles (1x mit Big Cliff & Kevin Quinn, 1x mit Big Kahuna & Kevin Quinn) - 1x DDT Iron Man Heavy Metal Title - 2x ECWA World Heavyweight Title - 1x EWF Heayweight Title - 1x Florida Heavyweight Title - 1x FWA British Heavyweight Title - 1x ICW Tag Team Titles (mit Xavier) - 1x IFWA Heavyweight Title - 1x IWGP Junior Heavyweight Tag Team Titles (mit American Dragon) - 1x MCW Tag Team Titles (mit Jayson Reign) - 1x Natural Heavyweight Title - 1x NWA Midwest Tag Team Titles (mit Kevin Quinn) - 6x NWA World Tag Team Titles (3x mit Elix Skipper & Low Ki, 1x mit James Storm, 2x mit AJ Styles) - 1x PWF United States Heavyweight Title - 1x Remix Pro Heavyweight Title - 1x ROH #1 Contender Trophy - 1x ROH World Six Man Tag Team Titles (mit Frankie Kazarian & Scorpio Sky) - 4x ROH World Tag Team Titles (1x mit Donovan Morgan, 1x mit Matt Sydal, 2x mit Frankie Kazarian) - 1x ROH World
    [Show full text]
  • July 2019 Title Grid Event TV Title Grid - Version 2 5/29/2019 Approx Length Final Events Distributor Genre (Hours) Preshow Premiere Exhibition SRP Rating
    July 2019 Title Grid Event TV Title Grid - Version 2 5/29/2019 Approx Length Final Events Distributor Genre (hours) Preshow Premiere Exhibition SRP Rating 2018 NPC Women’s National Bodybuilding Championships Stonecutter Media Bodybuilding 2.5 N 07/05/19 07/31/19 $9.95 TV-14 AXS TV Fights: Legacy Fighting Alliance 64 AXS TV Mixed Martial Arts 2.5 N 07/13/19 07/31/19 $9.95 TV-14 AXS TV Fights: Legacy Fighting Alliance 65 AXS TV Mixed Martial Arts 2.5 N 07/28/19 07/31/19 $9.95 TV-14 Bluegrass Journey MVD Entertainment Group Music / Documentary 1.5 N 07/03/19 07/31/19 $5.95 TV-PG Code Red: Shameless Acts of Stupidity XTV: Xtreme Television Uncensored TV 1 N 07/02/19 07/31/19 $9.95 TV-MA Ellie Kemper: Unbreakable Comedy Gala Bruder Releasing, Inc. Comedy / Stand-Up 1.5 N 07/12/19 07/31/19 $7.95 TV-PG Extreme Legends: Tito Santana Stonecutter Media Wrestling 1 N 07/17/19 07/31/19 $7.95 TV-14 Female Wrestling's Most Violent Brawls 68 The Wrestling Zone, Inc. Wrestling 1 N 07/19/19 07/31/19 $7.95 TV-14 Howie Mandel All-Star Comedy Gala Bruder Releasing, Inc. Comedy / Stand-Up 1.5 N 07/03/19 07/31/19 $7.95 TV-PG IMPACT Wrestling: Slammiversary XVII (Live) Impact Wrestling Wrestling 4 Y 07/07/19 07/07/19 $39.95 TV-14 D,L,V IMPACT Wrestling: Slammiversary XVII (Replay) Impact Wrestling Wrestling 3 N 07/09/19 07/30/19 $39.95 TV-14 D,L,V Neil Patrick Harris: Circus Awesomeus Bruder Releasing, Inc.
    [Show full text]
  • Foreign and Minority Representations in Professional Wrestling
    Good versus Evil in the Squared Circle: Foreign and Minority Representations in Professional Wrestling By Jessica Friedrichs A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Science in Mass Communication Middle Tennessee State University 2013 Thesis Committee: Dr. Jason Reineke, Chair Dr. Katherine Foss Dr. Jan Quarles ABSTRACT Professional wrestling has remained a very popular form of entertainment through out the history of television. It hosts a unique world of characters that are used to play out scripted athletic contests that revolve around the concept of good versus evil. Previous research has suggested that minority and ethnic characters are predominantly represented as the evil side of the battle. This paper looks at the professional wrestling industry on a larger scale, analyzing the two largest professional wrestling companies in the world to determine if foreign and minority characters are more likely to represent evil, while White and American characters tend to represent the good. Results demonstrate that when looking at the industry as a whole minority characters are not predominantly featured as negative characters, as previous research would suggest. There is, however, a slight indication that foreign characters are still more likely to fall victim to negative representations in professional wrestling. ii TABLE OF CONTENTS Page INTRODUCTION ………………………………………………… 1 Theoretical Framework …………………………………. 7 Literature Review ………………………………………... 10 Hypothesis ……………………………………………….. 25 METHODS
    [Show full text]