Read Book Northern Renaissance Art 1St Edition

Total Page:16

File Type:pdf, Size:1020Kb

Read Book Northern Renaissance Art 1St Edition NORTHERN RENAISSANCE ART 1ST EDITION PDF, EPUB, EBOOK Susie Nash | 9780192842695 | | | | | Northern Renaissance Art 1st edition PDF Book The Metropolitan Museum of Art. Ashley Poston made her name with Once Upon a Con, a contemporary series set in the world of fandom, and her two-part space opera, Heart of James Snyder also had his biases, and they sometimes made his book unbalanced. Frankenstein in Baghdad by Ahmed Saadawi. The Northern Netherlands. As in other media, the rich patronage available in Venice drew composers from elsewhere in Italy, and beyond, to work in the city. Main article: Venetian painting. The peak of development of the Venetian School was in the s, when Andrea and Giovanni Gabrieli composed enormous works for multiple choirs, groups of brass and string instruments, and organ. Condition: Brand New. James Snyder. In a brodart protective wrapper. Published by Discontinued 3PD Mah Burnaby, BC, Canada. Other editions. People expected painting, sculpture, architecture, and other forms of visual art to have a meaningful effect on their lives, " write the authors of this important n… More. Where Snyder used his own scholarship and his keen interests, particularly in Netherlandish painting, Dutch painting in particular, his insights remain lasting and fundamental, as valid as ever for today's students. His goal, he… More. Snyder, James. Subscribe to Our E-mail Newsletter. The influence of Venetian art did not cease to continue at the termination of the Renaissance period. It is the s, and he is eager to make a contribution to th… More. Shelve Eileen. In a fascinating recovery of the neglected human dimension that is clearly prese… More. Barbara rated it really liked it Jul 29, The text has been trimmed in places where Snyder was perhaps over-dependent on a few older scholars e. Table of Contents I. More Details Download as PDF Printable version. Sebastiano del Piombo , Visitation , — A heavy book. About this Item: Prentice Hall, Mohamed Lotfy rated it it was amazing Jun 02, May be re-issue. Shannon rated it it was amazing Dec 26, More information about this seller Contact this seller 3. Considered to give primacy of colour over line, [6] the tradition of the Venetian school contrasted with the Mannerism prevalent in the rest of Italy. Rembrandt Harmensz. Half Title Page. For a complete understanding of Northern Renaissance Art—its geography, patronage, and audience expectations. Both of these had many government commissions. Learn more about this copy. I am re-reading it as a refresher, and I find it a bit dry, lots of discussion of style and attribution based on connoisseurship and not much attention paid to function. More attention has also been paid to manuscript traditions in France, Flanders, and Snyder's beloved Holland. Condition: Good. Shelve Leonardo's Notebooks. Shelve Northern Renaissance Art. Welcome back. May show signs of minor shelf wear and contain limited notes and highlighting. Readers also enjoyed. Northern Renaissance Art 1st edition Writer Rose rated it it was amazing Sep 26, About this Item: Prentice Hall, The Bravo , an example of a painting often attributed to Titian or Giorgione, but also to Palma Vecchio [15]. Maroon hardbound without jacket. Want to Read Currently Reading Read. Stock Image. In the 1st edition, published in , he spoke to that perennial reader he… More. No Jacket. Gentle wear. May have some wear, markings, or minor cosmetic damage. More information about this seller Contact this seller 8. More information about this seller Contact this seller 6. Condition: acceptable. Main article: Venetian painting. Some moderate creases and wear. Customers who bought this item also bought. Vincenzo Scamozzi — from Vicenza only moved to Venice in , the year after Palladio's death. Palladio's own I quattro libri dell'architettura , illustrated by himself, again had a huge influence across Europe. Showing More information about this seller Contact this seller 5. In addition, his treatment of sculpture and prints has been reorganized. This is a superb book about a fascinating period in the history of Art. Shelve Montana Depictions of lions in paintings represented the significance of the saint as the patron of the city of Venice. On Painting by Leon Battista Alberti. This haunting gem of medieval art, a subtle and beautiful portrait of a wealthy Bruges merchant an… More. Members of the conservative branch tended to follow the style of Franco-Flemish polyphony, and included Cipriano de Rore , Zarlino, and Claudio Merulo ; members of the progressive group included Donato, Giovanni Croce , and later Andrea and Giovanni Gabrieli. Add to Basket Used. The Rhineland. Rating details. A novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds a cryptic note on a walk in the woods that ultimately makes her question everything about her new… More. No trivia or quizzes yet. Extensive glossary and updated bibliography. Shelve The Yacoubian Building. Accurate pricing will only display for registered users. Main article: Venetian Renaissance architecture. In music history, the "Venetian School" was the body and work of composers working in Venice from about to around , many working in the Venetian polychoral style. More Details Mohamed Lotfy rated it it was amazing Jun 02, Once registered, you will receive an email confirmation and can shop for titles with accurate pricing applied to your order. North European Art captures the cold and the damp and the pity that is humanity. Indeed, "the major Venetian painters of the sixteenth century were rarely natives of the city" itself, [3] and some mostly worked in the Republic's other territories, or further afield. Shelve Anatomy of Criticism. Hard Cover. Filled with concept art and insights from the creative team who worked on the film, this book overf… More. An excellent copy. Abrams, It is the s, and he is eager to make a contribution to th… More. Click here for updates on hours and services. Northern Renaissance Art 1st edition Reviews The revised text has also been arranged according to centers, except for a few chapters that focus on single artists. A three-part organization covers international currents in t The only comprehensive volume available for the study of Northern Renaissance Art, this paperback presents stylistic and iconographical themes, art historical scholarship, and valuable analyses for today's learners. Because of the spacious architecture of this basilica, it was necessary to develop a musical style which exploited the sound-delay to advantage, rather than fought against it: thus the Venetian polychoral style was developed, the grand antiphonal style in which groups of singers and instruments played sometimes in opposition, and sometimes together, united by the sound of the organ. Help Learn to edit Community portal Recent changes Upload file. Attentive comparison will chiefly reveal integration of media within reorganization by centers of art production, while still capturing Snyder's excitement for the period and its artists. Mar 14, Ed Heinzelman rated it it was amazing. Palladio, who saw it being built, called it "probably the richest ever built from the days of ancients up to now", and it has been described by Frederick Hartt as "surely one of the most satisfying structures in Italian architectural history". Red cloth. Filled with concept art and insights from the creative team who worked on the film, this book overf… More. About this Item: Harry N. Netherlandish Renaissance. Abrams, New York, Shelve Anatomy of Criticism. Add to Basket Used. On special events such as the Feast of Saint Mark , members of each guild participated in these events for trading of expensive items such as paintings, furniture, carpets, objects of glass, gold, and textiles. Anatomy of Criticism by Northrop Frye. Satisfaction Guaranteed! Vitruvius is the only significant classical writer on architecture to survive, and his work De architectura was keenly studied by all Renaissance architects. Artist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting Its coverage and color capture the authors' lasting excitement for the period and its artists. Temporarily Out of Stock Online Please check back later for updated availability. Refresh and try again. Main article: Venetian Renaissance architecture. This specific ISBN edition is currently not available. More Details Composers Figures Humanists Structures. Error rating book. Customers who bought this item also bought. More information about this seller Contact this seller 2. The Italian Renaissance is intellectual and glows with the warmth of the Mediterranean sun and the Classical World. Northern Renaissance Art 1st edition Read Online Palladio's own I quattro libri dell'architettura , illustrated by himself, again had a huge influence across Europe. Because of the spacious architecture of this basilica, it was necessary to develop a musical style which exploited the sound-delay to advantage, rather than fought against it: thus the Venetian polychoral style was developed, the grand antiphonal style in which groups of singers and instruments played sometimes in opposition, and sometimes together, united by the sound of the organ. Want to Read Currently Reading Read. Community Reviews. May not contain Access Codes or Supplements. An additional point of contention between the two groups was whether or not Venetians—or at least Italians—should be given the top job of maestro di cappella at St. Seller Image. Published by New York: Abrams Harvard University harvard. This groups are not exclusive to painters but also includes gilders, textiles designers, embroiderers , gold -tooled leather artisans, playing-card makers, mask makers, and sign painters. Northern Renaissance Art. The Biblioteca Marciana is considered his "undoubted masterpiece", and a key work in Venetian Renaissance architecture. Carol D. In the s, two distinct groups developed within the Venetian school: a progressive group, led by Baldassare Donato , and a conservative group, led by Zarlino who was then maestro di cappella.
Recommended publications
  • Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600
    Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 By Leon Chisholm A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Professor Mary Ann Smart Professor Massimo Mazzotti Summer 2015 Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 Copyright 2015 by Leon Chisholm Abstract Keyboard Playing and the Mechanization of Polyphony in Italian Music, Circa 1600 by Leon Chisholm Doctor of Philosophy in Music University of California, Berkeley Professor Kate van Orden, Co-Chair Professor James Q. Davies, Co-Chair Keyboard instruments are ubiquitous in the history of European music. Despite the centrality of keyboards to everyday music making, their influence over the ways in which musicians have conceptualized music and, consequently, the music that they have created has received little attention. This dissertation explores how keyboard playing fits into revolutionary developments in music around 1600 – a period which roughly coincided with the emergence of the keyboard as the multipurpose instrument that has served musicians ever since. During the sixteenth century, keyboard playing became an increasingly common mode of experiencing polyphonic music, challenging the longstanding status of ensemble singing as the paradigmatic vehicle for the art of counterpoint – and ultimately replacing it in the eighteenth century. The competing paradigms differed radically: whereas ensemble singing comprised a group of musicians using their bodies as instruments, keyboard playing involved a lone musician operating a machine with her hands.
    [Show full text]
  • Some Historical Perspectives on the Monteverdi Vespers
    CHAPTER V SOME HISTORICAL PERSPECTIVES ON THE MONTEVERDI VESPERS It is one of the paradoxes of musicological research that we generally be- come acquainted with a period, a repertoire, or a style through recognized masterworks that are tacitly or expressly assumed to be representative, Yet a masterpiece, by definition, is unrepresentative, unusual, and beyond the scope of ordinary musical activity. A more thorough and realistic knowledge of music history must come from a broader and deeper ac- quaintance with its constituent elements than is provided by a limited quan- tity of exceptional composers and works. Such an expansion of the range of our historical research has the advan- tage not only of enhancing our understanding of a given topic, but also of supplying the basis for comparison among those works and artists who have faded into obscurity and the few composers and masterpieces that have sur- vived to become the primary focus of our attention today. Only in relation to lesser efforts can we fully comprehend the qualities that raise the master- piece above the common level. Only by comparison can we learn to what degree the master composer has rooted his creation in contemporary cur- rents, or conversely, to what extent original ideas and techniques are re- sponsible for its special features. Similarly, it is only by means of broader investigations that we can detect what specific historical influence the mas- terwork has had upon contemporaries and younger colleagues, and thereby arrive at judgments about the historical significance of the master com- poser. Despite the obvious importance of systematic comparative studies, our comprehension of many a masterpiece stiIl derives mostly from the artifact itself, resulting inevitably in an incomplete and distorted perspective.
    [Show full text]
  • The Diary of Heinrich Witt
    The Diary of Heinrich Witt Volume 2 Edited by Ulrich Mücke LEIDEN | BOSTON Ulrich Muecke - 9789004307247 Downloaded from Brill.com10/10/2021 09:30:38PM via free access [1] [2] Volume the second Commenced in Lima October the 9th 1867 Tuesday, 24th of January 1843. At 10 Oclock a.m. I started for Mr. Schutte’s silver mine of Orcopampa, my party was rather numerous; it consisted of course of myself on mule back with a led beast for change, the muleteer Delgado, his lad Mateo, both mounted, an Indian guide on foot named Condor, and seven mules laden with various articles for the mine as well as some provisions for myself, two or three fowls, half a sheep, potatoes, bread, salt, and sugar, also some sperm candles, and a metal candlestick. The mules carried each a load from eight to nine arrobes, besides four arrobes the weight of the gear and trappings. I may as well say en passant that I carried the above various articles of food because I had been assured that on this route I should find few eatables. I, accustomed to the ways and habits of the Sierra, saw nothing particular in the costume of my companion, nevertheless I will describe it, the muleteers wore ordinary woollen trowsers, and jackets, a woollen poncho over the shoulders, Chilian boots to the legs, shoes to their feet, but with only a single spur, on the principle that if one side of the animal moved the other could not be left behind; their head covering was a Guayaquil straw hat, underneath it Delgado wore a woollen cap, also round his neck a piece [_] jerga, for the purpose of blind folding his beasts when loading [_] a second piece round his waist the two ends of which [_] [3] and preserved his trowsers.
    [Show full text]
  • Gabrieli E Rosenmüller
    Venezia in Europa: Gabrieli e Rosenmüller Le stamperie musicali veneziane produssero, tra Cinquento 1 e Seicento, una enorme quantità di edizioni di musiche sacre e profane (non soltanto di compositori attivi a Venezia) che, insieme all’ampia circolazione di manoscritti, si diffusero rapidamente per tutta Europa, esportando lo stile italiano che si fece modello per più di una generazione di compositori e musicisti di Oltralpe. Questi, che spesso erano discepoli dei massimi maestri italiani, fecero proprî tali modelli elaborando a loro volta quello stile che conosciamo attraverso le opere dei musicisti inglesi che non di rado italianizzavano i loro nome 2, o di quelli tedeschi che componevano auff italiänische Inventinon 3. Si ricordano, tra i molti, Johann Jacob Froberger che fu allievo di Girolamo Frescobaldi, Marc-Antoine Charpentier che lo fu di Giacomo Carissimi o, prima di loro, Giovanni Gabrieli presso il quale compì gli studi musicali Heinrich Schütz (alias Henricus Sagittarius ). Soprattutto coi Paesi di area germanica Venezia aveva relazioni culturali molto intense, per i viaggi frequenti dei musici che nella capitale della Repubblica si recavano per studiare ritornando poi in patria, e per le musiche che circolavano attraverso la stampa. Proprio Giovanni Gabrieli fu figura di primissimo piano nella vita musicale veneziana ed europea: primo organista della Repubblica Serenissima di Venezia in san Marco , Gabrieli era conosciuto nei Paesi di lingua tedesca, oltre che per la sua fama, per le sue Sacræ Symphoniæ che nel 1598 l’editore Kauffmann pubblicò a Norimberga un anno dopo la prima edizione veneziana. La sua frenetica attività professionale, che lo impegnava in numerose chiese e istituzioni veneziane, comprendeva anche l’editoria: fu lui a curare le numerose pubblicazioni di musiche dello zio Andrea nonché le proprie.
    [Show full text]
  • Words Matter Dec
    Words Matter Dec. 7 & 8, 2019 Verbum caro factum est Hans L. Hassler (1564-1612) Dadme Albricias Anon. 16th-century Michele Yurecko, Matthew Shurts Dixit Maria Hassler Ave Regina Caelorum Isabella Leonarda (1620-1704) Sarah Thomson, Beth Shirley, Joe Keefe They said… (from the sayings of our Forefathers) Yehezkel Braun (1922-2014) Sections I – IV Lisa Berger, Nancy Watson-Baker Work NJ Premiere Melissa Dunphy (b. 1980) Os justi Anton Bruckner (1824-1896) In the Beginning was the Word World Premiere Sarah Rimkus (b. 1990) Verbum caro factum est Giovanni Croce (1557-1609) Laura Quinn, Emilie Bishop, PJ Livesey Verbum caro factum est Paul Halley (b. 1952) Antiphonal Choir*, Kathy Earle The Word was God Rosephanye Powell (b. 1962) Gracias a la Vida Violeta Parra (1917-1967) Claudia Sydenstricker arr. Willi Zwozdesky INTERMISSION Verbum caro factum est John Sheppard (1515-1558) Das Wort ward Fleisch Heinrich Schütz (1585-1672) Words Anders Edenroth (b. 1963) CHAMBER SINGERS Lineage women Andrea Ramsey Let Us Carry Out That Dream men Steven Sametz (b. 1954) United in Song audience Mari E. Valverde (b. 1987) Mercedes Pescevich Fantasia on Christmas Carols Ralph Vaughan Williams (1872-1958) Holland Jancaitis The Children of All Others World Premiere Mark A. Miller (b. 1967) *Antiphonal Choir S: Kathy Earle, Mickey McGrath, Jamie Vergara A: Alyssa Casazza, Catie Gilhuley, Jenna Miller T: Nick Herrick, Will Roper B: Dan Malloy, Ben Schroeder Instrumentalists Piano: Helen Raymaker Organ: Chris Hatcher Cello: Michael Holak Recorders: Mariam Bora, John Lamb, Susan Pilshaw, David Thomson Handbells: Mariam Bora, Jamie Bunce, Linda Clark, Lauren Goldman Percussion: Joe Keefe, Charlie Love, Ben Schroeder “Words constitute the ultimate texture and stuff of our moral being, since they are the most refined and delicate and detailed, as well as the most universally used and understood, of the symbolisms whereby we express ourselves into existence.
    [Show full text]
  • Curriculum Vitae
    1 Jeffrey G. Kurtzman Department of Music Washington University Curriculum Vitae 1. Personal Citizenship: U.S.A. Marital status: married, Kathi Kurtzman, pianist and piano teacher Children: Kenneth, Suzanne Juliet Business address: Department of Music, Campus Box 1032, Washington University, St. Louis, Missouri 63130 Home address: 7605 Balson Ave., St. Louis, Missouri 63130-2150 Office phone: (314) 935-5524 Home phone: (314) 862-5354 2. Education 1965-1968 University of Illinois: Ph.D. in Musicology, 1972 M.M. in Musicology, 1967 Dissertation: "The Monteverdi Vespers of 1610 and their Relationship with Italian Sacred Music of the Early Seventeenth Century" Master's Thesis: "The Development of the Isorhythmic Motet in Fourteenth-Century France" 1964-1965 Washington State University 1963-1964 University of Illinois Summer 1963 Aspen Music School, study with Rosina Lhevinne 1958-1963 University of Colorado: B.M. in Piano Performance, 1963 3. Record of Employment 1986- Washington University, Professor of Music 1984-1986 Rice University, Co-Director of Student Advising 1982-1986 Rice University, Professor of Music 1979-1984 Rice University, Master of Baker College 1978-1982 Rice University, Associate Professor of Music 1975-1978 Rice University, Assistant Professor of Music 1972-1975 Middlebury College, Assistant Professor of Music 1969-1972 Middlebury College, Instructor in Music 1968-1969 Cornell University, Visiting Lecturer in Music 4. University Administrative Experience Washington University Chairman of Department of Music, 1986-1993
    [Show full text]
  • Bernini and Other Studies in the History Of
    Ki CORNELL UNIVERSITY LIBRARY BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND GIVEN IN 1891 BY HENRY WILLIAMS SAGE FINE ARTS DATE DUE Cornell University Library N "l^r-7H| \<^ 7445.N88 Bernini and other studies in ttie history 4891- 3 1924 020 704 122 'gi-^^^a Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924020704122 BERNINI AND OTHER STUDIES THE MACMILLAN COMPANY NEW YORK • BOSTON - CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO V' ,/<? «^ !A8i Plate I. BERNINI AND OTHER STUDIES IN THE HISTORY OF ART BY RICHARD NORTON MUSEUM OF FINE ARTS, BOSTON THE MACMILLAN COMPANY LONDON: MACMILLAN AND COMPANY 1914 All rights reserved s H Hit rf4 -a^ COPTBIGHT, 1914, By the MACMILLAN COMPANY. Set up and electrotyped. Published October, 1914. Norinodli ^teiss J, S. Onshing Go. — Berwick & Smith Go. Norwood, Mass., U.S.A. PREFACE The essays presented in the following pages are the prod- uct of no hasty thought. I am grateful to the kind friends who have encouraged their publication, and to the publishers for giving them so attractive a form. The choice of illustrations has been difficult. It has seemed best, however, to reproduce in full the little-known sketches of Bernini showing the development, in his mind, of the design for the Piazza of St. Peter's, and the sculptor's models wrought by his own hands.
    [Show full text]
  • The Fifteenth-Anniversary Season: the Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
    The Fifteenth-Anniversary Season: The Glorious Violin July 14–August 5, 2017 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, itness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE 4290 Bistro features creative dishes from our Executive Chef and Culinary Team. Our food is a fusion of Asian Flavors using French techniques while sourcing local ingredients. TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo The Glorious Violin the fifteenth-anniversary season July 14–August 5, 2017 DAVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 The Glorious Violin Program Overview 6 Essay: “Violinists: Old Time vs. Modern” by Henry Roth 10 Encounters I–V 13 Concert Programs I–VII Léon-Ernest Drivier (1878–1951). La joie de vivre, 1937. Trocadero, Paris, France. Photo credit: Archive 41 Carte Blanche Concerts I–V Timothy McCarthy/Art Resource, NY 60 Chamber Music Institute 62 Prelude Performances 69 Koret Young Performers Concerts 72 Master Classes 73 Café Conversations 74 The Visual Arts at Music@Menlo 75 Music@Menlo LIVE 76 2017–2018 Winter Series 78 Artist and Faculty Biographies 90 Internship Program 92 Glossary 96 Join Music@Menlo 98 Acknowledgments 103 Ticket and Performance Information 105 Map and Directions 106 Calendar www.musicatmenlo.org 1 2017 Season Dedication Music@Menlo’s ifteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.
    [Show full text]
  • Lent V, in Which Jesus “Hid Himself” from the People (Jesus Autem Abscondebat Se)
    THE PARISH OF ST. VINCENT FERRER AND T ATHERINE OF IENA S . C S The Very Reverend Walter C. Wagner, O.P., Pastor James D. Wetzel, Director of Music and Organist FIFTH SUNDAY OF LENT FIRST SUNDAY OF PASSIONTIDE March 21, 2021 12 NOON Solemn Mass with Third Scrutiny of the Elect The setting of the Mass Ordinary is Missa Quando lieta sperai by Andrea Gabrieli (c. 1532-1585). INTRODUCTORY RITES ENTRANCE ANTIPHON (OFFICIUM) Psalm 42 (43):1, 2 Chant, mode iii Judica me, Deus, Judge me, O God, et discerne causam meam and distinguish my cause de gente non sancta: from the unholy nation. ab homine iniquo et doloso eripe me: From the unjust and deceitful man deliver me, quia tu es Deus meus, et fortituto mea. for you are my God and my strength. V. Emitte lucem tuam et veritatem tuam: V. Send forth your light and your truth; ipsa me deduxerunt they have conducted me, et adduxerunt in montem sanctum tuum, and brought me to your holy hill, et in tabernacula tua. and into your tabernacles. SIGN OF THE CROSS AND GREETING PENITENTIAL RITE KYRIE COLLECT Grant, O Lord, to these chosen ones that, instructed in the holy mysteries, they may receive new life at the font of Baptism and be numbered among the members of your Church. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, God, for ever and ever. Amen. 2 LITURGY OF THE WORD FIRST READING Ezekiel 37:12-14 Thus says the Lord God: O my people, I will open your graves and have you rise from them, and bring you back to the land of Israel.
    [Show full text]
  • Musico Perfetto Concerto Per Gioseffo Zarlino (1517-1590) Nel Quinto Centenario Della Nascita
    Fondazione Ugo e Olga Levi onlus Venezia, Mercoledì delle ceneri, 1 marzo 2017, ore 20.30 chiesa di Santa Maria del Carmelo (Carmini) Musico perfetto Concerto per Gioseffo Zarlino (1517-1590) nel quinto centenario della nascita ensemble vocale Odhecaton direttore Paolo Da Col Mercoledì 1 marzo 2017, alle ore 20.30, nella chiesa di Santa Maria del Carmelo (Carmini) avrà luogo la XIV edizione del Concerto per il giorno delle Ceneri, tradizionale appuntamento culturale offerto alla città di Venezia dalla Fondazione Ugo e Olga Levi onlus Il concerto è dedicato, nel quinto centenario della nascita, a Gioseffo Zarlino, maestro di cappella di San Marco (Chioggia, 1517-Venezia, 1590), nell’ ambito di una serie di iniziative che vedono la Fondazione Levi impegnata nell’organizzazione di un convegno internazionale (29 novembre - 1 dicembre 2017), con la partecipazione di studiosi europei e americani, nell’allestimento di una mostra di pregevoli edizioni a stampa del Cinquecento di teoria musicale, con la collaborazione della Biblioteca Nazionale Marciana (1 dicembre 2017 - 1 gennaio 2018). Gioseffo Zarlino, è considerato uno dei massimi teorici della musica: nella sua umanistica considerazione dell’alta dignità della prassi artistica, da un lato, e della comprensione scientifica del pensiero antico per spiegare il presente, dall’altro, ha fornito alla teoria della composizione il sostegno di una dottrina razionale e di concetti fondamentali rimasti per secoli imprescindibili punti di riferimento nell’intera Europa. Alcuni esempi: la legittimazione,
    [Show full text]
  • Curriculum Vitae
    1 Jeffrey G. Kurtzman Department of Music Washington University Curriculum Vitae 1. Personal Citizenship: U.S.A. Marital status: married, Kathi Kurtzman, pianist and piano teacher Children: Kenneth, Suzanne Juliet Business address: Department of Music, Campus Box 1032, Washington University, St. Louis, Missouri 63130 Home address: 7605 Balson Ave., St. Louis, Missouri 63130-2150 Office phone: (314) 935-5524 Home phone: (314) 862-5354 2. Education 1965-1968 University of Illinois: Ph.D. in Musicology, 1972 M.M. in Musicology, 1967 Dissertation: "The Monteverdi Vespers of 1610 and their Relationship with Italian Sacred Music of the Early Seventeenth Century" Master's Thesis: "The Development of the Isorhythmic Motet in Fourteenth-Century France" 1964-1965 Washington State University 1963-1964 University of Illinois Summer 1963 Aspen Music School, study with Rosina Lhevinne 1958-1963 University of Colorado: B.M. in Piano Performance, 1963 3. Record of Employment 1986- Washington University, Professor of Music 1984-1986 Rice University, Co-Director of Student Advising 1982-1986 Rice University, Professor of Music 1979-1984 Rice University, Master of Baker College 1978-1982 Rice University, Associate Professor of Music 1975-1978 Rice University, Assistant Professor of Music 1972-1975 Middlebury College, Assistant Professor of Music 1969-1972 Middlebury College, Instructor in Music 1968-1969 Cornell University, Visiting Lecturer in Music 4. University Administrative Experience Washington University Chairman of Department of Music, 1986-1993
    [Show full text]
  • Apt Appropriation: Contemporary African Artists'utilization of Canonical Western
    APT APPROPRIATION: CONTEMPORARY AFRICAN ARTISTS’ UTILIZATION OF CANONICAL WESTERN ART By MACKENZIE MOON A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2008 1 © 2008 MacKenzie Moon 2 To my cheerleaders 3 ACKNOWLEDGMENTS My gratitude goes first to my advisor and mentor Dr. Victoria L. Rovine. She has guided this endeavor and seen it through to fruition. I would like to thank Drs. Robin Poynor, Alexander Alberro, Eric Segal, Melissa Hyde, Shepherd Steiner, Susan Cooksey and Leonardo Lasansky for their support in my personal development as a scholar. I am also grateful to my Gainesville friends who made this process more than merely enjoyable. My family has been unwavering in their support, and for that, I am ever humbled. An especial note of thanks goes to Wim Botha, Ziemek Pater, Carlo Gibson, and Yinka Shonibare, MBE, who graciously answered my sometimes tedious queries. 4 TABLE OF CONTENTS page ACKNOWLEDGMENTS ...............................................................................................................4 ABSTRACT.....................................................................................................................................7 CHAPTER 1 INTRODUCTION ....................................................................................................................9 The Challenges of Working with Lesser-Known Artists .......................................................11 Predominance
    [Show full text]