Annual Report 2018
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In Concert OCTOBER–NOVEMBER 2012
ABOUT THE MUSIC SCHUBERT QUINTET /IN CONCERT OCTOBER–NOVEMBER 2012 ROMEO AND JULIET 1 AND 2 NOVEMBER PRESENTED IN ASSOCIATION WITH THE SOLDIER’S TALE 11 NOVEMBER DURUFLÉ REQUIEM 15–17 NOVEMBER MEET YOUR MSO MUSICIANS: ELEANOR MANCINI AND ROBERT CLARKE JOHN BELL ON SHAKESPEARE AND MUSIC BENJAMIN NORTHEY’S INCREDIBLE MONTH OF MUSIC-MAKING JONATHAN GRIEVES- SMITH ON PREPARING DURUFLÉ twitter.com/melbsymphony facebook.com/melbournesymphony Download our free app 1 from the MSO website. www.mso.com.au/msolearn THE SPONSORS PRINCIPAL PARTNER MSO AMBASSADOR Geoffrey Rush GOVERNMENT PARTNERS MAESTRO PARTNER CONCERTMASTER PARTNERS MSO POPS SERIES REGIONAL TOURING PRESENTING PARTNER PARTNER ASSOCIATE PARTNERS SUPPORTING PARTNERS MONASH SERIES PARTNER SUPPLIERS Kent Moving and Storage Quince’s Scenicruisers Melbourne Brass and Woodwind Nose to Tail WElcOME As I write this I’m in the middle trombonist Michael Bertoncello as of my busiest period with the soloist, as well as daytime concerts Orchestra so far, as we offer a for schools. snapshot of the diverse life of a The month began with music for modern symphony orchestra, with the whole family (even across a concerts for all ages and musical range of species!) as the MSO tastes, in venues from Melbourne brought Saint-Saëns’ magical Zoo to the Capital in Bendigo, and Carnival of the Animals to Melbourne featuring spoken word, film and Zoo, with Nick Enright’s wonderful the mighty MSO Chorus. verse narrated by Noni Hazlehurst. The unique collaboration with This is the kind of event that gives Bell Shakespeare promises to so many young people their first be a perfect marriage of classic taste of live orchestral music. -
The Statement
THE STATEMENT A Robert Lantos Production A Norman Jewison Film Written by Ronald Harwood Starring Michael Caine Tilda Swinton Jeremy Northam Based on the Novel by Brian Moore A Sony Pictures Classics Release 120 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS SHANNON TREUSCH MELODY KORENBROT CARMELO PIRRONE ERIN BRUCE ZIGGY KOZLOWSKI ANGELA GRESHAM 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, 550 MADISON AVENUE, SUITE 1005 SUITE 200 8TH FLOOR NEW YORK, NY 10024 LOS ANGELES, CA 90046 NEW YORK, NY 10022 PHONE: (212) 445-7100 PHONE: (323) 655-0593 PHONE: (212) 833-8833 FAX: (212) 445-0623 FAX: (323) 655-7302 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com THE STATEMENT A ROBERT LANTOS PRODUCTION A NORMAN JEWISON FILM Directed by NORMAN JEWISON Produced by ROBERT LANTOS NORMAN JEWISON Screenplay by RONALD HARWOOD Based on the novel by BRIAN MOORE Director of Photography KEVIN JEWISON Production Designer JEAN RABASSE Edited by STEPHEN RIVKIN, A.C.E. ANDREW S. EISEN Music by NORMAND CORBEIL Costume Designer CARINE SARFATI Casting by NINA GOLD Co-Producers SANDRA CUNNINGHAM YANNICK BERNARD ROBYN SLOVO Executive Producers DAVID M. THOMPSON MARK MUSSELMAN JASON PIETTE MICHAEL COWAN Associate Producer JULIA ROSENBERG a SERENDIPITY POINT FILMS ODESSA FILMS COMPANY PICTURES co-production in association with ASTRAL MEDIA in association with TELEFILM CANADA in association with CORUS ENTERTAINMENT in association with MOVISION in association with SONY PICTURES -
Equity Magazine Autumn 2020 in This Issue
www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX. -
The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000. -
By Jeeves a Diversionary Entertainment
P lum Lines The quarterly journal of The Wodehouse Society Vol. 17 N o 2 S u m m er 1996 I h i l l I f \ i\ ilSI | PAUL SARGFNT ,„ 1hc highly unlikely even, of the euneelton of ,o„igh,'« f t * . C»>eer, l,y Mr. Wooster, the following emergency entertainment m . performed in its stead. By Jeeves a diversionary entertainment A review by Tony Ring Wodehouse, with some excellent and vibrant songs, also eminently suitable for a life with rep, amateur and school The Special Notice above, copied from the theater program, companies. indicates just how fluffy this ‘Almost Entirely New Musical’ is. First, the theatre. It seats just over 400 in four banks of Many members have sent reviews and comments about this seats, between which the aisles are productively used for popular musical and I can’t begin to print them all. My apolo the introduction o f the deliberately home-made props, gies to all contributors not mentioned here.—OM such as Bertie Wooster’s car, crafted principally out of a sofa and cardboard boxes. Backstage staff are used to h e choice o f B y Jeeves to open the new Stephen bring some o f the props to life, such as the verges on the Joseph Theatre in Scarborough has given us the edge o f the road, replete with hedgehogs, and die com T opportunity to see what can be done by the combinationpany cow has evidently not been struck down with BSE. o f a great popular composer, a top playwright, some ideas The production is well suited to this size o f theatre: it and dialogue from the century’s greatest humorist, a would not sit easily in one of the more spectacular auditoria talented and competent cast, and a friendly new theatre in frequently used for Lloyd Webber productions. -
Equity Magazine Autumn 2018
www.equity.org.uk MAGAZINE AUTUMN 2018 National Theatre joins Safe Spaces campaign Celebrating the creativity of Northern Ireland New partnership with Actors Centre AGENT OF CHANGE Dawn Hope launches our Change Network CONFERENCE REPORT ELECTION RESULTS WEST END DEAL INSURANCE? EQUITY MAGAZINE SUMMER 2018 IN THIS ISSUE 4 NEWS New Equity Council, discussing artist mental Exclusive Professional Property Cover for health in Parliament and a West End claim Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Red Sarah: variety performer, mentor, VCEC 14 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. member and founder of the Burlesque Network 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK Protecting Northern Irish arts, members 18 marching and new website Tel 020 8686 5050 14 DAWN HOPE First Act Insurance* is the preferred insurance intermediary to Why the musical theatre star is getting involved *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 in the union’s Change Network 18 CHANGE NETWORK Equity’s new initiative to amplify black First Act Insurance presents... members’ voices 20 ARC Motions and more from the union’s Annual Representative Conference 10 24 PRESIDENT MAUREEN BEATTIE 26 The actress’s inaugural column 26 CAMPAIGNS Safe Spaces, Brexit, fighting pension inequality 28 HAVE YOUR SAY Theatre’s Girl Club and tips to manage stress Key features include 30 YOUR EQUITY 32 24 • Competitive online quote and buy cover provided by HISCOX. -
John Ashbery 125 Part Twelve the Voyages of John Matthias 133
Göran Printz-Påhlson Letters of Blood and other works in English EDITED BY ROBERT ARCHAMBEAU To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/86 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Letters of Blood and other works in English Göran Printz-Påhlson Edited by Robert Archambeau https://www.openbookpublishers.com © 2011 Robert Archambeau; Foreword © 2011 Elinor Shaffer; ‘The Overall Wandering of Mirroring Mind’: Some Notes on Göran Printz-Påhlson © 2011 Lars-Håkan Svensson; Göran Printz-Påhlson’s original texts © 2011 Ulla Printz-Påhlson. Version 1.2. Minor edits made, May 2016. Some rights are reserved. This book is made available under the Creative Commons Attribution- Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial use, providing author attribution is clearly stated. Attribution should include the following information: Göran Printz-Påhlson, Robert Archambeau (ed.), Letters of Blood. Cambridge, UK: Open Book Publishers, 2011. http://dx.doi.org/10.11647/OBP.0017 In order to access detailed and updated information on the license, please visit https://www. openbookpublishers.com/product/86#copyright Further details about CC BY-NC-ND licenses are available at https://creativecommons.org/ licenses/by-nc-nd/2.0/ All the external links were active on 02/5/2016 unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Digital material and resources associated with this volume can be found at https://www. -
Allegations of Child Sexual Abuse Linked to Westminster: Investigation Report
Allegations child sexual of abuse Westminster to linked Allegations of child sexual abuse linked to Westminster Investigation Report Investigation Investigation Report February 2020 February 2020 2020 Allegations of child sexual abuse linked to Westminster Investigation Report February 2020 A report of the Inquiry Panel Professor Alexis Jay OBE Professor Sir Malcolm Evans KCMG OBE Ivor Frank Drusilla Sharpling CBE © Crown copyright 2020 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as Crown copyright and the document title specified. Where third‑party material has been identified, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected] or Freepost IICSA INDEPENDENT INQUIRY. This publication is available at https://www.iicsa.org.uk/reports CCS1219768174 02/20 Printed on paper containing 75% recycled‑fibre content minimum. Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office. The following corrections were made to this version of the report on 29 May 2020: Page vii, paragraph 3: was amended to read ‘hand over the same documents’. Page 159 in Annex 1: profession removed, amended to read David Ford Campbell-Chalmers Contents Executive Summary v Part A: Introduction 1 A.1: Background -
Annual Report 2010–2011 Annual Report 2010–2011 ‘…The National Theatre Must… Bulk Large in the Social and Intellectual Life of London
National Theatre Theatre National Annual Report 2010–2011 Report Annual Annual Report 2010–2011 ‘…theNationalTheatremust…bulklargeinthesocial andintellectuallifeofLondon...Itmustnotevenhave theairofappealingtoaspeciallyliteraryandculturedclass. Itmustbevisiblyandunmistakablyapopularinstitution, makingalargeappealtothewholecommunity. ItwillbeseenthattheTheatreweproposewouldbe aNationalTheatreinthissense,thatitwouldbefrom thefirstconditionally–and,intheeventofsuccess, wouldbecomeabsolutely–thepropertyofthenation.’ Preface(1904)to A National Theatre: Scheme and Estimates byWilliamArcherandHarleyGranvilleBarker,London1907 ‘It’sagreattimetobeanationaltheatre,andtorisetothe challengeoflivinguptoourname.Wewanttotellthestories thatchartthewaythenationischanging.Wewanttobring front-linereportsfromnewcommunitiesandgenerations, andwewanttoseethepresentredefinedinthecontext ofthepast.’ NicholasHytner,DirectoroftheNationalTheatre,2010 Annual Report For the 52 weeks ended 27 March 2011 03 Board and Advisers 05 Purpose, Vision and Objectives 06 John Makinson, Chairman 09 Nicholas Hytner, Director 10 Introduction 12 National Theatre Future 16 Artistic Review 19 National Theatre Productions 2010–11 23 Awards 24 NT Studio 26 Audiences 29 National Theatre Live 30 Public Engagement 34 NT Learning 38 Digital Innovation 41 Leadership 42 Sustainability 44 Development and Fundraising 46 Supporters 2010-11 56 Performers 2010-11 59 NT Associates and Committee Membership 60 NT Heads of Department; photograph captions In this document, The Royal National Theatre -
The Royal Lyceum Theatre, Edinburgh and Chichester Festival
The Royal Lyceum Theatre, Edinburgh and Chichester Festival Theatre present the World Première of PRESSURE A new play by David Haig Directed by John Dove 1-24 May at Royal Lyceum Theatre, Edinburgh June 1944. One man’s decision is about to change the course of history. An intense real-life thriller centred on the most important weather forecast in the history of warfare. Scottish meteorologist, Group Captain James Stagg (played by David Haig), son of a Dalkeith plumber, must advise General Eisenhower on when to give the order to send thousands of waiting troops across the Channel in Operation Overlord. In what became the most volatile period in the British Isles for over 100 years, the future of Britain, Europe and our relationship with the United States, rested on the shoulders of one reluctant Scotsman. Pressure is the extraordinary and little known story of a Scot who changed the course of war, and our lives, forever. David Haig is a four time nominee and Olivier Award winning actor best known for his roles in the film Four Weddings and a Funeral , TV series The Thin Blue Line and The Thick of It and stage production The Madness of King George III (National Theatre). He is also an award winning playwright. He wrote, and starred alongside Daniel Radcliffe in My Boy Jack - which was made into a TV drama for Granada in 2007. David Haig says: "My play is about a forgotten hero. A Scottish meteorologist, modest, tenacious and brilliant, who helped to save Europe in 1944. I'm absolutely thrilled that this Scottish story is to open at the Royal Lyceum in Edinburgh. -
Equity Annual Report 2007
EQUITY ANNUAL REPORT 2007 The seventy-seventh annual report Adopted by the Council at its meeting held on April 27, 2008 for submission the Annual Representative Conference 18&19 May, 2008 Equity Incorporating the Variety Artistes’ Federation Guild House Upper St Martin’s Lane London WC2H 9EG Tel: 0207 379 6000 Fax: 0207 379 7001 E-mail: [email protected] Website: www.equity.org.uk ANNUAL REPORT 2007 1. GENERAL....................................................................... 1 A. Annual Representative Conference............................................................ 1 B. Ballots ........................................................................................................... 1 C. Diversity Conference ................................................................................... 1 D. Lobbying Activities...................................................................................... 1 E. Marketing and membership services ......................................................... 3 F. Clarence Derwent Awards 2005 .................................................................. 5 G. Rules Working Party.................................................................................... 5 2. THEATRE, VARIETY & CIRCUS ................................... 6 A. General.......................................................................................................... 7 B. London Theatre............................................................................................ 7 C. Commercial and Subsidised -
SPEAKING out AGAINST SEXUAL HARASSMENT Helen Vine Describes How Equity Helped Win Her Harassment Case
www.equity.org.uk MAGAZINE SUMMER 2018 Union launches its Creating Safe Spaces campaign Our Deputy on Hamilton discusses representation Know your rights on low pay work SPEAKING OUT AGAINST SEXUAL HARASSMENT Helen Vine describes how Equity helped win her harassment case PRESIDENT SINCLAIR’S EQUITY DISTRIBUTES IMPROVED PAY AND FINAL COLUMN £6.4 MILLION PENSIONS ITC DEAL INSURANCE? EQUITY MAGAZINE SUMMER 2018 IN THIS ISSUE 4 FRONT OF HOUSE Designers’ working group, shared parental Exclusive Professional Property Cover for leave rally and organising the games industry Equity members 7 UPFRONT Christine Payne, General Secretary UK/Europe or Worldwide 8 MEET THE MEMBERSHIP cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer Obioma Ugoala, Hamilton’s George 14 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. Washington and Equity dep 10 SUCCESS STORIES GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK New ITC agreement, Equity distributes £6.4m 18 and a new ERA for Equality Tel 020 8686 5050 14 FACING SEXUAL HARASSMENT First Act Insurance* is the preferred insurance intermediary to Helen Vine speaks about her experiences and *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 standing up to her attackers 18 CREATING SAFE SPACES Tackling harassment in the workplace and First Act Insurance presents... promoting the union’s helpline 20 LOW PAY/NO PAY NEED-TO-KNOW Know your rights and know what to look for in a non-Equity contract 22 TUC REPORT What happened at the TUC Women’s and TUC Young Workers’ Conferences 26 PRESIDENT MALCOLM SINCLAIR Malcolm’s final presidential column 6 22 27 IN APPRECIATION Kenneth Haigh Key features include • Competitive online quote and buy cover provided by HISCOX.