DOCSLIB.ORG

Secular Hebrew – 12/16/2016

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Secular Hebrew – 12/16/2016 SECULAR HEBREW – 12/16/2016 VOCAL SOLOS VOCAL SOLOS ACCOMPANIED VOCAL DUETS VOCAL DUETS ACCOMPANIED VOCAL TRIOS ACCOMPANIED VOCAL QUARTETS VOCAL QUARTETS ACCOMPANIED CHOIRS ACCOMPANIED VOCAL SOLOS WITH CHOIR ACCOMPANIED VOCAL SOLOS COLLECTIONS VOCAL SOLOS ACCOMPANIED COLLECTIONS VOCAL QUARTETS COLLECTIONS MIXED VOICE COLLECTIONS SONG SHEETS MUSIC BOOKS VOCAL SOLOS Achshaff – arr. H Goldberg, HebT Aley Givah -- HebT Am Yisroel Chai & Amcha Yisroel Yibaneh -- HebT Ani Hagever -- HebT Artza Aleinu & Al Naharot Bavel -- HebT Ata Natan Yad – V Raphael, HebT Avatiach -- HebT Chasidic Nigun Emek -- HebT Galgalay Ha’olam – Y Sen, HebT/Heb Had Gadyo – HebT/Heb Hah-Tikvah -- HebT Hatikvah – HebT/Heb/Eng Havah Nagueelah Hayvaynoo Sholom Ahleychem – arr. J Weinberg, HebT Hineni He’ahni Mimas – Czekhaimoitz, HebT Im Tzet Hashabbat -- M Helfman, Heb Kacha – M Zalra, arr. A W Binder text A Ashman Kadima Hapoel -- HebT Kee Tavo-u el Ha-aretz -- HebT Kineret – Pen, HebT Law Naylach Mee Paw -- HebT Sachakee-Sachakee – T S Tchernichowsky, Heb/Eng Shir Hachablanim – text M Vilniski, HebT/Heb Shir Ha Palmach – D Zahen, T. Zwrubavel, HebT Vay’hi Bachztsee Halail -- HebT Yesh Lanu Koach -- HebT Y’hee Shalom B’chaylaych – melody of Hatikvah, HebT Y’tzee-at Meetzrayim – J Engel, HebT Zachor (Remember) – Rumshinsky, HebT/YidT 1 VOCAL SOLOS ACCOMPANIED Achshav – HebT Agada (By the Sea of Kinnereth) – HebT/Heb/Eng Ahnoo Bahnoo Artzah – HebT Akara – P Ben-Haim, HebT/Heb Am Yisrael Hai – HebT/Heb Ani Chavatselet Hasharon – P Ben-Haim, HebT/Heb Anu Banu Artsah Aria from Shulamith – HebT/Heb/Eng Artsah Aleenu – HebT Beyn Nhar Prat – D Novakovsky, arr. J Weinberg, text C N Bialik, HebT El Artzi – P Ben-Haim, HebT/Heb Erev Shel Shoshanim – HebT Galgalay Ha-Olam – HebT Hatikvah – L N Imber, HebT/Heb/Eng Hatikvoh & Dort Wu Die Zeder (Zion Song) – L N Imber, arr. A R Zagler, HebT, pub. S Schenker/J & J Kammen, NY NY 1919 Havah Nagheelah – arr. Goldfarb, HebT Hayvaynu Sholom Alaychem – HebT Heenay Mah Tov – HebT Hinay Mah Tov – HebT Hora – M Zaira, text J Urland, HebT/Eng Kadima Hapoayl – HebT Kinneret – M Lavry, HebT Kolot Balaila (Voices in the Night) – P Ben-Haim, text S Shalom, HebT/Heb Lo El Sachar – Y Valbe & N Alterman, HebT/Eng Mee Yatzilaynoo – HebT Mi Yivneh Haggalil – HebT/Eng Naaleh Le-artsenu – HebT Nahtahtee Ayts – J Ezrachi, text I Kamson, HebT Nigun Bialik – piano Noomee-Noomee – J Engel, arr. H Goldberg, HebT, piano and flute obligato Nranenah N’zamerah – HebT Numi-Numi – J Engel, arr. H Goldberg in F & D minor, HebT Od Bayom Ani Cholemet – P Ben-Haim, HebT/Heb Omrim Yeshnd Eretz – J Engel, text Tchernichowsky, HebT Sar Hamemune – Brod, HebT/Heb Sha’on Ben Chayil – Wilensky, text Kipnis, HebT/Heb Sharm a-Sheich – Gabai, text Ettinger, HebT/Heb Sheer Ha-Chablaneem – HebT Shir Hab’ayr – Mikrobsky, Heb Shir Hacheirut (Song of Liberation) – Secunda, text Sheinberg; HebT/Eng Shir Haemek – M Lavry, HebT/Heb Shir Lechet (Marching Song of the Palmach) – HebT Siru Lanu Mishirey Tsion – Kronberg, HebT Song without Words – P Ben-Haim, humming Techezaknah – C N Bialik, HebT Tzena – HebT V’aff Ahl Pee Chayn – arr. H Goldberg, HebT V’lirusholayim – H Goldberg, HebT Vo-ri-ro-rah – HebT 2 V’ulai – Shertok, text Rahel, HebT Words of Agur – from Proverbs, P Ben-Haim, HebT/Ger/Eng Yemenite Song – Zev, Heb/Eng Y’rushalayim – arr. H Goldberg, text A Hameiri, HebT/Eng, piano & guitar Y’rushalayim Shel Zahav – N Shemer, HebT/Heb/Eng, piano & guitar VOCAL DUETS Adamah – arr. E Malek, HebT Bim Bam – arr. Sholom Altman, HebT VOCAL DUETS ACCOMPNAIED Aley Giva – N Nardi, arr. M Helfman, text A Broides, HebT, piano Lish’maw-ah El Horeenoh – HebT, piano Palestinian March – HebT, piano VOCAL TRIOS ACCOMPANIED B’yom Kayitz – Saphir, arr. M Helfman, text C N Bialik, HebT, piano Jerusalem (Yerushalayim) – arr. I Freed, text A Hameiri, HebT/Eng, SSA, pub. Transcontinental Music, NY NY 1941 On the Shores of Kineret – Ch Karczevski, arr I Freed, HebT/Eng, SSA, pub. Transcontinental Music, NY NY 1942 Song of Joy (Sisu V’simchu) – M Zaira, text Y Sheinberg, arr. M Helfman, SSA, HebT, pub. Transcontinental Music, NY NY 1949 Y’rushalayim Shel Zahav – N Shemer, arr. H Goldberg, SAT, HebT VOCAL QUARTETS Adama – M Zaira, arr. M Helfman, text Harusi, HebT Alu Ze B’negev – Partos, Heb Anee Ma-amin – M Helfman, HebT Artzah Aleenu – A W Binder, HebT Dovid -- HebT El Rosh Hahar – Kartchevsky, arr. Farkash, HebT/Heb Havah Nagilah – arr. H Goldberg, HebT Heyveynu Shalom – arr. J Weinberg & H Goldberg, HebT Hitrag’ut – arr. P Moddel, HebT Law Naylaych Mee-Pow -- HebT Leeshnoah El Hohreenoh -- HebT Numi, Numi, Lullaby – J Engel, arr. H Goldberg, HebT Palestinian Nights (Ma Yafim) – J Chajes, arr. L Low, HebT/Heb, pub. Transcontinental Music, NY NY 1960 Shehashalom Shelo – P Moddel, HebT Shir Ha Emek – M Lavry & Eliaz, HebT/YidT Shir Lechet (Marching Song of the Palmach) – arr. M Helfman, HebT Sisu V’simcha -- HebT Techezak – text C N Bialik, HebT Tzena Tzena – arr. H Goldberg, HebT Yerushalayim Shel Zahav – N Shemer, arr. F Newman, HebT Y’rushalayim – arr. H Goldberg, HebT 3 Y’rushalayim Shel Zahav – N Shemer, HebT Y’rushalayim Shel Zahav – N Shemer, arr. H Goldberg, HebT Zeh Ha-yawm -- based on melody of Nah-ah-leh L’artzaynoo, HebT VOCAL QUARTETS ACCOMPANIED Adamah – arr. E Malek, HebT Bim Bam -- Palestinian Chasidic, S Altman, arr. H Goldberg, HebT Draw Ye Waters Joyfully (Ush’avatem Mayim B’sason) – arr. Harry Coopersmith, HebT, pub. Transcontinental Music, NY NY 1948 Hatikva – arr. P Ben-Haim, HebT Hora (Haemek Hu Chalom – TheValley Lies Dreaming) -- Moshe Rappaport, text Sh. Shalom, arr. S Luskin, HebT/Heb, pub. Transcontinental Music NY NY 1956 Lailah Feleh (Night of Glory Hora) – Fastalsky, arr. A W Binder, Eng text Olga Paul, HebT/Eng, pub. Edward B Marks Music, NY NY 1942 Nigun Bialik – arr. A Binder, Bloch Pub NY NY 1927 Palestinian Workers’ Song – S Luskin, HebT, pub. Transcontinental Music, NY NY 1946 Shalom Shalom – M Lewandowski, HebT, pub. Henri Elkin, Phila PA 1965 Shir Ha-Emek – M Eliaz & M Lavry, HebT, pub. Mills Music, NY NY 1948 Song of Galilee – J Chajes, HebT, pub. Transcontinental Music, NY NY 1963 CHOIRS ACCOMPANIED Hag Habikurim (Festival of First Fruits) – A Choral Pageant Based on Palestinian Melodies, arr. M Helfman, HebT, piano, pub. Transcontinental Music, NY NY 1947 Adama – 3 parts Kumu Achim – 2 parts Saleynu Al K’Tafeynu – 2 parts Atzey Zeytime Omdim – 7 parts Holem Tzaadi – 2 parts Aley Giva – 2 parts Hazor’im B’dima – 6 parts Shir Namal – 4 parts VOCAL SOLOS WITH CHOIR ACCOMPANIED Atzey Zeytim Omdim – SSA soloists with SATB choir, M Helfman, HebT, piano, pub. Transcontinental Music, NY NY1947 Yerushalayim – soprano solo with SSA choir, arr. Joshua Jacobson, HebT, piano, pub. HaZamir Pubs, 1990 VOCAL SOLO COLLECTIONS Am Israel Hai: A Salute to the Great Israeli Songs Known the World Over HebT/Heb with Eng text pub. Isar-Tav Pubs 1985 Contents at the end of this file in notebook 4 Bamitzad: Songs of the Israel Army ed. Shlomo Kaplan, No. 31 of the Music Library, Heb/HebT pub. Cultural Dept. of General Labor Federation, Tel Aviv 1948 Bealfei Yadayim Shir Laole Hikon Anachnu Shir Hamachane Meum Lo Yavhilenu Maoz Himnon Cheil Hanoar Hamdura Bein Chorvot Jerusholayim Shir Hachoshlim Shir Hapalmach Kitatenu Balaila Tzoedet Kitatenu Balaila Tzoedet Anu Holchim, Anu Baim Shir Ha’atat Shir Hasapanim Shir Hayamaim Shir Hachablanim Hakrav Ha’acharon Shir Partizanim Shir Pluca Shir Hachayil Aya Tshizbat Sha’ar Hagai Ken Yovdu Dudu Im Bo Haleyil Laila, Laila Shnei Shoshanim Be’er Basade Shirat Hanoded At Adama Eshet Chayil Lichvod Shabat Hora Lo Nivhalnu Hora Shalihevet Mapuchit Hapele Mapuchit Hapele Shir Hahodaya Zad Shimshon Book of Songs & Melodies for School & Community: Vol. III ed. M Gorali, Heb, some duets & trios pub. Kiryat Sefer, Jerusalem 1955 Contents at the end of this file in notebook 5 Dances of the Jewish People: Israeli & East European Dances ed. Dvora Lapson, Heb/HebT pub. Jewish Education Press, NY NY1954 Mayim (Water) Livshu Na Oz (Put on Strength) Hanodeid (The Wanderer) Harmonica Shibolet Bassadeh (Hora for the Omer Ceremony) Mechol Ovadya Hava Nagila (Come Let Us Be Gay) Kol Dodi (Voice of My Beloved) Horas Agadati Baroiges Taqnz Kacha N’rakeda (This Is Howe We Dance) Nitsanim (Buds) Yassem Midbar L’agam Mayim (He Will Turn the Desert into a Pond of Water) Simi Yadech (Put Your Hand) Tscherkessia The Sher Nigun (Melody) Potch Tanz (Clap Dance) El Ginal Egoz (Nut Orchard) Ana Halach Dodech (Where Did Your Beloved Go) Dodi Li (My Beloved Is Mine) Iti M’lvanon (Come with Me from Lebanon) Im Baarazim (If a Flame Fell into the Cedars) Ozi V’zimrat Ya (The Lord Is My Strength and Song) Difron Zimrah Heb Kum’miyot Medinat Yisrael Adama Lanu Hakoach Havi Yayin P’tchu Li Sha’arai Tzedek Kayn Yovdu L’vdecha Al Hamelah Simcha Na Ki bsimcha Tatzai’n Hassidic Style Songs of the 70s arr. Vevel Pasternak, HebT with Eng & Heb text pub. Tara Pubs, NY NY 1975 Contents at the end of this file in notebook Havah Nashir: Shire Yisrael O Anissar & A Levanon, HebT Erev Ba Rad Halailah Haliha L’kesariya Shir Ha-avoda 6 B’ne Ves-cho Erev Shel Shoshaim Jewish Wedding Music ed. Evel Pastsernak, HebT/Heb/Eng pub. Tara Publications, Cedarhurst NY Processionals Lev Tohor Mi Ho’ish Bilvovi Achas Sho’alti Mizmor L’dovid Eshes Chayil Talit Y’did Nefesh Erev Shel Shoshanim K’var Achare Chaatzot Nigun Erev Ba Ma Avaraech Hana’ave Babanot Recessionals Simon Tov Od Yisdhoma Mazel Tov Kozatzke Mexinka Dance Hassidic Dances Shmelkie’s Nigun Yism’chu Hashomayim Ketsad M’rakdim Nigun (We Want Moshiach Now) Uvo-u Ho’ovdim Israeli Dances and Horas Sherele Artsa Alinu Dayenu Hava Nagila David Melech Y’varech’cha V’haer Enenu O’se Shalom Hine Ma Tov Ush’avtem Mayim Sher Machon Song Book 2 ed.
Load more

Recommended publications
  • February 2017 (Shevat-Adar 5777)
    A Monthly Publication for Temple Beth-El, Las Cruces, New Mexico FEBRUARY 2017 (SHEVAT-ADAR 5777) Shabbat Services (See Page 2) On Sunday, February 12, 2017 Friday, February 3- Family at 2:00 pm at Temple Beth-El, Shabbat Service at 6 pm—Potluck Dinner following Daniel Chejfec will speak on Friday, February 10-Shabbat Service at 7 pm “A Journey from Argentina to Texas" Friday, February 17-Shabbat Service at 7pm Daniel Chejfec, Director of The Jewish Federation Friday, February 24-Shabbat Service for of Greater El Paso, was born Renewal of Spirit at 7 pm in Buenos Aires, Argentina. Saturdays He attended the public school Talmud Study at 9:00 am, Shabbat Service at and the Jewish Day school 10:15 am, followed by a potluck Kiddush which was a secular Zionist oriented school run by the American Values, Religious Voices” Labor Party. A Local Discussion His first trip to Israel was at On Tuesday, February 7, at 6:00-7:15 pm, at Temple Beth-El, Rabbi Larry Karol will host an initial com- the age of 15, where he fell in munity conversation on the new project, “American Val- love with the country and people. After graduating ues, Religious Voices.” As part of this campaign, schol- high school, he attended the teachers seminary and ars of religion from around the country are sending a let- college. ter a day to our newly elected and appointed national While in college, he worked in the Argentine leaders to highlight the role of values in guiding both citi- Jewish community as Youth director, Adult Educa- zens and leaders.
    [Show full text]
  • National Outline Plan NOP 37/H for Natural Gas Treatment Facilities
    Lerman Architects and Town Planners, Ltd. 120 Yigal Alon Street, Tel Aviv 67443 Phone: 972-3-695-9093 Fax: 9792-3-696-0299 Ministry of Energy and Water Resources National Outline Plan NOP 37/H For Natural Gas Treatment Facilities Environmental Impact Survey Chapters 3 – 5 – Marine Environment June 2013 Ethos – Architecture, Planning and Environment Ltd. 5 Habanai St., Hod Hasharon 45319, Israel [email protected] Unofficial Translation __________________________________________________________________________________________________ National Outline Plan NOP 37/H – Marine Environment Impact Survey Chapters 3 – 5 1 Summary The National Outline Plan for Natural Gas Treatment Facilities – NOP 37/H – is a detailed national outline plan for planning facilities for treating natural gas from discoveries and transferring it to the transmission system. The plan relates to existing and future discoveries. In accordance with the preparation guidelines, the plan is enabling and flexible, including the possibility of using a variety of natural gas treatment methods, combining a range of mixes for offshore and onshore treatment, in view of the fact that the plan is being promoted as an outline plan to accommodate all future offshore gas discoveries, such that they will be able to supply gas to the transmission system. This policy has been promoted and adopted by the National Board, and is expressed in its decisions. The final decision with regard to the method of developing and treating the gas will be based on the developers' development approach, and in accordance with the decision of the governing institutions by means of the Gas Authority. In the framework of this policy, and in accordance with the decisions of the National Board, the survey relates to a number of sites that differ in character and nature, divided into three parts: 1.
    [Show full text]
  • ("DSCC") Files This Complaint Seeking an Immediate Investigation by the 7
    COMPLAINT BEFORE THE FEDERAL ELECTION CBHMISSIOAl INTRODUCTXON - 1 The Democratic Senatorial Campaign Committee ("DSCC") 7-_. J _j. c files this complaint seeking an immediate investigation by the 7 c; a > Federal Election Commission into the illegal spending A* practices of the National Republican Senatorial Campaign Committee (WRSCIt). As the public record shows, and an investigation will confirm, the NRSC and a series of ostensibly nonprofit, nonpartisan groups have undertaken a significant and sustained effort to funnel "soft money101 into federal elections in violation of the Federal Election Campaign Act of 1971, as amended or "the Act"), 2 U.S.C. 5s 431 et seq., and the Federal Election Commission (peFECt)Regulations, 11 C.F.R. 85 100.1 & sea. 'The term "aoft money" as ueed in this Complaint means funds,that would not be lawful for use in connection with any federal election (e.g., corporate or labor organization treasury funds, contributions in excess of the relevant contribution limit for federal elections). THE FACTS IN TBIS CABE On November 24, 1992, the state of Georgia held a unique runoff election for the office of United States Senator. Georgia law provided for a runoff if no candidate in the regularly scheduled November 3 general election received in excess of 50 percent of the vote. The 1992 runoff in Georg a was a hotly contested race between the Democratic incumbent Wyche Fowler, and his Republican opponent, Paul Coverdell. The Republicans presented this election as a %ust-win81 election. Exhibit 1. The Republicans were so intent on victory that Senator Dole announced he was willing to give up his seat on the Senate Agriculture Committee for Coverdell, if necessary.
    [Show full text]
  • Israel: Growing Pains at 60
    Viewpoints Special Edition Israel: Growing Pains at 60 The Middle East Institute Washington, DC Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US rela- tions with the region. To learn more about the Middle East Institute, visit our website at http://www.mideasti.org The maps on pages 96-103 are copyright The Foundation for Middle East Peace. Our thanks to the Foundation for graciously allowing the inclusion of the maps in this publication. Cover photo in the top row, middle is © Tom Spender/IRIN, as is the photo in the bottom row, extreme left.
    [Show full text]
  • “Friends” Co-Creator Marta Kauffman to Produce “Hava Nagila” Documentary
    Contact: Roberta Grossman 323.424.4210 [email protected] www.katahdin.org “FRIENDS” CO-CREATOR MARTA KAUFFMAN TO PRODUCE “HAVA NAGILA” DOCUMENTARY EMMY AWARD-WINNING PRODUCER RETEAMS WITH “BLESSED IS THE MATCH” FILMMAKERS TO EXPLORE THE HISTORY, MYSTERY AND MEANING OF THE ICONIC JEWISH SONG Hollywood, CA (January 27, 2011) – Emmy Award-winning producer Marta Kauffman is reteaming with her partners on the documentary Blessed Is the Match to bring the story of the iconic song “Hava Nagila” to the screen. Funny, deep and unexpected, Hava Nagila: What Is It? will celebrate 100 years of Jewish history and culture through the journey of a song, and reveal the power of music to bridge cultural divides and bring us together as human beings. “We are thrilled to be working with Marta again,” says director Roberta Grossman, whose film Blessed Is the Match, about Holocaust heroine Hannah Senesh, was shortlisted for an Academy Award, won the audience award at 13 film festivals, was broadcast on PBS in 2010, and nominated for a Primetime Emmy. “Marta is someone who elevates every project she touches, and her experience and guidance will only make the film better.” Kauffman was the co-creator and executive producer of the hit TV series Friends. Prior to her work on Friends, Kauffman co-created and co-executive produced the critically acclaimed series Dream On. She co-created the series The Powers That Be, for Norman Lear, and co-created and served as executive producer on the comedy series Family Album and Veronica’s Closet. Kauffman executive produced Blessed Is the Match, working closely with Grossman, producer Lisa Thomas and writer Sophie Sartain.
    [Show full text]
  • Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No
    Association of Jewish Libraries N E W S L E T T E R February/March 2008 Volume XXVII, No. 3 JNUL Officially Becomes The National Library of Israel ELHANAN ADL E R On November 26, 2007, The Knesset enacted the “National Li- assistance of the Yad Hanadiv foundation, which previously brary Law,” transforming the Jewish National and University contributed the buildings of two other state bodies: the Knesset, Library (JNUL) at The Hebrew University’s Givat Ram campus and the Supreme Court. The new building will include expanded into the National Library of Israel. reading rooms and state-of-the-art storage facilities, as well as The JNUL was founded in 1892 by the Jerusalem Lodge of a planned Museum of the Book. B’nai B’rith. After the first World War, the library’s ownership The new formal status and the organizational change will was transferred to the World Zionist Organization. With the enable the National Library to expand and to serve as a leader opening of the Hebrew University on the Mount Scopus campus in its scope of activities in Israel, to broaden its links with simi- in 1925, the library was reorganized into the Jewish National and lar bodies in the world, and to increase its resources via the University Library and has been an administrative unit of the government and through contributions from Israel and abroad. Hebrew University ever since. With the founding of the State The law emphasizes the role of the Library in using technology of Israel the JNUL became the de facto national library of Israel.
    [Show full text]
  • UNVERISTY of CALIFORNIA Los Angeles Spiritual Narrative In
    UNVERISTY OF CALIFORNIA Los Angeles Spiritual Narrative in Sound and Structure of Chabad Nigunim A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Music by Zachary Alexander Klein 2019 © Copyright by Zachary Alexander Klein 2019 ABSTRACT OF THE DISSERTATION Spiritual Narrative in Sound and Structure of Chabad Nigunim by Zachary Alexander Klein Doctor of Philosophy in Music University of California, Los Angeles, 2019 Professor Richard Dane Danielpour , Co-Chair Professor David Samuel Lefkowitz, Co-Chair In the Chabad-Lubavitch chasidic community, the singing of religious folksongs called nigunim holds a fundamental place in communal and individual life. There is a well-known saying in Chabad circles that while words are the pen of the heart, music is the pen of the soul. The implication of this statement is that music is able to express thoughts and emotions in a deeper way than words could on their own could. In chasidic thought, there are various spiritual narratives that may be expressed through nigunim. These narratives are fundamental in understanding what is being experienced and performed through singing nigunim. At times, the narrative has already been established in Chabad chasidic literature and knowing the particular aspects of this narrative is indispensible in understanding how the nigun unfolds in musical time. ii In other cases, the particular details of this narrative are unknown. In such a case, understanding how melodic construction, mode, ornamentation, and form function to create a musical syntax can inform our understanding of how a nigun can reflect a particular spiritual narrative. This dissertation examines the ways in which musical syntax and spiritual parameters work together to express these various spiritual narratives in sound and structure of nigunim.
    [Show full text]
  • On Being a Jewish Author: the Trace of the Messiah in Elie Wiesel's Novels
    On Being a Jewish Author: The Trace of the Messiah in Elie Wiesel’s Novels David Patterson University of Texas at Dallas n Somewhere a Master (1982), Elie Wiesel invokes a teaching from Pinchas of Koretz, a disciple of the Baal Shem Tov, founder Iof Hasidism: “To be Jewish is to link one’s fate to that of the Messiah—to that of all who are waiting for the Messiah” (23). To link one’s fate to that of the Messiah is not only to await but also to work for the coming of the Messiah, even though he may tarry— even though, if one may speak such words, he may never come. To be sure: the Messiah is the one who has forever yet to come , so that to be Jewish is to forever be engaged with an eternal yet to be . To live is to live on the edge of the yet to be . Or, for Wiesel, to live is to live in the midst of the and yet . There abides the Messiah: in the and yet . For Wiesel, to link one’s fate to that of the Messiah is to link one’s fate to the and yet , particularly after the Shoah. The Shoah al - tered forever the meaning of the Twelfth of Maimonides’ Thirteen Principles of Faith, the belief in the coming of the Messiah, even though he may tarry—a belief that would recur throughout the works and the life of Elie Wiesel. Bearing witness to the truth and the wisdom of the Jewish mes - sianic tradition was, for Wiesel, the tie that most profoundly bound L&B 38.1 2018 2 / Literature and Belief him to the Jewish tradition and therefore to Jewish life: for Wiesel the tie to Jewish tradition was his post-Holocaust connection to life, and that bond lay most profoundly in his link to the Messiah.
    [Show full text]
  • Form 990-PF Return of Private Foundation
    d I EXTENSION ATTACHED Return of Private Foundation OMB No 1545-0052 Form 990-PF or Section 4947(a)(1) Nonexempt Charitable Trust Treated as a Private Foundation Department of the Treasury 2010 Internal Revenue Service Note . The foundation may be able to use a copy of this return to satisfy state reporting requirements. For calendar year 2010 , or tax year beginning DEC 1, 2010 and ending NOV 3 0, 2011 G Check all that apply. Initial return Initial return of a former public charity Ej Final return 0 Amended return ® Address chanae Name change Name of foundation A Employer identification number JACK ADJMI FAMILY FOUNDATION INC 13-3202295 Number and street (or P O box number if mail is not delivered to street address) Room/swte B Telephone number 463 SEVENTH AVENUE , 4TH FLOOR 212-629-960 0 City or town, state, and ZIP code C If exemption application is pending, check here NEW YORK , NY 10 018 D 1- Foreign organizations, check here 2. Foreign organizations meeting the 85% test, H Check type of organization: Section 501(c)(3) exempt private foundation check here and attach computation charitable Other taxable foundation Section 4947(a )( 1 ) nonexem pt trust 0 private E If p rivate foundation status was terminated I Fair market value of all assets at end of year J Accounting method: ® Cash 0 Accrual under section 507(b)(1)(A), check here (from Part ll, col. (c), line 16) = Other (specify) F If the foundation is in a 60-month termination 111114 218 5 2 4 . (Part 1, column (d) must be on cash basis.) under section 507 b 1 B , check here Part I Analysis of Revenue and Expenses (a) Revenue and (b) Net investment (c) Adjusted net ( d) Disbursements (The total of amounts in columns (b) (c), and (d) may not for charitable purposes necessarily equal the amounts in column (a)) expenses per books income income (cash basis only) 1 Contributions, gifts, grants, etc., received 2 , 178 , 450.
    [Show full text]
  • Film. It's What Jews Do Best. Aprll 11-21 2013 21ST
    21ST TORONTO JEWISH FILM FESTIVAL APRIL 11-21 2013 WWW.TJFF.COM FILM. It’S WHAT JEWS DO BEST. DRAMAS OVERDRIVE AD COMEDIES DOCUMENTARIES BIOGRAPHIES ARCHIVAL FILMS ARCHIVAL SHORT FILMS SHORT Proudly adding a little spark to the Toronto Jewish Film Festival since 2001. overdrivedesign.com 2 Hillel Spotlight on Israeli Films Spotlight on Africa Israel @ 65 Free Ticketed Programmes CONTENTS DRAMAS 19 COMEDIES 25 DOCUMENTARIES 28 BIOGRAPHIES 34 ARCHIVAL FILMS 37 SHORT FILMS 38 4 Schedule 15 Funny Jews: 7 Comedy Shorts 42 Patron Circle 6 Tickets 15 REEL Ashkenaz @ TJFF 43 Friends and Fans 7 Artistic Director’s Welcome 16 Talks 44 Special Thanks 8 Co-Chairs’ Message 17 Free Family Screenings 44 Nosh Donors 9 Programme Manager’s Note 18 Opening / Closing Night Films 44 Volunteers 10 Programmers’ Notes 19 Dramas 46 Sponsors 12 David A. Stein Memorial Award 25 Comedies 49 Advertisers 13 FilmMatters 28 Documentaries 67 TJFF Board Members and Staff 13 Hillel Spotlight on Israeli Film 34 Biographies 68 Films By Language 14 Spotlight on Africa 37 Archival Films 70 Films By Theme / Topic 14 Israel @ 65 38 Short Films 72 Film Index APRIL 11–21 2013 TJFF.COM 21ST ANNUAL TORONTO JEWISH FILM FESTIVAL 3 SCHEDULE • Indicates film has additional screening(s).Please Note: Running times do not include guest speakers where applicable. Thursday April 11 Monday April 15 8:30 PM BC 92 MIN CowJews and Indians: How Hitler 1:00 PM ROM 100 MIN • Honorable Ambassador w/ Delicious Scared My Relatives and I Woke up Peace Grows in a Ugandan in an Iroquois Longhouse —Owing
    [Show full text]
  • Inside Jews, Inside Germany: Internalised Reconciliations
    UNIVERSITY OF TECHNOLOGY SYDNEY Faculty of Arts and Social Sciences Inside Jews, Inside Germany: Internalised Reconciliations by Lisa Dabscheck A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree Doctor of Creative Arts Sydney, Australia 2019 i Production Note: Signature removed prior to publication. ii ACKNOWLEDGEMENTS My heartfelt thanks go to the generous and “sehr reflektiert” individuals who invited me into their inner worlds, sharing with me their ruminations without which this project would not have been possible. To Benyamin Reich, Béa and Greg Loeb, Myriam Halberstam and Stephan J. Kramer, Raphael Seligmann, Flora Hirschfeld, Lisa Gaufman, Robert Schulzmann, Glafira Silvestra, Ken Speyer, Skull Judenfreund and to ‘Susanne’ and ‘Sascha’ who prefer to be recorded here as such. To the survivors: Henry Rotmensch, Natan Grossmann, and Inge Borck together with Herr Wagner and Herr Wolf, my deepest thanks. And to Joram Ronel and Miriam Acoca at Café Zelig. To those others I met along the way who shared with me their intelligence, acumen and encouragement: Konrad Kwiet, Terry Swartzberg, Levi Ufferfilge, Sandra Anusiewicz-Baer, Alina Gromova, Toby Axelrod, Alexander Hausgall and Dekel Peretz. At Beth Shalom I found great insight and gentle communion with the mensch and Rabbi Tom Kučera and in the extraordinary voice of Cantor Nikola David. It was there that I met my dear friend and confidant Amber Rose Bedal, whose experience chimed so profoundly with mine and to whom, with the heaviest of hearts, I must give my thanks in Memoriam. At the University of Technology Sydney my sincere thanks to the Faculty of Arts and Social Sciences, School of Communication.
    [Show full text]
  • To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis Submitted to the Faculty Of
    To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Marissa Gogan Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In History David P. Cline, Co-Chair Brett L. Shadle, Co-Chair Rachel B. Gross 4 May 2016 Blacksburg, Virginia Keywords: Identity, Klezmer, Jewish, 20th Century, Folk Revival Copyright 2016 by Claire M. Gogan To Play Jewish Again: Roots, Counterculture, and the Klezmer Revival Claire Gogan ABSTRACT Klezmer, a type of Eastern European Jewish secular music brought to the United States in the late 19th and early 20th century, originally functioned as accompaniment to Jewish wedding ritual celebrations. In the late 1970s, a group of primarily Jewish musicians sought inspiration for a renewal of this early 20th century American klezmer by mining 78 rpm records for influence, and also by seeking out living klezmer musicians as mentors. Why did a group of Jewish musicians in the 1970s through 1990s want to connect with artists and recordings from the early 20th century in order to “revive” this music? What did the music “do” for them and how did it contribute to their senses of both individual and collective identity? How did these musicians perceive the relationship between klezmer, Jewish culture, and Jewish religion? Finally, how was the genesis for the klezmer revival related to the social and cultural climate of its time? I argue that Jewish folk musicians revived klezmer music in the 1970s as a manifestation of both an existential search for authenticity, carrying over from the 1960s counterculture, and a manifestation of a 1970s trend toward ethnic cultural revival.
    [Show full text]