Surface Acoustic Wave (SAW) for Chemical Sensing Applications of Recognition Layers †
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Surface Acoustic Wave Driven Microfluidics – a Review
Surface Acoustic Wave Driven Microfluidics – A Review Author Luong, TD, Nguyen, NT Published 2010 Journal Title Micro and Nanosystems DOI https://doi.org/10.2174/1876402911002030217 Copyright Statement © 2010 Bentham Science Publishers. This is the author-manuscript version of this paper. Reproduced in accordance with the copyright policy of the publisher. Please refer to the journal website for access to the definitive, published version. Downloaded from http://hdl.handle.net/10072/62189 Griffith Research Online https://research-repository.griffith.edu.au Surface Acoustic Wave Driven Microfluidics Trung-Dung Luong and Nam-Trung Nguyen* School of Mechanical and Aerospace Engineering, Nanyang Technological University, 50 Nanyang Avenue, Singapore, 639798 *Address correspondence to this author at the School of Mechanical and Aerospace Engineering, Nanyang Technological University, 50 Nanyang Avenue, Singapore, 639798 E-mail: [email protected] Tel: (+65) 67904457 Fax: (+65) 67911859 Abstract: This paper presents a systematic overview on the recent works on surface acoustic wave (SAW) driven microfluidics. SAW microfluidics is based on acoustic streaming induced by leaky SAW radiation into a liquid. The development of this field attracts attention from microfluidic research community due to its rapid actuation, programmable capability, simple and yet efficient operation. In our paper, SAW microfluidic applications are categorized into droplet-based applications and continuous-flow applications. Droplet is actuated into unique behaviours depending on the applied SAW power. A wide range of droplet based applications have been employed utilizing these behaviours. In continuous-flow system, applications are further categorized based on the interaction of travelling SAW and standing SAW with the bulk liquid. Finally, future perspectives of SAW driven microfluidics are discussed. -
Surface Acoustic Wave Optical Modulation by Stanley Seokjong Hong
Surface Acoustic Wave Optical Modulation by Stanley Seokjong Hong Submitted to the Department of Electrical Engineering and Computer Science in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY February 2001 @ Stanley Seokjong Hong, MMI. All rights reserved. BARKER The author hereby grants to MIT permission to reproduce and distribute publicly paper and electronic copies of this thesis document in whole or in part. 4~ ~ WUTE OF T 3CHNOL2GY rJUL 11 2 LIBRARIES A uthor ............................ .. .... Department of Electrical E ixiering and Computer Science February, 2 2001 C ertified by ..... ................. .. ....................... Dennis M. Freeman Associate Professor Thpsps Supervisor Accepted by........... .. Arthur C. Smith Chairman, Department Committee on Graduate Students Surface Acoustic Wave Optical Modulation by Stanley Seokjong Hong Submitted to the Department of Electrical Engineering and Computer Science on February, 2 2001, in partial fulfillment of the requirements for the degree of Master of Engineering in Electrical Engineering and Computer Science Abstract The lack of refractive optical elements at ultraviolet (UV) and X ray wavelengths has made the construction of high-performance optical systems such as microscopes and photolithography projectors difficult at wavelengths below 200 nm. Synthetic aper- ture optical systems potentially eliminate the need for refractive elements by using sets of electronically modulated laser beams to synthesize the front apertures of high- performance optical systems. However, the optical modulators typically used with synthetic aperture optics are themselves refractive elements. As a solution, this the- sis developed surface acoustic wave optical modulation, an all-reflective technique for optical modulation that in principle scales from visible to UV and X ray wavelengths and is suitable for use in synthetic aperture optical systems. -
The 2019 Surface Acoustic Waves Roadmap
Journal of Physics D: Applied Physics TOPICAL REVIEW • OPEN ACCESS The 2019 surface acoustic waves roadmap To cite this article: Per Delsing et al 2019 J. Phys. D: Appl. Phys. 52 353001 View the article online for updates and enhancements. This content was downloaded from IP address 130.183.90.175 on 21/08/2019 at 14:25 IOP Journal of Physics D: Applied Physics Journal of Physics D: Applied Physics J. Phys. D: Appl. Phys. J. Phys. D: Appl. Phys. 52 (2019) 353001 (40pp) https://doi.org/10.1088/1361-6463/ab1b04 52 Topical Review 2019 The 2019 surface acoustic waves roadmap © 2019 IOP Publishing Ltd Per Delsing1, Andrew N Cleland2, Martin J A Schuetz3, JPAPBE Johannes Knörzer4 , Géza Giedke5,6 , J Ignacio Cirac4 , Kartik Srinivasan7, Marcelo Wu7,8, Krishna Coimbatore Balram7,9, 10 10 11 353001 Christopher Bäuerle , Tristan Meunier , Christopher J B Ford , Paulo V Santos12 , Edgar Cerda-Méndez13 , Hailin Wang14 , Hubert J Krenner15,16,30 , Emeline D S Nysten15, P Delsing et al Matthias Weiß15, Geoff R Nash17 , Laura Thevenard18 , Catherine Gourdon18 , Pauline Rovillain18, Max Marangolo18 , Jean-Yves Duquesne18 , Gerhard Fischerauer19 , Werner Ruile20, Alexander Reiner15, Ben Paschke15, Dmytro Denysenko15,28, 15 15,16 21 Printed in the UK Dirk Volkmer , Achim Wixforth , Henrik Bruus , Martin Wiklund22, Julien Reboud23 , Jonathan M Cooper23 , YongQing Fu24 , Manuel S Brugger15, Florian Rehfeldt25 and JPD Christoph Westerhausen15,16,26,27,28 1 Microtechnology and Nanoscience, Chalmers University of Technology, 412 96 Göteborg, Sweden 10.1088/1361-6463/ab1b04 -
University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Saw 3 1080P Dual
Saw 3 1080p dual click here to download Saw III UnRated English Movie p 6CH & p Saw III full movie hindi p dual audio download Quality: p | p Bluray. Saw III UnRated English Movie p 6CH & p BluRay-Direct Links. Download Saw part 3 full movie on ExtraMovies Genre: Crime | Horror | Exciting. Saw III () Saw III P TORRENT Saw III P TORRENT Saw III [DVDRip] [Spanish] [Ac3 ] [Dual Spa-Eng], Gigabyte, 3, 1. Download Saw III p p Movie Download hd popcorns, Direct download p p high quality movies just in single click from HDPopcorns. Jeff is an anguished man, who grieves and misses his young son that was killed by a driver in a car accident. He has become obsessed for. saw dual audio p movies free Download Link . 2 saw 2 mkv dual audio full movie free download, Keyword 3 saw 2 mkv dual audio full movie free. Our Site. IMDB: / MPA: R. Language: English. Available in: p I p. Download Saw 3 Full HD Movie p Free High Quality with Single Click High Speed Downloading Platform. Saw III () BRRip p Latino/Ingles Nuevas y macabras aventuras Richard La Cigueña () BRRIP HD p Dual Latino / Ingles. Horror · Jigsaw kidnaps a doctor named to keep him alive while he watches his new apprentice Videos. Saw III -- Trailer for the third installment in this horror film series. Saw III 27 Oct Descargar Saw 3 HD p Latino – Nuevas y macabras aventuras del siniestro Jigsaw, Audio: Español Latino e Inglés Sub (Dual). Saw III () UnRated p BluRay English mb | Language ; The Gravedancers p UnRated BRRip Dual Audio by. -
A Flickering Tribute to Mason's Music Scene
From Dolly Parton to Megadeth: A Flickering Tribute to Mason’s Music Scene ver the past 30+ years, Mason’s 10,000-seat arena has been a big part of campus life and the Northern Virginia community. Since its 1985 opening, the Patriot Center (now EagleBank Arena) has been visited by more than 12 million patrons for more than 3,600 events that have ranged from ultimate fighting to the Harlem Globetrotters. InO 2010, Billboard magazine ranked the Patriot Center No. 8 nationwide and No. 18 worldwide among top-grossing venues with a capacity between 10,001 and 15,000. As the venue for both Disney On Ice and the Ringling Bros. and Barnum and Bailey Circus, the arena has been the place where many area children saw their first circus or their favorite animated movie come to life. Many have graduated from high school and college there. Adults also have fond memories of their concerts. We recently asked a Fairfax, Virginia, group on Facebook to tell us about their favorite Patriot Center concert, and received 82 responses. The list of performers is long and diverse, running the gamut from Dolly Parton to Megadeth. 10 | FASTER FARTHER: THE CAMPAIGN FOR GEORGE MASON UNIVERSITY WARNING: READING THIS LIST MIGHT MAKE YOU WANT TO RAISE YOUR LIGHTER IN MEMORY. Facebook mentions talked about Poison, Chicago, Tears for Fears, Green Day, The Cult, Lenny Kravitz, Ronnie Milsap, Sarah McLachlan, One Direction, George Jones, Mumford and Sons, Vanilla Ice, Beastie Boys, Randy Travis, The Wiggles, Phish, Dan Fogelberg, Kenny Rogers, Duran Duran, The Killers, the Moody Blues, Tom Petty and the Heartbreakers, Bob Dylan, Bruce Springsteen, and Prince, among others. -
Smartset® Saw – Operation and Maintenance
Operation and Maintenance Manual SmartSet ® Saw Component Saw Copyright © 2005, 2008 MiTek®. All rights reserved. 001047 Patented. See Legal Notice for list of patents. Rev. B Operation and Maintenance Manual ® SmartSet Saw Component Saw U.S. and other patents pending. MiTek 001047 Machinery Division Revision B 301 Fountain Lakes Industrial Dr. Revision date 20 February 2008 Print date 14 March 2008 St. Charles, MO 63303 Revised by R. Widder phone: 800-523-3380 Approved by G. McNeelege fax: 636-328-9218 www.mii.com Applicability: PN 78610 Contents Preliminary Pages Contents. ii Trademark . vii Legal Notice . vii Notice of Change. viii Safety (English) Safety Indicators . x Safety Rules . xi Lockout/Tagout . xiii Lockout/Tagout Guidelines . xiii Electrical Lockout/Tagout Procedures . xiv Pneumatic System Lockout/Tagout Procedure . xvii Troubleshooting With an Energized Machine . xvii Restricted Zone . xviii Seguridad (Español) Indicadores de seguridad . xx Reglas de seguridad . xxi Bloqueo/Etiquetado . xxiv Pautas de bloqueo/etiquetado . xxiv Procedimientos de bloqueo/etiquetado eléctricos xxv Procedimiento de bloqueo/etiquetado del sistema neumático . .xxviii Solución de problemas con una máquina energizada xxviii Zonas restringida . xxix General Information Chapter 1 Introduction to This Manual . 2 Purpose of This Manual . 2 Using This Manual . 2 Introduction to This Equipment . 3 Purpose of the Equipment . 3 Overview of the Equipment . 3 Components and Options . 3 System Identification . 5 General Specifications . 6 Prior to Installation Chapter 2 MiTek’s Responsibilities . 7 Prior to Installation . 7 During Installation . 7 Customer’s Responsibilities . 8 Space Requirements . 9 Location Requirements . 10 Electrical Requirements . 11 Pneumatic System Requirements . 11 Shipping Information . 11 Customer-Supplied Parts . -
Analysis and Design of Miniaturized Rf Saw Duplexer Package
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2005 Analysis And Design Of Miniaturized Rf Saw Duplexer Package Hao Dong University of Central Florida Part of the Electrical and Electronics Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Dong, Hao, "Analysis And Design Of Miniaturized Rf Saw Duplexer Package" (2005). Electronic Theses and Dissertations, 2004-2019. 441. https://stars.library.ucf.edu/etd/441 ANALYSIS AND DESIGN OF MINIATURIZED RF SAW DUPLEXER PACKAGE by HAO DONG Eng.D. Zhejiang University, 1997 M.S. Northwestern Polytechnical University, 1994 B.S. Northwestern Polytechnical University, 1991 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Electrical and Computer Engineering in the College of Engineering and Computer Science at the University of Central Florida Orlando, Florida Summer Term 2005 Major Professor: Thomas X. Wu © 2005 Hao Dong ii ABSTRACT This dissertation provides a comprehensive methodology for accurate analysis and design of miniaturized radio frequency (RF) surface acoustic wave (SAW) duplexer package. Full-wave analysis based on the three dimensional (3-D) finite element method (FEM) is successfully applied to model the package. The die model is obtained by combining the acoustics and die busbars parasitics models. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Screendollars Newsletter 2021-04-26.Pdf
Monday, April 26, 2021 | No. 165 One of the things moviegoers like most about going to theatres is seeing films on the Big Screen, "the way they were meant to be seen." What people don't realize is that when films started in the mid-1890s, there were neither screens nor projectors. The very short films of that era were meant to be seen individually by looking into peep show machines in arcades. Those Kinetoscope devices were one of many inventions from Thomas Edison's factory in West Orange, NJ. Since Edison was monetizing his Kinetoscopes quite well, he had no interest in developing a machine to project film images on walls. Others, however, saw a big future in showing films to groups of people. Peep show owners, in fact, were very vocal in pressing Edison to devise a Film projection to large audiences was much more way to show life size images on arcade walls. This led to the Vitascope profitable than viewing through individual kiosks, since projection system, developed by Washington, DC inventor Thomas Armat, fewer machines were needed in proportion to the but then marketed by Edison's organization as if it were his own invention. number of viewers - Click to Play The first public Vitascope screening took place April 23, 1896 at Koster & Biel's Music Hall, a vaudeville house in New York's Herald Square at 34th Street near Broadway, the site today of Macy's. It would have premiered three days earlier, but it took longer than expected to install the machinery. That first night audience was dazzled by film images projected on a 20 foot canvas screen set within a gilded frame.