DOCSLIB.ORG

The Man Who Manages DEADPOOL's Money Is Known As the BANK, An

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Man Who Manages DEADPOOL's Money Is Known As the BANK, An The man who manages DEADPOOL’s money is known as THE BANK, an accountant and family man whom Wade has known for years. THE PUNISHER is on the trail of the Bank, who coincidentally happens to be a money launderer and financial consultant to organized crime the world over. When DEADPOOL and THE PUNISHER crossed paths at The Bank’s home, the accountant’s wife and son ended up dead. As the fight continued, Frank shot Wade in the head—and the merc woke up with no memory of the feud. Frank discovered that The Bank’s wife had faked her death to escape the country—and her husband, whose behavior has become increasingly dangerous—with her son. The apparent death of The Bank’s family hasn’t slowed him down—though his financial records have mysteriously gone missing, The Bank continued to assure his villainous clientele that their money was as safe as ever. After Wade helped The Bank’s family flee, Frank did what he does best: blew out Wade’s brains, messing with his memories again… WRITER ARTIST COLORIST LETTERER FRED PERE RUTH VC’S JOE VAN LENTE PÉREZ REDMOND SABINO COVER ARTISTS VARIANT COVER ARTISTS EDITORS DECLAN SHALVEY PERE PÉREZ & HEATHER ANTOS & & JORDIE BELLAIRE RUTH REDMOND JORDAN D. WHITE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER AXEL JOE DAN ALAN ALONSO QUESADA BUCKLEY FINE DEADPOOL VS. THE PUNISHER No. 3, July 2017. Published Monthly except in April and May by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2017 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental. $3.99 per copy in the U.S. (GST #R127032852) in the direct market; Canadian Agreement #40668537. Printed in the USA. Subscription rate (U.S. dollars) for 12 issues: U.S. $26.99; Canada $42.99; Foreign $42.99. POSTMASTER: SEND ALL ADDRESS CHANGES TO DEADPOOL VS. THE PUNISHER, C/O MARVEL SUBSCRIPTIONS P.O. BOX 727 NEW HYDE PARK, NY 11040. TELEPHONE # (888) 511-5480. FAX # (347) 537-2649. [email protected]. DAN BUCKLEY, President, Marvel Entertainment; JOE QUESADA, Chief Creative Officer; TOM BREVOORT, SVP of Publishing; DAVID BOGART, SVP of Business Affairs & Operations, Publishing & Partnership; C.B. CEBULSKI, VP of Brand Management & Development, Asia; DAVID GABRIEL, SVP of Sales & Marketing, Publishing; JEFF YOUNGQUIST, VP of Production & Special Projects; DAN CARR, Executive Director of Publishing Technology; ALEX MORALES, Director of Publishing Operations; SUSAN CRESPI, Production Manager; STAN LEE, Chairman Emeritus. For information regarding advertising in Marvel Comics or on Marvel.com, please contact Vit DeBellis, Integrated Sales Manager, at [email protected]. For Marvel subscription inquiries, please call 888-511-5480. Manufactured between 04/21/2017 and 05/01/2017 by QUAD/GRAPHICS WASECA, WASECA, MN, USA. .
Load more

Recommended publications
  • ASM 129 Investment Memo V4
    The Amazing Spider-Man #129 “I saw a fly crawling on the wall, and I said, ‘Wow, suppose a person has the power to stick to a wall like an insect. What do I call him? I tried Mosquito Man, but that didn’t have any glamor. Insect Man, that was even worse. I went down the line and I got to Spider-Man. It sounded mysterious and dramatic, and lo a legend was born.” Stan Lee, Interview with Larry King (2000) Background Otis recently acquired a 9.8 CGC Grade “Amazing Spider-Man #129” comic book. This document aims to share the story of this asset. Table Of Contents OTIS OVERVIEW 4 HIGHLIGHTS 5 THE COMIC BOOK INDUSTRY 7 COMIC BOOK AGES 11 THE AMAZING SPIDER-MAN #129 14 GRADE & CONDITION 17 SUMMARY OF HISTORICAL SALES 18 INVESTMENT RISKS 22 2 What Is Otis Everyone has their thing. Maybe yours is sneakers, or maybe it's contemporary art. Whatever it is, you get it — the value assigned to a certain item, its cultural significance, why it matters. But more often than not, ownership of grails is out of the picture, whether because fewer than 100 were made, or because that six-figure price tag just doesn't work with your budget. At Otis, we turn aficionados into shareholders. We believe in transparency, liquidity, and trusting your own gut. We're democratizing an otherwise closed market and making these alternative assets accessible. Own shares in the things that you value, and whose value you understand and build a portfolio better suited to a museum than a stock ticker.
    [Show full text]
  • Hulk Smash! September, 2020, Vol
    Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Copyright © 2020 Journal of Criminal Justice and Popular Culture All rights reserved. ISSN: 1070-8286 Hulk Smash! Violence in The Incredible Hulk Comics Shelly Clevenger Sam Houston State University & Brittany L. Acquaviva Sam Houston State University 28 Journal of Criminal Justice and Popular Culture Hulk Smash! September, 2020, Vol. 20 (Issue 1): pp. 28 - 42 Clevenger and Acquaviva Abstract “Hulk smash!” is one of the most iconic phrases uttered in the pages of comic books. The Incredible Hulk is one of comics’ most violent characters as the Hulk smashes first and asks questions later. The popularity of the comic book genre has exploded within past decades and the interest in comics has increased. But exactly how violent is The Incredible Hulk and what does that mean for readers? This research examines the occurrence of violence in the Incredible Hulk comics through a thematic content analysis of 248 issues. Specifically, such themes as violence against men and women, unpunished violence, formal punishments of violence, interventions to stop violence and the justification provided for violence were assessed. The goal of the research was to determine the amount and level of violence within the comic and in what context it occurred. Results indicate that there is a large amount of violence occurring within the pages of the Incredible Hulk, but that this violence is often justified and committed by the Hulk to protect himself and others. A discussion is provided regarding the potential impact this may have on a reader and their view of violence, crime and justice.
    [Show full text]
  • Crossed: Volume 17 Free
    FREE CROSSED: VOLUME 17 PDF Emiliano Urdinola,Christos Gage | 208 pages | 29 Nov 2016 | Avatar Press | 9781592912834 | English | United States Re:Zero x Konosuba Crossover | Re:Zero Wiki | Fandom Uh-oh, it looks like your Internet Crossed: Volume 17 is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience all the features of our site. Learn how to enable JavaScript on your browser. Home 1 Books 2. Add to Wishlist. Sign in Crossed: Volume 17 Purchase Instantly. Members save with free shipping everyday! See details. There is no equal to the terror and depravity within the pages of Crossed. It is simply the most terrifying uncensored horror comic book being published. This volume collects issues 93 — of the ongoing Crossed: Badlands series. Product Details About the Author. About the Author In the words of Christos Gage Started reading at age 3, discovered Crossed: Volume 17 soon after. First comic collected and saved: Marvel's Godzilla. Never quit comics for girls the way some flip-floppers do, though I did keep it in the closet at times, for which I Crossed: Volume 17 deeply ashamed. Related Searches. Absolution, Volume 1. You've seen Christos Gage's work for Marvel, WildStorm, IDW and others, but you've never seen his imagination unleashed with absolutely no restrictions Absolution introduces John Dusk, a superhero in a world where they're a sanctioned arm of law enforcement. View Product. Alan Moore's Writing for Comics, Volume 1.
    [Show full text]
  • THE PUNISHER WAR JOURNAL by Luis Filipe Based on Marvel Comics
    THE PUNISHER THE PUNISHER WARWAR JOURNALJOURNAL by Luis Filipe Based on Marvel Comics character Copyright (c) 2017 This is just a fan made [email protected] OVER BLACK The sound of a POLICE RADIO calling. RADIO All units. Central Park shooting, requiring reinforcements immediately. CUT TO: CELL PHONE POV: Filming towards of Central Park alongside more people. Everyone horrified, but we don't know for what yet. CUT TO: VIDEO FOOTAGE: Now in Central Park where the police and CSI surround an entire area that is filled with CORPSES. A REPORTER talks to the camera. REPORTER Today New York witnessed the biggest outdoor massacre. It is speculated that the victims are members of the Mafia or even gangs, but no confirmation from the police yet. CUT TO: ANOTHER FOOTAGE: With the cameraman zooming in the forensic putting some bodies in black bags. One of them we notice that it's a little girl, and another a woman. REPORTER (O.S.) Apparently there was only one survivor. The victim is in serious condition but the paramedics doubt that he will hold it for long. CUT TO: SHAKY FOOTAGE: The only surviving man being taken on the stretcher to an ambulance. An oxygen mask on his face. His body covered in blood. He still uses his last forces to murmur. MAN My family... I want my... family. He is placed inside the ambulance. As the paramedics slam the ambulance doors - CUT TO BLACK: 2. Then - FADE IN: INT. CASTLE'S APARTMENT - DAY A small place with little furniture. The curtain blocks the sun from the single window of the apartment, allowing only a wispy sunlight to enter.
    [Show full text]
  • Immigration and Populism in Canada, Australia, and the United States
    CDDRL WORKING PAPERS JULY 2019 IMMIGRATION AND POPULISM IN CANADA, AUSTRALIA, AND THE UNITED STATES Francis Fukuyama Olivier Nomellini Senior Fellow at the Freeman Spogli Institute for International Studies (FSI) and Mosbacher Director of FSI’s Center on Democracy, Development, and the Rule of Law at Stanford University. Naz Gocek Naz Gocek, a Canadian citizen, is currently a student at Stanford and member of the Honors Program at CDDRL. This study was made possible through the generous funding of the Martin Prosperity Institute at the University of Toronto. About CDDRL Since 2002, the Center on Democracy, Development and the Rule of Law (CDDRL) at Stanford University has collaborated widely with academics, policymakers and practitioners around the world to advance knowledge about the conditions for and interactions among democracy, broad-based economic development, human rights, and the rule of law. The mission of CDDRL is to understand how countries can overcome poverty, instability, and abusive rule to become prosperous, just, democratic, and well-governed states. This concern for the overall trajectory of national development—and for the intricate links among the economic, political, legal, social, and health dimensions of development—sets CDDRL apart from other research centers. Center on Democracy, Development and the Rule of Law Freeman Spogli Institute for International Studies Stanford University Encina Hall 616 Serra Mall Stanford, CA 94305-6055 Voice: 650-723-4610 Fax: 650-724-2996 Website: http://cddrl.stanford.edu/ - 1 - IMMIGRATION AND POPULISM IN CANADA, AUSTRALIA, AND THE UNITED STATES Francis Fukuyama and Naz Gocek1 1 Francis Fukuyama is Mosbacher Director of Stanford’s Center on Democracy, Development and the Rule of Law (CDDRL).
    [Show full text]
  • Asylum Seekers and Refugees: What Are the Facts?
    Parliament of Australia Department of Parliamentary Services BACKGROUND NOTE Updated 14 January 2011 Asylum seekers and refugees: what are the facts? Janet Phillips Social Policy Section Contents Introduction ............................................................................................................................................. 1 What is the difference between an asylum seeker and a refugee? ........................................................ 2 Are asylum seekers ‘illegals’? .................................................................................................................. 2 Are asylum seekers ‘queue jumpers’? ..................................................................................................... 4 Do most asylum seekers arrive by boat? ................................................................................................. 6 Do boat arrivals ‘bring disease’ and are they a threat to security? ......................................................... 7 Are boat arrivals ‘genuine refugees’? ...................................................................................................... 8 Do boat arrivals ‘take all Australia’s refugee places’? ............................................................................. 9 Do refugees receive higher welfare benefits than Australians? ............................................................ 10 Is Australia being ‘swamped by boat arrivals’? .....................................................................................
    [Show full text]
  • The Man Who Manages DEADPOOL's Money Is Known As the BANK, An
    The man who manages DEADPOOL’s money is known as THE BANK, an accountant and family man whom Wade has known for years. THE PUNISHER is on the trail of THE BANK, who coincidently happens to be a known money launderer and financial consultant to organized crime the world over. When DEADPOOL and THE PUNISHER came face-to-face at The Bank’s home, the ensuing shootout forced his wife to flee with their young son—into a boat which was rigged to explode, killing both instantly. With Frank undeterred in his crusade to take down The Bank and Wade seeking retribution for The Bank’s family, their dispute is far from over. The Punisher took the first round with a shot right between Deadpool’s eyes— but it’s still anyone’s game. WRITER ARTIST COLORIST LETTERER FRED PERE RUTH VC’S JOE VAN LENTE PÉREZ REDMOND SABINO COVER ARTISTS VARIANT COVER ARTISTS EDITORS DECLAN SHALVEY SALVA ESPIN & HEATHER ANTOS & & JORDIE BELLAIRE RUTH REDMOND JORDAN D. WHITE EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER AXEL JOE DAN ALAN ALONSO QUESADA BUCKLEY FINE DEADPOOL VS. THE PUNISHER No. 2, June 2017. Published Monthly except in April and May by MARVEL WORLDWIDE, INC., a subsidiary of MARVEL ENTERTAINMENT, LLC. OFFICE OF PUBLICATION: 135 West 50th Street, New York, NY 10020. BULK MAIL POSTAGE PAID AT NEW YORK, NY AND AT ADDITIONAL MAILING OFFICES. © 2017 MARVEL No similarity between any of the names, characters, persons, and/or institutions in this magazine with those of any living or dead person or institution is intended, and any such similarity which may exist is purely coincidental.
    [Show full text]
  • New Heroes Wall Crawl Feast Mysterio
    ™ New Heroes Spider Friends: Spider-Man and his Some Maximum Carnage Villains allies use speed, cunning, and rapid-fire create special effects when they feast on attacks to take down foes. certain cards • Carnage’s Master Strike starts with “Feast on each player.” That means Marvel Knights are a loose group of each player does the “Feast” effect. Then street-level Heroes that take down Villains Carnage’s Master Strike causes Wounds through vigilante justice. (You can find when he feasts on certain cards. more Marvel Knights like Daredevil and • Note that Carnage’s Master Strike is the Punisher in the Legendary™: Dark City only effect that feasts on every player. expansion.) The “Maximum Carnage” Villains and Carnage’s Mastermind Tactics each feast Wall Crawl on only one player. The new “Wall-Crawl” keyword lets Heroes • While Carnage’s Master Strike causes set up powerful combos by placing cards at Wounds, the Feast abilities on his the top of their decks. “Wall-Crawl” means: Mastermind Tactics and most of his “When you recruit this Hero, you may put Villains don’t cause Wounds. it on top of your deck.” Mysterio With Wall-Crawl, you get to use your new The new Mastermind Mysterio is a master Hero much faster than you would if that Hero of illusions. His Master Strike and some went in your discard pile. Keep an eye out of his Tactics create additional “illusion” for powerful combos you can create if you Tactics underneath him. You have to defeat recruit a Wall-Crawl Hero early in your turn, all of Mysterio’s Tactics to beat him.
    [Show full text]
  • NEW THIS WEEK from MARVEL... Infinity Countdown Prime #1 Amazing Spider-Man #796 Avengers #681 Mighty Thor #704 Daredevil #599
    NEW THIS WEEK FROM MARVEL... Infinity Countdown Prime #1 Amazing Spider-Man #796 Avengers #681 Mighty Thor #704 Daredevil #599 Punisher Platoon #6 (of 6) Doctor Strange Damnation #1 (of 4) Astonishing X-Men #8 X-Men Gold #22 Star Wars Doctor Aphra #17 Deadpool vs. Old Man Logan #5 (of 5) Incredible Hulk #713 Defenders #10 Venom #162 Tales of Suspense #102 Black Panther Annual #1 Avengers #676 (2nd print) Generation X #87 Luke Cage #170 Old Man Hawkeye #1 (of 12) 2nd PTG Monsters Unleashed #11 NEW THIS WEEK FROM DC... Batman #41 Brave & the Bold Batman & Wonder Woman #1 (of 6) Justice League #39 Damage #2 Superman #41 Batman / Teenage Mutant Ninja Turtles II #4 (of 6) Batman and the Signal #2 (of 3) Super Sons #13 Nightwing #39 Batman Sins of the Father #1 (of 6) Trinity #18 Cave Carson / Swamp Thing Special #1 Aquaman #33 Green Lanterns #41 Wonder Woman / Conan #6 (of 6) Harley Quinn #38 Batwoman #12 Deathbed #1 (Vertigo) DC Universe by Neil Gaiman GN Injustice 2 #20 Mother Panic Vol. 2 GN Young Justice Vol. 2 GN Bombshells United #12 Future Quest Presents #7 NEW THIS WEEK FROM IMAGE... Hit-Girl #1 Monstress #14 Moonshine #7 Ice Cream Man #2 Eternal Empire #7 Birthright #30 Descender #27 Evolution #4 Sex Criminals #22 Twisted Romance #3 (of 4) Maestros #5 Family Trade #5 Further Adventures of Nick Wilson #2 (of 5) Multiple Warheads Ghost Throne One-Shot Postal Mark #1 (One-Shot) Redlands #6 NEW FROM OTHER PUBLISHERS... Quantum & Woody #3 Ninjak vs.
    [Show full text]
  • AFFILIATION LIST • Black Panther • Black Widow Below You Will Find a List of All Current Affiliations Cards and Characters on Them
    AFFILIATIONS 1/08/21 AFFILIATION LIST • Black Panther • Black Widow Below you will find a list of all current affiliations cards and characters on them. As more characters are added to the game • Black Widow, Agent of S.H.I.E.L.D. this list will be updated. A-FORCE • Captain Marvel • Hawkeye • She-Hulk (k) • Hulk • Angela • Iron Man • Black Widow • She-Hulk • Black Widow, Agent of Shield • Thor, Prince of Asgard • Captain Marvel • Vision • Crystal • Wasp • Domino • Wolverine • Gamora BLACK ORDER • Medusa • Thanos, The Mad Titan (k) • Okoye • Black Dwarf • Scarlet Witch • Corvus Glaive • Shuri • Ebony Maw • Storm • Proxima Midnight • Valkyrie BROTHERHOOD OF MUTANTS • Wasp k ASGARD • Magneto ( ) • Mystique (k) • Thor, Prince of Asgard (k) • Juggernaut • Angela • Quicksilver • Enchantress • Sabretooth • Hela, Queen of Hel • Scarlet Witch • Loki, God of Mischief • Toad • Valkyrie AVENGERS • Captain America (k) • Ant-Man • Beast Atomic Mass Games and logo are TM of Atomic Mass Games. Atomic Mass Games, 1995 County Road B2 W, Roseville, MN, 55113, USA, 1-651-639-1905. © 2021 MARVEL Actual components may vary from those shown. CABAL DEFENDERS • Red Skull (k) • Doctor Strange (k) • Baron Zemo • Daredevil • Bullseye • Ghost Rider • Crossbones • Hawkeye • Enchantress • Hulk • Killmonger • Iron Fist • Kingpin • Luke Cage • Loki, God of Mischief • Spider-Man (Peter Parker) • Magneto • Valkyrie • M.O.D.O.K. • Wolverine • Mystique • Wong • Sabretooth WAKANDA • Ultron • Black Panther (k) CRIMINAL SYNDICATE • Killmonger • Kingpin (k) • Okoye • Black Cat • Shuri • Bullseye • Storm • Crossbones GUARDIANS OF THE GALAXY • Green Goblin • Star-Lord (k) • Killmonger • Angela • M.O.D.O.K. • Drax the Destroyer • Mysterio • Gamora • Taskmaster • Groot • Nebula • Rocket Raccoon • Ronan the Accuser Atomic Mass Games and logo are TM of Atomic Mass Games.
    [Show full text]
  • Comics and Graphic Novels for Young People
    27 SPRING 2010 Going Graphic: Comics and Graphic Novels for Young People CONTENTS Editorial 2 ‘Remember Me’: An Afrocentric Reading of CONFERENCE ARTICLES Pitch Black 14 Kimberley Black The State of the (Sequential) Art?: Signs of Changing Perceptions of Comics, Manga and Graphic Novels and the Holocaust 15 Graphic Novels in Britain 3 Rebecca R. Butler Mel Gibson Copulating, Coming Out and Comics: The High From Tintin to Titeuf: Is the Anglophone Market School Comic Chronicles of Ariel Schragg 16 too Tough for French Comics for Children? 4 Erica Gillingham Paul Gravett Is Henty’s History Lost in Graphic Translation? The Short but Continuing Life of The DFC 5 Won by the Sword in 45 pages 17 David Fickling Rachel Johnson Out of the Box 6 Sequences of Frames by Young Creators: The Marcia Williams Impact of Comics in Children’s Artistic Development 18 Raymond Briggs: Blurring the Boundaries Vasiliki Labitsi among Comics, Graphic Novels, Picture Books and Illustrated Books 7 ‘To Entertain and Educate Young Minds’: Janet Evans Graphic Novels for Children in Indian Publishing 19 Graphic Novels in the High-School Malini Roy Classroom 8 Bill Boerman-Cornell Strangely Familiar: Shaun Tan’s The Arrival and the Universalised Immigrant Experience 20 Britain’s Comics Explosion 9 Lara Saguisag Sarah McIntyre Journeys in Time in Graphic Novels from Reading between the Lines: The Subversion of Greece 21 Authority in Comics and Graphic Novels Mariana Spanaki Written for Young Adults 10 Ariel Kahn Crossing Boundaries 22 Emma Vieceli Richard Felton Outcault and The Yellow Kid 10 Dora Oronti Superhero Comics and Graphic Novels 22 Jessica Yates As Old as Clay 11 Daniel Moreira de Sousa Pinna Composing and Performing Masculinities: Of Reading Boys’ Comics c.
    [Show full text]
  • Pdf | 591.44 Kb
    Afghanistan BORDER MONITORING UPDATE COVID-19 RESPONSE 26 July – 08 August 2020 A refugee returnee family from Iran using hand washing facility at UNHCR’s Encashment Center in Herat, Afghanistan August 2020 CHA/ Zalmai Azimi Since 01 January, UNHCR assisted the return of 513 Afghan refugees from Iran (454), Pakistan (16) and other countries (43) under its facilitated voluntary repatriation programme. UNHCR, as of 04 March 2020, temporarily 513 suspended the voluntary return of Afghan refugees from Pakistan, Iran and other countries as a precautionary AFGHAN REFUGEES measure linked to COVID-19. Voluntary repatriation from Iran resumed as of 30 April. More recently, UNHCR, RETURNED TO in close collaboration with the Governments of Afghanistan and Pakistan initiated preparations to resume the AFGHANISTAN facilitated voluntary repatriation of Afghan refugees from Pakistan as of 10th August. UNHCR in Pakistan will process returning refugees on Mondays and Tuesdays and they subsequently will be able to cross through Torkham and Chaman/Spin Boldak crossing points on the same days. Once in Afghanistan, returnees will receive a cash grant covering transportation and initial reintegration (on average USD 250 per person) and other services at one of three encashment centers (located in Nangarhar, Kabul, and Kandahar). This working 431,595 arrangement will be revised as necessary. According to MoRR/IOM, during the weeks of 26 July – 01 August and 02 - 08 August, the total number of UNDOCUMENTED undocumented returnees from Iran was 14,508 (8,890 spontaneous returnees and 5,618 deportees) and AFGHANS RETURNED 10,251 (5,616 spontaneous returnees and 4,635 deportees) respectively.
    [Show full text]