Commencement Program 4 Commencement Speaker 5 Honorary Degree Recipients 9 Student Speaker 10 Candidates for Degrees
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Glaadawards March 16, 2013 New York New York Marriott Marquis
#glaadawards MARCH 16, 2013 NEW YORK NEW YORK MARRIOTT MARQUIS APRIL 20, 2013 LOS AnGELES JW MARRIOTT LOS AnGELES MAY 11, 2013 SAN FRANCISCO HILTON SAN FRANCISCO - UnION SQUARE CONNECT WITH US CORPORATE PARTNERS PRESIDENT’S LETTer NOMINEE SELECTION PROCESS speCIAL HONOrees NOMINees SUPPORT FROM THE PRESIDENT Welcome to the 24th Annual GLAAD Media Awards. Thank you for joining us to celebrate fair, accurate and inclusive representations of the lesbian, gay, bisexual and transgender (LGBT) community in the media. Tonight, as we recognize outstanding achievements and bold visions, we also take pause to remember the impact of our most powerful tool: our voice. The past year in news, entertainment and online media reminds us that our stories are what continue to drive equality forward. When four states brought marriage equality to the election FROM THE PRESIDENT ballot last year, GLAAD stepped forward to help couples across the nation to share messages of love and commitment that lit the way for landmark victories in Maine, Maryland, Minnesota and Washington. Now, the U.S. Supreme Court will weigh in on whether same- sex couples should receive the same federal protections as straight married couples, and GLAAD is leading the media narrative and reshaping the way Americans view marriage equality. Because of GLAAD’s work, the Boy Scouts of America is closer than ever before to ending its discriminatory ban on gay scouts and leaders. GLAAD is empowering people like Jennifer Tyrrell – an Ohio mom who was ousted as leader of her son’s Cub Scouts pack – to share their stories with top-tier national news outlets, helping Americans understand the harm this ban inflicts on gay youth and families. -
Sheila Simmenes.Pdf (1.637Mb)
Distant Music An autoethnographic study of global songwriting in the digital age. SHEILA SIMMENES SUPERVISOR Michael Rauhut University of Agder, 2020 Faculty of Fine Arts Department of Popular music 2 Abstract This thesis aims to explore the path to music creation and shed a light on how we may maneuver songwriting and music production in the digital age. As a songwriter in 2020, my work varies from being in the same physical room using digital communication with collaborators from different cultures and sometimes even without ever meeting face to face with the person I'm making music with. In this thesis I explore some of the opportunities and challenges of this process and shine a light on tendencies and trends in the field. As an autoethnographic research project, this thesis offers an insight into the songwriting process and continuous development of techniques by myself as a songwriter in the digital age, working both commercially and artistically with international partners across the world. The thesis will aim to supplement knowledge on current working methods in songwriting and will hopefully shine a light on how one may improve as a songwriter and topliner in the international market. We will explore the tools and possibilities available to us, while also reflecting upon what challenges and complications one may encounter as a songwriter in the digital age. 3 4 Acknowledgements I wish to express my gratitude to my supervisor Michael Rauhut for his insight, expertise and continued support during this work; associate professor Per Elias Drabløs for his kind advice and feedback; and to my artistic supervisor Bjørn Ole Rasch for his enthusiasm and knowledge in the field of world music and international collaborations. -
ADVAITA-SAADHANAA (Kanchi Maha-Swamigal's Discourses)
ADVAITA-SAADHANAA (Kanchi Maha-Swamigal’s Discourses) Acknowledgement of Source Material: Ra. Ganapthy’s ‘Deivathin Kural’ (Vol.6) in Tamil published by Vanathi Publishers, 4th edn. 1998 URL of Tamil Original: http://www.kamakoti.org/tamil/dk6-74.htm to http://www.kamakoti.org/tamil/dk6-141.htm English rendering : V. Krishnamurthy 2006 CONTENTS 1. Essence of the philosophical schools......................................................................... 1 2. Advaita is different from all these. ............................................................................. 2 3. Appears to be easy – but really, difficult .................................................................... 3 4. Moksha is by Grace of God ....................................................................................... 5 5. Takes time but effort has to be started........................................................................ 7 8. ShraddhA (Faith) Necessary..................................................................................... 12 9. Eligibility for Aatma-SAdhanA................................................................................ 14 10. Apex of Saadhanaa is only for the sannyAsi !........................................................ 17 11. Why then tell others,what is suitable only for Sannyaasis?.................................... 21 12. Two different paths for two different aspirants ...................................................... 21 13. Reason for telling every one .................................................................................. -
An Understanding of Maya: the Philosophies of Sankara, Ramanuja and Madhva
An understanding of Maya: The philosophies of Sankara, Ramanuja and Madhva Department of Religion studies Theology University of Pretoria By: John Whitehead 12083802 Supervisor: Dr M Sukdaven 2019 Declaration Declaration of Plagiarism 1. I understand what plagiarism means and I am aware of the university’s policy in this regard. 2. I declare that this Dissertation is my own work. 3. I did not make use of another student’s previous work and I submit this as my own words. 4. I did not allow anyone to copy this work with the intention of presenting it as their own work. I, John Derrick Whitehead hereby declare that the following Dissertation is my own work and that I duly recognized and listed all sources for this study. Date: 3 December 2019 Student number: u12083802 __________________________ 2 Foreword I started my MTh and was unsure of a topic to cover. I knew that Hinduism was the religion I was interested in. Dr. Sukdaven suggested that I embark on the study of the concept of Maya. Although this concept provided a challenge for me and my faith, I wish to thank Dr. Sukdaven for giving me the opportunity to cover such a deep philosophical concept in Hinduism. This concept Maya is deeper than one expects and has broaden and enlightened my mind. Even though this was a difficult theme to cover it did however, give me a clearer understanding of how the world is seen in Hinduism. 3 List of Abbreviations AD Anno Domini BC Before Christ BCE Before Common Era BS Brahmasutra Upanishad BSB Brahmasutra Upanishad with commentary of Sankara BU Brhadaranyaka Upanishad with commentary of Sankara CE Common Era EW Emperical World GB Gitabhasya of Shankara GK Gaudapada Karikas Rg Rig Veda SBH Sribhasya of Ramanuja Svet. -
Annual Report 2017 / / 1
Annual Report 2017 / / 1 ANNUAL REPORT 2017 2 / / Annual Report 2017 Annual Report 2017 / / 3 DEAR FRIENDS AND RUNNERS, Allow me to thank the entire Lebanese running community for another CAUSES TO RUN FOR amazing year of helping us move and unite people through running. We have been encouraging participants We celebrated our 15-year anniversary with great achievements that to dedicate their run to causes they wouldn’t have been possible without our supporters, friends, runners, believe in. With 183 partnered NGOs, an coordinators, volunteers, partners, staff and all the board of trustees. overwhelming number of 25,688 registered through charities on November 12, 2017. By AN EVENTFUL YEAR running for a cause, 25% of the registration This past year was a busy one for the Beirut Marathon. Three fee goes straight to support the NGOs work. major races took place, all while organizing smaller regional For last year’s BLOM BANK Beirut Marathon, races in Lebanon, as well as leading a successful community and a total amount of $154,787 was raised by the training programs throughout the year. partnered NGOs through registration fees alone. BANKMED YOUTH RACE APM (ASIAN PREMIER MARATHONS) On April 2, 2017 the youth of Lebanon ran for a very Asian Premier Marathons, a new marathon important cause, the Lebanese Armed Forces. Registration league jointly established by Infront China, was free of charge to give all our future heroes the chance Beijing Marathon, Beirut Marathon and Seoul to be part of this humanitarian and healthy event. Marathon, under the leadership of the Asian Athletics Association. -
The Aruni (Aruneyi) Upanishad Translated by Swami Madhavananda - Published by Advaita Ashram, Kolkatta
The Aruni (Aruneyi) Upanishad Translated by Swami Madhavananda - Published by Advaita Ashram, Kolkatta Om ! Let my limbs and speech, Prana, eyes, ears, vitality And all the senses grow in strength. All existence is the Brahman of the Upanishads. May I never deny Brahman, nor Brahman deny me. Let there be no denial at all: Let there be no denial at least from me. May the virtues that are proclaimed in the Upanishads be in me, Who am devoted to the Atman; may they reside in me. Om ! Let there be Peace in me ! Let there be Peace in my environment ! Let there be Peace in the forces that act on me ! ’ 1. Om. Aruna s son went to the sphere of Brahma, the Creator, and reaching there “ ” said, Lord, in what way can I relinquish work altogether ? Brahma said to him: You must give up your sons, brothers, friends, and the rest, your hair-tuft and the holy thread, your sacrifices and books regulating them, your scriptures; must give up the (seven upper) spheres entitled Bhur, Bhuvar, Svar, Mahar, Jana, Tapas, and Satya, and the (seven nether) spheres, viz., Atala, Patala, Vitala, Sutala, Rasatala, Talatala and Mahatala, together with the (whole) universe; and must take on the staff and the scanty clothing of the Sannyasin; you must renounce everything else, aye, everything else. 2. The householder, or the Brahmachari, or the Vanaprashta should commit the fires that lead to the different spheres to the fire that is in the stomach, and consign the sacred Mantra, Gayatri, to the fire that is in his own speech, should throw the holy ’ thread on the ground or into water. -
Corporate Social Responsibility
corporate social responsibility ONRECYCLED 100% PAPER. annual ED T AS PRIN report W T 2011 THIS BOOKLE 2 3 CSR is adopting a balanced approach to economic, environmental and social issues nowadays, in such a way as to be beneficial to citizens, communities and society as a whole, going beyond simple observation of the law and voluntarily making the results of such activities public to maintain accountability. With its ever avant-garde spirit, Bank Audi was the first Lebanese institution to set up a separate CSR unit as of April 2010. The establishment of this unit falls within Bank Audi’s permanent commitment to social, environmental and human well-being, which represents an integral part of the Bank’s core strategy and objectives revolving around Transparency, Human Capital, Heritage, Quality, Civic Role and Innovation. For a bank like Bank Audi, with a significant economic dimension mirrored by a ratio of domestic assets to GDP exceeding 50%, and being the largest local bank in terms of financing the economy, the largest private contributor to GDP formation, the largest tax payer and the largest employer in the Lebanese private sector, commitment to the civic society and to the environment clearly imposes itself. The feedback from various achievements has proven Bank Audi’s initiative to be a necessity and a success: primary beneficiaries and various stakeholders recognise it and value the Bank for its perception and adoption of Corporate Responsibility. Over and above, CSR campaigns promoted by the Bank have echoed with an outright positive response from customers and shareholders. Always aiming at “Growing Beyond Our Potential” as a method of life entrenched in the way we work and live and in reflection of our Management’s attitude towards integrity and high ethical values, Bank Audi plays a major role, beyond banking, in developing communities through a large deal of active participation, partnerships and community support programs. -
We Ain't Buying Guomo's Rcure' by MICHAEL GOODWIN Last Updated: 3:27 AM, April 10,2013
Goodwin: Cuomo's latest weakbid to combat political comrption -... http:l/www.nypost.conVflprinVnews/local/we ainnuying_cuomo-cu... We ain't buying Guomo's rcure' By MICHAEL GOODWIN Last Updated: 3:27 AM, April 10,2013 Posfed; 1 :33 AM, April 10, 2013 lf chicken soup can cure Albany's epidemic of corruption, New Yorkers will be feeling better soon, thanks to the nostrums Gov. Cuomo dished out yesterday. ln a dreary event that smacked of a placeholder for real action, Cuomo summoned a handful of district attorneys to tout changes aimed at making it easier to use state laws to prosecute political corruption. Some penalties would be increased and standards lowered for conviction, moves Cuomo claimed would give prosecutors "the tools they need." Maybe, but it's not legal hurdles that keep DAs from doing corruption cases. They themselves are part of the political system, backed by the party bosses and running with some of the people they should be prosecuting. That's the main reason corruption cases usually fall to federal prosecutors, and the new laws wouldn't change that. Cuomo flicked at that fact in an answer to a reporter's question, just as he flicked at a question about term limits. Neither subject elicited much enthusiasm. Then again, neither did talk of corruption itself light the governor's fire. lf he's lost his famous temper over the explosion of scandals, he's doing a good job of hiding it. Too good for my taste. Where's the passion? Where's the righteous anger at those who have betrayed the public trust? It was missing in action, as it has been for the last week. -
Upanishad Vahinis
Upanishad Vahini Stream of The Upanishads SATHYA SAI BABA Contents Upanishad Vahini 7 DEAR READER! 8 Preface for this Edition 9 Chapter I. The Upanishads 10 Study the Upanishads for higher spiritual wisdom 10 Develop purity of consciousness, moral awareness, and spiritual discrimination 11 Upanishads are the whisperings of God 11 God is the prophet of the universal spirituality of the Upanishads 13 Chapter II. Isavasya Upanishad 14 The spread of the Vedic wisdom 14 Renunciation is the pathway to liberation 14 Work without the desire for its fruits 15 See the Supreme Self in all beings and all beings in the Self 15 Renunciation leads to self-realization 16 To escape the cycle of birth-death, contemplate on Cosmic Divinity 16 Chapter III. Katha Upanishad 17 Nachiketas seeks everlasting Self-knowledge 17 Yama teaches Nachiketas the Atmic wisdom 18 The highest truth can be realised by all 18 The Atma is beyond the senses 18 Cut the tree of worldly illusion 19 The secret: learn and practise the singular Omkara 20 Chapter IV. Mundaka Upanishad 21 The transcendent and immanent aspects of Supreme Reality 21 Brahman is both the material and the instrumental cause of the world 21 Perform individual duties as well as public service activities 22 Om is the arrow and Brahman the target 22 Brahman is beyond rituals or asceticism 23 Chapter V. Mandukya Upanishad 24 The waking, dream, and sleep states are appearances imposed on the Atma 24 Transcend the mind and senses: Thuriya 24 AUM is the symbol of the Supreme Atmic Principle 24 Brahman is the cause of all causes, never an effect 25 Non-dualism is the Highest Truth 25 Attain the no-mind state with non-attachment and discrimination 26 Transcend all agitations and attachments 26 Cause-effect nexus is delusory ignorance 26 Transcend pulsating consciousness, which is the cause of creation 27 Chapter VI. -
Ufs Spring 2018 --- Program at a Glance
UfS Spring 2018 --- Program at a Glance Lecture series – FOR MEMBERS ONLY Title Leader Mohamad El Machnouk, Said Geha, Mounir Rached تحت المجهر – Under the spotlight Ambassador’s series Bassam Naamani Wanderlust Leila El Amad Bissat, Alia Fares Beirut, mon amour! Sleiman Bakhti, Rasha Sukkarieh Economics and banking Toufic Gaspard, Rima Kassantini Zantout Women series Nouha Ghosn Beaini, Marie Adele Salem Literature and language Mahmoud Al Batal, Rola El Baalbaki, Bilal Orfali Arts Sahar Assaf, Saleh Barakat, Cesar Nammour Music Elias Sahhab, Fares Youakim, May Nasr Health and wellbeing Georges Haddad, Rana Halabi Najjar, Ghassan Hamadeh, Lubna Izzidine & Salam Jalloul, Khalil Kreidieh, Nabil Kronfol, Chaden Maalouf Najjar Cine club Abla Kadi Study groups: Limited capacity – FOR MEMBERS ONLY Title Leader Noura El Naamani التفكير اﻻيجابي: انا والسعادة Noura El Naamani التفكير اﻻيجابي: اعرف نفسك French for everyday life: part II Souhaila Tohme English as a second language Mona Maktabi Introduction to creative writing Nada Al-Awar Web browsing Mohammad El Medawar Click to travel Rami Arakji Tablets: introduction to iPad Levon Babikian Social media for beginners Dina Ayoub Online shopping Jana Al Mawed Book Clubs Title Leader Jirji Bachir, Dia Tayara "حبر وتبر" منتدى الرواية العربية English book club Sawsan Maktabi Special interest groups Title Leader Yoga Zeina Chahine A taste of tradition Therese Geha Cool down through art Lamia Saab Muhtar Bridge Ziad Yamout Cultural travel programs Title Leader Jezzine - Niha, Fakhreiddine caves Alia -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business. -
Newsies Digital Program
Director’s Note This show was neither for me, nor about me. It was for the kids. It was for every theatre person who has been denied putting on theatre for the last year. It was for artists, and technicians, and house managers, and designers, and everyone across the country who lost their jobs in the performing arts and have no idea when or if they will be able to return. This show was to let people know that theatre will go on, theatre is important, and whether you realize it or not, theatre is needed. This was a show that I thought we might never be able to pull off, but just to prove that people are capable of so much more than we give ourselves credit for - I decided to do it for these kids. Act One Scenes and Musical Numbers 1. Rooftop: Dawn Santa Fe (Prologue) Jack & Crutchie 2. Newsie’s Square Carrying the Banner Jack, Newsies, & Nuns Carrying the Banner (Tag) Newsies 3. Pulitzer’s Office The Bottom Line Pulitzer, Switzer, Bunsen & Hannah Carrying the Banner(Reprise) Newsies 4. A Street Corner 5. Medda’s Theatre That’s Rich Medda I Never Planned on You/ Don’t Come a-Knocking Jack & Bowery Beauties 6. Newsies Square The World Will Know Jack, Davey, Les, Crutchie & Newsies 7. Jacobi’s Deli & Street The World Will Know(Reprise) Jack, Davey, Les & Newsies 8. Katherine’s Office Watch What Happens Katherine 9. Newsies Square Seize the Day Davey, Jack, Les & Newsies 10. Rooftop Santa Fe Jack Act Two Scenes and Musical Numbers 1.