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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
Street Value for Viagra
GREAT SALE PRICES INSIDE! From the front cover: Brett Halsey: Art or Instinct in Movies NEW TITLES by John B. Murray - $25 Brett Halsey is mainly known for his work in Alfred Hitchcock’s London - $25 spaghetti Westerns and Italian adventure films, Gary Giblin takes film fans on a tour of but also classics like Return of the Fly and Return London locations used in Hitchcock films. to Peyton Place. When one examines Hollywood Whether a world traveler or armchair tour- and European genre movies together, it becomes ist you will enjoy this guided tour. clear that Brett Halsey has fashioned an impres- sive body of work. Forgotten Horrors 4 - $25 by Michael H. Price and John Wooley Classic Cliffhangers: Vol. 2 FH4 picks up where FH3 left off and cov- by Hank Davis - $25 ers the years 1947 and 1948. Titles include Volume 2 also allows us to examine titles made series such as Jungle Jim, the Falcon and during the Golden Era. Beginning in 1941, our Philo Vance, etc. $25 coverage includes serial gems like The Adven- tures of Captain Marvel, The Perils of Nyoka, Good Movies: Bad Timing - $25 Spy Smasher. Secret Service in Darkest Africa, Author Nicholas Anez examines films that and The Crimson Ghost—1941-1955 displays were considered box office duds but upon some of the finest actors, stuntmen and directors reevaluation prove to be decent films. In- to grace the screen. cludes James Bond and Tarzan, Hollywood’s Top Dogs Mantan the Funnyman - $35 by Deborah Painter - $25 by Michael H. Price [Includes a CD] The dog hero has existed in motion pictures for A biography of the great Mantan Moreland, over 100 years. -
ROY THOMAS Chapter Four
Captain Marvel Jr. TM & © DC Comics DC © & TM Jr. Marvel Captain Introduction by ROY THOMAS Chapter Four Little Boy Blue Ed Herron had come to Fawcett with a successful track record of writing Explosive is the best way to describe this iconic, colorful cover (on opposite page) by and creating comic book characters that had gone on to greater popularity, Mac Raboy, whose renditions of a teen-age super-hero with a realistic physique was noth- including work on the earliest stories of Timely’s colorful Captain America— ing less than perfect. Captain Marvel Jr. #4, (Feb. 19, 1943). Inset bottom is Raboy’s first and his kid sidekick Bucky. It was during the fall of 1941 that Herron came cover for Fawcett and the first of the CMJr origin trilogy, Master Comics #21 (Dec. 1941). Below up with the idea of a new addition to the Fawcett family. With Captain is a vignette derived from Raboy’s cover art for Captain Marvel Jr. #26 (Jan. 1, 1945). Marvel sales increasing dramatically since his debut in February 1940, Fawcett management figured a teenage version of the “Big Red Cheese” would only increase their profits. Herron liked Raboy’s art very much, and wanted a more illustrative style for the new addition, as opposed to the C. C. Beck or Pete Costanza simplified approach on Captain Marvel. The new boy-hero was ably dubbed Captain Marvel Jr., and it was Mac Raboy who was given the job of visualizing him for the very first time. Jr.’s basic attire was blue, with a red cape. -
Banks Would Crumble, He Wanted to {X)Stpone the Meet Germany Faces Argentina in the Next Round
20—MANCHESTER HERALD, Monday, Feb. 4,1991 In Brief m • Kelly’s MVP award a week too late TUESDAY Player cops Caribbean Classic By KEN PETERS wire. the game-winner with 1:49 left. practices, the 1991 all-star game was rela KEY BISCAYNE, Fla. (AP) — Gary Player overcame The Associated Press Miami defensive end Jeff Cross homed Voted the MVP of the all-star game, tively error-free. 'There were no intercep LOCAL NEWS INSIDE a stiff wind, occasional rain and surges by Bob Charles in on the Bills’ show at the end, preserv Kelly completed 13 of 19 {»sses while tions and no lost fumbles by either team. Buffalo’s Smith said that while the and Lee Trevino to win the Royal Caribbean Classic by HONOLULU — The Buffalo Bills had ing the victory by blocking a 46-yard splitting duty with AFC starter Warren two shots with a 3-under-par 68 Sunday. a su{ier Sunday. field gtal try by the Saints’ Morten Moon of Houston. players enjoy the week in Hawaii leading ■ Town accounting flaws addressed. up to the game, they play hard when it Player, who started the final day with a two-stroke 'Ihey could only wish it had come a Andersen with seven seconds remaining. “I would have loved to have won the lead, set a tournament record with his total 200, 13 week earlier. Kelly, who had been nursing a sore left MVP a week earlier (in the Super Bowl), begins. “I wasn’t on vacation all week,” Smith under. It was his 16th title on the Senior Tour and worth 'filming the Pro Bowl into a Bills’ knee, courtesy of the New York Giants in but this feels good,” Kelly said. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Filmindex Lxxiv
Tarzan And His Mate. (Tarzan og den hvide Pige). MGM. 1934. I : Cedric Gibbons & JaCk Conway. M : J. K. MCGuinness & Leon Gordon. F: Char Filmindex l x x iv les Clarke & Clyde De Vinna. Medv.: Johnny TARZAN-FILM Weissmuller, Maureen O’Sullivan, Neil Hamil- ton, Paul Cavanaugh, Forrester Harvey, Nathan Curry, Doris Lloyd, William Stack, Desmond A f Janus Barfoed Roberts. D-Prm: 10/12-1934. The New Adventures O f Tarzan. (Tarzans nye Even tyr). Burroughs-Tarzan Enterprises. 1935. I: Ed (S) = serial ward Kuli & W. F. MCGaugh. M : Charles F. Tarzan Of The Apes. National Film Corp. 1918. Royal. F : Edward Kuli & Ernest F. Smith. Instr.: Sidney Scott. Medv.: Elmo LinColn, Enid Medv.: Herman Brix, Ula Holt, Frank Baker, Markey, Gordon Griffith, George French, True Dale Walsh, Harry Ernest, Don Costello, Lewis Boardman, Kathleen Kirkham, Colin Kenny. Sargent, Merrill McCormick. D-Prm: 17/8-1936. Romance Of Tarzan. National Film Corp. 1918. I: Tarzan And The Green Goddess. (Tarzan og den Wilfred Lucas. Medv.: Bess Meredyth, Elmo Lin grønne Gudinde). Burroughs-Tarzan Enterprises. Coln, Enid Markey, Thomas Jefferson, Cleo Ma- 1935. I: Edward Kuli. M: Charles F. Royal. F: dison. Edward Kuli & Ernest F. Smith. Medv.: Herman The Return Of Tarzan. Numa Pictures Corp. 1920. Brix, Ula Holt, Frank Baker, Don Costello, Le I : Harry Revier. Medv.: Gene Pollar, Karla wis Sargent, JaCk Mower. D-Prm: 1/8-1938. SChramm og Peggy Hamann. Tarzan Escapes. (Tarzan undslipper). MGM. 1936. The Son O f Tarzan. National Film Corp. 1921. I: I : RiChard Thorpe. M : Karl Brown & John V. Harry Revier & Arthur J. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
William Witney Ùيلم قائمة (ÙÙŠÙ
William Witney ÙÙ ŠÙ„Ù… قائمة (ÙÙ ŠÙ„Ù… وغراÙÙ ŠØ§) Tarzan's Jungle Rebellion https://ar.listvote.com/lists/film/movies/tarzan%27s-jungle-rebellion-10378279/actors The Lone Ranger https://ar.listvote.com/lists/film/movies/the-lone-ranger-10381565/actors Trail of Robin Hood https://ar.listvote.com/lists/film/movies/trail-of-robin-hood-10514598/actors Twilight in the Sierras https://ar.listvote.com/lists/film/movies/twilight-in-the-sierras-10523903/actors Young and Wild https://ar.listvote.com/lists/film/movies/young-and-wild-14646225/actors South Pacific Trail https://ar.listvote.com/lists/film/movies/south-pacific-trail-15628967/actors Border Saddlemates https://ar.listvote.com/lists/film/movies/border-saddlemates-15629248/actors Old Oklahoma Plains https://ar.listvote.com/lists/film/movies/old-oklahoma-plains-15629665/actors Iron Mountain Trail https://ar.listvote.com/lists/film/movies/iron-mountain-trail-15631261/actors Old Overland Trail https://ar.listvote.com/lists/film/movies/old-overland-trail-15631742/actors Shadows of Tombstone https://ar.listvote.com/lists/film/movies/shadows-of-tombstone-15632301/actors Down Laredo Way https://ar.listvote.com/lists/film/movies/down-laredo-way-15632508/actors Stranger at My Door https://ar.listvote.com/lists/film/movies/stranger-at-my-door-15650958/actors Adventures of Captain Marvel https://ar.listvote.com/lists/film/movies/adventures-of-captain-marvel-1607114/actors The Last Musketeer https://ar.listvote.com/lists/film/movies/the-last-musketeer-16614372/actors The Golden Stallion https://ar.listvote.com/lists/film/movies/the-golden-stallion-17060642/actors Outlaws of Pine Ridge https://ar.listvote.com/lists/film/movies/outlaws-of-pine-ridge-20949926/actors The Adventures of Dr. -
AIR FORCE Magazine / July 2007 42
A Brush With the Air Force 42 AIR FORCE Magazine / July 2007 prototype for Corkin was Air Force Col. Milton Caniff was out front with “Terry and Philip Cochran, a noted World War II pilot and leader of air commandos in the Pirates,” but other cartoonists also found Burma. (See “The All-American Air- their calling in the wild blue yonder. man,” March 2000, p. 52.) He became a continuing character in “Terry.” In a famous “Terry and the Pirates” Sunday page from 1943, Corkin opened with, “Let’s take a walk, Terry,” and then delivered an inspirational talk about A Brush With the war and the Air Force as he and the newly fledged pilot Terry strolled around the flight line. The page was “read” into the Congressional Record and reported in the newspapers. Terry, Flip, and their colleagues had a great following among airmen, and the Air Force By John T. Correll the strip had considerable morale and public relations value. Gen. Henry H. “Hap” Arnold, Chief of the Army Air Forces, assigned an officer to as- sist Caniff with any technical details he needed. Caniff produced another strip, “Male Call,” without charge for camp and base newspapers. It featured Miss Lace, who was reminiscent of the Dragon Lady but less standoffish. It is difficult today to comprehend what a big deal the funnies used to be. Everybody read the comic strips. Characters were as well known as movie stars. The strips were printed much larger than present comic strips are. On Sunday, a popular strip might get a whole color page to itself. -
BANK REGISTER ONE I RED BANK, N
SECTION BANK REGISTER ONE i RED BANK, N. J., THURSDAY, OCTOBER 20, 1938. PACES 1 TO laii -'-••' • ii—^^B* Plans Ordered Howard! Roberto Teachers' Banquet Local Elks May Mechanic Street -' Inspector To Next Wednesday - SALVATION ARMY Calls Attention Appointed Member CAMPAIGN Drawn For Sewer The annual banquet of the Red Lose Attractive PTA Starts On Oversee Clam To Condition Of Badk Teachers' association will be To the Cltlum of Red Bank: PtentAt Rumson Of B. & L League held at the Molly Pitcher hotel next Broad Street Home Another Year Goal not reached I The total Wednesday night at 7 o'clock. The to date Is approximately $1,900 ShuckingJ^ork Sidewalks. Curbs | guest speaker will be Dr. Frank -far from the goal of $3,480 Engineer Estimate* Coit Proininent Counsellor of Klngdon, president of Newark uni- ' About Half of Member Mrs. Geprge H. Merrill and not sufficient to maintain versity." « the work of the organization for Experimental Program Chamber of Commerce * of $25,000 for New Sew- Atlantic Highlands Gets Miss Agnes Beeley, president of in Good Standing—Fi- Presided at Meeting and tthe full year. in One Establishment Is the Teachers' association, has ap- This has been an unusually Complaint Referred to " System Additional Honor pointed the following' committee nancial Burden Heavy Outlined Much Work difficult campaign to arrange Approved by Bureau r chairman: Donald A. Needham, din- due to many last minute Street Committee ~< ner; Miss Emma J. LaFetra, enterv Voorhees , Kline, the president of At the Junction of Broad streei changes of personnel, and so, In George K. -
The Montana Kaimin, November 19, 1937
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 11-19-1937 The onM tana Kaimin, November 19, 1937 Associated Students of Montana State University Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of Montana State University, "The onM tana Kaimin, November 19, 1937" (1937). Montana Kaimin, 1898-present. 1605. https://scholarworks.umt.edu/studentnewspaper/1605 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MONTANA STATE UNIVERSITY, MISSOULA, MONTANA Z400 FRIDAY, NOVEMBER 19,1937. VOLUME XXXVII. No. 17 WHO’S In the News Montana Favored Over Strong Vandals ? 9 GrizzlyHorde Foresters Find Rifle League Simmons Breaks 8-Year-Old Santa Ideal Location Big Announcement Grizzlies Face Tough Will Descend Will Arrange Girl Is Lead For Ski Slide President Officially Adds Friday Hurdle in Tomorrow’s New Schedule To Thanksgiving Vacation In New Play UponM oscow Hill In Blackfoot Valley Decided Attracted by ASMSU President Upon (or Scene of Club Peter Murphy’s promise of one of Practice Meetings Battle for Tenth Win Many -
Manifest Density: Decentering the Global Western Film
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.