THE PRIMARY SOURCE, APRIL 17, 2003 1 My Goodness My SOURCE
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Andy Warhol's
13 MOST BEAUTIFUL... SONGS FOR ANDY WARHOL’S SCREEN TESTS FEAUTURING DEAN & BRITTA JANUARY 17, 2015 OZ ARTS NASHVILLE SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler aA MESSAGE FROM OZ ARTS President John F. Kennedy had just been assassinated, the Civil Rights Act was mere months from inception, and the US was becoming more heavily involved in the conflict in Vietnam. It was 1964, and at The Factory in New York, Andy Warhol was experimenting with film. Over the course of two years, Andy Warhol selected regulars to his factory, both famous and anonymous that he felt had “star potential” to sit and be filmed in one take, using 100 foot rolls of film. It has been documented that Warhol shot nearly 500 screen tests, but not all were kept. Many of his screen tests have been curated into groups that start with “13 Most Beautiful…” To accompany these film portraits, Dean & Britta, formerly of the NY band, Luna, were commissioned by the Pittsburgh Cultural Trust and The Andy Warhol Museum in Pittsburgh, Pennsylvania, to create original songs, and remixes of songs from musicians of the era. This endeavor led Dean & Britta to a third studio album consisting of a total of 21 songs titled, “13 Most Beautiful.. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Happy New Year to All 617-227-8929617-227-8929 Gorilla Exhibit), and 3:00 Pm at the Franklin Farm Barn
VOL. 117 - NO. 52 BOSTON, MASSACHUSETTS, DECEMBER 27, 2013 $.30 A COPY ❄ 1 Celebrate First Night Boston ❄20 ❄ 3 ❄ ❄ Happy ❄ New Year from Pamela Donnaruma and the Staff of the Post-Gazette Ice Sculptures are a favorite of Boston’s First Night Celebration and all will be available to see from 2:00 pm to 12:00 am. (Photo courtesy of entertainmentdesigner.com) It’s that time of year again city and Socially Scene is Night announcement: But- 2014 where we find ourselves ask- bringing you a detailed list- ton holders will get a chance ing the question, “What am ing. If you’re looking to see the U.S. Figure Skat- I going to do for New Year’s for more information on ing Team before Sochi with Eve?” Luckily Boston has one events or where to purchase a buy-one-get-one-free deal News Briefs of the most festive celebra- your buttons you can visit for the 2014 Prudential U.S. tions in the country with www.firstnightboston.org. Championships. by Sal Giarratani more activities than you can Also, Boston be sure to hang This January, Boston will imagine. First Night is full onto those buttons as Mayor of events all throughout theMenino made his last First (Continued on Page 8) If You Like Your Medicine, You Can Keep Your Medicine? Remember all those false promises that Presi- Welcome Mayor Walsh, Thank You Mayor Menino dent Obama kept saying. “If you like your health by Sal Giarratani plan, you can keep it.” Ditto for your doctor. Well, Boston’s economy continues now it turns out you may not be able to even keep to grow and prosper. -
T H E I R U N G U Truck Gives Bookstore Competition
Indtx Ed-Op 12 Build a Oatebook 15 Sports 17 bomb, level Comics 23 Classifieds 24 o c a Entertainment 28 THEIRUNGU J 1 Vo(u|n» 72, Numb« J PhJjdilphw, PpnniytvjnU September 27,1996 The Student Newspaper at Drexel University CopyrtgAt 019% The Tri*n9le UBgAFY ■I G reeic houses under scrutiny H i g h e n r o l l m e n t A Board study says that houses are a liability. those of Sigma Alpha Epsilon, focus of the Board of Trustees’ Delta Sigma Pi, Sigma Alpha Mu, Sept. 25 meeting. Chairman of The trustees will review recommendations. Tau Epsilon Phi and Pi Lambda the Board George Ross said the t r i g g e r s Phi are in various stages of disre Greek system represents the Anh Dang Drexel University Board of pair. Judge Chen said most of the University’s greatest asset and NEWS EDITOR Trustees Student Life 12 fraternity houses were found worst liability. c h a n g e s Many fraternities have a prob Committee. to be in violation of various safe After listening to the presenta lem collecting rent money from The committee, headed by ty codes. They are “fire traps,” tion by Chen and Director of Jonathan Poet their own members, according to Trustee Ida Chen, also observed said Chen. Greeks Shane McGoey, Trustee MANAGING EDITOR a six-month study done by the that fraternity houses including Chen’s presentation was the See Greek study on page 2 Dean of Enrollment and Career Management Gary Hamme seemed to be the hero of the week as the administration announced preliminary esti mates on Drexel’s improved enrollment at the Tuesday, Sept. -
LEADERSHIP-2017: a Conflict of Interest?
THE MICHIGAN REVIEW Volume 16, Number 2 The Campus Affairs Journal of the University of Michigan October 8, 1997 LEADERSHIP-2017: A Conflict of Interest? BY EvAN KNOTT AND lEE BocKHORN VERY SUMMER, THE University of Michigan spon E sors and facilitates Leader ship 2017, a highly selective summer internship program for students in volved in top positions of select stu dent organizations on campus. In tended to foster a unique collabora tive experience for the campus's most involved students to interact with Uni versity staff, administrators, and other student organizations, most stu dents at U-M know little about the program, its selection process, or how it has affected the University commu nityas a whole since its inception in 1994. While administration officials boast about the numerous campus oriented services and projects per formed during and after each year's sll1tlmer program, a critical analysis of 'the program reveals numerous questionable attributes inherent in CAMPUS Leadership 2017's structure and poli- , ', . Jr . ' "INTEGRITY "_,i, •• , . mea.'.. .... Leadership2017 originated dul-~ . ing a public forum of student leaders in the 1993-94 academic year. The program, under the direction of As sistant to the Vice-President of Stu dent Affairs Debra Moriarty and ~\\~ DEPT Associate Vice-President and Dean A of Students Royster Harper, is pro S'rU " vided as one of the programs ofMichi gan Leadership Initiatives (MLI). MLI's Board of Directors, which gives 2017 the "seal of approval" each year, 2017 consists roughly of 22 members, com prised in halfby students and in half by faculty, staff, and alumni. -
APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH Axis.Wmg.Com 4/22/17 RSD AUDIO & VIDEO RECAP
2017 NEW RELEASE SPECIAL APRIL 22 ISSUE Orders Due March 24 MUSIC • FILM • MERCH axis.wmg.com 4/22/17 RSD AUDIO & VIDEO RECAP ARTIST TITLE LBL CNF UPC SEL # SRP ORDERS DUE Le Soleil Est Pres de Moi (12" Single Air Splatter Vinyl)(Record Store Day PRH A 190295857370 559589 14.98 3/24/17 Exclusive) Anni-Frid Frida (Vinyl)(Record Store Day Exclusive) PRL A 190295838744 60247-P 21.98 3/24/17 Wild Season (feat. Florence Banks & Steelz Welch)(Explicit)(Vinyl Single)(Record WB S 054391960221 558713 7.98 3/24/17 Store Day Exclusive) Cracked Actor (Live Los Angeles, Bowie, David PRH A 190295869373 559537 39.98 3/24/17 '74)(3LP)(Record Store Day Exclusive) BOWPROMO (GEM Promo LP)(1LP Vinyl Bowie, David PRH A 190295875329 559540 54.98 3/24/17 Box)(Record Store Day Exclusive) Live at the Agora, 1978. (2LP)(Record Cars, The ECG A 081227940867 559102 29.98 3/24/17 Store Day Exclusive) Live from Los Angeles (Vinyl)(Record Clark, Brandy WB A 093624913894 558896 14.98 3/24/17 Store Day Exclusive) Greatest Hits Acoustic (2LP Picture Cure, The ECG A 081227940812 559251 31.98 3/24/17 Disc)(Record Store Day Exclusive) Greatest Hits (2LP Picture Disc)(Record Cure, The ECG A 081227940805 559252 31.98 3/24/17 Store Day Exclusive) Groove Is In The Heart / What Is Love? Deee-Lite ECG A 081227940980 66622 14.98 3/24/17 (Pink Vinyl)(Record Store Day Exclusive) Coral Fang (Explicit)(Red Vinyl)(Record Distillers, The RRW A 081227941468 48420 21.98 3/24/17 Store Day Exclusive) Live At The Matrix '67 (Vinyl)(Record Doors, The ECG A 081227940881 559094 21.98 3/24/17 -
Qué Es El Tanned Tin?
¿Qué es el Tanned Tin? El Tanned Tin es el festival de invierno por excelencia, el primero con un éxito y continuidad que dura más de una década, siendo ésta su decimotercera edición (la séptima consecutiva en Castellón tras su etapa en Santander), siempre independiente en la confección de su cartel y sin otro interés que el artístico. Plantea un espacio único (el Teatro Principal) donde se puede escuchar la música con una calidad inigualable y la comodidad propia de un recinto acogedor. Y como un punto extra, la cercanía que muestran los artistas, que se mezclan con total naturalidad con el público que acude al evento. Además, se programan matinales de lujo en (sala por confirmar). Con entrada libre para los portadores de la pulsera del festival hasta completar aforo, podremos ver actuaciones de viernes a domingo y de 12 a 15 horas. ¿Qué lo hace diferente? El Tanned Tin mantiene su filosofía de presentar un cartel lleno de futuras estrellas de la escena independiente, nombres que ahora puede que no suenen a la mayoría del público y prensa pero que en unos meses serán los grandes protagonistas de los grandes festivales. No en vano fue en el Tanned Tin donde artistas de la talla de Antony & the Johnsons, Deerhunter, Okkervil River, Final Fantasy, Deertick, Beach House, The Decemberists, Xiu Xiu, Animal Collective, CocoRosie o M.Ward dieron sus primeros conciertos en nuestro país. Buscamos dar la oportunidad al público más inquieto de conocer en su mejor momento a artistas de todo tipo (folk, electrónica, pop de vanguardia, rock arriesgado, etc.) que, además, se sienten orgullosos de formar parte del cartel debido a su reputación fuera de nuestras fronteras. -
CAP UCLA Presents 'Exposed: Songs for Unseen Warhol Films'
Media Alert Contact: Jessica Wolf 310.825.7789 [email protected] CAP UCLA Presents ‘Exposed: Songs for Unseen Warhol Films’ at Royce Hall Fri, Oct. 24 Rare footage meets compositions performed live by Tom Verlaine, Martin Rev, Dean Wareham, Eleanor Friedberger and Bradford Cox Center for the Art of Performance at UCLA presents the west coast exclusive performance of “Exposed: Songs for Unseen Warhol Films” Friday, October 24 at 8 p.m. in Royce Hall. The sound- plus-celluloid stage experience celebrates the 20th Anniversary of The Andy Warhol Museum and features new compositions performed live by Tom Verlaine, Martin Rev, Dean Wareham, Eleanor Friedberger and Bradford Cox. Tickets ($19-$59) are now available cap.ucla.edu, Ticketmaster or the UCLA Central Ticket Office (310.825.2101). “Exposed: Songs for Unseen Warhol Films” was co-commissioned by The Andy Warhol Museum, CAP UCLA and BAM for the 2014 Next Wave Festival. “Exposed” is comprised of 15 short Warhol films, never before publically exhibited, accompanied by live music. The films chosen are a combination of portraits and actualités featuring superstars and luminaries such as Taylor Mead, Mary Woronov, Edie Sedgwick, Mario Montez, John Giorno, Marcel Duchamp, Marisol, Donovan, and Andy Warhol himself. This project honors the unwavering relevancy of the art and life of Andy Warhol by re-contextualizing his work in ways that resonate in contemporary culture. Five songwriter-composers representing a musical trajectory from the 1970s until today perform original scores to these rare Warhol selections. The composers and performers, selected by guest musical curator Dean Wareham (Galaxie 500, Luna), who also performs, include punk icons Tom Verlaine (Television) and Martin Rev (Suicide), Eleanor Friedberger (The Fiery Furnaces), and Bradford Cox (Deerhunter, Atlas Sound). -
Hofstra University Film Library Holdings
Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. -
When the President Talks to God: a Rhetorical Criticism of Anti-Bush Protest Music
WHEN THE PRESIDENT TALKS TO GOD: A RHETORICAL CRITICISM OF ANTI-BUSH PROTEST MUSIC Megan O'Byrne A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2008 Committee: Michael L. Butterworth, Advisor Lara Martin Lengel Ellen W. Gorsevski ii ABSTRACT Michael L. Butterworth, Advisor Anti-war protest music has re-emerged onto the American songscape since the terrorist attacks of September 11, 2001 and the resulting military conflicts in Iraq and Afghanistan. This study works to explicate the ways in which protest music functions in the resultant culture of war. Protest music, as it reflects and creates culture, represents one possible site of productive change. Chapter 1 examines Ani DiFranco’s song “Self Evident” which was written as an immediate reaction to 9/11. Throughout this chapter I argue that protest music has the potential to work as a vehicle for consciousness raising. In Chapter 2 I consider the constitutive elements in the Bright Eyes song “When the President Talks to God.” Performed on The Tonight Show in May 2005, this song represents one of the first performances of dissent on national television after 9/11. This chapter also examines the limitations of Charland’s conception of the constituted public as it pertains to diverse and heterogeneous audiences. Ultimately, I argue that consciousness raising through music has the potential to bring listeners into the constituted subject position of those who dissent against war. iii Dedicated to the memory of Dr. Lewis (Lee) Snyder in whose shadow I will always walk. -
Downloaded by [New York University] at 04:00 12 August 2016 a CLINICIAN’S GUIDE to SYSTEMIC SEX THERAPY
Downloaded by [New York University] at 04:00 12 August 2016 A CLINICIAN’S GUIDE TO SYSTEMIC SEX THERAPY The second edition of A Clinician’s Guide to Systemic Sex Therapy has been com- pletely revised, updated, and expanded. This volume is written for beginning psychotherapy practitioners in order to guide them through the complexities of sex therapy and help them to be more effi cient in their treatment. The authors offer a unique theoretical approach to understanding and treating sexual prob- lems from a systemic perspective, incorporating the multifaceted perspectives of the individual client, the couple, the family, and the other contextual factors. Both beginning and experienced sex/relationship therapists will broaden their perspectives with the Intersystem approach and gain information rarely seen in sex therapy texts such as: how to thoroughly assess each sexual disor- der, the implementation of various treatment principles and techniques, how to incorporate homework, dealing with ethical dilemmas, understanding dif- ferent expressions of sexual behavior, and addressing the impact of medical problems on sexuality. Aside from bringing the diagnostic criteria up-to-date with the DSM 5, this new edition contains a new chapter on sensate focus, an expanded section on assessment, more information about development across the lifespan, and more focus on diversity issues throughout the text. Gerald R. Weeks, PhD, APBB, CST, is a certifi ed sex therapist with 30 years of practice experience and is a professor at the University of Nevada, Las Vegas. He is among a handful of individuals to be given the “Outstanding Contribution to Mar- riage and Family Therapy” award in 2009 from the American Association of Marriage and Family Therapy, and was named the “2010 Family Psychologist of the Year.” He has published over 20 books in the fi elds of individual, couple, family, and sex therapy. -
Le Webzine Des Musiques Sombres Et Expérimentales : Rock, Jazz, Progressif, Metal, Electro, Hardcore
Guts Of Darkness Le webzine des musiques sombres et expérimentales : rock, jazz, progressif, metal, electro, hardcore... juillet 2015 Vous pouvez retrouvez nos chroniques et nos articles sur www.gutsofdarkness.com © 2000 - 2015 Un sommaire de ce document est disponible à la fin. Page 2/126 Les interviews Page 3/126 Entretien : La Nóvia (avec les membres de Jéricho et Toad), Jardin des Chartreux, Lyon, le 16 juillet 2015 - (interview réalisée par Dioneo) Au jour dit me voilà donc au Jardin... Un parc presque caché, de fait ; en haut de la colline de la Croix Rousse, pourtant – mais à l’un de ses azimuts les moins visités, excentré, comme coupé des rues autrement touristiques du quartier adjacent. La vue sur les quais de Saône, d’ici, est assez belle, l’angle un peu inhabituel sur la basilique de Fourvière, en face. Il est encore tôt lorsque nous arrivons l’ami Buck – qui me fournit aimablement l’enregistreur – et moi. L’ami Dariev nous rejoindra plus tard, au début de l’entretien. Pour le moment, les membres de Jéricho sont sur scène, encore en pleines balances. Nous les saluons rapidement puis allons nous poser discrètement à l’ombre, le temps qu’ils finissent. On a tout le notre. La canicule persiste, depuis des jours – trente huit degrés au moins, celui-là, et pas un souffle. Guilhem Lacroux – avec qui nous avions convenu de l’heure du rendez-vous – passe en voiture devant nous, nous informe qu’il va « acheter du vin » et sera vite de retour, pour l’entretien… Une fois les balances finies, tout le monde se présente, nous discutons un peu, tous, sans formalités.