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												A Haunted Genre: a Study of Ghost Hunting Reality Television
Eastern Illinois University The Keep Undergraduate Honors Theses Honors College 2018 A Haunted Genre: A Study of Ghost Hunting Reality Television Abigail L. Carlin Follow this and additional works at: https://thekeep.eiu.edu/honors_theses Part of the Television Commons A Haunted Genre: A Study of Ghost Hunting Reality Television (TITLE) BY Abigail L. Carlin UNDERGRADUATE THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF UNDERGRADUATE DEPARTMENTAL HONORS DEPARTMENT OF ENGLISH, ALONG WITH THE HONORS COLLEGE, EASTERN ILLINOIS UNIVERSITY CHARLESTON, ILLINOIS 2018 YEAR I HEREBY RECOMMEND THIS UNDERGRADUATE THESIS BE ACCEPTED AS FULFILLING THE THESIS REQUIREMENT FOR UNDERGRADUATE DEPARTMENTAL HONORS DATE 'fHESISADVISOR DATE H6NORS COORDINATOR Carlin 2 Introduction to Thesis In a recent interview on CONAN, the Chicago comedian Kyle Kinane shared his opinion regarding the relationship between white privilege and the existence of ghosts. Kinane joked that he thinks "the only people who believe in poltergeists are people who don't have any real-world problems," and following that statement, he states that believing in ghosts and engaging in paranormal culture is stereotypically "white" (0:39-1:20). The parallel drawn between daily life andthe topic of race is referredto as privilege, and Kinane insinuates that white privilege leaves an individual with a significant amount of free time and resources to engage in seemingly illogical beliefs, such as ghosts; however, ghost hunting reality television lends itself to more thanboredom, as it is a new and exciting genre specific to the 21st century. In this thesis, ghost hunting reality television is explored and recognized as a cultural artifact. Born from the combination of secular methodology, religion, and technology, an unlikely and obscure genre explodes from obscurity to popular culture to such a degree that tier one celebrities, such as Post Malone, guest star on longstanding ghost hunting reality show Ghost Adventures (2008-present). - 
												
												Linger: Searching for Ghostly Justice in American History]
[Linger: Searching for Ghostly Justice in American History] A Senior Honors Thesis for the Program in American Studies Justine Johanna Bowe Tufts University 2012 [contents] [03]Abstract [04]Introduction: Context and Theory [13]A New Birth of Freedom: Lost Histories and Histories of Loss [15] Ghosts of Gettysburg [20] Lincoln, Spiritual Medium [29] Birth through Death [35] Reconstructed Violence [39] Lynch Law [44]The Indian Burial Ground [50] The Great Permanent Problem [54] The Vanishing Race [60] Zitkala-Ša and Assimilation [66] Resistance and the Ghost Dance [71]Conclusion: The Haunting of The Myrtles Plantation [79]Chloe: “The Space Where It Was, and a Place like Home” ii [Introduction] Context and Theory Whether or not we believe in ghosts, we may nevertheless be forced to deal with them. Peter Buse and Andrew Scott, Ghosts: Deconstruction, Psychoanalysis, History, p. 2 You know the stories: the building constructed above an Indian burial ground plagued by desecrated spirits, the historic plantation, preserved yet spiritually unrested because of the horrors it knows, soldiers haunting formerly bloodied battlefields who might never know peace. Their lingering has meaning: the ghost collapses time and history into a traversable, nearly tangible, fantastical continuum that begs exploration. The ghost is an entity capable of moving through life and death, reality and fantasy, past and present, providing a fragmented yet panoramic version of how things happened. Precisely because ghosts have this mobility, they should be considered an important part of American history and history making. Their sometimes-invisible though eerily tangible presence in life and literature beckons inquiry into the more repressed and obscure facets of social and historical life, which are difficult to discuss and impossible to understand without this unique flexibility. - 
												
												A Critical Ethnography of the Myrtles Plantation in St. Francisville, Louisiana with Ruminations on Hauntology
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 A critical ethnography of The yM rtles Plantation in St. Francisville, Louisiana with ruminations on hauntology Holley Ann Vaughn Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Vaughn, Holley Ann, "A critical ethnography of The yM rtles Plantation in St. Francisville, Louisiana with ruminations on hauntology" (2012). LSU Doctoral Dissertations. 3317. https://digitalcommons.lsu.edu/gradschool_dissertations/3317 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. A CRITICAL ETHNOGRAPHY OF THE MYRTLES PLANTATION IN ST. FRANCISVILLE, LOUISIANA WITH RUMINATIONS ON HAUNTOLOGY A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements of the degree of Doctor of Philosophy in The Department of Communication Studies by Holley Ann Vaughn B.A., University of North Texas, 2001 M.A., University of North Texas, 2005 December 2012 ACKNOWLEDGMENTS This project could not have come to fruition without the time, love, commitment and dedication of so many of my friends, family, mentors and colleagues. To my huge, loving family, particularly my parents Devora Vaughn, Greg Vaughn, and Carolyn Vaughn, thank you for your support, patience and constant encouragement. To my aunt and uncle Rhonda and Ed King, thank you for taking me in, opening your home, and providing a space to cocoon and grow. - 
												
												Horror Begins at Home: Family Trauma In
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank HORROR BEGINS AT HOME: FAMILY TRAUMA IN PARANORMAL REALITY TV by ANDREW J. BEARD A DISSERTATION Presented to the Department of English and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2012 DISSERTATION APPROVAL PAGE Student: Andrew J. Beard Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of English by: Dr. Carol Stabile Chairperson Dr. Anne Laskaya Member Dr. Priscilla Ovalle Member Dr. Lynn Fujiwara Outside Member and Kimberly Andrews Espy Vice President for Research & Innovation/Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2012 ii © 2012 Andrew J. Beard iii DISSERTATION ABSTRACT Andrew J. Beard Doctor of Philosophy Department of English June 2012 Title: Horror Begins at Home: Family Trauma in Paranormal Reality TV This dissertation argues that paranormal reality television is a form of what some have referred to as “trauma television,” a site of struggle between meanings of family and the violence often found in the hegemonic nuclear family ideal. Programs such as A Haunting and Paranormal State articulate family violence and trauma through a paranormal presence in the heteronormative family home, working to make strange and unfamiliar the domestic and familial milieus in which their episodes take place. - 
												
												Digital Dissonance: Horror Cultures in the Age of Convergent Technologies
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Digital Dissonance: Horror Cultures in the Age of Convergent Technologies Daniel Powell University of Central Florida Part of the Other Film and Media Studies Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Powell, Daniel, "Digital Dissonance: Horror Cultures in the Age of Convergent Technologies" (2017). Electronic Theses and Dissertations, 2004-2019. 5482. https://stars.library.ucf.edu/etd/5482 DIGITAL DISSONANCE: HORROR CULTURES IN THE AGE OF CONVERGENT TECHNOLOGIES by DANIEL POWELL M.A. Portland State University, 2002 B.S. Linfield College, 1999 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Texts & Technology in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2017 Major Professor: Rudy McDaniel © 2017 Daniel Powell ii ABSTRACT The first two decades of the new millennium have witnessed an abundance of change in the areas of textual production, digital communication, and our collective engagement with the Internet. This study explores these changes, which have yielded both positive and negative cultural and developmental outcomes, as products of digital dissonance. Dissonance is characterized by the disruptive consequences inherent in technology’s incursion into the print publication cultures of the twentieth century, the explosion in social-media interaction that is changing the complexion of human contact, and our expanding reliance on the World Wide Web for negotiating commerce, culture, and communication. - 
												
												Ghostlore and the Creation of Virginia History Alena R
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School July 2017 The ommonC Uncanny: Ghostlore and the Creation of Virginia History Alena R. Pirok University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the United States History Commons Scholar Commons Citation Pirok, Alena R., "The ommonC Uncanny: Ghostlore and the Creation of Virginia History" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6929 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Common Uncanny: Ghostlore and the Creation of Virginia History By Alena R. Pirok A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History College of Arts and Sciences University of South Florida Major Professor: Philip Levy, Ph.D. K. Stephen Prince, Ph.D. S. Elizabeth Bird, Ph.D. Julia King, Ph.D. Date of Approval: May 25, 2017 Key words: Public History, Thanatourism, Dark Tourism, The Old Dominion, Hauntings Copyright ©2017, Alena R. Pirok DEDICATION To the hosts, tour guides, storytellers, curators, volunteers, and fans who knew Virginia’s spectral history all along. ACKNOWLEDGEMENTS There are many people who contributed to this dissertation in comments, support, direction and encouragement. I would like to name them all, but for lack of room I will name a few. - 
											
{PDF EPUB} Hans Holzer's Travel Guide to Haunted Houses
Read Ebook {PDF EPUB} Hans Holzer's Travel Guide to Haunted Houses A Practical Guide to Places Haunted by Ghosts Spirits a Hans Holzer's Travel Guide to Haunted Houses: A Practical Guide to Places Haunted by Ghosts Spirits and Poltergeists by Hans Holzer. A BIBLIOGRAPHY with ISBN for Easy Locating. Don�t get discouraged if you see an �Out of Print� or �Out of stock indefinitely� notation next to the citation of a book you are interested in! You can still probably find it through your local library�if it is not there, staff can try and get it for you through a wonderful process called Interlibrary Loan. (The ISBN numbers listed should help them locate the book.) Good luck! HELP AND ASSISTANCE. Bodine, Echo. Relax it�s Only a Ghost: My Adventures with Spirits, Hauntings, and Things that Go Bump in the Night. Fair Winds Press: 2001. 1-931412-71-5 (Trade Paper)/ 1-931412-51-0 (Trade Cloth) Telesco, Patricia. Ghosts, Spirits and Hauntings : Crossing Press; (September 1, 1999). ISBN: 0895948710. Browne, Sylvia. Visits from the Afterlife: The Truth About Hauntings, Spirits, and Reunions With Lost Loved Ones. Dutton Books; (October 13, 2003). ISBN: 0525947566. Juliano, Dave. Positive Energy for Haunted Homes . In the Shadows publishing; (March 2005). To purchase view info or purchse click here. HAUNTED PLACES AND DIRECTORIES. Hauck, Dennis W. Haunted Places: The National Directory: A Guidebook to Ghostly Abodes, Sacred Sites, UFO Landings, and Other Supernatural Locations. Penguin Group, Inc.: 1996. 0-14-025734-9. (*Out of print.) Hans Holzer�s Travel Guide to Haunted Houses: A Practical Guide to Places Haunted by Ghosts, Spirits and Poltergeists. - 
											
So, How Do You Feel About Ghosts? Dana Sorkin Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Art Honors Papers Art Department 2016 So, How Do You Feel About Ghosts? Dana Sorkin Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/arthp Recommended Citation Sorkin, Dana, "So, How Do You Feel About Ghosts?" (2016). Art Honors Papers. 20. http://digitalcommons.conncoll.edu/arthp/20 This Honors Paper is brought to you for free and open access by the Art Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Art Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. 1 SO, HOW DO YOU FEEL ABOUT GHOSTS? Dana Sorkin May 2016 2 3 Dana Sorkin “So, how do you feel about ghosts?” Honors Thesis 2015-2016 Department of Art Connecticut College Advisors & Readers Professor Nadav Assor Professor Andrea Wollensak Professor Emily Morash Edition ________ of ________ 4 CONTENTS Acknowledgments - 5 Introduction - 6 Chapter 1: Us Versus Them- 10 Chapter 2: Rational Versus Irrational - 16 Chapter 3: Safety Versus Danger - 22 Chapter 4: Imagined Versus Reality - 29 Chapter 5: Inside Versus Outside - 35 Conclusion - 40 Colophon - 41 Bibliography - 42 5 ACKNOWLEDGEMENTS To Professor Nadav Assor, for your constant support in every weekly meeting, for pushing me to be a better artist and critical thinker, and for consistently exposing me to new ways of creating art and media since our very first class in the fall of 2012. None of this would at all have been possible without you and your guidance. - 
												
												I Acknowledgements There Are So Many People I'd Like to Thank For
Acknowledgements There are so many people I’d like to thank for their contribution to this thesis, that unfortunately I don’t have the room to list them all. If someone feels they are left out, you are by no means forgotten. At first I would like to express my gratitude towards the academic milieu. My supervisor Tord Larsen whose knowledge and theoretical insights I simply couldn’t be without; and my fellow students for their invaluable feedback, as well as emotional support over countless cups of coffee. I’d also like to give credit to Ellen, Johanne and Linn for taking their time to look for grammatical errors. Moreover I want to direct my gratitude towards “my” ghost hunter groups: California Haunts, The Flying Monkeys, P.R.O.V.E. and Solano Ghost; and their respective organizers who were so friendly to treat me as a worthy member of the ghost hunter community. I’ve had some unique moments with these groups, to the extent of which I will likely never have again. Moreover, I’d like to thank my friends in the field, for taking interest in my project, for offering transportation, for interesting conversations, for their friendliness; and overall, for letting me into their lives, their homes and their minds. Special thanks goes to those who went out of their way to introduce me to the “world of ghosts”; Susan for all of our adventures, the girls of California Haunts for taking me to special events, Tracy for graveyards and curly fries, John for the trip to the bookstore, and Donald for being so helpful when I began my project. - 
												
												Haunting Experiences: Ghosts in Contemporary Folklore
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2007 Haunting Experiences: Ghosts in Contemporary Folklore Diane E. Goldstein Sylvia Ann Grider Jeannie B. Thomas [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the American Popular Culture Commons, and the Folklore Commons Recommended Citation Goldstein, D. E., Grider, S. A., & Thomas, J. B. (2007). Haunting experiences: Ghosts in contemporary folklore. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Haunting Experiences Ghosts in Contemporary Folklore Haunting Experiences Ghosts in Contemporary Folklore DianeDiane E. GoldsteinGoldstein Sylvia Ann Grider Jeannie Banks Thomas Utah State University Press Logan, Utah Copyright ©2007 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7200 Manufactured in the United States of America Printed on recycled, acid-free paper ISBN: 978-0-87421-636-3 (paper) ISBN: 978-0-87421-681-3 (e-book) Portions of chapter 5 were previously published in Sylvia Grider, 1999, The haunted house in literature, tradition, and popular culture: A consistent image, Contemporary Legend, New Series 2:174–204. Portions of chapter 2 were previously published in Diane E. Goldstein, 1991, Perspectives on Newfoundland belief traditions: Narrative clues to concepts of evidence, in Studies in Newfoundland folklore: Community and process, eds. G. Thomas and J. D. - 
												
												Visitors to the Mid-Atlantic Find Spooktacular Haunted Sites
Visitors to the Mid-Atlantic Find Spooktacular Haunted Sites (Mid-Atlantic Region, September 19, 2018)- A wide range of haunted hotels, historic sites, theaters, and ghost tours across the Mid-Atlantic region have captured the imaginations of guests with interests in exploring the places where spirits still linger. Members of the Mid-Atlantic Tourism Public Relations Alliance (MATPRA) have compiled a list of places to visit that are sure to make the hair on the back of your neck stand up. If you are interested in learning more about a specific destination or topic, contact the individual destination marketing organization listed below. DELAWARE Delaware's Quaint Villages Join us at Delaware's Quaint Villages' historic Dover on The Green for the Haunted Tours of Old Dover. The tour features ghosts of Judge Samuel Chew, Elizabeth Rilee the Irish maid, and Revolutionary War hero Colonel John Hazlet. Plus, spirits that whistle, open doors, rearrange pictures and communicate with cats. Delaware's Quaint Villages (Kent County, DE), Danielle Jonigan, VisitDelawareVillages.com, [email protected] MARYLAND Baltimore Spooky traditions and legends are a given for a city filled with 200 years of history. Investigate the mysterious myths of Baltimore on a Fell's Point ghost tour, walk the hallowed halls of the infamous Nevermore Haunt, or wander The Admiral Fell Inn to see what ghosts still linger. Visit Baltimore, Kelly Nagle, Baltimore.org, [email protected] Caroline County Brace yourself for a walk around Haunted Denton. There is continuous paranormal activity at the jail, the Courthouse Green and the entire downtown area. Walk through two graveyards, see the house of Dr. - 
											
762David Woollatt Phd Thesis Nov 2015
UNIVERSITY OF WINCHESTER FACULTY OF ARTS The Re-Enchantment of British Culture and the Transformation of Spiritualism from Theological Discourse to Media Spectacle David Lloyd Woollatt Doctor of Philosophy November 2015 This thesis has been completed as a requirement for a higher degree of the University of Winchester THE UNIVERSITY OF WINCHESTER ABSTRACT FOR THESIS The Enchantment of British Culture and the Transformation of Spiritualism from Theological Discourse to Media Spectacle David Lloyd Woollatt FACULTY OF ARTS Doctor of Philosophy October 2015 This research constitutes the analysis of a previously unstudied area, the transformation of Spiritualism from a theological belief system to a media spectacle in contemporary British culture. Exploring modern Spiritualism’s theological framework, pointing to its communal belief structure, practices and Seven-Principle doctrine this research articulates its position within society today, exploring notions of re-enchantment where the contemporary individual has become disconnected from formal religious institutions but still possesses a yearning for spiritual nourishment. During early forms of Spiriualism a first-person genuine experience was fundamental to the way in which the spectators framed meaning around what they were viewing. The loss of first person aspect provides a fundamental stance from which to interrogate the shifts that have occurred to Spiritualism as a result of its contemporary representations. Critically the study examines the representation of Spiritualism within the