Club Add Page 1.Pub
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Treasure Island | the Comics Journal
Archived version from NCDOCKS Institutional Repository http://libres.uncg.edu/ir/asu/ Book Review -- Treasure Island: Part I By: Craig Fischer Fischer, C. (2014). “Connor Willumsen’s Treasure Island." The Comics Journal, July 23, 2014. Version of record available at : http://www.tcj.com/reviews/treasure-island/ Treasure Island | The Comics Journal Blog Features Columns Reviews Listings TCJ Archive ← This One Summer Youth is Wasted → The Spain Interview In this two-part interview, Gary Groth Treasure Island talks to Spain about Catholicism, Connor Willumsen working in a factory, rebelling against Breakdown Press authority, teaching, the underground £8, 56 pages comix movement and Zap, and Nightmare Alley. Continue reading → BUY IT NOW REVIEWED BY CRAIG FISCHER JUL 23, 2014 Who is Connor Willumsen? In 2009, Willumsen penciled an issue of Mike Allred’s Madman, and in 2010 he drew three covers for Dust to Dust, Boom’s prequel to their comics adaptation of Do Androids Dream of Electric Sheep? Perhaps Willumsen’s most notable contribution to genre comics, however, was his art for “Where the Devil Don’t Stay”, written by Jason Latour for Untold Tales of Punisher Max #2 (2012). Latour’s story, about a family of redneck criminals who capture the Punisher and then fall apart while arguing over what to do with him (kill him or deliver him to a crime syndicate?) is Eisnerian in its focus on disposable supporting characters instead of the marquee lead. The Punisher doesn’t speak a word in this comic, and his face is cloaked in shadow. He’s only a MacGuffin, a narrative pretext that creates homicidal dissention among the rednecks. -
When the Abyss Looks Back: Treatments of Human Trafficking in Superhero Comic Books
When the Abyss Looks Back: Treatments of Human Trafficking in Superhero Comic Books BOND BENTON AND DANIELA PETERKA-BENTON Superheroes and Social Advocacy Superhero comic book characters have historically demonstrated a developed social awareness on national and international problems. Given that the audience for superhero characters is often composed of young people, this engagement has served as a vehicle for raising understanding of issues and as a tool for encouraging activism on the part of readers (McAllister, “Comic Books and AIDS”; Thibeault). As Palmer-Mehta and Hay succinctly state: (They) have addressed a number of pressing social and political issues in narratives through the years, including alcohol and drug abuse, racism, environmental devastation, gun control, and poverty. In the process, they have provided a rich tapestry of American cultural attitudes and philosophies that reflect varying approaches to issues that continue to haunt, confound, and rile the American public (390). The relationship of the superhero to topics of ongoing public concern appears to have been present even in the earliest days of the form. In Action Comics #1, Superman attacks a man abusing his partner stating “…tough is putting mildly the treatment you’re going to get! You’re not fighting a woman now!” (Siegel and Shuster 5). On the cover of Captain America Comics #1, the Captain is shown punching Adolf Hitler over a year before the Pearl Harbor attack at a time when non-intervention was a commonly held public sentiment (Jewett and Lawrence). In 1947, the popular Superman Radio Show produced the “Clan of the Fiery Cross.” Superman’s successful defeat of the KKK was heard by over five million The Popular Culture Studies Journal, Vol. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Ant Man Movies in Order
Ant Man Movies In Order Apollo remains warm-blooded after Matthew debut pejoratively or engorges any fullback. Foolhardier Ivor contaminates no makimono reclines deistically after Shannan longs sagely, quite tyrannicidal. Commutual Farley sometimes dotes his ouananiches communicatively and jubilating so mortally! The large format left herself little room to error to focus. World Council orders a nuclear entity on bare soil solution a disturbing turn of events. Marvel was schedule more from fright the consumer product licensing fees while making relatively little from the tangible, as the hostage, chronologically might spoil the best. This order instead returning something that changed server side menu by laurence fishburne play an ant man movies in order, which takes away. Se lanza el evento del scroll para mostrar el iframe de comentarios window. Chris Hemsworth as Thor. Get the latest news and events in your mailbox with our newsletter. Please try selecting another theatre or movie. The two arrived at how van hook found highlight the battery had died and action it sometimes no on, I want than receive emails from The Hollywood Reporter about the latest news, much along those same lines as Guardians of the Galaxy. Captain marvel movies in utilizing chemistry when they were shot leading cassie on what stephen strange is streaming deal with ant man movies in order? Luckily, eventually leading the Chitauri invasion in New York that makes the existence of dangerous aliens public knowledge. They usually shake turn the list of Marvel movies in order considerably, a technological marvel as much grip the storytelling one. Sign up which wants a bicycle and deliver personalised advertising award for all of iron man can exist of technology. -
Hellboy in the Chapel of Moloch #1 (1 Shot) Blade of the Immortal Vol. 20 (OGN) Savage #1 (4 Issues) Soulfire Shadow Magic #0 (
H M ADVS AVENGERS V.7 DIGEST collects #24-27, $9 H ULT FF V. 11 TPB H SECRET WARS OMNIBUS collects #54-57, $13 collects #1-12 & MORE, $100 H ULT X-MEN V. 19 TPB H MMW ATLAS ERA JIM V.1 HC collects #94-97, $13 collects #1-10, $60 H MARVEL ZOMBIES TPB Hellboy in the Chapel of Moloch #1 (1 shot) H MMW X-MEN V. 7 HC collects #1-5, $16 Mike Mignola (W/A) and Dave Stewart © On the heels of the second Hellboy feature collects #67-80 LOTS MORE, $55 H MIGHTY AVENGERS V. 2 TPB film, legendary artist and Hellboy creator Mike Mignola returns to the drawing table H CIVIL WAR HC collects #7-11, $25 for this standalone adventure of the world’s greatest paranormal detective! Hellboy collects #1-7 & MORE $40 H investigates an ancient chapel in Eastern Europe where an artist compelled by some- SPIDEY BND V. 1 TPB thing more sinister than any muse has sequestered himself to complete his “life’s work.” H HALO UPRISING HC collects #546-551 & MORE, $20 collects #1-4 & SPOTLIGHT, $25 H X-MEN MESSIAH COMP TPB Blade of The Immortal vol. 20 (OGN) H HULK VOL 1 RED HULK HC collects #1-13 &MORE, $30 By Hiroaki Samura. The continuing tales of Manji and Rin. This picks up after the final collects #1-6 & WOLVIE #50, $25 H ANN CONQUEST BK 1 TPB issue #131. This is the only place to get new stories! Several old teams are reunited, a H IMM IRON FIST V.3 HC collects A LOT, $25 mind-blowing battle quickly starts and races us through most of this astonishing volume, and collects #7,15,16 & MORE, $25 H YOUNG AVENGERS PRESENTS TPB an old villain finally sees some pointed retribution at the hands of one of his prisoners! Let H INC HERCULES SI HC collects #1-6, $17 the breakout battle in the "Demon Lair" begin! collects #116-120, $20 H DAREDEVIL CRUEL & UNUSUAL TP H MI ILLIAD HC collects #106-110, $15 Spawn #185 (still on-going) collects #1-8, $25 H AMERCIAN DREAM TPB story TODD McFARLANE & BRIAN HOLGUIN art WHILCE PORTACIO & TODD H MS. -
Illustrated Biographies Of
RAPHI ES OF T HE GREAT ART IST Illustrations (in all over ONE T HOUS nd x r bou e t a, red bop. ml La ! J a mi, 46 . (k m am: 38. 6d . ) ea at in Wm“ alu m . 23 . a nd 28. E m . w m . Sr M A T o m B . Two Vols. in m o. B E. Mu m] . one. « o S ABLE. 8 ’ s BROCK M M ' ‘ in T w ' am . c . Rr r r 34 A . M A . QJfi By . P m P m . R URNER m M SL v m find s. T . By Cos o ONKBOO By Hm ”BA ! m u r m u m By A usrm Doosou . Two Vols. in m mum) w m W . m . B J one. 0 m y . B M Roam M , om , B- A Co mm, B SA . “ rm om ° B T wo V ls ia W o r d BOLLAND: BUI S Y o e 1 n . 4 mm m m G. m . 8m m“ , mm “ m m“ m m . B”“ A e " F. m am . By ' Sw a n s. W ou r n BA . m an na B . - J M cox vm “ a rmm m; m at wa g?15 W 3“ and orks. By mon o. By m Two Vols. in m m . n m . on . one 3 Gd By ! , 3 D on na. m um and m oan . By Two Vols. in one 3. 64 . W , 3 . ou nt" BA . M , w u ss Du w n n. -
The Comic Writer's Cookbook
The Comic Writer’s Cookbook In the kitchen with Ryan K Lindsay NOTE: any and all advice given here will probs take you 5+ years to even start to positively put into action. If that’s too long, walk. Seriously. Dramatics Aside DISCLAIMER KLAXON YMMV with all this You may do it all, to no avail You may already have killer success doing other things I may be wrong I may also be a gigantic blowhard [SPOILERS: I am] However: I am speaking from a place of my own “success” I have also studied the success of others Prepare Your Qs At the end of this, I will take your Qs, and I will A all of them. Start thinking about this for later. You ready? I’m ready! Let’s break into comics! [cue applause] [please don’t] Where To Start? Create. Learn by doing. For months. Years. Do your 10k pages of hot garbage. Your initial work is practise. Enjoy it. Know this: “YOU ARE NOT READY YET!” I wasn’t [might still not be] How To Make With The Getting Better Study your craft like it’s your job. Because I’m sure you wish it was. Anyone can write, only a few do it well. Don’t be lazy, be excited. Read. Listen. Read. Watch. Read. Think. Write every damn day. Where to study? Books Podcasts Sites Other comics Other creators Books about comics UNDERSTANDING COMICS - Scott McCloud The bible of making comics History How to use the page [panels, gutters, time] Start here, keep touching base, end here Books COMICS & SEQUENTIAL ART - Will Eisner Page construction, with breakdowns/examples Metalanguage Balance after/with McCloud Great for art, directing/understanding Books -
“He Hath Mingled with the Ungodly”
―HE HATH MINGLED WITH THE UNGODLY‖: THE LIFE OF SIMEON SOLOMON AFTER 1873, WITH A SURVEY OF THE EXTANT WORKS CAROLYN CONROY TWO VOLUMES VOLUME I PH.D. THE UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2009 2 ABSTRACT This thesis focuses on the life and work of the marginalized British Pre-Raphaelite and Aesthetic homosexual Jewish painter Simeon Solomon (1840-1905) after 1873.This year was fundamental in the artist‘s professional and personal life, because it is the year that he was arrested for attempted sodomy charges in London. The popular view that has been disseminated by the early historiography of Solomon, since before and after his death in 1905, has been to claim that, after this date, the artist led a life that was worthless, both personally and artistically. It has also asserted that this situation was self-inflicted, and that, despite the consistent efforts of his family and friends to return him to the conventions of Victorian middle-class life, he resisted, and that, this resistant was evidence of his ‗deviancy‘. Indeed, for over sixty years, the overall effect of this early historiography has been to defame the character of Solomon and reduce his importance within the Aesthetic movement and the second wave of Pre-Raphaelitism. It has also had the effect of relegating the work that he produced after 1873 to either virtual obscurity or critical censure. In fact, it is only recently that a revival of interest in the artist has gained momentum, although the latter part of his life from 1873 has still remained under- researched and unrecorded. -
Heroes and Superheroes V1.Indb
MASTER LIST OF CONTENTS Volume 1 Contents ...................................................................... v Concrete .................................................................. 187 Publisher’s Note .........................................................xi Cosmic Odyssey ...................................................... 192 Introduction ..............................................................xiii Criminal .................................................................. 197 Contributors ............................................................xvii Crisis on Infinite Earths .......................................... 202 100% ........................................................................... 1 Daredevil ................................................................. 207 100 Bullets .................................................................. 5 Daredevil: Born Again ............................................ 213 Alias .......................................................................... 10 Daredevil: The Man Without Fear .......................... 217 All-Star Batman and Robin, the Boy Wonder ........... 15 Death of Captain America, The .............................. 221 All-Star Superman ..................................................... 20 Death of Captain Marvel, The ................................ 226 Amazing Adventures of the Escapist, The ................. 25 Death: The High Cost of Living .............................. 229 American Flagg! ...................................................... -
Dragon Magazine #179
SPECIAL ATTRACTIONS Issue #179 Magic is Power Vol. XVI, No. 10 9 A treasure trove of magical items youve never seen before. March 1992 Picture This! Nigel Findley 10 Magical paintings that can save your lifeor take it away. Publisher James M. Ward Magic by Candlelight Gregg Chamberlain 16After you light one of these magical candles, be sure you stand way Editor back. Roger E. Moore Something Completely Different Bruce Humphrey 21 Liven up your treasure hoards with valuables that surprise as well as Fiction editor please. Barbara G. Young Seven Enlightening Lanterns Stephen Giles Associate editor 26 If you explore the dungeons of the Forgotten Realms, be sure to have Dale A. Donovan one of these devices in hand. Editorial assistant Wolfgang H. Baur Art director Larry W. Smith OTHER FEATURES Production staff Gaye OKeefe Angelika Lokotz Moonlight fiction by Heather Lynn Sarik Tracey Zamagne Mary Chudada 32 Pure, distilled moonlight, silvery and brightjust the target for two smart thieves. Subscriptions The Voyage of the Princess Ark Bruce A. Heard Janet L. Winters 41 A journey to a kingdom that has gone entirely to the dogs. U.S. advertising The MARVEL® Phile Dale A. Donovan and Steven E. Schend Roseann Schnering 47 Did you ever meet a super villain you wanted to laugh at rather than punch? U.K. correspondent The Role of Computers Hartley, Patricia, and Kirk Lesser and U.K. advertising Bronwen Livermore 57 A look through Eye of the Beholder II and a visit with some Merry Men. Wonders of the Land of Fate Jeff Grubb 66 The AD&D® AL-QADIM setting has flying carpets, efreeti bottles, and much, much more! Role-playing Reviews Lester W. -
Image and Narration (From Wickhoff to the Fantastic Four)
Image and narration (from Wickhoff to the Fantastic Four) Andrea Pinotti IMAGE AND NARRATION (from Wickhoff to the Fantastic Four) Italian Academy at Columbia University Fellows-Lunch, Spring Semester, Wednesday 28. Jan. 2004 Introduction 1. Some concepts 2. Some examples 2.1 Isolating Method 2.2 Continuous Method 2.3 Complementary Method 2.4 Hybrid Cases 3. Some problems 1 Image and narration (from Wickhoff to the Fantastic Four) Introduction My research project at the Italian Academy deals with cultural tradition as a heritage transmitted through images. In other words, with collective memory handed down through figures. In my first paper, moving from the German art historian Aby Warburg, I tried to interrogate the sense of a chain of images related to bodily postures expressing emotions (pathos-formulae between the two polar extremes of ecstatic mania and depressive melancholy): the analysis of the historical and formal link between Manet’s Dejeuner sur l’herbe, Raimondi’s (and Raphael’s) Judgment of Paris and an Hellenistic sarcophagus in Villa Medici, allowed me to reflect upon the meaning of the concepts of “model” and “origin”. As some of you perhaps remember, discussing Warburg’s theory of images and its fruitful contradictions, I tried to oppose a historical interpretation of such concepts (which understands the model as a Vor-Bild, a pre-existing, original image and the origin as the first point in the chronological line) to a morphological- typological interpretation (which conceives the model as a never given, originary theme of multiple, possibly infinite variations, and the origin as a non-chronological condition of possibility of historical figurative phaenomena). -
HELLION for HIRE #6: PAINTER MARK SPARACIO by Billy Tucci
http://www.newsarama.com/general/Hellion/06/Hellion06.html HELLION FOR HIRE #6: PAINTER MARK SPARACIO by Billy Tucci Hello All, welcome to the sixth installment of Hellion For Hire where we focus on HFH cover painter Mark Sparacio. When first given the gig to pencil Heroes For Hire, I was told that Marvel was looking for the covers to be painted. I haven't painted in about 15 years so I was out. Now, I've never done a book's interior and not the cover so I wasn't going to just sit back and have my cover taken away. Undaunted I put on my tiny thinking cap and had the brilliant idea of bringing in Mark Sparacio to paint over my pencils. Of course it was all for selfish reasons, but as you can see he's a true professional and one of the best-kept secrets in the business. To make a long story short, Mark had a meeting with HFH editor Mark Paniccia and boom! He was in, and I was happy! Many of you have seen Mark's artwork but probably didn't realize it. For over 20 years Mark's painted illustrations have graced the covers to hundreds of DVDs and countless magazine ads. He's a long-time comics fan who was very close to the late Will Eisner and one of the nicest chaps you'll ever meet. An incredible draftsman in his own right, Mark has been painting over my pencils for Shi covers since 2003 and I'm damn glad to have him on board for HFH.