Follies – Full Casting Announcement

Total Page:16

File Type:pdf, Size:1020Kb

Follies – Full Casting Announcement FOLLIES – FULL CASTING ANNOUNCEMENT Book by James Goldman, Music and Lyrics by Stephen Sondheim Directed by Dominic Cooke Olivier Theatre Previews from 22 August, Press Night 6 September, last performance 3 January 1971, New York. There’s a party on the stage of the Weissman Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Including such classic songs as Broadway Baby, I’m Still Here and Losing My Mind, Stephen Sondheim’s legendary musical is staged for the first time at the NT. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, the production is directed by Dominic Cooke (Ma Rainey’s Black Bottom). Director Dominic Cooke said: “Sondheim is one of the great innovators of modern theatre. Everything he has written breaks new ground thematically and finds a fresh form to express it. His restless, questing spirit defines, for me, what it means to be an artist. I love Follies for its iconic score, brutal honesty and psychological accuracy. It depicts a profound crisis and that most American of themes: the question for authenticity in a world of illusion. For this production we have put together a book mainly drawn from original 1971 text with some additions from later rewrites. We have brought together an incredible cast and a top notch team. I can't wait to get started.” Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work at the NT includes A Little Night Music, Sweeney Todd and Sunday in the Park with George. The cast includes Julie Armstrong (Christine Donovan), Norma Atallah (Emily Whitman), Josephine Barstow (Heidi Schiller), Jeremy Batt (Chorus Boy) Tracie Bennett (Carlotta Campion), Di Botcher (Hattie Walker), Billy Boyle (Theodore Whitman), Janie Dee (Phyllis Rogers Stone), Anouska Eaton (Young Emily), Liz Ewing (Company), Geraldine Fitzgerald (Solange Lafitte), Peter Forbes (Buddy Plummer), Emily Goodenough (Showgirl), Bruce Graham (Roscoe), Adrian Grove (Sam Deems), Fred Haig (Young Buddy), Aimee Hodnett (Young Hattie), Dawn Hope (Stella Deems), Liz Izen (Deedee West), Alison Langer (Young Heidi), Emily Langham (Young Carlotta), Sarah-Marie Maxwell (Young Solange), Ian McLarnon (Company), Leisha Mollyneaux (Young Stella), Gemma Page (Sandra Crane) Kate Parr (Young Sandra), Philip Quast (Ben Stone), Edwin Ray (Chorus Boy), Gary Raymond (Dimitri Weissman), Adam Rhys-Charles (Young Ben), Jordan Shaw (Chorus Boy), Imelda Staunton (Sally Durrant Plummer), Zizi Strallen (Young Phyllis), Barnaby Thompson (Chorus Boy), Christine Tucker (Young Deedee), Michael Vinsen (Chorus Boy) and Alex Young (Young Sally). Follies is designed by Vicki Mortimer, with choreography by Bill Deamer, musical supervision by Nicholas Skilbeck, orchestrations by Jonathan Tunick, additional orchestrations by Josh Clayton, musical director Nigel Lilley, lighting design by Paule Constable and sound designer by Paul Groothuis. The original production of Follies premiered on Broadway in 1971, where it was nominated for eleven Tony Awards, and won seven. The show premiered in London in 1987, and has been revived around the world many times to great acclaim. This 2017 staging will be the first time the musical has been performed at the National Theatre. Supported by the Follies production syndicate. Press Night: Wednesday 6 September Talks and Events Janie Dee and Philip Quast – Olivier Theatre Thursday 14 Sept, 3pm The Future of Musical Theatre – Cottesloe Room, Friday 15 Sept, 6pm Dominic Cooke – Olivier Theatre, Wednesday 18 October, 6pm The Works of Stephen Sondheim – Cottesloe Room, Friday 3 November, 10.30am ENDS For images, please click here. Press contact: Emma Hardy on 020 7452 3231 / [email protected] Notes to Editors The National Theatre is dedicated to making the very best theatre and sharing it with as many people as possible. We produce productions on the South Bank in London each year, ranging from re-imagined classics to modern masterpieces and new work by contemporary writers and theatre- makers. The National’s work is seen on tour throughout the UK, in London’s West End, internationally (including on Broadway) and in collaborations and co-productions with theatres across the country. Across 2015-2016, the NT staged 34 productions and gave 3,134 performances in the UK and internationally. The NT’s award-winning programme had a UK audience of 2.5 million, 700,000 of which were NT Live audiences. The Clore Learning Centre at the NT is committed to providing programmes for schools, young people, families, community groups and adult learners, including the nationwide youth theatre festival Connections and playwriting competition New Views. In 2015-2016, we engaged with over 181,000 participants through the NT Learning events programme. Further, over 2,200 secondary schools have signed up to the free streaming service, On Demand. In Schools since its launch in September 2015. nationaltheatre.org.uk @nationaltheatre @NT_PressOffice .
Recommended publications
  • Me and Orson Welles Press Kit Draft
    presents ME AND ORSON WELLES Directed by Richard Linklater Based on the novel by Robert Kaplow Starring: Claire Danes, Zac Efron and Christian McKay www.meandorsonwelles.com.au National release date: July 29, 2010 Running time: 114 minutes Rating: PG PUBLICITY: Philippa Harris NIX Co t: 02 9211 6650 m: 0409 901 809 e: [email protected] (See last page for state publicity and materials contacts) Synopsis Based in real theatrical history, ME AND ORSON WELLES is a romantic coming‐of‐age story about teenage student Richard Samuels (ZAC EFRON) who lucks into a role in “Julius Caesar” as it’s being re‐imagined by a brilliant, impetuous young director named Orson Welles (impressive newcomer CHRISTIAN MCKAY) at his newly founded Mercury Theatre in New York City, 1937. The rollercoaster week leading up to opening night has Richard make his Broadway debut, find romance with an ambitious older woman (CLAIRE DANES) and eXperience the dark side of genius after daring to cross the brilliant and charismatic‐but‐ sometimes‐cruel Welles, all‐the‐while miXing with everyone from starlets to stagehands in behind‐the‐scenes adventures bound to change his life. All’s fair in love and theatre. Directed by Richard Linklater, the Oscar Nominated director of BEFORE SUNRISE and THE SCHOOL OF ROCK. PRODUCTION I NFORMATION Zac Efron, Ben Chaplin, Claire Danes, Zoe Kazan, Eddie Marsan, Christian McKay, Kelly Reilly and James Tupper lead a talented ensemble cast of stage and screen actors in the coming‐of‐age romantic drama ME AND ORSON WELLES. Oscar®‐nominated director Richard Linklater (“School of Rock”, “Before Sunset”) is at the helm of the CinemaNX and Detour Filmproduction, filmed in the Isle of Man, at Pinewood Studios, on various London locations and in New York City.
    [Show full text]
  • Keats' Move to Verse Brought to Life in Theatre
    H&H Series Thursday, September 14, 2017 35 ETCETERA Keats’ move to verse brought to life in theatre The moment Hampstead poet consumption. He nursed her and John Keats’ turned from later his brother Tom. In medicine to verse is dramatised hindsight it looks odd that he in an immersive play in a wanted to be a doctor but he 200-year-old operating theatre. was a caring person who spent a great deal of his life looking Audiences of 45 a time will watch after other people and I think Rebel Angel from the “incredibly would have made a brilliant claustrophobic and atmospheric” doctor.” stands where medical students Graham-Campbell says the would often faint while watching play is relevant to younger operations. audiences in dramatising “the The Old Operating Theatre choice between a traditional Museum is near Guy’s Hospital money-making job and the arts.” where Keats began studying “Keats is a writer whose early medicine in October 1815. death, sense of melancholy, and Angus Graham-Campbell’s charisma have given him rock play follows the year when he star status.” met contemporary Percy Shelley It also reflects the pivotal role in Hampstead and had his first of mentors – Keats was assistant work published. to notorious surgeon Bill “It’s exciting to bring theatre ‘butcher’ Lucas while his into such a vibrant active space,” inspirational teacher Charles says Graham-Campbell, a trustee Cowden Clarke introduced him of the Keats-Shelley House in to progressive ideas and the left Rome where the poet died of wing Hampstead radical Leigh Old operating theatre.
    [Show full text]
  • Into the Woods Is Presented Through Special Arrangement with Music Theatre International (MTI)
    PREMIER SPONSOR ASSOCIATE SPONSOR MEDIA SPONSOR Music and Lyrics by Book by Stephen Sondheim James Lapine June 28-July 13, 2019 Originally Directed on Broadway by James Lapine Orchestrations by Jonathan Tunick Original Broadyway production by Heidi Landesman Rocco Landesman Rick Steiner M. Anthony Fisher Frederic H. Mayerson Jujamcyn Theatres Originally produced by the Old Globe Theater, San Diego, CA. Scenic Design Costume Design Shoko Kambara† Megan Rutherford Lighting Design Puppetry Consultant Miriam Nilofa Crowe† Peter Fekete Sound Design Casting Director INTO The Jacqueline Herter Michael Cassara, CSA Woods Musical Director Choreographer/Associate Director Daniel Lincoln^ Andrea Leigh-Smith Production Stage Manager Production Manager Myles C. Hatch* Adam Zonder Director Michael Barakiva+ Into the Woods is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com Music and Lyrics by Book by STEPHEN JAMES Directed by SONDHEIM LAPINE MICHAEL * Member of Actor’s Equity Association, † USA - Member of Originally directed on Broadway by James LapineBARAKIVA the Union of Professional Actors and United Scenic Artists Orchestrations by Jonathan Tunick Stage Managers in the United States. Local 829. ^ Member of American Federation of Musicians, + Local 802 or 380. CAST NARRATOR ............................................................................................................................................HERNDON LACKEY* CINDERELLA
    [Show full text]
  • Musical Theatre Performance
    REQUIREMENTS FOR THE BACHELOR OF FINE ARTS IN MUSICAL THEATRE WEITZENHOFFER FAMILY COLLEGE OF FINE ARTS THE UNIVERSITY OF OKLAHOMA CREDIT HOURS AND GRADE AVERAGES REQUIRED Musical Theatre For Students Entering the Total Credit Hours . 120-130 Performance Oklahoma State System Minimum Overall Grade Point Average . 2.50 for Higher Education Minimum Grade Point Average in OU Work . 2.50 B737 Summer 2014 through A grade of C or better is required in all courses taken within the College of Fine Arts. Bachelor of Fine Arts Spring 2015 Bachelor’s degrees require a minimum of 40 hours of upper-division (3000-4000) coursework. in Musical Theatre OU encourages students to complete at least 32-35 hours of applicable coursework each year to have the opportunity to graduate in four years. Audition is required for admission to the degree program. General Education Requirements (34-44 hours) Hours Major Requirements (86 hours) Core I: Symbolic and Oral Communication Musical Theatre Performance (14 hours) Musical Theatre Support (14 hours) ENGL 1113, Principles of English Composition 3 MTHR 2122, Auditions 2 MTHR 3143, History of American 3 ENGL 1213, Principles of English Composition, or 3 MTHR 3142, Song Study I 2 Musical Theatre (Core IV) EXPO 1213, Expository Writing MTHR 3152, Song Study II 2 MTHR 4183, Capstone Experience 3 MTHR 3162, Repertoire 2 (Core V) Foreign Language—this requirement is not mandatory if the 0-10 MTHR 3172, Roles 2 Musical Theatre Electives (six of these 8 student successfully completed 2 years of the same foreign MTHR 3182, Musical Scenes I 2 eight hours must be upper-division) language in high school.
    [Show full text]
  • Dominic Cooke Director
    Dominic Cooke Director Film 2021 THE COURIER Feature film starring Benedict Cumberbatch 42/SunnyMarch World Premiere – Sundance Film Festival 2020 2017 ON CHESIL BEACH Feature film based on the novel by Ian McEwan BBC Films & Number 9 Films North American Premiere – Toronto International Film Festival 2017 Television 2016 THE HOLLOW CROWN 3 Episodes: Henry VI Part I, Henry VI Part II, Richard III BBC/ NBC Universal Television / Neal Street Productions / WNET Thirteen Theatre 2017 FOLLIES Written by Stephen Sondheim Royal National Theatre 10 Olivier Nominations including Best Director 2016 PIGS AND DOGS Written by Caryl Churchill Royal Court Theatre 2016 MA RAINEY’S BLACK BOTTOM Written by August Wilson Royal National Theatre 1 Olivier Win 2015 HERE WE GO Written by Caryl Churchill Royal National Theatre 2015 TEDDY FERRERA Written by Christopher Shinn Donmar Warehouse 2013 THE LOW ROAD Written by Bruce Norris Royal Court Theatre 2013 IN THE REPUBLIC OF HAPPINESS Written by Martin Crimp Royal Court Theatre 2012 DING DONG THE WICKED Written by Caryl Churchill Royal Court Theatre 2012 CHOIR BOY Written by Tarell Alvin McCraney Royal Court Theatre 2012 IN BASILDON Written by David Eldridge Royal Court Theatre 2011 CHICKEN SOUP WITH BARLEY Written by Arnold Wesker Royal Court Theatre 2011 THE COMEDY OF ERRORS Written by William Shakespeare Royal National Theatre 2010 CLYBOURNE PARK Written by Bruce Norris Royal Court Theatre 1 Olivier Win 2009 AUNT DAN AND LEMON Written by Wallace Shawn Royal Court Theatre 2009 THE FEVER Written by Wallace Shawn Royal Court Theatre 2009 SEVEN JEWISH CHILDREN Written by Caryl Churchill Royal Court Theatre 2008 WIG OUT! Written by Tarell Alvin McCraney Royal Court Theatre 2008 NOUGHTS AND CROSSES Director & Writer.
    [Show full text]
  • The Maple Shade Arts Council Summer Theatre the MAPLE SHADE Announces Our Summer Children's Show ARTS COUNCIL Once Upon a Mattress PROUDLY PRESENTS
    The Maple Shade Arts Council Summer Theatre THE MAPLE SHADE announces our summer children's show ARTS COUNCIL Once Upon A Mattress PROUDLY PRESENTS PERFORMANCES: August 6 @ 7:30PM August 7 @ 7:30PM August 8 @ 2:00PM and 7:30PM Tickets: $10—adults $8—children/senior citizens Visit www.msartscouncil.org to purchase tickets today! For more information about the Summer Theatre program and how to register for next year, email [email protected] Bring in your playbill or ticket to July 10, 11, 12, 17, 18, 19 @ 7:30PM 114-116 E. MAIN ST. receive a 15% discount off your Maple Shade High School MAPLE SHADE, NJ 08052 bill. Valid before or after the (856)779-8003 performances on July 10-12 and Auditorium 17-19. Not valid with any other coupons, offers, or discounts. 2014 Sponsors OUR MISSION STATEMENT The Maple Shade Arts Council wishes to express our sincere gratitude to the many sponsors to our organization. The Maple Shade Arts Council is a non-profit organization We appreciate your support of the Arts Council. comprised of educators, parents, and community members whose objective is to provide artistic programs and events that will be entertaining, educational, and inspirational for the community. The Arts Council's programming emphasizes theatrical productions and workshops, yet also includes programming for the fine and performing arts. Maple Shade Arts Council Executive Board 2014 President Michael Melvin Vice President Jillian Starr-Renbjor Secretary AnnMarie Underwood Treasurer Matthew Maerten Publicity Director Rose Young Fundraising Director Debra Kleine Fine Arts Director Nancy Haddon *ALL CONCESSIONS WILL BE SOLD PRIOR TO THE SHOW BETWEEN 6:45PM-7:25PM—THERE WILL ONLY BE A BRIEF 10 MINUTE BATHROOM/SNACK BREAK AT INTERMISSION.
    [Show full text]
  • Full Cast Announced for Follies
    7 December 2018 FULL CAST ANNOUNCED FOR FOLLIES ★★★★★ The Arts Desk, Broadway World, City A.M., Culture Whisper, Daily Express, Daily Telegraph, Financial Times, The Guardian, Independent, Metro, Musical Theatre Review, The Observer, Radio Times, The Stage, The Sunday Times, Time Out, The Upcoming WINNER: 2018 Olivier Award for Best Musical Revival and Best Costume Design FOLLIES Book by James Goldman Music and Lyrics by Stephen Sondheim Directed by Dominic Cooke Olivier Theatre Previews from 12 February, booking until 6 April 2019 After a sold-out run, Follies returns to the NT in 2019. Stephen Sondheim’s legendary musical includes such classic songs as ‘Broadway Baby’, ‘I’m Still Here’ and ‘Losing My Mind’. Featuring a cast of 40 and an orchestra of 21, Follies is directed by Dominic Cooke. Tracie Bennett, Janie Dee and Peter Forbes return to reprise their roles, with Alexander Hanson and Joanna Riding joining the cast as Ben and Sally. The Follies 2019 cast includes Julie Armstrong (Christine Donovan), Lindsay Atherton (Young Carlotta), Josephine Barstow (Heidi Schiller from mid-April until the end of the run), Rosanna Bates (Young Emily), Jeremy Batt (Young Theodore), Tracie Bennett (Carlotta Campion), Billy Boyle (Theodore Whitman), Kaye Brown (Ensemble), Janie Dee (Phyllis Rogers Stone), Anouska Eaton (Young Deedee), Liz Ewing (Ensemble), Vanessa Fisher (Young Stella), Caroline Fitzgerald (Sandra Crane), Geraldine Fitzgerald (Solange LaFitte), Peter Forbes (Buddy Plummer), Bruce Graham (Roscoe), Adrian Grove (Sam Deems), Alexander
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • FOLLIES Book by James Goldman. Music and Lyrics by Stephen Sondheim
    FOLLIES Book by James Goldman. Music and lyrics by Stephen Sondheim. Directed by Dominic Cooke Olivier Theatre Previews from 22 August, Press Night 6 September, booking until 4 November 1971, New York. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. Including such classic songs as Broadway Baby, I’m Still Here and Losing My Mind, Stephen Sondheim’s legendary musical is staged for the first time at the NT. Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling new production. Featuring a cast of 37 and an orchestra of 21, Follies is directed by Dominic Cooke (Ma Rainey’s Black Bottom). Winner of Academy, Tony, Grammy and Olivier awards, Sondheim’s previous work at the NT includes A Little Night Music, Sweeney Todd and Sunday in the Park with George. Follies is designed by Vicki Mortimer, with choreography by Bill Deamer, musical supervision by Nicholas Skilbeck, orchestrations by Jonathan Tunick, musical director Nigel Lilley, lighting design by Paule Constable and sound design by Paul Groothuis. The cast includes Josephine Barstow, Tracie Bennett, Di Botcher, Billy Boyle, Janie Dee, Geraldine Fitzgerald, Peter Forbes, Emily Goodenough, Bruce Graham, Fred Haig, Aimee Hodnett, Dawn Hope, Liz Izen, Alison Langer, Emily Langham, Sarah-Marie Maxwell, Kate Parr, Philip Quast, Edwin Ray, Gary Raymond, Adam Rhys-Charles, Jordan Shaw, Imelda Staunton, Barnaby Thompson, Christine Tucker and Alex Young.
    [Show full text]
  • June 17 – Jan 18 How to Book the Plays
    June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
    [Show full text]
  • Hw Biography 2021
    HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London.
    [Show full text]
  • A Career Overview 2019
    ELAINE PAIGE A CAREER OVERVIEW 2019 Official Website: www.elainepaige.com Twitter: @elaine_paige THEATRE: Date Production Role Theatre 1968–1970 Hair Member of the Tribe Shaftesbury Theatre (London) 1973–1974 Grease Sandy New London Theatre (London) 1974–1975 Billy Rita Theatre Royal, Drury Lane (London) 1976–1977 The Boyfriend Maisie Haymarket Theatre (Leicester) 1978–1980 Evita Eva Perón Prince Edward Theatre (London) 1981–1982 Cats Grizabella New London Theatre (London) 1983–1984 Abbacadabra Miss Lyric Theatre, Hammersmith Williams/Carabosse (London) 1986–1987 Chess Florence Vassy Prince Edward Theatre (London) 1989–1990 Anything Goes Reno Sweeney Prince Edward Theatre (London) 1993–1994 Piaf Édith Piaf Piccadilly Theatre (London) 1994, 1995- Sunset Boulevard Norma Desmond Adelphi Theatre (London) & then 1996, 1996– Minskoff Theatre (New York) 19981997 The Misanthrope Célimène Peter Hall Company, Piccadilly Theatre (London) 2000–2001 The King And I Anna Leonowens London Palladium (London) 2003 Where There's A Will Angèle Yvonne Arnaud Theatre (Guildford) & then the Theatre Royal 2004 Sweeney Todd – The Demon Mrs Lovett New York City Opera (New York)(Brighton) Barber Of Fleet Street 2007 The Drowsy Chaperone The Drowsy Novello Theatre (London) Chaperone/Beatrice 2011-12 Follies Carlotta CampionStockwell Kennedy Centre (Washington DC) Marquis Theatre, (New York) 2017-18 Dick Whttington Queen Rat LondoAhmansen Theatre (Los Angeles)n Palladium Theatre OTHER EARLY THEATRE ROLES: The Roar Of The Greasepaint - The Smell Of The Crowd (UK Tour)
    [Show full text]