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TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Jawed El-Berni
Jawed El-Berni Gender: Male Height: 6 ft. 0 in. Weight: 175 pounds Eyes: Brown Hair Length: Short Waist: 33 Inseam: 34 Shoe Size: 10.5 Physique: Athletic Coat/Dress Size: 40R Ethnicity: Caribbean, Eastern European, Indian/South Asian, Latin/Hispanic, Mediterranean, Middle Eastern, Mixed, Native American, Pacific Islander / Polynesian, Other Photos Film Credits Black Adam stunt double Tom Harper Samaritan stunts Justin Yu / JJ Perry The Suicide Squad stunts Tim Wong Saaho stunt double Bob Brown Thugs of Hindostan Stunt Double: Amitabh Bachchan Parvez Sheikh / Franz Spilhaus Peppermint Stunts Keith Woulard Hotel Artemis Stunts Wade Allen Senior Moment Stunt Double: Carlos Miranda America Young (Stunt Driving) Jumanji Stunts Jack Gill, Gary Hymes, Oakley Lehman Cliffs of Freedom Stunt Double: Raza Jaffrey Matt Leonard Generated on 10/05/2021 10:54:20 am Page 1 of 4 Pete Turner Savage Dog Stunts Luke LaFontaine Doomsday Stunts Arnold Chon Outcast Supporting/Arabic Sword Nick Powell Bang Bang Stunt Double Hrithik Roshan / Pradit Seeluem Chain Fighter Hitman: Agent 47 Stunt Double Rupert Friend Johnathan Eusebio Dysfunktion Fight Choreographer Exertion Films Black Salt Stunt - Yakusa Ron Yuan Ek Tha Tiger Stunt Double Salman Khan Markos Rounthwaite White Tiger Principal/Stunts Kazu Tang Ninja: Shadow of a Tear Supporting/Stunts Isaac Florentine / Tim Man Brawl Lead/Stunts David Ismalone V/H/S: Viral Stunts - Skull Face Vince Cupone Mystic Blade Supporting David Ismalone The Mark: Redemption Stunts Pradit Seeluem Housefull 2 Stunt Double Akshay Kumar Pradit Seeluem The Mark Stunt Double Eric Roberts Pradit Seeluem The Viral Factor Stunts Kar Lok Chin / Dante Lam Rascals Stunts/dance perfomer David Dhawan Ready Stunt Double Salman Khan Pradit Seeluem Television Better Call Saul stunt double Al Goto DMZ stunt double Glenn Foster The Walking Dead stunt double M. -
Annual Report 2018-19 the Purpose of Life Is Not to Be Happy
Annual Report 2018-19 The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well. Ralph Waldo Emerson Photographs courtesy by: Jayati Saha, Saheli Das, Nilargha Chatterjee, Om Prakash Yadav and the staff of Iswar Sankalpa Annual Report 2018-19 SARBANI DAS ROY Dear friends, SECRETARY In the magical 12th year of its journey, I am happy to share the struggles and successes of the mind champions and Team Iswar Sankalpa through the difficult terrains of recovery-oriented programs of treatment, care and rehabilitation. The single most important thread running through all the pages of the year was the way in which we have broken the stony walls of social isolation and embraced our fellow citizens – doubly marginalised by homelessness and mental illness. For too long, have we looked away from this bundle of rags and dirt. For too long have we been afraid of her unpredictable behaviour. But it has taken this embrace to touch the pain in her and the human in me. The discovery of the deepest reservoirs of strength and ‘capacity’ of persons whom the world had held with increasing despair and the way in which we have succeeded in bringing delight to the care process have been ‘magical moments’ we have cherished over the year. Hope you will enjoy reading this testament of love and toil of a committed team of changemakers. CONTENT 08 12 16 Naya Daur: Outreach Sarbari and Urban Mental Health Programme Marudyan: Shelter Programme Programmes 20 23 24 -
Exploring Limits to Prediction in Complex Social Systems
Exploring Limits to Prediction in Complex Social Systems Travis Martin Jake M. Hofman University of Michigan Microsoft Research Dept. of Computer Science 641 6th Ave, Floor 7 Ann Arbor, MI New York, NY [email protected] [email protected] Amit Sharma Ashton Anderson Duncan J. Watts Microsoft Research Microsoft Research Microsoft Research [email protected] [email protected] [email protected] ABSTRACT wood awards nights, prediction is of longstanding interest to How predictable is success in complex social systems? In scientists, policy makers, and the general public [48, 39, 56]. spite of a recent profusion of prediction studies that ex- The science of prediction has made enormous progress in ploit online social and information network data, this ques- domains of physical and engineering science for which the tion remains unanswered, in part because it has not been behavior of the corresponding systems can be well approx- adequately specified. In this paper we attempt to clarify imated by relatively simple, deterministic equations of mo- the question by presenting a simple stylized model of suc- tion [58]. More recently, impressive gains have been made cess that attributes prediction error to one of two generic in predicting short-term weather patterns [5], demonstrating sources: insufficiency of available data and/or models on the that under some conditions and with appropriate e↵ort use- one hand; and inherent unpredictability of complex social ful predictions can be obtained even for extremely complex systems on the other. We then use this model to motivate and stochastic systems. an illustrative empirical study of information cascade size In light of this history it is only natural to suspect that prediction on Twitter. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
'Malang'- Wanton Mush and Gritty Mayhem
B-12 | Friday, February 14, 2020 AUTO www.WeeklyVoice.com ‘Malang’- Wanton Mush And Gritty Mayhem “Malang”; Cast: Anil Kapoor, While the suspense builds up is clearly Aditya’s attempt at an Aditya Roy Kapoor, Disha Pa- with brutal urgency in the pre- image makeover and, although tani, Kunal Kemmu; Direction: sentday track, the lashback pic- imagined with over-the-top ab- Mohit Suri; Rating: * * * (three ture that moves parallely is one ofsurdity, the actor does a ine job stars) sunny romance. portraying Advait. For Disha Pa- The lashbacks are soaked in tani, this is her strongest role yet, By Vinayak Chakravorty the sun and sands of Goa, and and she is impressive in the way they usher Disha Patani into the she retains the allure about her “Malang” must be the most picture as Sara. Vikas Sivara- character. stylishly executed Bollywood man’s camera virtually lays out Few in Bollywood relish por- thriller in a while, also the most a pretty pamphlet in motion for traying grey shades as Anil twisted. It is really an old-school Goa Tourism as Advait and Sara Kapoor. In “Malang”, he -is un revenge thriller that manages a paint the club circuit red. The apologetically wicked, executing few clever spins despite an over- ilm also gives leeting peek intovillainy with wry humour. all adherence to loud masala. Goa’s psychedelic drug scene For Kunal Kemmu, this is his Mohit Suri’s “Malang” is a Mohit Suri’s storytelling gets most remarkable act since his wanton play of oomph and ma- able aid from Devendra Murdesh- child artist performance in 1998’s chismo, mush and mayhem, mel- Scene from ‘Malang’ war’s editing. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
Representation of Sikh Character in Bollywood Movies:A Study on Selective Bollywood Movies
PJAEE, 17(6) (2020) REPRESENTATION OF SIKH CHARACTER IN BOLLYWOOD MOVIES:A STUDY ON SELECTIVE BOLLYWOOD MOVIES Navpreet Kaur Assistant Professor University Institute of Media Studies, Chandigarh University, Punjab, India [email protected] Navpreet Kaur, Representation Of Sikh Character In Bollywood Movies: A Study On Selective Bollywood Movies– Palarch’s Journal of Archaeology of Egypt/Egyptology 17(6) (2020), ISSN 1567-214X. Keywords: Bollywood, Sikh, Sikh Character, War, Drama, Crime, Biopic, Action, Diljit Dosanhj, Punjab Abstract Sikhs have been ordinarily spoken to in mainstream Hindi film either as courageous warriors or as classless rustics. In the patriot message in which the envisioned was an urban North Indian, Hindu male, Sikh characters were uprooted and made to give entertainment. Bollywood stars have donned the turban to turn Sikh cool, Sikhs view the representation of the community in Bollywood as demeaning and have attempted to revive the Punjabi film industry as an attempt at authentic self-representation. But with the passage of time the Bollywood makers experimented with the role and images of Sikh character. Sunny Deol's starrer movie Border and Gadar led a foundation of Sikh identity and real image of Sikh community and open the doors for others. This paper examines representation of Sikhs in new Bollywood films to inquire if the romanticization of Sikhs as representing rustic authenticity is a clever marketing tactic used by the Bollywood. Introduction Bollywood is the sobriquet for India's Hindi language film industry, situated in the city of Mumbai, Maharashtra. It is all the more officially alluded to as Hindi film. The expression "Bollywood" is frequently utilized by non-Indians as a synecdoche to allude to the entire of Indian film; be that as it may, Bollywood legitimate is just a piece of the bigger Indian film industry, which incorporates other creation communities delivering films in numerous other Indian dialects. -
Has the Advent of Social Media Ended the Culture of Superstardom in Bollywood?
IOSR Journal Of Humanities And Social Science (IOSR-JHSS) Volume 22, Issue 11, Ver. 8 (November. 2017) PP 43-44 e-ISSN: 2279-0837, p-ISSN: 2279-0845. www.iosrjournals.org Has the advent of social media ended the culture of superstardom in Bollywood? Urvi Parikh1 Ravindra Katyayan2 1Research Scholar, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 2Research Guide, JJT University, Vidyanagari, Jhunjhunu, Rajasthan – 333001 [[email protected]]. Abstract: Superstar as a term is synonymous with Bollywood. The glamorous world of Bollywood has witnessed the rise of several stars, making a mark with their talent, charm and charisma. While some manage to swoon the audience over their looks, there are some who sweep them off their feet and are tagged as the Superstars of Bollywood! From Dilip Kumar to Shah Rukh Khan, B-town has many names in this list of superstars. But lately, we only have stars. The culture of superstar has become redundant. Reason? May be the advent of social media. With easy accessibility and direct contact with a star over social media has brought down the curiosity that once existed around the film stars. The kind of stardom that has been enjoyed by the likes of Rajesh Khanna, Dilip Kumar, Amitabh Bachchan, Shah Rukh Khan, Salman Khan, Aamir Khan, Akshay Kumar and Ajay Devgn, is missing with the actors of the newer generation. Keywords: Bollywood, Social Media, Shah Rukh Khan, Amitabh Bachchan, Salman Khan, Superstars of Bollywood, Twitter ----------------------------------------------------------------------------------------------------------------------------- ---------- Date of Submission: 09-11-2017 Date of acceptance: 23-11-2017 ----------------------------------------------------------------------------------------------------------------------------- ---------- I. INTRODUCTION Indian cinema has completed a century since the first film was made by Dadasaheb Phalke back in 1917. -
Screen Awards Function, Shah Rukh and Salman Win
PRLog - Global Press Release Distribution Screen Awards Function, Shah Rukh and Salman win The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. Jan. 8, 2011 - PRLog -- The awards season kicked off with the 17th Annual Star Screen Awards, held on January 6, in Mumbai. Here's a look at some of the stunning arrivals, and winners. We start with Shah Rukh Khan, who bagged the Best Actor Popular Choice award for his film My Name Is Khan. Incidentally, rival Salman Khan bagged a Best Actor award as well, for his work in Dabangg. Teen Deviyaan Jacqueline Fernandez, Mugdha Godse and Tanushree Dutta choose black and white for the occasion. The Sinhas Sonakshi Sinha, who won the Most Promising Newcomer award for Dabbang, arrived with her proud mother Poonam Sinha and brother Luv. Circle of love Dabangg producer Arbaaz Khan greets Prabhu Deva, as Farah Khan looks on. Gorgeous gowns Roshni Chopra, Katrina Kaif and Dia Mirza decided to wear beautiful evening gowns for the event. http://www.funfilms.in/show/awards-funtions.html Katrina bagged the Best Actor Popular Choice award for her films Raajneeti and Tees Maar Khan. What were they thinking! Kalki Koechlin, Mahi Gill and Antara Mali need to take some fashion tips from their contemporaries. Skin show Prachi Desai is obviously looking to change her goody goody image by showing some skin but the Rock On!! actress needs a designer as well! Amrita Rao and Chitrangada Singh, on the other hand, covered up. -
Kajol Tutors Ajay Devgn on How to Click Sel Es
www.WeeklyVoice.com BOLLYWOOD Friday, February 28, 2020 | B-9 Adline Going To Miss Universe Pageant Enter to win NEW DELHI: Adline Castelino has Movie Passes been selected to represent India at Miss Universe pageant 2020. Castelino was announced as the win- ner of Liva Miss Diva Universe 2020 title and was crowned by Vartika Singh, Miss Diva Universe 2019, at an event held on Mumbai. Aavriti Choudhary was crowned as LIVA Miss Diva Supranational 2020 and will represent India at Miss Supra- national 2020, while Neha Jaiswal was and wa the LIVA Miss Diva 2020 - Runner - Up. The participants underwent training and grooming under the able mentor- ship and guidance of Bollywood actor & former Miss Universe, Lara Dutta. Speaking on the occasion, Lara Dutta said, “It has been a wonderful journey. All the girls are winners, however, there can be only one winner. winners heaps of luck as they stand on of the Miss Universe 2000 and Mentor In “Sholay”, what was “It was dificult for the panelists to the brink of a bright future. I am look- Lara Dutta, Miss Supranational 2019 choose that one winner from all these ing forward to the prestigious Miss Uni- - Anntonia Porsild, Designers Shivan the name of gorgeous divas who were all truly gifted verse pageant and hope that we bring & Narresh, Nikhil Mehra and Gavin and promising. The winner is very de- the crown home this year.” Miguel, Yami Gautam and veteran actor Basanti’s horse? serving, and I would like to wish all the The judges panel included the likes Anil Kapoor.