Bailey Delivers More Features! at Bailey, Innovation Is Always Key to Our Designs

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Bailey Delivers More Features! at Bailey, Innovation Is Always Key to Our Designs CERAMICSMONTHLY MONTHLY focus aesthetics February2006 $7.50(Can$9, h 6.50) www.ceramicsmonthly.org6.50) focus aesthetics FEBRUARY 2006 $7.50 (Can$9, E6.50) www.ceramicsmonthly.org New for 2006! Bailey Delivers More Features! At Bailey, innovation is always key to our designs. The New 2006 Bailey A Series Pugmills can now extrude tiles! No other pugmill even comes close. Talk about versatility, the Bailey has more safety features, better ergonomic design, easier cleaning, extrudes tiles, recycles wheel trimmings, and of course pugs out perfectly de-aired clay every time. Thanks to Bailey ingenuity, you get all the features you’ll ever need in one dynamic design. Bailey Pugmills blow away the competition. New Tile Look at all the Professional Features! Nozzle! Stainless Pug Ramp Tile Nozzle (Option) Nozzle Cap Recycle Screens (optional) Pivoting Cutoff Wire Easy Access Shredding Screens Large Capacity Hopper Easy Clean Barrel (only 4 bolts) No-Spill Plunger Seal Counterweighted Safety Handle Dry Recycle Capability Crossbraced Safety Screens Safety Key Switch Heavy Duty Vacuum Pump UL Motors Optional Mobile Work Station with Stainless Counter 2 Position Handle Mount (perpendicular or in-line to auger) Recycle! Model A Bailey Pugmills Wheel trimmings can Series come in 3 output be easily processed capacities: 600, into useable clay in minutes. Call for Prices 800 & 1200 lbs/hr. ON SALE Mixing, Recycling & Pugging NOW! have never been easier! All-in-One De-airing Mixer-Pugmills The Bailey MXP is nothing short of amazing. It will reclaim all you scrap without having to slake. The twin- auger mixing blades mesh together and blend the clay faster and more effectively than a single auger mixer. The dedicated vacuum chamber with shredding screen in the pug section of the barrel provides superior concentrated vacuum. The clay quality is fantastic. MXP-100 Phil Brutto, York Public Schools, Nebraska “ I put every kind of dry or soft scrap into the Bailey mixer pugmill and my reclaim is immediately turned into another perfect batch of de-aired clay. You won’t find any lumps, air pockets or hard spots. The clay is perfect, batch after batch. It takes no time to load. You just start it and walk away. “ Phil Brutto, York Public Schools, Nebraska The New MX-50 Mixer is the perfect solution for mixing and recycling clay. Although non-deairing, the clay is effortlessly compacted and discharged as a pug. The two blade mixing action of the MX is so much faster and more thorough than single auger pug/mixers. The result is perfectly blended clay. The MX is also an exceptional value! Call for prices. “We couldn't do it without you at Walton Arts Center's Nadine Baum Studios. Every week our Bailey MX-50 mixer pugmill saves us money by recycling and the making of our own paper clay. This year over 350 adults and young people created in clay during studio classes and workshops.” Susan Hutchcroft, Studio Coordinator MX-50 Bailey Pottery Equipment Corporation PO Box 1577 Kingston NY 12402 TOLL FREE (800) 431-6067 Ceramics Monthly February 2006 (845) 339-3721 (Fax 5530) email: [email protected] Website: www.baileypottery.com MONTHLY www.ceramicsmonthly.org Editorial [email protected] telephone: (614) 895-4213 fax: (614) 891-8960 editor Sherman Hall assistant editor Renée Fairchild assistant editor Jennifer Poellot technical editor Phil Berneburg editorial intern Christine Dippold publisher Charles Spahr Advertising/Classifieds [email protected] (614) 794-5809 fax: (614) 891-8960 classifi[email protected] (614) 794-5866 advertising manager Steve Hecker advertising services Debbie Plummer Subscriptions/Circulation customer service: (614) 794-5890 [email protected] Design/Production design Paula John production Jami Flannelly Editorial, advertising and circulation offices 735 Ceramic Place, Suite 100 Westerville, Ohio 43081 USA Editorial Advisory Board Linda Arbuckle; Professor, Ceramics, Univ. of Florida Tom Coleman; Studio Potter, Nevada Dick Lehman; Studio Potter, Indiana Meira Mathison; Director, Metchosin Art School, Canada Don Pilcher; Potter and Author, Illinois Bernard Pucker; Director, Pucker Gallery, Boston Phil Rogers; Potter and Author, Wales Mark Shapiro; Worthington, Massachusetts Susan York; Santa Fe, New Mexico Ceramics Monthly (ISSN 0009-0328) is published monthly, except July and September, by The American Ceramic Society, 735 Ceramic Pl., Suite 100, Westerville, Ohio 43081; www.ceramics.org. Periodicals postage paid at Westerville, Ohio, and additional mailing offices. Opinions expressed are those of the contributors and do not necessarily represent those of the editors or The American Ceramic Society. subscription rates: One year $32, two years $60, three years $86. Add $25 per year for subscriptions outside North America. In Canada, add 7% GST (registration number R123994618). back issues: When available, back issues are $7.50 each, plus $3 shipping/handling; $8 for expedited shipping (UPS 2-day air); and $6 for shipping outside North America. Allow 4–6 weeks for delivery. change of address: Please give us four weeks advance notice. Send the magazine address label as well as your new address to: Ceramics Monthly, Circulation Depart- ment, 735 Ceramic Pl., Suite 100, Westerville, Ohio 43081. contributors: Writing and photographic guidelines are available online at www.ceramicsmonthly.org. indexing: An index of each year’s feature articles appears in the December issue. You may also visit the Ceramics Monthly website at www.ceramicsmonthly.org to search an index of article titles and artists’ names. Feature ar- ticles are also indexed in the Art Index, daai (design and ap- plied arts index). copies: Authorization to photocopy items for internal or personal use beyond the limits of Sections 107 or 108 of the U.S. Copyright Law is granted by The American Ceramic Soci- ety, ISSN 0009-0328, provided that the appropriate fee is paid directly to Copyright Clearance Center, Inc., 222 Rosewood Dr., Danvers, MA 01923, USA; (978) 750-8400; www.copyright.com. Prior to photocopying items for class- room use, please contact Copyright Clearance Center, Inc. This consent does not extend to copying items for general distribution, or for advertising or promotional purposes, or to republishing items in whole or in part in any work in any format. Please direct republication or special copying permission re- quests to the Publisher, The American Ceramic Society, 735 Ceramic Pl., Suite 100, Westerville, Ohio 43081, USA. postmaster: Please send address changes to Ceramics Monthly, 735 Ceramic Pl., Suite 100, Westerville, OH 43081. Form 3579 requested. Copyright © 2006 The American Ceramic Society All rights reserved Ceramics Monthly February 2006 2 $2500 Manufacturer’s Rebate on all BIG BLUE purchases in February See Your Local Dealer Ceramics Monthly February 2006 3 Ceramics Monthly February 2006 4 FEBRUARY 2006 / Volume 54 Number 2 MONTHLY focus aesthetics 34 Looking at Looking by Don Pilcher In the latest installment of his “ Looking at” series, Don Pilcher proffers that we tend to see what we want to see, and observes that this is as much a liability as it is an asset. His solution: Look deeper, look more. 39 Making Meaning: A Dialog Between Culture and Nature by Howard Risatti The marriage of material, technique, tradition and function in handmade ceramics allows for meaning far beyond form and utility. 43 The Tei Tei Project by Louise Rosenfield A university professor teams up with a Japanese chef to help students explore the creation and use of pottery in a cultural context. 48 In Pursuit of Personal Style by Conner Burns A Mississippi potter traces the arduous path to finding his artistic voice in hopes of easing the minds of aspiring artists experiencing the same struggle. features 51 Nelli Isupova by Scott Norris The matriarch of a creative family, while sharing some artistic sensibilities with her children, enjoys the success of her own efforts. 54 Joyce Nagata by Wuanda Walls An introspective potter reflects on her career and embraces changes ahead. 57 Everyday Dishes by Ginger Steele, with Ellen Currans An Oregon potter makes practical yet beautiful dishes that impart dignity to daily domestic rituals. monthly methods Textured Slabs 60 Mary Cay’s Glittering Obsession by Sumi von Dassow 51 After much trial and error, a Colorado potter discovers how to turn a nuisance into a nuance. monthly methods Farming Kiln Jewels recipes Kiln Wash and Glazes for Farming Kiln Jewels cover: “Everyday Dishes,” thrown and slab-built stoneware, fired to Cone 10 in a Minnesota Flat Top car kiln, old wire dish drainer, by Ellen Currans, Dundee, Oregon; page 57 Photo: Doreen L. Wynja. 54 60 48 Ceramics Monthly February 2006 5 departments 10 letters from readers 14 upfront reviews, news and exhibitions 26 answers from the CM technical staff 30 suggestions from readers 30 Tip of the Month: Consistent Wadding 64 call for entries 64 International Exhibitions 64 United States Exhibitions 66 Regional Exhibitions 66 Fairs and Festivals 70 new books 72 calendar 72 Conferences 72 Solo Exhibitions 74 Group Ceramics Exhibitions 78 Ceramics in Multimedia Exhibitions 80 Fairs, Festivals and Sales 82 Workshops 90 International Events 94 classified advertising 95 index to advertisers 96 comment 22 The Slippery Slope by Nils Lou online www.ceramicsmonthly.org current features, expanded features, archive articles, calendar, call for entries and classifieds expanded features Everyday Dishes by Ginger Steele, with Ellen Currans Expanded article with an in-depth explanation of technical processes special listings Gallery Guide Where to see ceramics in the U.S. and abroad Residencies and Fellowships Full listing of professional-development opportunities 18 16 Ceramics Monthly February 2006 6 Ceramics Monthly February 2006 7 Come to NCECA & Save! Meet the Bailey Team at NCECA and check out our special NCECA discounts on equipment. Go on-line everyday for the Best prices, Best service,& Best selection of equipment, tools, glaze, & books for all your pottery needs.
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