Elmer “Elmo” L. Donze
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1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Flashback to the Future • Advance Your Life Personally and Professionally
at St. Louis Community College Fall 2012 Flashback to the Future • Advance your life personally and professionally. • Explore, create and learn! Registration begins August 6 For more information about Continuing Education classes, visit www.stlcc.edu/ce 1962 – 2012 One College. Lifelong Opportunities. CELEBRATING FIVE DECADES OF EDUCATION FOR ALL. Fall is “back to school” season, and you haven’t been back for awhile, but that doesn’t mean the learning needs to end. Now that you’re a bit older, you can continue learning with St. Louis Community College’s fall continuing education courses. You can learn and do just about everything you wanted to but never had the time for. Whether it’s personal enrichment or professional development, STLCC offers both, so you can discover a new hobby or develop your future career. There’s no age limit on learning! Whether you earned your degree from STLCC in 1970 or you picked up a few classes here and there over the years, you’re always welcomed back. Just check out the courses we’re offering at our campuses this fall through continuing education. Registration for this summer begins August 6. To learn more about your course or to register, call 314-984-7777. But don’t wait too long—seats are filling fast! JOIN THE CELEBRATION. TELL US YOUR STORY. WWW.STLCC.EDU/50 FLORISSANT VALLEY FOREST PARK MERAMEC WILDWOOD www.stlcc.edu/ce / 314-984-7777 Fall 2012 . Continuing Education | St. Louis Community College 3 FALL 2012 ST. LOUIS COMMUNITY COLLEGE STLCC CONTINUING EDUcaTION Advancing People -Personally and Professionally www.stlcc.edu/ce 314-984-7777 Join us as we Flash Back to the Future this Fall! CONTENTS PROFESSIONAL DEVELOPMENT In 1962, the St. -
Artist/Group Song Title
ARTIST/GROUP SONG TITLE V.I.C. WOBBLE VALENS, RICHIE DONNA VALENS, RITCHIE COME ON LET'S GO VALLI, FRANKIE CAN'T TAKE MY EYES OFF YOU VALLI, FRANKIE MY EYES ADORED YOU VAN BEETHOVEN, CAMPER TAKE THE SKINHEADS BOWLING VAN DYKE, LEROY AUCTIONEER [THE] VAN DYKE, LEROY WALK ON BY VAN HALEN AIN'T TALKIN' 'BOUT LOVE VAN HALEN AND THE CRADLE WILL ROCK VAN HALEN BEAUTIFUL GIRLS VAN HALEN DANCE THE NIGHT AWAY VAN HALEN DON'T TELL ME (WHAT LOVE CAN DO) VAN HALEN DREAMS VAN HALEN EVERYBODY WANTS SOME (EXPLICIT) VAN HALEN FEEL YOUR LOVE TONIGHT VAN HALEN FINISH WHAT YA STARTED VAN HALEN HOT FOR TEACHER VAN HALEN HUMANS BEING VAN HALEN ICE CREAM MAN VAN HALEN I'LL WAIT VAN HALEN JAMIE'S CRYIN' VAN HALEN JUMP VAN HALEN OH, PRETTY WOMAN VAN HALEN PANAMA VAN HALEN POUNDCAKE VAN HALEN RIGHT NOW VAN HALEN RUNNIN' WITH THE DEVIL VAN HALEN TOP OF THE WORLD VAN HALEN UNCHAINED VAN HALEN WHEN IT'S LOVE VAN HALEN WHY CAN'T THIS BE LOVE VAN HALEN WITHOUT YOU VAN HALEN YOU REALLY GOT ME VAN SHELTON, RICKY BACKROADS VAN SHELTON, RICKY I AM A SIMPLE MAN VAN SHELTON, RICKY I MEANT EVERY WORD HE SAID VAN SHELTON, RICKY I'LL LEAVE THIS WORLD LOVING YOU VAN SHELTON, RICKY I'VE CRIED MY LAST TEAR FOR YOU VAN SHELTON, RICKY JUST AS I AM VAN SHELTON, RICKY KEEP IT BETWEEN THE LINES VAN SHELTON, RICKY LIFE TURNED HER THAT WAY VAN SHELTON, RICKY LIVING PROOF VAN SHELTON, RICKY LOLA'S LOVE VAN SHELTON, RICKY SHE NEEDS ME VAN SHELTON, RICKY SOMEBODY LIED VAN SHELTON, RICKY STATUE OF A FOOL VAN SHELTON, RICKY WEAR MY RING AROUND YOUR NECK VAN SHELTON, RICKY WHERE WAS I VAN -
Jay-Z Get Your Mind Right Mami
Get Your Mind Right Mami Jay-Z [Jay-Z] Sup ma? You want to roll with us, y'knowhatI'msayin? It's good, it's love, it's all love We got cases of Belvedere, we gon' play truth or dare We gon' really get to know one another All you gotta do is put your hair down, get your mind right Knahmean? I'm here for you, yo Relax yourself, let your conscience be free You now rollin with them thugs from the R-O-C Ain't no place on the planet that you'd rather be but in the blue flame, bitch you're new to the game Cross over to the Roc, make yourself hot The topic of discussion in every nail shop It's a secret society, all we ask is trust and within a week, watch your arm freeze up Brassiere get right, A to a D cup Weave get tight, pedicure your feet up Ears get iced, gear get spiced From hoodrat to superstar, there's your life Fuck with Hova, he can take you out of your hell Say bye to Reebok, say hi to Chanel Say hi to Gucci, Prada as well Take a look in the mirror, be proud of yourself [Chorus w/ singer] [J] Get your mind right mami, get your mind right You gotta play your part when you're rollin with the R-O-C [J] Get your mind right mami, get your mind right You gotta know what it takes to be down with a nigga like me [J] Get your mind right mami, get your mind right I need a gangsta girl, who can ride in my passenger seat [J] Get your mind right mami, get your mind right And I need gangsta girls, for my gangsta family [Memphis Bleek] Yo, I'm young Memphis, used to play the apprentice Now I'm like the teacher, c'mere, let me teach ya how to play -
History of Jazz Tenor Saxophone Black Artists
HISTORY OF JAZZ TENOR SAXOPHONE BLACK ARTISTS 1940 – 1944 SIMPLIFIED EDITION INTRODUCTION UPDATE SIMPLIFIED EDITION I have decided not to put on internet the ‘red’ Volume 3 in my Jazz Solography series on “The History of Jazz Tenor Saxophone – Black Artists 1940 – 1944”. Quite a lot of the main performers already have their own Jazz Archeology files. This volume will only have the remainders, and also auxiliary material like status reports, chronology, summing ups, statistics, etc. are removed, to appear later in another context. This will give better focus on the many good artists who nevertheless not belong to the most important ones. Jan Evensmo June 22, 2015 INTRODUCTION ORIGINAL EDITION What is there to say? That the period 1940 - 1944 is a most exciting one, presenting the tenorsax giants of the swing era in their prime, while at the same time introducing the young, talented modern innovators. That this is the last volume with no doubt about the contents, we know what is jazz and what is not. Later it will not be that easy! That the recording activities grow decade by decade, thus this volume is substantially thicker than the previous ones. Just wait until Vol. 4 appears ... That the existence of the numerous AFRS programs partly compensates for the unfortunate recording ban of 1943. That there must be a lot of material around not yet generally available and thus not listed in this book. Please help building up our jazz knowledge base, and share your treasures with the rest of us. That we should remember and be eternally grateful to the late Jerry Newman, whose recording activities at Minton's and Monroe's have given us valuable insight into the developments of modern jazz. -
The United Eras of Hip-Hop (1984-2008)
qwertyuiopasdfghjklzxcvbnmqwertyui opasdfghjklzxcvbnmqwertyuiopasdfgh jklzxcvbnmqwertyuiopasdfghjklzxcvb nmqwertyuiopasdfghjklzxcvbnmqwer The United Eras of Hip-Hop tyuiopasdfghjklzxcvbnmqwertyuiopas Examining the perception of hip-hop over the last quarter century dfghjklzxcvbnmqwertyuiopasdfghjklzx 5/1/2009 cvbnmqwertyuiopasdfghjklzxcvbnmqLawrence Murray wertyuiopasdfghjklzxc vbnmqwertyuio pasdfghjklzxcvbnmqwertyuiopasdfghj klzxcvbnmqwertyuiopasdfghjklzxcvbn mqwertyuiopasdfghjklzxcvbnmqwerty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmrty uiopasdfghjklzxcvbnmqwertyuiopasdf ghjklzxcvbnmqwertyuiopasdfghjklzxc vbnmqwertyuiopasdfghjklzxcvbnmqw The United Eras of Hip-Hop ACKNOWLEDGMENTS There are so many people I need to acknowledge. Dr. Kelton Edmonds was my advisor for this project and I appreciate him helping me to study hip- hop. Dr. Susan Jasko was my advisor at California University of Pennsylvania since 2005 and encouraged me to stay in the Honors Program. Dr. Drew McGukin had the initiative to bring me to the Honors Program in the first place. I wanted to acknowledge everybody in the Honors Department (Dr. Ed Chute, Dr. Erin Mountz, Mrs. Kim Orslene, and Dr. Don Lawson). Doing a Red Hot Chili Peppers project in 2008 for Mr. Max Gonano was also very important. I would be remiss if I left out the encouragement of my family and my friends, who kept assuring me things would work out when I was never certain. Hip-Hop: 2009 Page 1 The United Eras of Hip-Hop TABLE OF CONTENTS ACKNOWLEDGMENTS -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
CD 1: Disc One 1. Back to Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back and Forth-Aaliyah 4
CD 1: Disc One 1. Back To Life (However Do You Want Me)-Soul II Soul 2. Ghetto Romance-Damage 3. Back And Forth-Aaliyah 4. You’re Making Me High-Toni Braxton 5. Down That Road-Shara Nelson 6. On And On-Erykah Badu 7. My Destiny-Lionel Richie 8. Return Of The Mack-Mark Morrison 9. You Might Need Somebody-Shola Ama 10. Heard It All Before-Sunshine Anderson 11. Get Here-Oleta Adams 12. Sensitivity-Ralph Tresvant 13. Emotion-Destiny’s Child 14. Bump N’ Grind-R. Kelly 15. Creep-TLC Disc Two 1. No Diggity-Blackstreet 2. Hey Mr. Dj-Zhane 3. Apparently Nothing-Young Disciples 4. Angel Of Mine-Monica 5. Never Ever-All Saints 6. Boy You Knock Me Out-Tatyana Ali 7. Oh Baby I-Eternal 8. Move Closer-Phyllis Nelson 9. Video-India Arie 10. Shoulda, Woulda, Coulda-Beverly Knight 11. Mama Said-Carleen Anderson 12. Giving Him Something He Can Feel-En Vogue 13. I Wanna Be Down-Brandy 14. Poison-Bel Biv Devoe 15. Bomb Diggy-Another Level ∆ιάρκεια µουσικής συνολικού χρόνου του CD: 126 λεπτά CD 2: Disc One 1. The Boy Is Mine-Brandy & Monica 2. Incomplete-Sisqo 3. Tell Me What You Want Me To Do-Tevin Campbell 4. Last Night-Az Yet 5. Never Make A Promise-Dru Hill 6. So Anxious-Ginuwine 7. Lately-Tyrese 8. They Don’t Know-Jon B 9. Take You Out-Luther Vandross 10. Promise-Jagged Edge 11. Secret Love-Kelly Price 12. Who Can I Run To-Xscape 13. -
Washington Rush Manual
BASEBALL THE RUSH WAY Washington Rush Baseball “Team Manual” Developed, Written & Designed by Red Alert Baseball, LLC About the Developer This Team Manual was the creation of Rob Bowen, Owner and Founder of Red Alert Baseball. Copyright © 2013 Red Alert Baseball, LLC. All rights reserved. Unless otherwise indicated, all materials on these pages are copyrighted by Red Alert Baseball, LLC. All rights reserved. No part of these pages, either text or image may be used for any purpose other than personal use. Therefore, reproduction, modification, storage in a retrieval system or retransmission, in any form or by any means, electronic, mechanical or otherwise, for reasons other than personal use, is strictly prohibited without prior written permission. For any questions or inquiries about this Manual, please contact Rob Bowen via email at [email protected]. Make sure to visit RedAlertBaseball.com for other great services Red Alert Baseball has to offer. You can also follow Red Alert Baseball on our Social Media pages. We provide free info, articles, and drills so you can improve your game. On Twitter: @RedAlertCrew On Facebook: www.Facebook.com/RedAlertBaseball On You Tube: Rob Bowen, Red Alert Baseball Washington Rush Team Manual Developed & Designed by Red Alert Baseball About the Developer Rob Bowen is a former Switch-Hitting Major League Catcher that played for the Minnesota Twins, San Diego Padres, Chicago Cubs, and the Oakland Athletics. He spent 10 years in professional baseball, including 5 seasons of those in the Major Leagues. Rob broke into the big leagues at the young age of 22 and also had the opportunity to play with the Minnesota Twins and the San Diego Padres in the post season. -
200 Name Bands Offer Services!
200 Name Bands Offer Services! Orks Will Play 4M S. Dearborn, Chicago. Illinois Interni at ueond daw matti r Odokur t, IMS. at the pod office nt I Sirapv, rilinou a*<f. the Aet of March I, liti. Copyright Hit. By Down Beat Publùhing Co., ¡ne. $*bacrllptla« prie««. >3 0C a taar 1« tha United Watai; M-W <» Canada (Canadian Dollar«; 00 auawbara Down Boat I» published fwu:a monthly Printed 1« U.S.A. Roglsterad U.S. Fat. Office. For USO AHairs New York—More than 200 “name” hand* in every section NO. 25 CENTS VOL. 9, 2 CHICAGO, JANUARY 15, 1942 of the United States have volunteered services to the U. S. O. for entertainment of soldiers, sailors and marines in army ramp* and naval 'talion* throughout the land, it Comes Through revealed Blues Shooter Killed After last week by Walter Hoving. U. S. O. president. With a Baby Boy In what is undoubtedly theetribution. “serving the men who largest------ . «“organization----------:——»” ever to serve,” it was necessary to break existing contracts in many -pots Waxing ‘Hearseman Blues’ take place in the band indus and to waive stringent union rules. try, the bandleaders accepted by ONAH SPENCER The largest factor in making this Hoving’s appeal for help by possible was the cooperation of Chicago—Less than one month after he recorded Give Me wire within 12 hours after James C. Petrillo, president of the Flowers While I’m Livin’ and Hearse man Blues, Peetie AFM, who served actively on the they were approached. Each committee which made the ar Wheatstraw, famous blues Kinger, was killed when the car in leader, moreover, agreed to pay rangements These organizations, expenses (traveling and mainte which he and two others were%ide8 are Workin’ on the Project, too, in the band-booking business, riding was struck by a passenger nance) himself, at no cost to the Doin’ the Beet I Can and SOI Blues. -
Abstract Humanities Jordan Iii, Augustus W. B.S. Florida
ABSTRACT HUMANITIES JORDAN III, AUGUSTUS W. B.S. FLORIDA A&M UNIVERSITY, 1994 M.A. CLARK ATLANTA UNIVERSITY, 1998 THE IDEOLOGICAL AND NARRATIVE STRUCTURES OF HIP-HOP MUSIC: A STUDY OF SELECTED HIP-HOP ARTISTS Advisor: Dr. Viktor Osinubi Dissertation Dated May 2009 This study examined the discourse of selected Hip-Hop artists and the biographical aspects of the works. The study was based on the structuralist theory of Roland Barthes which claims that many times a performer’s life experiences with class struggle are directly reflected in his artistic works. Since rap music is a counter-culture invention which was started by minorities in the South Bronx borough ofNew York over dissatisfaction with their community, it is a cultural phenomenon that fits into the category of economic and political class struggle. The study recorded and interpreted the lyrics of New York artists Shawn Carter (Jay Z), Nasir Jones (Nas), and southern artists Clifford Harris II (T.I.) and Wesley Weston (Lii’ Flip). The artists were selected on the basis of geographical spread and diversity. Although Hip-Hop was again founded in New York City, it has now spread to other parts of the United States and worldwide. The study investigated the biography of the artists to illuminate their struggles with poverty, family dysfunction, aggression, and intimidation. 1 The artists were found to engage in lyrical battles; therefore, their competitive discourses were analyzed in specific Hip-Hop selections to investigate their claims of authorship, imitation, and authenticity, including their use of sexual discourse and artistic rivalry, to gain competitive advantage. -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude.