Beatles Turkish Singles, Identification Guide
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BWTB Sept. 13Th 2015
1 2 Playlist Sept. 13th 2015 9AM/OPEN The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. “I’m Only Sleeping” was one of three songs issued in America six weeks prior to their official release in the UK. American and Canadian Beatles fans heard “I’m Only 3 Sleeping,” “And Your Bird Can Sing,” and “Doctor Robert” first on Capitol Records’ “Yesterday And Today” album, issued June 20, 1966. The rest of the world had to wait until the first week of August for them to appear on the “Revolver” LP. On U.S. album: Yesterday And Today - Capitol LP The Beatles - Fixing A Hole - Sgt. Pepper’s Lonely Hearts Club Band (Lennon-McCartney) Lead vocal: Paul On February 9, 1967, the Beatles recorded “Fixing A Hole” at Regent Sound Studio on Tottenham Court Road in London. -
Review of Help!
City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2007 Review of Help! Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/138 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Help! (Capitol, 11.6.2007) Once upon a time, boys and girls, there were these mopheads from Liverpool. They made these songs that made everybody happy. Then these men in suits said, “There’s even more gold in them thar boys.” And a movie was begat real fast cause everybody knew they were flashes in the pan. An American expatriate, Richard Lester, was chosen to make it because he had made It’s Trad, Dad! and knew all about quickly fading musical fads. And behold, A Hard Day’s Night was a masterpiece, and everybody was very, very happy. And the suits said, “Dick, do it again,” and Help! was born. It also made people happy, but it is not a masterpiece. Somewhere in the mysterious East, Clang (Leo McKern) is about to sacrifice a virgin when he discovers the would-be victim has sent the required sacrificial ring to Ringo Starr, famous jewelry fetishist. So Clang, his men, and the lovely Ahme (Eleanor Bron) head for London to get the ring back. Ringo is willing to give it up but can’t get it off, so the boys seek the help of Foot (Victor Spinetti), a mad scientist, and Algernon (Roy Kinnear), his bumbling assistant. -
Beatles Cover Albums During the Beatle Period
Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
Aaron Krerowicz Faculty Advisor: Dr. Brett Clement 11 99 66 44 11 99 66 88 ABSTRACT
thth e e LenLen non non /M /Mcc CaCa rTn rTn ey ey DyDy n n a a m m ic ic Aaron Krerowicz Faculty advisor: Dr. Brett Clement 11 99 66 44 11 99 66 88 ABSTRACT T h e 1 2 - Ba r Blu es Few songwriting partnerships can match the longevity, innovations, and popularity of John Lennon Ex Tended Forms and Paul McCartney. Together they formed the core of The Beatles, arguably the most important rock The early Beatles were masters of economy. Only three of their first While several earlier covers use it, the first original Beatles recordings band in history. Fascinatingly, the way Lennon and McCartney composed is often comparable, even 116 recordings surpass three minutes. While they would never to employ the 12-bar blues were McCartney's 'Can't Buy Me Love' and though their resulting music is stylistically distinct, a pattern I dub The Lennon/McCartney Dynamic. abandon brevity, there is a clear progression towards longer songs, Lennon's 'You Can't Do That', both off the album A Hard Day's Night. especially in their later years. Discarded drafts of two songs from The This study observes six pairs of songs, one pair for each year from 1964-69, to show how the two White Album prove their formal experimentation. Track 01 'Can't Buy Me Love', recorded 29 January - 10 March 1964 songwriters frequently employed the same compositional ideas, but in ways that produced uniquely Though the official version of McCartney's 'Helter Skelter' lasts 4:29 (The Beatles' ninth- personal music. -
Women in Rock OLLI Berkeley Course Material
Syllabus for Women in Rock: From the 1950s to the 1980s Instructor: Richie Unterberger, [email protected] OLLI Berkeley Week One: Women in Rock: The Early Years and The Girl Groups In the 1950s, rhythm and blues singers like Ruth Brown and LaVern Baker have some of the first rock’n’roll hits; Wanda Jackson and the Collins Kids are top rockabilly acts; and Brenda Lee becomes the first woman rock superstar. As New York’s Brill Building becomes established as the top place for rock publishers, women like Carole King, Cynthia Weil, and Ellie Greenwich become some of pop-rock’s most successful songwriters. Girl groups like the Shirelles, the Crystals, the Ronettes, the Chiffons, and the Cookies have numerous hits in the early 1960s, forming one of the major trends in rock of the period. In the early 1960s, some of the most R&B-oriented girl groups become some of the first soul stars, especially for Motown Records, with the Marvelettes, Martha & the Vandellas, the Supremes, and Mary Wells. Week Two: Women in Soul and British Rock Women soul singers emerge throughout the country, some of them more pop-oriented (Maxine Brown, Dionne Warwick), some of them earthier (Carla Thomas, Irma Thomas, Etta James). Aretha Franklin is anointed the Queen of Soul after moving to Atlantic Records and adopting a tougher, more spiritual sound. Other women soul singers with a forceful style emerge and increase in popularity, like Gladys Knight, Nina Simone, and the Staple Singers. Although all-male guitar bands dominate the British Invasion, a good number of women singers also make an impact both in their native UK and in the US. -
Beatles Tagebuch PT.1 (1964-1) HHB1 BEATLES-1964-01 Beatles Tagebuch PT.1 (1964-1) HHB1 BEATLES-1964-01
Beatles Tagebuch PT.1 (1964-1) HHB1_BEATLES-1964-01 Beatles Tagebuch PT.1 (1964-1) HHB1_BEATLES-1964-01 Nr Titel Label MasterNr. Jahr Nr Titel Jahr CW RB USA GB BRD 03 I WANT TO HOLD YOUR HAND (BEATLES) CAPITOL 5112 1964 03 I WANT TO HOLD YOUR HAND (BEATLES) 1964- - 1 1 1 05 I'LL LET YOU HOLD MY HAND (BOOTLES) GNP 311 1964 05 I'LL LET YOU HOLD MY HAND (BOOTLES) 1964- - - - - C 07 YES YOU CAN HOLD MY HAND (TEEN BUGS) BLUE RIVER 208 1964 07 YES YOU CAN HOLD MY HAND (TEEN BUGS) 1964- - - - - D 09 I WANT TO HOLD YOUR HAIR (N) (BAGELS) WB 5489 1964 09 I WANT TO HOLD YOUR HAIR (N) (BAGELS) 1964- - - - - 11 I WANT TO BITE YOUR HAND (N) (GENE MOSS) RCA 47-8438 1964 11 I WANT TO BITE YOUR HAND (N) (GENE MOSS) 1964- - - - - - 13 I WANT TO HOLD YOUR HAND (HOMER & JETHRO) RCA 47-8345 1964 13 I WANT TO HOLD YOUR HAND (HOMER & JETHRO) 1964- - - - - L 15 KOMM GIB MIR DEINE HAND (I WANT TO HOLD YOUR HAND) ODEON 22671 1964 15 KOMM GIB MIR DEINE HAND (I WANT TO HOLD YOUR HAND)* (F) (B 1964- - - - 5 a 17 SEI MIR TREU WIE GOLD (TELL ME WHY)* (F) (DIDI & DIE AB TELEFUNKEN LP 14340 1964 17 SEI MIR TREU WIE GOLD (TELL ME WHY)* (F) (DIDI & DIE ABC BOY 1964- - - - - y 19 TOI L'AMI (ALL MY LOVING)* (F) (RICHARD ANTHONY) COLUMBIA (FRA) EP 2168 1964 19 TOI L'AMI (ALL MY LOVING)* (F) (RICHARD ANTHONY) 1964- - - - - o 21 LITTLE CHILDREN (BILLY J. -
Beatles Recording Variations
The Usenet Guide to Beatles Recording Variations by Joseph Brennan: [email protected] 435 South Ridgewood Road, South Orange NJ 07079 Current version revised by Frank Daniels: [email protected] www.friktech.com/btls/btls2.htm © 1993,1994,1995,1996,1997,1998,1999,2000,2002 Joseph Brennan Portions © 2010, 2014 by Frank Daniels; version 3 © 2014, 2019, 2021 by Joseph Brennan & Frank Daniels. Introduction • What is Usenet? • Introduction: What's a Variation, and Why Do We Care? • Frank’s Intro • Credits • Notes on US Record Releases • Notes on CD Releases • The Films and the Videos • Format of entries Variations and Conclusions • 1958 to 1961 (including recordings with Tony Sheridan) • 1962 • 1963 (Please Please Me, With the Beatles) • 1964 (A Hard Day's Night, Beatles for Sale) • 1965 (Help!, Rubber Soul) • 1966 (Revolver) • 1967 (Sgt Pepper’s Lonely Hearts Club Band, Magical Mystery Tour & Yellow Submarine) • 1968 (The Beatles and Yellow Submarine) • 1969 and 1970 (Abbey Road, Let It Be) • 1994 and 1995 (Anthology) • The Yellow Submarine Songtrack (1999) • British and German Discographies • Love (2006) and The Mono and Stereo Remasters (2009) • Song Index While researching recording variations, we ended up making lists of the Beatles original vinyl releases in the United Kingdom, the United States, and Germany. Please see Frank Daniels's Across the Universe pages on worldwide releases. The releases of the Beatles' Hamburg Recordings (from 1961 and 1962) are so confusing that there is a special introduction to those eight songs in the Guide. For links and stuff, please go see The Internet Beatles Album. What is Usenet? Usenet is a worldwide Internet, threaded discussion system that operates via news servers all around the world. -
HISTORY of the BEATLES MUH2370– Dr
HISTORY OF THE BEATLES MUH2370– Dr. A.Tranquilino FIU School of Music Album / Singles track list and release dates PLEASE PLEASE ME (March 22, 1963) WITH THE BEATLES (November 22, 1963) 1. I Saw Her Standing There 1.It Won't Be Long 2. Misery 2. All I've Got To Do 3. Anna (Go To Him) 3. All My Loving 4. Chains 4. Don't Bother Me 5. Boys 5. Little Child 6. Ask Me Why 6. Till There Was You 7. Please Please Me 7. Please Mr. Postman 8. Love Me Do 8. Roll Over Beethoven 9. P. S. I Love You 9. Hold Me Tight 10. Baby It`s You 10. You Really Got A Hold On Me 11. Do You Want To Know A Secret 11. I Wanna Be Your Man 12. Taste Of Honey, A 12. Devil In Her Heart 13. There`s A Place 13. Not A Second Time 14. Twist And Shout 14. Money A HARD DAY’S NIGHT (July 10, 1964) BEATLES FOR SALE (December 4, 1964) 1. A Hard Day's Night 1. No Reply 2. I Should Have Known Better 2. I`m A Loser 3. If I Fell 3. Baby`s In Black 4. I'm Happy Just To Dance With You 4. Rock And Roll Music 5. And I Love Her 5. I`ll Follow The Sun 6. Tell Me Why 6. Mr. Moonlight 7. Can't Buy Me Love 7. Kansas City / Hey, Hey, Hey, Hey 8. Any Time At All 8. Eight Days A Week 9. -
Smash Hits Volume 45
30p August 21-September 3 1980 i**i^ / ^ * ™ :'/ :'! WCA A. cm rpp» #J|™ Wordstothe R0XY MUSIC ^ WOW WW- in colour H' PIRANHAS THE 2 SMASH HITS — X » ^^= N-5» l_ START! August 21-September 3 1980 Vol. 2 No. 17 The Jam 4 BEST FRIEND Right then — it's extra rations this issue, as we're carrying both The Beat 5 sides of The Beat's new single STAND DOWN MARGARET without anything else dropping out. As well as getting an extra The Beat 5 song for your money, there's all TOM HARK your usual news, reviews and features plus the usual sprinkling The Piranhas 12 of extra goodies — the video FUNKIN' FOR JAMAICA game prize on the crossword and the Breaking Glass competition Tom Browne 14 (that's on page 28). Now if you'll A WALK IN THE PARK kindly excuse us, we've got Nick Straker Band another issue to prepare while 14 you're enjoying this one (mutter THE WHISPER Editor mutter, grumble grumble, not fair The Selecter 17 etc.) See y'all in two weeksiimej, Ian Cranna Features Editor AWAY David Hepwo rah The Swinging Cats 17 |gn Editdr FEELS LIKE I'M IN LOVE Ve Bush Kelly Marie 19 Production Editor KasperdeGraaf YOU'VE GOT TO BE A HUSTLER Editorial Assistants Sue Wilkinson 24 Bev Hillier GIVE Linda fluff ME BACK MY MAN Contributors The B52's 24 Robitmatz SISTER EUROPE Redjftarr Fredplellar Psychedelic Furs 31 Mik/St ANOTHER DAY, ANOTHER GIRL KeTly Iprtsr— , The Lambrettas 32 I Pfirmanovsky MarkCasto FREE ME Steve Taylor Roger Daltrey 32 Advertisement Manager Rod Sopp* KINGS OF THE WILD FRONTIER (Tel: 01-439 8801) Adam & The Ants 39 Assistant I DIE, YOU -
BWTB March 12 2017
1 PLAYLIST MARCH 12th, 2017 8AM? NO It’s 9AM! 1 2 The Beatles - I’m So Tired - The Beatles (Lennon-McCartney) Lead vocal: John John Lennon’s “I’m So Tired” was started and finished in 14 takes on October 8, 1968. No overdubs were added. The session was a marathon 16-hour session which started at 4 p.m. on the 8th and finished at 8 a.m. on October 9 (John’s 28th birthday), and saw the completion of two Lennon compositions (“I’m So Tired” and “The Continuing Story Of Bungalow Bill”) and work on George Harrison’s “Long Long Long.” Written in India while the Beatles were studying Transcendental Meditation under Maharishi Mahesh Yogi, the all-day regime in Rishikesh, India, prevented John from sleeping at night, so he decided to write A song about it. The Beatles - I’m Only Sleeping - Revolver (Lennon-McCartney) Lead vocal: John Written by John and Paul at Kenwood, John’s estate in Weybridge, in one writing session. Recording of the backing rhythm track began at 11:30 p.m. on April 27, 1966. John recorded his lead vocal on April 29. Both the vocal and backing track were recorded at variable speed. It was during the recording of “I’m Only Sleeping” that The Beatles discovered the “backwards guitar.” On May 5, 1966, as the band continued working on the song, George painstakingly transcribed the notes in his guitar solo and flourishes and then wrote them out backwards. He then played them in that reverse order. The tapes were then superimposed BACKWARDS in the mix, playing the solo notes and embellishments in the correct order, but maintaining the eerie backwards sound. -
Update August 11 2021 Song Title Artist the Mike Massé Show Episodes (Andi G) 100 Years Five for Fighting 103 117 138 15
*Roc = feat. Rock Smallwood Songs Total: 3812 YouTube Debuts: 0520 YouTube Shows: 176 *Bry = feat. Bryce Bloom Different Songs: 0706 Tease: 0025 Interviews: 008 *Tim = feat. Tim Massé *Sco= feat. Scott Slusher *kur=feat. kurt Moorehead *Mik=feat. Mike Johnson *Ban=Band *Bre=Brenda Andrus *JDH=Jeff & Dave Hall * Retired = Mike has retired this song on the live stream Update August 11 2021 Song Title Artist The Mike Massé Show Episodes (Andi G) (clickable links) 100 Years Five For Fighting 103 117 138 150 “40” (1/2 Step) U2 083 103 146 '74 - '75 (1/2 Step) The Connells 005 015 022 035 050Bry 059 069 073 075 090Bry 110 135 174 867-5309 (Jenny) Tommy Tutone 008 038 042 061 076 093 120 129 A A Day In the Life The Beatles LS2 001 013 034 072 092 108 119 138 149 152Mik 171 A Hard Day's Night The Beatles 012 060 152Mik A Horse With No Name America 159Roc 166roc A Man I'll Never Be (piano) Boston 029 122 A New England Billy Bragg 167Sco A Sort Of Homecoming (1/2 Step) U2 146 A Taste of Honey The Beatles 085 Abracadabra Steve Miller Band 171 Retired Across The Universe The Beatles 003 048 070 119 128 Adventure Time Theme Song 171 Africa Toto LS2 009 015 024 033 043 050Bry 053Roc 056Sco 062 071 077Bry 090Bry 100Ban 114Ban 124 132 176JDH Afterglow Genesis 133 135 Against All Odds (Take A Look At Me Now) Phil Collins 003 029 050Bry 055 081 124 133 135 148 150 Against The Wind Bob Seger & The Silver Bullet Band 031 033 038 052 060 070 089 093 110 130 147 168 Ain't Talkin 'Bout Love (1/2 Step) Van Halen 102Roc 112Roc 161Roc 166Roc Albuquerque Neil Young