How and Why Professional Wrestlers in the WWE Should Unionize Under the National Labor Relations Act Geoff Estes
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Samoan Submission Machines
Samoan Submission Machines: Grappling with Representations of Samoan Identity in Professional Wrestling Theo Plothe1 Savannah State University [email protected] Amongst the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. The discussion of Samoan identity in the context of sport has examined Maori identity and masculinity in New Zealand, among other topics, but there has yet to be work which considers Samoans within professional wrestling. This research investigates Samoan identity through a content analysis of televised wrestling matches. This research identifies six primary stereotypes under which Samoan identity is portrayed. These portrayals of Samoan characters, I argue, flatten the representation of this ethnic group within wrestling and culture at large. Keywords: Samoans, identity, representation, gimmicks Introduction Among the myriad of characters to step foot in the squared circle, perhaps no ethnic group has been as celebrated or marginalized as the Samoans who have made their names in professional wrestling. This research investigates the identity of Samoans within professional wrestling, and the different ways they are constructed and presented to audiences. “Gimmicks,” characters portrayed by a wrestler “resulting in the sum of fictional elements, attire and wrestling ability” (Oliva and Calleja 3) utilized by Samoans have run the gamut from the wild uncivilized savage, to the sumo (both in villainous Japanese and comically absurd iterations), to the ultra-cool mogul who wears silk shirts and fancy shoes. Their ability to cut promos, an important facet of the modern gimmick allowing wrestlers to address their opponents and storylines, varies widely as well, but all lie within their Samoan identity. -
Donald Trump Shoots the Match1 Sharon Mazer
Donald Trump Shoots the Match1 Sharon Mazer The day I realized it can be smart to be shallow was, for me, a deep experience. —Donald J. Trump (2004; in Remnick 2017:19) I don’t care if it’s real or not. Kill him! Kill him! 2 He’s currently President of the USA, but a scant 10 years ago, Donald Trump stepped into the squared circle, facing off against WWE owner and quintessential heel Mr. McMahon3 in the “Battle of the Billionaires” (WrestleMania XXIII). The stakes were high. The loser would have his head shaved by the winner. (Spoiler alert: Trump won.) Both Trump and McMahon kept their suits on—oversized, with exceptionally long ties—in a way that made their heads appear to hover, disproportionately small, over their bulky (Trump) and bulked up (McMahon) bodies. As avatars of capitalist, patriarchal power, they left the heavy lifting to the gleamingly exposed, hypermasculinist bodies of their pro-wrestler surrogates. McMahon performed an expert heel turn: a craven villain, egging the audience to taunt him as a clueless, elitist frontman as he did the job of casting Trump as an (unlikely) babyface, the crowd’s champion. For his part, Trump seemed more mark than smart. Where McMahon and the other wrestlers were working around him, like ham actors in an outsized play, Trump was shooting the match: that is, not so much acting naturally as neglecting to act at all. He soaked up the cheers, stalked the ring, took a fall, threw a sucker punch, and claimed victory as if he (and he alone) had fought the good fight (WWE 2013b). -
The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Hurley Northstars
Call (906) 932-4449 Ironwood, MI Detroit basketball Griffin, Drummond lead Pistons Redsautosales.com to rout of Wizards 132-102 SPORTS • 7 Since 191 9 DAILY GLOBE Friday, December 27, 2019 Partly cloudy yourdailyglobe.com | High: 28 | Low: 22 | Details, page 2 RIDE THE ICE County may Pro Vintage consider economic snowmobile coordinator racing to begin By TOM LAVENTURE [email protected] By TOM LAVENTURE [email protected] BESSEMER – The Finance, Budgeting and Auditing Commit- IRONWOOD – The Ironwood tee of the Gogebic County Board Snowmobile Olympus will be of Commissioners on Thursday held over the next two weekends considered a possible economic with the oval ice racing at the recovery opportunity. Gogebic County Fairgrounds, During the committee meet- 648 West Cloverland Drive. ing prior to the full board meet- The Pro Vintage Racing will ing, the discussion focused on a be held this Saturday from 8 a.m. recommendation of the Michigan to 5 p.m. There are 39 vintage Economic Development Council class races that run the gamut of to hire a county economic recov- super stock, super modified, IFS ery coordinator. single track suspension and The idea was one solution other categories for older from meetings following the clo- machines. sure of the Ojibway Correctional The snowmobiles are pre- Facility, said Juliane Giackino, 1985 but many will run over 100 county administrator. The MEDC mph, said Jim Gribble, chairman would fund the position through of the Friends of the Gogebic a grant process of the U.S. County Fair, the nonprofit orga- Department of Agriculture. nization that organizes the Olym- Commissioner Joe Bonovetz pus. -
DOWNLOAD Plus
MISSISSIPPI Jul/Aug 2017 DEALER DOWNLOAD the NEW MSIADA App and Save Big! Independent Dealers Steer Through Challenges Hackers Target Dealer Social Media Posts Predicting Auto Retail’s Top 3 Trends in an Unpredictable 2017s PLUS Q&A with NIADA’s Steve Jordan Online Dealer Software Dealer Websites Fully Responsive Feeds to Third Party Websites Social Media Integration Craigslist AD Generator Google Friendly Free Domain Registration Accept Online Payments Online Credit Applications Website Lead Notifications Carfax Integration Dealer Management Auto Check Integration Software Embeded YouTube Videos Print Forms on Plain Paper Wayne Reaves DMS Integration Calculate Deal Numbers Easy to Manage Internet Based Automatic Backups Automatic Updates Prospect Manager Fully Responsive Websites E-mail and Text from DMS Inventory Management Cash and Wholesale Deals Buy Here Pay Here Bank Financing Related Finance Company Collections and Repossessions Accounting Reports Route One Integration Wayne Reaves Website Integration CALL NOW WayneReaves.com 800.701.8082 MISSISSIPPIMississippi Independent Auto Dealers Association Online Dealer Software Dealer Websites Jul/Aug 2017 Fully Responsive DEALER Feeds to Third Party Websites Social Media Integration Craigslist AD Generator Google Friendly The magazine of the MISSISSIPPI INDEPENDENT Free Domain Registration AUTO DEALERS ASSOCIATION MSIADA.ORG Accept Online Payments 1705 Old Whitfield Road, Suite A Pearl, MS 39208 Online Credit Applications T (601) 939 - 9866 | F (601) 939 - 9882 Website Lead Notifications CHAIRMAN OF THE BOARD Steven Watkins • Watkins Auto Sales, Inc. Carfax Integration Jackson, MS Dealer Management PRESIDENT Auto Check Integration Bryan Morris • Long Beach Auto Auction, Inc. Long Beach, MS Software Embeded YouTube Videos VICE PRESIDENT (NORTHERN REGION) DP Danna • Selecta Motors, LLC Print Forms on Plain Paper Wayne Reaves DMS Integration Indianola, MS VICE PRESIDENT (CENTRAL REGION) Calculate Deal Numbers Easy to Manage Will Etheridge • Net Auto, Inc. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
July 2019 Wrestlenado Review “Tell Me a Story” What’S Coming Up
July 2019 Wrestlenado Review “tell me a story” What’s Coming up Issue Number One A Letter from the Editor I suspect it is the same for all of us but my first experience of wrestling was not through live indie show. I saw wrestling on television, and saw wrestlers in the movies and became interested, I sought out wrestling on the internet and on streaming services and became a fan. Seeking out, going to and falling for my local indie promotions was just the latest in a long development of my wrestling watching journey. A natural consequence of that is that I tend to describe what I am learning about with reference to what I already know. It’s an attempt to provide a context, rather than a suggestion of a lack of originality. When I describe Mitch McCarthy as the Kasius Ohno of south east qld, it is to say that he presents as a true fan of the art form, able to work with anyone, and make them look great in doing so.. It’s the natural ability, not just the look that sees me looking at GenNxt and wondering why Pink Matt Riddle has teamed up with Pink Dash Wilder, and there is something almost ‘GoldDustian’ in Adonis’s commitment to the character. I do it when I see visiting performers for the first time too. There is something of Colt Cabana in a Corndog match, by which I mean there is real crowd engagement and knowing humour, in a form that also includes sound fundamentals. -
Wxw Holds Keynote on Wxw NOW Streaming
wXw holds keynote on wXw NOW streaming service, announces details on Germany's first wrestling network wXw just announced the first in-depth details on our new "wXw NOW" streaming network, which will launch one month from now on 8/13 at www.wxwnow.de. It will not just be a collection of shows like a lot of companies offer for a monthly fee via Pivotshare but also offer original content and a lot of archived shows, some dating back as far as 2006. We will also have our uniquely designed interface/UI, while hosting and infrastructure will be managed by Vimeo, our long-time streaming partner, dating back to 2013. Wrestling journalist Markus Gronemann (DarkMat.eu, Wrestling Observer) considers this to be the biggest launch of an over-the-top pro wrestling channel by a single promotion since New Japan World. wXw Managing Director Christian Jakobi held a keynote presentation tonight at 8 pm CEST at the wXw Wrestling Academy training school, which was streamed live on Facebook (the video is available, albeit only in German, here) and talked about what future and past events and what kind of original content would be available. We had up to 750 viewers simultaneously on Facebook and also had some students and a trainer (Toby Blunt) in attendance to provide some crowd noise and cheering at key points during the announcement. Marquee Events are wXw's version of pay-per-view caliber shows, where feuds start and end and international talent often appears. There currently are 10 marquee events on the calendar, with some of them being multi-day shows: -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Mamala Bay Study Infectious Disease Public
MAMALA BAY STUDY INFECTIOUS DISEASE PUBLIC HEALTH RISK ASSESSMENT PROJECT MB—b Principal Investigators: Robert C. Cooper, Ph.D. Adam W. Olivieri, Dr. P.H., P.E. EOA, Inc. 1410 Jackson Street Oakland, California 94612 AUGUST 31, 1995 (Revision of report dated June 12, 1995) EXECUTIVE SUMMARY The Mamala Bay Study Commission is conducting a comprehensive study of the sources and effects of point and non-point pollution in Mamala Bay. The study will result in recommendations for strategies to reduce pollution levels in Mamala Bay to protect human health and the marine environment. EOA, Inc. (EOA) was retained by PRC Environmental Management, Inc. (PRC) to perform an assessment of the public health risk associated with accidental exposure to microbial pathogens during recreational use of Mamala Bay waters. The primary objectives of this project were to: 1) apply an existing quantitative microbial risk assessment model to estimate the level of microbial risk associated with recreational exposure to Mamala Bay waters; 2) evaluate how public health risk could change with order of magnitude variations in contribution of pathogen to the swimming/surfing area from sources other than shedding by swimmers/surfers; 3) identify important parameters that impact the risk assessment results. The risk assessment model used for this project is based closely on models used in infectious disease epidemiology. Advantages of this type of model include that it can be used to integrate and organize diverse data bearing on disease risk, account for immunity to disease, model aspects of the transmission dynamics of the agent in the environment and explicitly acknowledge the uncertainty and variability in the many parameter values characteristic of comprehensive models. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
Pay-Per-View
Pay-Per-View Don’t bother with the babysitter. Stop worrying about traffic. Because with Pay Per View, you get the best seats in the house without ever leaving home. From UFC fights to exclusive concerts, watch the best in live sports and entertainment right on your own TV. Ordering made easy No need to call or go online. Just order with your remote. From the Guide menu, go to the Pay Per View event channel (PPV) to see what’s playing this month. Once you’ve made your selection, all you need to do is select “Watch” and then confirm your order. It’s that easy. What’s new this month? UFC 264: Poirier vs McGregor 3 July 10th, 2021, 10:00 p.m. ET / 7:00 p.m. PT The final chapter in the trilogy between Dustin Poirier and Conor McGregor will be written on Saturday, July 10, as the lightweight superstars settle the score in the main event of UFC 264 at T-Mobile Arena in Las Vegas. After Ireland's McGregor defeated Poirier in 2014, Louisiana's "Diamond" evened the score in January, setting up the most highly anticipated rubber match in UFC history between former champions determined to be the one leaving this trilogy victorious. SD standard definition $64.99 HD high definition $64.99 Channels 324 and 611 (BlueCurve TV SD) Channels 300 and 601 (BlueCurve TV HD) Replays: Available until July 25th, 2021 Ring Of Honor: Best In The World 2021 July 11h, 2021, 8:00 p.m. ET / 5:00 p.m.