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r' gPPif ;.- - WWW r Pfpiprflipipfpiira " 2 THE NATIONAL TRIBUNE: WASHINGTON, D. 0., THURSDAY, SEPTEMBER 6, 1883. occasionally ono of exceptional excellence, and commenced practice in Syracuse, K. Y. About tho look and tone IrlwhJch. it was given must have tho country large, ten years ago sho at however it may be in and d.posiffd in a Jar.' those of Sullivan, JTolloy, Millard, Pinsuti, married the Rev. P. W. Emens, annihilated one of les3 courage. At the time thia New Jersoy, needs the services of all women - i t .jtl. i tho LOYALWOMP'SWORK Garibol, and Gabriel are always good. Mil- then a pastor of ono of the churches in the City ot occurred I was nursing back to health and use- THE GRIERSON MID, north, enu ot the buiUln. , stnet. Salt Mrs. Dr. Emens has obtained an exeeedingly fulness a soldier from hia own pet regiment, the now as much as in the old war days. Mrs. on the east side O lard, by way, a f the Ri.srft.ul.ui..iani..m the is veteran of the Union practice. h. lucrativc Twenty-sixt- Massachusetts, who had been on tho Houghton maintains that there is no moro rea- a in front. rOOUI nlerannk anny,whose patriotic songs are among the very Respectfully, FnAjnc very brink The WM Vtv nnn Dillost. of the grave. Three of his comrades son for the admission of all loyal women into The buibliner had Wn fnil& far hnioi a best. -- had stolen hospital Music ai HoiaeWltolcseHie Cookery. AN hinrfrom the and brought him tho Belief Corp3 than there is for making all I UNTRANSLATED SAINT. -
Jack Bremer, SPY Team Captain
Name: Jack Bremer High School: Severn School Years on SPY: 13 College attending in Fall 2012: Cornell University Hobbies when not swimming: Green Bay Packers – I’ve been a huge fan my whole life, and now I can finally admit: Jim and Crystee, all those times I scratched Winterfest finals, I didn’t have a “stomach bug” or “so much homework,” I was just watching the Packers game. Other than that, I enjoy anything with boats, cars, Washington Capitals. Also (although my mom despises me doing this) I cannot stop eating pizza or cheez-its; I go through a box of each in about 10-20 minutes. Most memorable swim: Undoubtedly 200 Fly at SC Y-Nationals Finals my sophomore year. My lone goal of the meet was to make my first Summer Juniors cut, and 200 Fly was my last chance. I went a 1:52.94 and placed 16th in the morning, but I needed to go 1:51.99. At finals I won the B Final with a 1:50.34 and out-touched 2nd place by 0.02. I don’t think I’ve ever been more pumped up for anything in my life than that swim at finals, and I still get goose bumps thinking about it. Most memorable/funny moment: After spending nearly my whole life on the team, I’ve accumulated quite a few, so I can’t pick just one moment. I’d mainly like to mention the people on SPY who have impacted my life in memorable ways and have given friendships that will last a lifetime. -
CBH Rivers of Living Water
UNIVERSITY OF CALIFORNIA Los Angeles “Rivers of Living Water”: The Movements and Mobility of Holiness-Pentecostals, 1837-1910 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Caroline Anne Bunnell Harris 2016 © Copyright by Caroline Anne Bunnell Harris 2016 ABSTRACT OF THE DISSERTATION “Rivers of Living Water”: The Movements and Mobility of Holiness-Pentecostals, 1837-1910 by Caroline Anne Bunnell Harris Doctor of Philosophy in History University of California, Los Angeles, 2016 Professor Stephen A. Aron, Chair This dissertation follows the fluid and dynamic movements of holiness and pentecostal worshipers who crossed boundaries of race, gender, language, and region at the end of the nineteenth century and beginning of the twentieth century. It demonstrates how the changeable, decentralized, and anti-institutional character of the holiness-pentecostal movement allowed for both radical social behavior and dynamic geographic mobility. The movement was in a constant state of flux as the sanctified traveled across the continent, as holiness ideas circulated amidst an explosion of print culture, and as worshipers moved in and out of socially transgressive practices. By the early twentieth century an expansive network of holiness and pentecostal folk, tied together by railroads and holiness newspapers, sprawled across the United States. The American holiness-pentecostal movement had flowed from the homes of Northern social reformers in the !ii 1840s, to black sharecroppers in the Mississippi Delta and white cotton farmers in East Texas after Reconstruction, and finally to the West at the turn of the century. Popular depictions of Los Angeles on the brink of the Azusa Street Revival describe a seed about to sprout, a woman in labor, or a tree being transplanted. -
Now and Forever — a Conversation with Israel Zangwill (New York: Robert M
Now and Forever — A Conversation with Israel Zangwill (New York: Robert M. McBride & Co., 1925), 156 pp. Another "by Jews, for Jews" special, from the Memory Hole. The tone of works such as this is quite different from what is presented in the media for general (i.e., "gentile") consumption. A strange little book I picked up. Samuel Roth discusses the state of Jewry with Israel Zangwill. Zangwill was a playwright who coined the phrase "melting pot" and who wrote a standard "refutation" of the Protocols . It deals with how Jews see themselves -- and how they think others see them. It's funny to see two Jews pretending to be "against" one another in a debate -- like two ants from the same anthill. All the extreme arrogance and subjectivity of Jews is displayed here. Jews are distinctive in the world in raising such things to near hallucinogenic levels. Compare with Hosmer and Marcus Eli Ravage. Some of the most incredible (or oddly candid) statements I highlighted in red as I went thru' the text. Jews say "we're special because we remember" -- their way of saying they institutionalize trans-generational ethnic hatred as a way of separating themselves from the rest of human society. My favorite part -- Roth compares St. Paul with Trotsky! He further says that Jews are the only real Christians, and that "Jesus preached of Jews and for Jews". He says that Jesus hated the world (when he really just hated Jews -- but Jews are "the world", according to them: all others are "not of Adam"). But we mustn't forget that this Problem is primarily an ethnic, and not a religious, one. -
It's a Wonderful Life Final Script Opening Sequence/George Saves
It's a Wonderful Life Final Script Opening sequence/George saves Harry FADE IN –– NIGHT SEQUENCE Series of shots of various streets and buildings in the town of Bedford Falls, somewhere in New York State. The streets are deserted, and snow is falling. It is Christmas Eve. Over the above scenes we hear voices praying: GOWER'S VOICE I owe everything to George Bailey. Help him, dear Father. MARTINI'S VOICE Joseph, Jesus and Mary. Help my friend Mr. Bailey. MRS. BAILEY'S VOICE Help my son George tonight. BERT'S VOICE He never thinks about himself, God; that's why he's in trouble. ERNIE'S VOICE George is a good guy. Give him a break, God. MARY'S VOICE I love him, dear Lord. Watch over him tonight. JANIE'S VOICE Please, God. Something's the matter with Daddy. ZUZU'S VOICE Please bring Daddy back. CAMERA PULLS UP from the Bailey home and travels up through the sky until it is above the falling snow and moving slowly toward a firmament full of stars. As the camera stops we hear the following heavenly voices talking, and as each voice is heard, one of the stars twinkles brightly: FRANKLIN'S VOICE Hello, Joseph, trouble? JOSEPH'S VOICE Looks like we'll have to send someone down –– a lot of people are asking for help for a man named George Bailey. FRANKLIN'S VOICE George Bailey. Yes, tonight's his crucial night. You're right, we'll have to send someone down immediately. Whose turn is it? JOSEPH'S VOICE That's why I came to see you, sir. -
Pen in Hand Literary Journal January 2021
MARYLAND Dedicated to the Art, Business, WRITERS’ and Cra of Writing Since 1988 ASSOCIATION PEN IN HAND LITERARY JOURNAL JANUARY 2021 Dr. Tapendu K. Basu Editor PEN IN HAND The Biannual Literary Journal of the Maryland Writers’ Association January 2021 Editor: Dr. Tapendu K. Basu (Gandharva raja) MARYLAND Dedicated to the Art, Business, WRITERS’ and Craft of Writing Since 1988 ASSOCIATION “Pandemic Sonnet” Copyright © 2021 by Lynne Viti “Beat Poem: About Those Wooden Nickels” Copyright © 2021 by Roderick Deacey “Heart” Copyright © 2021 by Lois Perch Villemaire “The Cook Asleep” Copyright © 2021 by J.D. Brayton “Comfort” Copyright © 2021 by Jack Slocomb “Bing Cherry Wine” Copyright © 2021 by Karen Laugel “My Friend” Copyright © 2021 by Patricia Crews “To Katy” Copyright © 2021 by Lewis F. McIntyre “Suburban Lies” Copyright © 2021 by Kari A. Martindale “My West African Grandmother” Copyright © 2021 by Patti Ross “Dreams About Grocery Stores” Copyright © 2021 by Terri Simon “Katrina, Aftermath” Copyright © 2021 by Mariko Hewer “One Last Chance” Copyright © 2021 by Fred L. Pincus “The Fall” Copyright © 2021 by Frank E Hopkins “Sunday Afternoon” Copyright © 2021 by James Fielder “Nine Months, Nine Hundred Masks” Copyright © 2021 by Deanna M. Crouse “Of The, By The, For The” Copyright © 2021 by J.R. Foley “Unearthing a Community of Souls” Copyright © 2021 by Allison Lane “Finding Maria” Copyright © 2021 by Blair Pasalic “BONES” Copyright © 2021 by J.M. Recchi “The Next Climate Change” Copyright © 2021 by Michael Curley “The Last Hole” Copyright © 2021 by T. C. Weber “The Catch of the Day” Copyright © 2021 by Pamella A. Russell “This Is Joy” Copyright © 2021 by Keshni N. -
Funeral for a Friend Published on April 20Th, 2021 Listen Here on Themcelroy.Family
MBMBaM 420: Funeral For a Friend Published on April 20th, 2021 Listen here on themcelroy.family [somber instrumentals play] Justin: [singing] Isn’t it rich? Are we a pair? Me here at last, on the ground, and you in midair. Where are the clowns? Isn’t it bliss? Don’t you approve? One who keeps staring around, and one who can’t move. Where are the clowns? There ought to be clowns. Just when I stopped... opening doors. Finally knowing the one that I wanted was yours. Making my entrance again, with my usual flair. Sure of my lines, no one is there. Don’t... Travis: [spoken] Okay. Griffin: [laughs] [instrumentals continue] Justin: [singing] ...you love a farce? It’s my fault, I fear... Travis: Hey, Griffin, can I tell you something? Griffin: Yeah, sure. Justin: [singing] I thought that you’d want what I want. I’m sorry, my dear. Travis: [simultaneously] Here’s what’s weird. I was gonna do a musical number too. Griffin: Okay. Travis: Yeah. Griffin: I’m glad it was this, though. It makes—there’s a— Justin: [singing] Where are the clowns? Griffin: There’s a logic to it. Travis: Yeah, but it’s also, like, really long. Justin: [singing] Send in the clowns. Griffin: And honestly, in the circles we move in, Travis, it’s not out of the question that we would meet Stephen Sondheim one day. Travis: Yeah, yeah, yeah. Justin: [singing] Don’t bother. They are here. Griffin: I would be, like, pissed off if [crosstalk]. Travis: Do you think this song has been used at a funeral before? [instrumentals continue] Travis: It feels like a weird thing to say at a funeral, like, “The clowns are already here.” Justin: [mumbling]. -
The Handmaid's Tale
THE HANDMAID'S TALE EPISODE 410: "The Wilderness" BY Bruce Miller Based on the novel by Margaret Atwood © 2021 MGM Television Entertainment Inc. All Rights Reserved. MGM Television Entertainment Inc. 245 North Beverly Drive Beverly Hills, CA 90210 The Handmaid's Tale EP 410 "The Wilderness" 1. PHOENIX EPISODE 410 “THE WILDERNESS” 1 INT. JEZEBEL'S - NIGHT - FLASHBACK 1 The JEZEBEL’S COCKTAIL LOUNGE shimmers with ersatz romance -- twinkling candles, jazzy music, secluded booths. WAITRESSES and JEZEBELS fawn over doughy COMMANDERS. It’s gross. On the DANCEFLOOR -- JUNE and COMMANDER WATERFORD dance. Dressed for a night out, they look stunning together. Timeless. June gazes at Fred, holding his focus. This doesn’t look like a Commander and his Handmaid. It doesn’t look like sexual slavery. It looks like two lovers on a date. JUNE (V.O.) It has to look like love. (and then) That’s what he needs. June DANCES, following Fred. AS THEY MOVE -- FRED’S HAND slides over June’s hip. ON JUNE, feeling his hand -- but her adoring gaze remains undimmed. She is so controlled. JUNE (V.O.) Pretend you like it. FRED’S FINGERS move lower, seeking the hem of June’s dress. (CONTINUED) The Handmaid's Tale EP 410 "The Wilderness" 2. 1 CONTINUED: 1 JUNE (V.O.) Pretend you love it. FRED’S FINGERTIPS brush the bare SKIN of June’s thigh. Making it crawl. JUNE (V.O.) Pretend you want him. Repulsed, June wants to pull away. But she tightens her self-control. Her face betrays nothing. She looks at Fred with loving hunger. -
Let's Talk About Sex…Or Not…: Doctor- Patient
LET’S TALK ABOUT SEX…OR NOT…: DOCTOR- PATIENT COMMUNICATION ABOUT SEXUAL HEALTH by CASEY MICHELLE SCHROEDER Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Department of Sociology CASE WESTERN RESERVE UNIVERSITY May 2015 Case Western Reserve University School of Graduate Studies We hereby approve the dissertation of Casey Michelle Schroeder Candidate for the degree of Doctor of Philosophy*. Committee Chair Brian Gran, Ph.D. Committee Member Gary Deimling, Ph.D. Committee Member Jessica Kelley-Moore, Ph.D. Committee Member Kurt Stange, MD, Ph.D. Date of Defense March 17, 2015 *We also certify that written approval has been obtained for any proprietary material contained therein. i TABLE OF CONTENTS ACKNOWLEDGEMENTS vii ABSTRACT 1 CHAPTER 1: INTRODUCTION 2 STATEMENT OF PURPOSE 2 CHAPTER 2: A POSTMODERN EXAMINATION OF MEDICINE 12 WHAT IS POSTMODERNISM? 13 STRUCTURALIST CONSTRUCTIVISM 17 THE MEDICAL HABITUS 20 CAPITAL 25 DOCTORS LEARNING TO ACT LIKE DOCTORS 32 CAN WE TALK ABOUT SEX? 36 CONCLUSION 39 CHAPTER 3: DOCTOR-PATIENT COMMUNICATION THROUGH A MEDICAL SOCIOLOGY LENS 41 DOCTOR-PATIENT COMMUNICATION 43 PATIENT-CENTERED CARE 45 SEXUAL HEALTH AND PATIENT-CENTERED CARE 51 STRUCTURAL CONSTRAINTS OF MEDICINE 58 ii PATIENT INFLUENCES 60 CONCLUSION 71 CHAPTER 4: RESEARCHING DOCTOR-PATIENT COMMUNICATION ABOUT SEXUAL HEALTH 73 QUALITATIVE STUDY DESIGN 74 SAMPLE SELECTION AND JUSTIFICATION 77 INTERVIEW STRATEGY 79 INTERVIEW PROCEDURE 79 SEMI-STRUCTURED INTERVIEWS 80 MEASURES 81 INTERVIEW SAMPLE DESCRIPTION -
Incredulities and Inconsistencies a Thesis Presented to the Faculty of The
Incredulities and Inconsistencies A thesis presented to the faculty of the College of Arts and Sciences of Ohio University In partial fulfillment of the requirements for the degree Master of Arts J. Zachary Kessler June 2009 © 2009 J. Zachary Kessler. All Rights Reserved. 2 This thesis titled Incredulites and Inconsistences by J. ZACHARY KESSLER has been approved for the Department of English and the College of Arts and Sciences by Joan C. Connor Professor of English Benjamin M. Ogles Dean, College of Arts and Sciences 3 ABSTRACT KESSLER, J. ZACHARY , M.A., June 2009, English Incredulities and Inconsistencies (95 pp.) Director of Thesis: Joan C. Connor Incredulities and Inconsistencies is a collection of short stories that all take place at parties, many of which offer cads as the main characters. The critical introduction deals with how the voice of certain fictions relates to the idea of clichés, specifically in works by Philip Roth, Martin Amis, and George Saunders. Approved: _____________________________________________________________ Joan C. Connor Professor of English 4 ACKNOWLEDGMENTS I would like to thank all the members of my committee for their help, particularly Joan Connor and Carey Snyder who put a great deal of thought and consideration into their feedback for this material as I wrote it. Special thanks to Davids Grover and Wanczyk, Stephen Morrow, John McKeown, and Samuel Kessler for reading my stories, providing feedback, and laughing at my jokes. Very special thanks to Odessa Madakacherry for the same as above and everything else. 5 TABLE OF CONTENTS Page Abstract ............................................................................................................................... 3 Acknowledgments............................................................................................................... 4 Voice and Cliché: A Critical Introuction .......................................................................... -
BOOK REVIEW OFNOW and FOREVER WRITTEN by DANIELLE STEEL a FINAL PROJECT in Partial Fulfillment of the Requirement for S-1 Degree
BOOK REVIEW OFNOW AND FOREVER WRITTEN BY DANIELLE STEEL A FINAL PROJECT In Partial Fulfillment of the Requirement For S-1 Degree in American Cultural Studies In English Department, Faculty of Humanities Diponegoro University Submitted by: Mochamad Memorial Angga Eka Sampurna 13020110141039 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2017 PRONOUNCEMENT The writer states truthfully that this project is compiled by himself without taking the results from other research in any university, in S-1, S-2, and S-3 degree and in diploma. In addition, the writer ascertains that he does not take the material from other publications or someone’s work except for the references mentioned. Semarang, 20 July 2017 Mochamad Memorial AnggaEkaSampurna ii BOOK REVIEW OFNOW AND FOREVER WRITTEN BY DANIELLE STEEL Written by: Mochamad Memorial Angga Eka Sampurna 13020110141039 Is approved by thesis advisor, On July 25th, 2017 Thesis Advisor, Dr. Ratna Asmarani, M.Ed., M.Hum NIP. 19610226 198703 2 001 Head of the English Department Dr. Agus Subiyanto, M.A NIP. 19640814 199001 1 001 iii VALIDATION Approved by Strata 1 Final project Examination committe Faculty of Humanities Diponegoro University On August 2017 Chair Person, First Member, Dr. I. Maria Hendrarti, M.A Drs. Jumino, M. Lib., M. Hum NIP. 19530728 198012 2 001 NIP. 19620703 199001 1 001 Second Member, Third Member, RetnoWulandari, S.S., M.A Dra. R. Aj. Atrinawati, M. Hum NIP. 19750525 200501 2 002 NIP.19610101 199001 2 001 MOTTO AND DEDICATION iv Don't forget to smile in any situation. As long as you are alive, there will be better things later, and there will be many. -
Volume 2, No. 15, July and August, 1908 the Apostolic Faith
Asbury Theological Seminary ePLACE: preserving, learning, and creative exchange The Apostolic Faith 1908 Volume 2, No. 15, July and August, 1908 The Apostolic Faith Follow this and additional works at: http://place.asburyseminary.edu/apostolicfaith Part of the Christian Denominations and Sects Commons, History of Christianity Commons, and the Missions and World Christianity Commons Recommended Citation The Apostolic Faith, "Volume 2, No. 15, July and August, 1908" (1908). The Apostolic Faith. 12. http://place.asburyseminary.edu/apostolicfaith/12 This Periodical/Journal is brought to you for free and open access by ePLACE: preserving, learning, and creative exchange. It has been accepted for inclusion in The Apostolic Faith by an authorized administrator of ePLACE: preserving, learning, and creative exchange. THE · ApOSTOLIC FAITH "Earnestly contend for the faith which was once delivered unto the saints."-Jude 3. VOLUME II. NO. 15 . PORTLAND, ORE., JULYIAND 'AUGUST, 1908. SUBSCR!PTION FREE. He took her aside and sat down, and she "With a company of missionaries and a started to read the poem. It was written few others, we are in this quiet mountain at The Promised Latter Rain by hi s wife, who was dead, written in Eng Coonoor, South India, 6,000 feet above the lish, but she began reading it in Spanish. sea, shut in with God for the old-time bap Joel 2:23 and James 5:7, 8. The editor stopped her and said, "Sophie, tism with the Holy Ghost and fire. Some «10 you know that you are speaking Span of these had already entered into this glori ish?" She repli ed, "Yes, General." It ous experience and came with their fellow le of :ouched hi1Jl: W,hen she had finished read workers, that they also m ight receive the Poured 'Out on the Hum'ble Peop mg, she saId.