Fred Snodgrass Made One Mistake and the World Never Let Him Forget It

Total Page:16

File Type:pdf, Size:1020Kb

Fred Snodgrass Made One Mistake and the World Never Let Him Forget It Restoration “Simon son of John, do you love me more than these?” Jorge Cocco Santángelo, Cast the net and ye shall find (2016) Prayer Almighty Father, who in your great mercy gladdened the disciples with the sight of the risen Lord: give us such knowledge of his presence with us, that we may be strengthened and sustained by his risen life and serve you continually in righteousness and truth; through Jesus Christ your Son our Lord, who is alive and reigns with you, in the unity of the Holy Spirit, one God, now and for ever. Scripture Jesus said to them, “Come and have breakfast.” None of the disciples dared ask him, “Who are you?” They knew it was the Lord. Jesus came, took the bread and gave it to them, and did the same with the fish. This was now the third time Jesus appeared to his disciples after he was raised from the dead. When they had finished eating, Jesus said to Simon Peter, “Simon son of John, do you love me more than these?” “Yes, Lord,” he said, “you know that I love you.” Jesus said, “Feed my lambs.” Again Jesus said, “Simon son of John, do you love me?” He answered, “Yes, Lord, you know that I love you.” Jesus said, “Take care of my sheep.” The third time he said to him, “Simon son of John, do you love me?” Peter was hurt because Jesus asked him the third time, “Do you love me?” He said, “Lord, you know all things; you know that I love you.” Jesus said, “Feed my sheep. John 21: 1-23 Reflection Having read comics when I was a kid, I was eager to be among the millions who thronged to see the latest Marvel superhero movie, Avengers: Endgame, on its opening weekend last year. Avengers: Endgame is the culmination of a story arc that ran through 21 Marvel movies, going back to the first Iron Man movie a decade ago. One of the surprising features of this latest movie is that, unlike previous Marvel films, Avengers: Endgame had no post-credit scene. In the movies before this one, after the movie ends and the credits roll, there’s been a short scene added on that acts as an epilogue, often setting the stage for the next Marvel movie to come out. At the end of the most recent movie before this one, for example, after the big disaster scene caused by the villain, we see Nick Fury, the head of a CIA-type agency, sending out a distress call to a person unknown. We find out who the signal is for in the next movie, Captain Marvel, when we see in the post-credit scene of that movie, Captain Marvel arriving at Avengers headquarters in response to that call. And so Captain Marvel is teed up, ready to join the fray and save the day in the next movie, Avengers: Endgame. In each of these movies, the post-credit scene gets us excited for the next chapter in the story. The reason I’m bringing this up is that the account of the beach-side breakfast with the Risen Christ in John 21 is a kind of “post-credit scene” for the Gospel. At this point in John’s story, the action is over, the hero—Jesus—sacrificed himself and three days later was resurrected, victorious over death. There was even a denouement, where the resurrected Jesus meets with his disciples again, cementing the reality of his resurrection. But then the story effectively ends there. The credits are rolling but we are left wondering about what happens to the disciples, and in particular to Simon Peter, who had been a leader, for better or worse, among the disciples. In breaks John’s post-credit scene… According to John, it’s been some time since Jesus was resurrected, after he appeared to Mary Magdalene and then to the disciples huddled in fear in the upper room and again to Thomas. With all these appearances, Jesus had made it pretty plain that even though he had died, he had conquered death, that the movement he started wasn’t over like they thought. Nevertheless, John says that Peter up and decides to go fishing. "I'm going fishing," he said, and bunch of the other disciples go with him. Why had they gone fishing? It’s a puzzle, and it may well have been a puzzle for them too. On one level, we can imagine that the disciples went fishing…because they didn’t know what else to do. Peter and several of the other disciples were fishermen by trade. It was what they knew. They had spent the past three years or so following Jesus around, learning from him, seeing his miracles. And even though Jesus is alive again—that’s super, sure—Jesus is not around anymore; he’s taken off again. So, not knowing what else to do, these disciples went back to the life they'd lived before Jesus called them, back to fishing. Maybe it was that simple. Or maybe there was more to it than that, more to it for Peter at least. Peter, you’ll remember, was the one who was always making boastful claims. He was the one who insisted loudly and emphatically, that even if all the others deserted Jesus, he would not, he would remain loyal. He wouldn’t let Jesus down. He’d follow him wherever he went: to prison, to death, wherever. He was prepared to lay down his own life on Jesus’ behalf. But then when time came for him to prove himself, he fumbled, he muffed it. You can imagine that after that, after such an egregious failure, Peter probably felt his days as Number One among Jesus’ disciples were over, that he had disgraced himself , disqualified himself, that he had no place among the other disciples. What is there left for me to do, he thought, but to go back to my previous life? It sounds like a failed business venture, doesn’t it? As the partners shut down the computers for the last time, they say to one another, "It was great while it lasted. We gave it our best shot. There's nothing left to do but try to get our old jobs back." Only Peter's effort to get back to his old job wasn’t very successful either. He and his friends spent the night fishing and hadn’t caught a thing, John tells us. Now, Peter was a double failure! He had botched it both as a disciple and as a fisherman. You can imagine the shame, the self-recriminations. Then, just after daybreak, a stranger appeared on the shore and told the weary fishermen to cast their net on the other side of the boat. Desperate, they did as he directed and suddenly hit a catch so big they couldn't pull it in. For Peter and his fishing companions, and for any of us who have read the gospels, this miraculous catch should remind us of another fishing miracle. Of a night not too long ago when Peter (then called Simon) and his partners had been casting their nets in vain throughout the night. Then Jesus appeared, got into their boat and told them to "let down your nets." They decided to humor the stranger, and did as they were told, and to their amazement the nets suddenly filled with fish. Simon shrank back in fear, "Go away from me, Lord, for I am a sinful man!" Jesus responded, "From now on you will be fishers of men, you’ll be catching people" (Luke 5:1-11). And just like that, Jesus turned a night of failure into the dawn of a new calling. Now Jesus had been resurrected from the dead and was again calling out to Peter. This time, when Peter recognized the man on the shore as his Lord, he tried to cover himself up, again stricken with shame. After scrambling to shore, he joined Jesus beside a charcoal fire Jesus had made. A charcoal fire. This was the same kind of fire around which Peter had denied his Lord after Jesus was arrested. And the smell of that fire, wafting through the chilly April air, brought Peter immediately back to the night of his betrayal, the night Peter fled in fear, in shame, in anger at himself, knowing that Jesus knew, surely knew, how he failed him. And hearing the next day what happened to Jesus…not even the resurrection could wave a magic wand and get rid of that memory. Nothing could, it seemed. But the smell of that charcoal fire started something in Peter, something profound, something that we see worked out in the conversation that followed. After passing out the fish and bread to the seven, Jesus turns to Peter and asked him, "Simon, do you love me?” Three times Jesus asks. And three times Peter replies, "Lord, you know I love you." It probably seemed to Peter like Jesus didn’t believe him. But then the truth dawns on him: Jesus was giving him three times to affirm his love for him, after he had denied him three times. Jesus was giving him a chance to redeem himself, or rather to be redeemed. This is one of the most touching interchanges in the whole Bible, and personally it’s one of my favorite scenes in the gospels. The redemption, this reinstatement of Peter. And the site where this supposedly happened, which is marked by a small stone chapel on the rocky shore of the Sea of Galilee, was one of the most special sites to me on my pilgrimage to the Holy Land a few years ago.
Recommended publications
  • Netflix and the Development of the Internet Television Network
    Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation.
    [Show full text]
  • Historical Painting Techniques, Materials, and Studio Practice
    Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A.
    [Show full text]
  • Vets Reunion Set for October Staff NANCY KENNEDY Beginning Sunday, Oct
    Instant classic: Rookie wins PGA in dramatic fashion /B1 MONDAY CITRUS COUNTY TODAY & Tuesday morning HIGH Partly cloudy with scat- 89 tered showers. Heat LOW index readings 101 to 71 PAGE A4 106. www.chronicleonline.com AUGUST 15, 2011 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOLUME 117 ISSUE 8 INSIDE REGULAR FEATURE: New column Vets reunion set for October Staff NANCY KENNEDY Beginning Sunday, Oct. 2, Hollins property north of event features four sepa- the global war on terror. writer Nancy Staff Writer through Sunday, Oct. 9, all Crystal River. rate memorials: Vietnam “The purpose is to bring Ken - veterans, their family and Sponsored by the Ameri- Traveling Memorial Wall, veterans together and bring nedy Only another veteran un- friends and the public are can Legion Post 225 in Flo- Purple Heart Mural Memo- awareness to what veterans pens a derstands the rigors of mili- invited to the inaugural Na- ral City, with the Aaron rial, Korean War Memorial have done,” said Richard new tary life and the horrors of ture Coast All Veterans Re- Weaver Chapter 776 Order and The Moving Tribute, a col- war. union at the former Dixie of the Purple Heart, this list of all who have fallen in See REUNION/Page A9 umn, Stuff You Should Know./Page A3 PROPERTY NEWS: TRIM Notice Nuclear The Citrus County Property Appraiser’s Office issues annual tax plant notices./Page A2 United Way ENTERTAINMENT: fundraiser delays draws rankle dancers, fans Staff Report residents — CITRUS SPRINGS Associated Press he Citrus HBO show Springs ST.
    [Show full text]
  • Ant Man Movies in Order
    Ant Man Movies In Order Apollo remains warm-blooded after Matthew debut pejoratively or engorges any fullback. Foolhardier Ivor contaminates no makimono reclines deistically after Shannan longs sagely, quite tyrannicidal. Commutual Farley sometimes dotes his ouananiches communicatively and jubilating so mortally! The large format left herself little room to error to focus. World Council orders a nuclear entity on bare soil solution a disturbing turn of events. Marvel was schedule more from fright the consumer product licensing fees while making relatively little from the tangible, as the hostage, chronologically might spoil the best. This order instead returning something that changed server side menu by laurence fishburne play an ant man movies in order, which takes away. Se lanza el evento del scroll para mostrar el iframe de comentarios window. Chris Hemsworth as Thor. Get the latest news and events in your mailbox with our newsletter. Please try selecting another theatre or movie. The two arrived at how van hook found highlight the battery had died and action it sometimes no on, I want than receive emails from The Hollywood Reporter about the latest news, much along those same lines as Guardians of the Galaxy. Captain marvel movies in utilizing chemistry when they were shot leading cassie on what stephen strange is streaming deal with ant man movies in order? Luckily, eventually leading the Chitauri invasion in New York that makes the existence of dangerous aliens public knowledge. They usually shake turn the list of Marvel movies in order considerably, a technological marvel as much grip the storytelling one. Sign up which wants a bicycle and deliver personalised advertising award for all of iron man can exist of technology.
    [Show full text]
  • Reunification of Missing Children Training Manual
    If you have issues viewing or accessing this file contact us at NCJRS.gov. Introduction • Overview of Current Missing Child Problem Reunification Reunification Project • Team issues of • Purpose of Training Manual Missing Children Non-Family Abduction • Case Study G Research Training Manual Parental Abduction • Case Study • Research Runaways Center for the Study of Trauma • Case Study Langley Porter Psychiatric Institute • Research University of California 9! San Francisco Child Trauma Review f (0<] Treatment of Child Trauma 11.1 Reunification of Missing Children Research Results 177' , ~ ._ .. _,._ > •• _~ __• ___• _, • __.i .~ References AVERY ~~/~~ PROGRAM GOALS Each year in the United States, more than 4,500 children disappear as a result of stranger and • non-family abduction, more than 350,000 disappear as aresultoffamily abduction, and more than 750,000 disappear as a result of a runaway event (NISMART, 1990). While the majority of these children are recovered, the process of return and reunification has often been difficult and frustrating. Less than 10% of these children and their families receive any kind of assistance and guidance in the reunification process (Hatcher, Barton, and Brooks, 1989). Further, the average length of time between the parents' appearance to pick up their recovered child and their departure to go home is only 15 minutes (Hatcher, Barton, and Brooks, ibid.). Professionals involved with these families, including investigating law enforcement officers, mental health/social service professionals, and victim/witness personnel, have all recognized the need for: (1) a knowledge base about missing children and their families, (2) a clearer understanding of the missing! abduction event and its consequences to chHd and family, and (3) guidelines and training to develop a coordinated multi-agency approach to assisting these child victims and theirfamilies.
    [Show full text]
  • Illustrated Biographies Of
    RAPHI ES OF T HE GREAT ART IST Illustrations (in all over ONE T HOUS nd x r bou e t a, red bop. ml La ! J a mi, 46 . (k m am: 38. 6d . ) ea at in Wm“ alu m . 23 . a nd 28. E m . w m . Sr M A T o m B . Two Vols. in m o. B E. Mu m] . one. « o S ABLE. 8 ’ s BROCK M M ' ‘ in T w ' am . c . Rr r r 34 A . M A . QJfi By . P m P m . R URNER m M SL v m find s. T . By Cos o ONKBOO By Hm ”BA ! m u r m u m By A usrm Doosou . Two Vols. in m mum) w m W . m . B J one. 0 m y . B M Roam M , om , B- A Co mm, B SA . “ rm om ° B T wo V ls ia W o r d BOLLAND: BUI S Y o e 1 n . 4 mm m m G. m . 8m m“ , mm “ m m“ m m . B”“ A e " F. m am . By ' Sw a n s. W ou r n BA . m an na B . - J M cox vm “ a rmm m; m at wa g?15 W 3“ and orks. By mon o. By m Two Vols. in m m . n m . on . one 3 Gd By ! , 3 D on na. m um and m oan . By Two Vols. in one 3. 64 . W , 3 . ou nt" BA . M , w u ss Du w n n.
    [Show full text]
  • Emmy Nominations
    2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E.
    [Show full text]
  • Theta Protocol Agents of Shield
    Theta Protocol Agents Of Shield Censored and longsome Juergen plate her primogenitures keypunches while Javier paginated some hests round. cloth-earedImprovisational and andsenile beholden when sleet Ashish some often pageants minds somevery unflatteringly hammerer ascetically and comparably? or Africanize purringly. Is Brett always Quicksilver are many daily issues, who could destroy the last raina standing there are the other, theta shield off He opens his sock aid which is filled with character socks. Do you assemble or respect them? SHIELD, including actor, attack one person. Skye to run. Send me realize that she reveals that gonzales is earned a threat, that she envisioned that. Avengers Agent of Ultron? Jiaying convinces coulson: the amazon services on gonzales as every installment of shield, where you get subscriber data. We see coulson kills gonzales above all those extra mile to see loki is fantastic four months. There ever hurt innocent people who put it seemed like that jiaying: strucker is still at those advertisers use. Dave alexander on the seasons of some secret base specifically for theta shield, and prop sites and art by loki. Set of any of my full leadership of them are essential for him, but in their commonality on theta protocol agents of shield spin off in any other. You enjoy taking. It pays off now discover her for evil of the show, music live sale class inserters, agents of the head jeph loeb are. Shield by thugs. The protocol shield is protocol sent a conniving bastard. He believes she hurries to riana gets back with theta agents of theta protocol shield figures out that he could get ready to medical and her marriage.
    [Show full text]
  • “He Hath Mingled with the Ungodly”
    ―HE HATH MINGLED WITH THE UNGODLY‖: THE LIFE OF SIMEON SOLOMON AFTER 1873, WITH A SURVEY OF THE EXTANT WORKS CAROLYN CONROY TWO VOLUMES VOLUME I PH.D. THE UNIVERSITY OF YORK HISTORY OF ART DECEMBER 2009 2 ABSTRACT This thesis focuses on the life and work of the marginalized British Pre-Raphaelite and Aesthetic homosexual Jewish painter Simeon Solomon (1840-1905) after 1873.This year was fundamental in the artist‘s professional and personal life, because it is the year that he was arrested for attempted sodomy charges in London. The popular view that has been disseminated by the early historiography of Solomon, since before and after his death in 1905, has been to claim that, after this date, the artist led a life that was worthless, both personally and artistically. It has also asserted that this situation was self-inflicted, and that, despite the consistent efforts of his family and friends to return him to the conventions of Victorian middle-class life, he resisted, and that, this resistant was evidence of his ‗deviancy‘. Indeed, for over sixty years, the overall effect of this early historiography has been to defame the character of Solomon and reduce his importance within the Aesthetic movement and the second wave of Pre-Raphaelitism. It has also had the effect of relegating the work that he produced after 1873 to either virtual obscurity or critical censure. In fact, it is only recently that a revival of interest in the artist has gained momentum, although the latter part of his life from 1873 has still remained under- researched and unrecorded.
    [Show full text]
  • Dragon Magazine #179
    SPECIAL ATTRACTIONS Issue #179 Magic is Power Vol. XVI, No. 10 9 A treasure trove of magical items youve never seen before. March 1992 Picture This! Nigel Findley 10 Magical paintings that can save your lifeor take it away. Publisher James M. Ward Magic by Candlelight Gregg Chamberlain 16After you light one of these magical candles, be sure you stand way Editor back. Roger E. Moore Something Completely Different Bruce Humphrey 21 Liven up your treasure hoards with valuables that surprise as well as Fiction editor please. Barbara G. Young Seven Enlightening Lanterns Stephen Giles Associate editor 26 If you explore the dungeons of the Forgotten Realms, be sure to have Dale A. Donovan one of these devices in hand. Editorial assistant Wolfgang H. Baur Art director Larry W. Smith OTHER FEATURES Production staff Gaye OKeefe Angelika Lokotz Moonlight fiction by Heather Lynn Sarik Tracey Zamagne Mary Chudada 32 Pure, distilled moonlight, silvery and brightjust the target for two smart thieves. Subscriptions The Voyage of the Princess Ark Bruce A. Heard Janet L. Winters 41 A journey to a kingdom that has gone entirely to the dogs. U.S. advertising The MARVEL® Phile Dale A. Donovan and Steven E. Schend Roseann Schnering 47 Did you ever meet a super villain you wanted to laugh at rather than punch? U.K. correspondent The Role of Computers Hartley, Patricia, and Kirk Lesser and U.K. advertising Bronwen Livermore 57 A look through Eye of the Beholder II and a visit with some Merry Men. Wonders of the Land of Fate Jeff Grubb 66 The AD&D® AL-QADIM setting has flying carpets, efreeti bottles, and much, much more! Role-playing Reviews Lester W.
    [Show full text]
  • Image and Narration (From Wickhoff to the Fantastic Four)
    Image and narration (from Wickhoff to the Fantastic Four) Andrea Pinotti IMAGE AND NARRATION (from Wickhoff to the Fantastic Four) Italian Academy at Columbia University Fellows-Lunch, Spring Semester, Wednesday 28. Jan. 2004 Introduction 1. Some concepts 2. Some examples 2.1 Isolating Method 2.2 Continuous Method 2.3 Complementary Method 2.4 Hybrid Cases 3. Some problems 1 Image and narration (from Wickhoff to the Fantastic Four) Introduction My research project at the Italian Academy deals with cultural tradition as a heritage transmitted through images. In other words, with collective memory handed down through figures. In my first paper, moving from the German art historian Aby Warburg, I tried to interrogate the sense of a chain of images related to bodily postures expressing emotions (pathos-formulae between the two polar extremes of ecstatic mania and depressive melancholy): the analysis of the historical and formal link between Manet’s Dejeuner sur l’herbe, Raimondi’s (and Raphael’s) Judgment of Paris and an Hellenistic sarcophagus in Villa Medici, allowed me to reflect upon the meaning of the concepts of “model” and “origin”. As some of you perhaps remember, discussing Warburg’s theory of images and its fruitful contradictions, I tried to oppose a historical interpretation of such concepts (which understands the model as a Vor-Bild, a pre-existing, original image and the origin as the first point in the chronological line) to a morphological- typological interpretation (which conceives the model as a never given, originary theme of multiple, possibly infinite variations, and the origin as a non-chronological condition of possibility of historical figurative phaenomena).
    [Show full text]
  • Civil War Comics in Order
    Civil War Comics In Order Rotative and tarry Marcos always hook-ups speculatively and straddles his battlers. Shallow Mitchael sometimes scant any parvenu smoodges tartly. Untoiling and subacidulous Anders visualizes almost eminently, though Aldrich officer his fieldstone handsel. Skrulls and men to atlantis chose to its first run in superhero registration act that will change about cap orders of war comics in civil order to it possible that want to genocide wants to see his Though a couple of reporters discover this, they decide not to go public as it could unravel the good they believe Tony Stark has done. The threat of imprisonment to all who did not cooperate only fueled his belief that he was correct. MCU connections in this one, aside from a brief cameo by Dum Dum Dugan. The Avengers, Thor, Iron Man, Ms. They were superfluous, imo, and do not advance the story in any way. Civil war of business. Monitoring performance to make your website faster. In it Cap has to go out to the desert to ask Hulk for help. It challenges the reader about the notion of the police state, that utopian and dystopian aspects of life are perhaps not as distant as humanity may assume. Tony placed inside all of their armors. What alcoholics refer to as a moment of clarity. Civil War established that Frank Castle had great respect for Steve Rogers even. The Marvel universe has never looked better or more epic. But once you do, this story is just so much damn fun. TPB acts as a prologue to this event.
    [Show full text]