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WXYC Spring 1997 Newsletter
WXYC SignalSignal toto NoiseNoise March 1997 March 18, 1997 I laughed when I was recently told is WXYC’s that Led Zeppelin’s “Stairway to 20th anniversary Listen for special anniversary events Heaven” was the first song that & broadcasts in March and April WXYC played when it first went on the air twenty years ago. Not Inside out of any disdain or disrespect for Led Zeppelin - which is still a Interview with Matthew Shipp big favorite of several WXYC DJs, believe it or not... continued inside WXYC’s top 77 of 1997 It's all age groups. We have Chapel Hill High School and the junior high school kids listening to us. We have Carolina students of all kinds: preppies, Bill Burton on the the organic types, disgruntled WQDR listeners, old WDBS listeners, attempted “Top 40 Takeover” of 1980 The Best Records of the 1980s Randy Bullock on the 1992 Gavin Convention Listener Survey Program Guide and graduate students. Also a lot of community people listen to us. Anniversary event station manager Bill Burton information in the DTH, 4/13/82 WXYC 89.3 FM WXYC’s top 77 of ’97* (*) = so far...this list is based on playlists from 1/1/97 to 3/8/97; several records on this Box 51 Carolina Union list got significant play in 1996 or are still getting play right now, so a lower placement on this list doesn’t mean that a record got played fewer times overall, just fewer times during Chapel Hill, NC 27599 this time period.) 1. Dr. Octagon — Instrumentalyst (MO WAX); “Blue Flowers” 12-inch (BULK) USA 2. -
The Age of Emocore
The History of Rock Music - The Nineties The History of Rock Music: 1990-1999 Raves, grunge, post-rock, trip-hop History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Age of Emocore (These are excerpts from my book "A History of Rock and Dance Music") Emocore, 1989-94 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. While magazines kept publicizing the "death of punk-rock", hardcore became a pervasive movement that did not leave any town (or country) untouched. As if galvanized by its own death, the movement took on a life of its own and became a genre within the genre. In the 1990s that genre, in turn, spawned a number of sub-genres. First and foremost, there was "emocore", the style invented in the late 1980s by Rites Of Spring and the Washington contingent. Their "emotional" hardcore alternated quiet and furious musical parts, admitted moody arrangements, indulged in time changes and mid-tempo rhythms, leveraged emotional singing that could whisper as well as shout within the same song, and was not limited to the short/fast format of hardcore. In other words, it was almost the negation of hardcore. While the genre was, by definition, rather loose, bands that fell into the category during the 1990s included: San Francisco's Jawbreaker, with Unfun (1990); Oregon's Heatmiser, the group of songwriter Elliott Smith and bassist Sam Coomes (formerly of Donner Party), with Dead Air (1993); Los Angeles' Weezer, the most successful of the batch, with Weezer (1994). -
Our Nightma... Uh... Newsletter!
signal to noise wxyc vol. 2 no. 1 april 1998 WelcomeWelcome toto OurOur Nightma...Nightma... WXYC’s Top Uh...Uh... Newsletter!Newsletter! 100 of 1997 1. Yo La Tengo -- I Can Hear the Heart Beating As One (MATADOR) For those who don’t know, WXYC widely popular “Secret Museum of the Air- 2. V/A -- Beg, Scream, and Shout (RHINO) 3. Portishead -- self-titled (LONDON) 89.3 FM is UNC-Chapel Hill’s student-run waves” (originally from WFMU in northern 4. V/A -- Return of the DJ Volume 2 (BOMB HIP-HOP) 5. Rampage -- Scouts Honor By Way of Blood (ELEKTRA) / 6. Busta Rhymes -- When Disaster Strikes... radio station. Its eclectic format is dedicated New Jersey) due to that program’s internal (ELEKTRA) to exploring the connections between dif- difficulties. Our other specialty shows are 7. Squarepusher -- Hard Normal Daddy (WARP) 8. V/A -- Gravikords, Whirlies, & Pyrophones (ELLIPSIS ARTS) ferent varieties of 20th century music. This all thriving and working hard to incorporate 9. V/A -- White Elephants and Golden Ducks (SHANACHIE) 10. Ghost -- Lama Rabi Rabi (DRAG CITY) is WXYC’s first newsletter of 1998; hope- the WXYC mission into their weekly pro- 11. Red Krayola -- Hazel (DRAG CITY) 12. Irving Klaw Trio -- Utek Pahtoo Mogoi (ROAD CONE) fully, more newsletters will be forthcoming, grams. 13. Stereolab -- Dots and Loops (ELEKTRA) as we’ve decided that this handy one-page As you will see upon further perusal, 14. V/A -- Cuban Gold 3 (QBADISC) 15. Gravediggaz -- The Pick, The Sickle and the Shovel (GEE STREET/V2) format is the way to keep you, the listeners, 1997 was an exciting year for us here at 16. -
Testimony of Mac Mccaughan Co
Testimony of Mac McCaughan Co-founder, Merge Records On the “Future of Radio” Hearing Senate Commerce Committee October 24, 2007 Testimony of Mac McCaughan, Merge Records October 24, 2007 Chairman Inouye, Senator Stevens and members of the committee, it is an honor to testify before you today at such a crucial hearing. My name is Mac McCaughan, and I’m the co-founder of Merge Records, an independent record label based in Chapel Hill, North Carolina, that has released over 300 albums from the 60 bands on our roster over the past 20 years. I’m also a musician and a songwriter, with 11 full-length records released by my band Superchunk, and 6 albums I’ve recorded under the name Portastatic. Radio has always been very important to me. In fact, it has a lot to do with why I sit here today. Unlike any other medium, radio fosters a direct relationship between music and the listener. As a kid I went to sleep and woke up to the radio in an era when – even on album rock radio – the DJ was playing his or her favorite new records. Then, at the age of 12, college radio exposed me to music that I had never heard on top 40 or album rock stations. The music I discovered then set me on the course of making music myself and starting a record label. And since that time, as both a performer and a label owner, I have relied on radio as an essential component of the work we do helping audiences learn about our music. -
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{PDF EPUB} Our Noise the Story of Merge Records the Indie Label
Read Ebook {PDF EPUB} Our Noise The Story of Merge Records the Indie Label That Got Big and Stayed Small by John Cook Our Noise: The Story of Merge Records, the Indie Label That Got Big and Stayed Small by John Cook. There is a certain innocence contained in Our Noise that simply cannot be faked. In short, it’s the story of a group of kids in North Carolina that simply got together and made some music; nothing more, and nothing less. Some of them knew how to write songs, some couldn’t even play an instrument, but friends (and friends of friends) inevitably got wrapped up into Mac McCaughan’s crazy world of off-kilter rock, all of them forming bands and making singles that had no potential to get played on any radio station whatsoever. Then again, making “hits” wasn’t the point: they were making music for fun, and Merge Records — which distributed all of the 7″ singles from all these side-projects — was a label that was born more out of necessity than anything else: when a small group of those North Carolina bands decided to release a bunch of their songs together in a cheaply-made box set called evil I do not… (featuring the likes of the Angels of Epistemology, Wwax, and the Slushpuppies — the latter of which was McCaughan’s first band), they formed a small one-off label called Palindrome Productions. Shortly thereafter, Mac’s friend (and later Superchunk bassist) Laura Ballance got in on the act as well and, with little fanfare, Merge Records was born. -
New Mum E Juij J, D1):3
New Mum e Juij j, D1):3 •••••. It ti, Ht \b ,1, ,(1 •• ••••••• 0••••••••••• , •••••••••ibie •gbe•ir •••eu ••11•Clv••111. ••••••••••1 ••••.•••641 Cbeloo ,)ocoeet ALANIS MORISSETTE RAVIKIRANMAHAL/BHATT FUGAZ! FEMI KUTI Rules: Just put something in this bed! You can draw, paste, decoupage, or otherwise construct something to fill in the space. Feel free to use Gene a facsimile of this page. You can make your entry as filthy as you like, but we are a pretty classy "Sleep Well Tonight" contest organization, so your entry probably won't win unless it's a particularly brilliant execution. The hr winners will be chosen based on several factors, including originality, FILL IN THE BED! creativity, uniqueness, ingenuity and appeal. The decision of our judges is final. And, no, they cannot be bought. "Sleep Well Tonight" contest prizes First prize: A weekend for two (air transportation and 2 nights hotel) in the city of your choice (within the continental U.S.), and a Gene flight jacket (approximate value: $1,000) 5 Second prizes: A comfy pillow and a Gene flight jacket (approximate value: $75) 10 Third prizes: A sleep mask and an autographed copy of the Gene Olympian vinyl (approximate value: $20) Send entries to: "Sleep Well Tonight" contest c/o Scott Carter 1416 N. La Brea Ave. Hollywood CA 90028 Enter as many times as you want, but only one entry per envelope, please. No purchase necessary to enter Sponsored by PolyGram Records, Inc To enter by wrifing. send a postcard lo PolydonAllas Records, 1416 N. La Brea Ave Hollywood, CA 90028. -
31/ 11108=Eneet ALL for AOC 90198 24498 FREDERICK TIDEAN
31/ 11108=eneet ALL FOR AOC 90198 24498 FREDERICK TIDEAN KUOR — REDLANDS 8374 wercIA AVE - RIVERSIDE CA 92SO4 er0721111177 Original Motion Picture Soundtrack featuring new music from: Featuring Tonic Third Eye Blind Blink 182 Sugar Ray Super TransAtlantic Dishwalla Dan Wilson of Semisonic & Bic Runga Shades Apart Bachelor Number One Goldfinger Bic Runga The Loose Nuts The Atomic Fireballs There's something about your first piece. IN STORES JUNE 29 gar> r, MOVIE OPENS JULY 111,11Vt.SAI At college radio now! Contact Aaron Scott @ (212) 373-0779 CRINew Music Ré ort JULY 5, 1999 ISSUE 625 VOL. 59 NO. 3 WWW.CMJ.COM MUST HEAR MP3 Rio Player Ruled Legal The RIAA has failed in its most recent attempt to stop the distribution of Diamond Multimedia's portable MP3 Rio player. The Ninth Circuit U.S. Court of Appeals in San Francisco ruled that Diamond Multimedia's Rio player does not, as the RIAA claimed, violate the Audio Home Recording Act of 1992. The RIAA's appeal was the result of alower-court ruling that rejected the organization's October lawsuit, which alleged that the player violated the 1992 law. The Act requires makers of digital audio recorders to use technology that prevents the re-record- ing of copyrighted music. The court stated that the Act does not apply to the Rio player, because the device does not function primarily as a recorder. The court also said that the players were exempt from the Act since the digital files that Rio downloads come from computer hard drives, and not directly from DATs or CDs. -
A Guide to Essential American Indie Rock (1980 – 2005)
SOUND RECORDING REVIEWS EDITED BY RICK ANDERSON A Guide to Essential American Indie Rock (1980 – 2005) Vincent J. Novara and Stephen Henry1 Indie rock is a genre of popular music presently attaining more commercial appeal and academic investigation than at any point in its relatively short history. The term “indie rock” was first introduced around 1980 in the United Kingdom where the first charts for independent artists were compiled.2 The genre remains somewhat vaguely defined, but its practitioners are generally characterized by some degree of separation from the business practices and creative control of the large corporations operating major labels. Indie rock is more difficult to define in strictly musical terms, as it contains many subgenres that embrace rock music and other divergent styles equally.3 However, while independence from major labels is of fundamental importance to indie rock, this factor alone is not enough to fully describe the genre.4 Partly as a result of the impulse to remain independent of mainstream expectations, a distinct indie rock sound has developed.5 The hallmarks of this sound 1 Vincent J. Novara ([email protected]) is the Curator for Special Collections in Performing Arts at the Michelle Smith Performing Arts Library, University of Maryland. Stephen Henry ([email protected]) is Music Librarian for the Michelle Smith Performing Arts Library, University of Maryland. 2 Wendy Fonarow, Empire of Dirt (Middletown, Connecticut: Wesleyan University Press, 2006), 32. 3 Ryan Hibbett, “What is Indie Rock?” Popular Music and Society 28, no. 1 (February 2005): 59. 4 There are examples of independent artists that do not typically fall into the indie rock canon (i.e. -
JUNE 25- JULY 1, 2015 Barbie Brown: Best Karaoke Host Nice Folks Sometimes Do Finish First Barbie Brown Has a Following
JUNE 25- JULY 1, 2015 Barbie Brown: Best Karaoke Host Nice Folks Sometimes Do Finish First Barbie Brown has a following. Spend a few min- effort. “I wouldn’t be able to put on the shows I do utes with her, and it’s easy to see why. without the equipment and the music,” she said. Brown is one of the karaoke jockeys (kayjays, in True enough. Shooting Star Productions is owned the parlance of the industry) with Shooting Star Pro- by Nacho’s father, Stu Black, and it’s Black who keeps ductions. And for the third year in a row, Brown’s fans the equipment and the music up to date so that people have voted her Best Karaoke Host. can put their name on a list, throw caution to the wind When I met up with Brown at Uncle Lou’s Steel and belt out a tune. Or something close to one any- Mill Tavern on Taylor Street, way. where she hosts karaoke ev- “The ability to sing is not ery Friday and Saturday night, a requirement,” Brown said. she had two of her co-workers “I always say there’s no such with her, Christie Timmons thing as bad karaoke. We still and Nathan “Nacho” Black. I have people that come out asked Brown what made her and can’t sing a note to save so popular as a kayjay. Her an- their life and just have a blast. swer was that she’s married to Sometimes those are the most Travis Brown, the bass player energetic performances of the for Pop ‘n’ Fresh and the Tone evening.” Junkies.