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Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
Još Jedanput O Knjizi Holokaust U Zagrebu
God. 34., bc, 3., 961.-985. Zagreb, 2002 UDK 323.12 (49 7.5 Zagreb ~411.16 " 1941/1941" (040.3) 341.485 (497S Zag,eb ~4l l.1 6 "1941/1941" (040.3) Stručn i t lanak Primljeno: 5. 2. 2002. Još jedanput o knjizi Holokaust u Zagrebu JURE KRIŠTO, Hrvatski institut za povijest, Zagreb, Republika Hrvatska Pred kraj 2001. godine u Zagrebu se pojavila knjiga neočekivanoga naslova Holokaust u Zagrebu s neobičnom naznakom autora (Goldstein, bez vlastita imena) u nakladi Novoga Libera, vlasništvo obitelji Gold stein, te Zidovske općine Zagreb. Naslovnica u knjizi naznačuje da je au tor Ivo Goldstein, a suautor Slavko Goldstein, dakle, sin i otac. Na IV. str. nalazimo napomenu "autora i suautora" što je tko napravio, iz čega ipak nije jasno komu treba što pripisati. Pred dvojbom kome pripisati autorstvo, ne preostaje drugo nego o knjizi govorti kao o knjizi Goldstei novih. Knjiga, razdijeljena u 43 poglavlja, ima 726 stranica s mnogo faksimi la dokumenata i slika. Popraćena je popisom slikovnih priloga, kratica ma, popisom korištenih arhiva, izvora i literature te kazalima osobnih imena i zemljopisnih pojmova i imena. Na kraju se nalazi popis ulica u Zagrebu 1942. godine i bilješka o autorima. Autorima se ne može zanijekati veliki trud u pripremanju knjige. No nejasnoća oko autorstva vjerojatno je razlog brojnih kontradikcija i ne dosljednosti u knjizi na koje će biti upozoreno u ovom osvrtu i na koje su autori već upozoreni. Tako je u zagrebačkome Jutarnjem listu čitatelj dr. Danijel Đurek upozorio da je čovjek koji je u knjizi proglašen žrtvom ".ustaškoga terora" umro prirodnom smrću u Zagrebu 1975. -
World History Week 3 Take Home Packet
Local District South Students: We hope that you are adjusting to the difficult situation we all find ourselves in and that you are taking time to rest, care for yourself and those you love, and do something everyday to lift your spirits. We want you to know that you are missed and that we have been working hard to develop ways to support you. We want to stay connected with you and provide you with opportunities to learn while you are at home. We hope that you find these activities interesting and that they provide you with something to look forward to over the course of the next week. Stay home; stay healthy; stay safe. We cannot wait until we see you again. Sincerely, The Local District South Instructional Team and your school family World History Week 3 Take Home Packet Student Name_________________________________________________________________________ School________________________________________ Teacher_______________________________ Students: Each of the Social Science Learning Opportunities Packet was developed based on a portion of the standards framework. The mini-unit you will be working on this week, is based on these questions from the framework: ● What was totalitarianism, and how was it implemented in similar and different ways in Japan, Germany, Italy, and the Soviet Union? We encourage you to engage in the Extended Learning Opportunity if you are able. Over the course of the next week, please do the activities listed for each day. Week 3, Day 1 1. Read, “Life in a Totalitarian Country” and annotate using the annotation bookmark. 2. Answer the quiz questions. 3. Write a response to this prompt:Observe: How does the text describe the relationship between fear and totalitarian governments? Week 3, Day 2 1. -
On the Concealment of Ante Pavelić in Austria in 1945-1946
UDK: 314.743(436)-05 Pavelić, A.''1945/1946'' Izvorni znanstveni članak Received: September 5, 2011 Accepted: November 7, 2011 ON THE CONCEALMENT OF ANTE PAVELIĆ IN AUSTRIA IN 1945-1946 Ante DELIĆ* Based on available American and British documents and thus-far unconsulted papers left behind by Ante Pavelić, the leader of the Independent State of Croatia, the author analyzes Pavelić’s concealment in Austria and the role of Western agencies therein. Some of the relevant literature indicates that the Catholic Church and Western agencies took part in Pavelić’s concealment. The author concludes that all such conjecture lacks any foundation in the available sources. Key words: Ante Pavelić, Western allies, extradition, Yugoslavia Historiography is generally familiar with the fate of the army of the Inde- pendent State of Croatia and the civilian population which, at the end of the war in early May 1945, withdrew toward Austria in fear of advancing commu- nist forces, with the aim of surrendering to the Allies. These people were ex- tradited to the Yugoslav army with the explanation that they would be treated in compliance with the international laws of war. As it transpired, this “treat- ment” was one of the most tragic episodes in the history of the Croatian nation, known under the terms Bleiburg and the Way of the Cross.1 A portion of these refugees who managed to elude this fate ended up in Allied refugee camps, mostly in Italy, Austria and Germany.2 However, even in these camps, besides * Ante Delić, MA, University of Zadar, Zadar, Republic of Croatia 1 Cf. -
Croatian Radical Separatism and Diaspora Terrorism During the Cold War
Purdue University Purdue e-Pubs Purdue University Press Book Previews Purdue University Press 4-2020 Croatian Radical Separatism and Diaspora Terrorism During the Cold War Mate Nikola Tokić Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_previews Part of the European History Commons This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Central European Studies Charles W. Ingrao, founding editor Paul Hanebrink, editor Maureen Healy, editor Howard Louthan, editor Dominique Reill, editor Daniel L. Unowsky, editor Nancy M. Wingfield, editor The demise of the Communist Bloc a quarter century ago exposed the need for greater understanding of the broad stretch of Europe that lies between Germany and Russia. For four decades the Purdue University Press series in Central European Studies has enriched our knowledge of the region by producing scholarly monographs, advanced surveys, and select collections of the highest quality. Since its founding, the series has been the only English-language series devoted primarily to the lands and peoples of the Habsburg Empire, its successor states, and those areas lying along its immediate periphery. Among its broad range of international scholars are several authors whose engagement in public policy reflects the pressing challenges that confront the successor states. Indeed, salient issues such as democratization, censorship, competing national narratives, and the aspirations -
Local Memory Practices of the Memorial Complex at Mrakovica, Bosnia and Herzegovina
Manuela BRENNER The Construction, De- and Reconstruction of History and Memory: Local Memory Practices of the Memorial Complex at Mrakovica, Bosnia and Herzegovina THE CONSTRUCTION, DE- AND RECONSTRUCTION OF HISTORY AND MEMORY: LOCAL MEMORY PRACTICES OF THE MEMORIAL COMPLEX AT MRAKOVICA, BOSNIA AND HERZEGOVINA Manuela BRENNER University of Regensburg UDK: 069(497.6 Mrakovica):94(4)“1941/1945“ 069(497.6 Mrakovica:355(497.6)“1992/1995“ Prethodno priopćenje Primljeno: 07.10.2013. Prihvaćeno: 05.01.2014. This paper examines the memory practices of the memorial complex at Mrakovica at the Kozara National Park in the Republika Srpska, Bosnia and Herzegovina. The original concept of the memorial site, founded in 1972, was to keep the Kozara-epos alive. The erected monument, the memorial wall and the museum were built to remember one of the biggest battles during the Second World War on Yugoslav soil during which more than ten thousand Partisan fighters and civilians lost their lives. During the communist era the memorial site fit into the official memory frame: the high number of casualties, especially civilians, was put into the foreground and the Partisans in their struggle for liberation were glorified. The key component of the official narrative was the slogan brotherhood and unity. After the armed conflict in the 1990s, the site underwent several transformations. New memorial frames were set by nationalists; thus history and memory were thereby de- and reconstructed. The new narrative included not only victims of the Second World War but exclusively those victims belonging to the ethnic group of Serbs of the First World War and the conflict in 1992-95. -
Fascist Italy's Illiberal Cultural Networks Culture, Corporatism And
Genealogie e geografie dell’anti-democrazia nella crisi europea degli anni Trenta Fascismi, corporativismi, laburismi a cura di Laura Cerasi Fascist Italy’s Illiberal Cultural Networks Culture, Corporatism and International Relations Benjamin G. Martin Uppsala University, Sweden Abstract Italian fascists presented corporatism, a system of sector-wide unions bring- ing together workers and employers under firm state control, as a new way to resolve tensions between labour and capital, and to reincorporate the working classes in na- tional life. ‘Cultural corporatism’ – the fascist labour model applied to the realm of the arts – was likewise presented as a historic resolution of the problem of the artist’s role in modern society. Focusing on two art conferences in Venice in 1932 and 1934, this article explores how Italian leaders promoted cultural corporatism internationally, creating illiberal international networks designed to help promote fascist ideology and Italian soft power. Keywords Fascism. Corporatism. State control. Labour. Capital. Summary 1 Introduction. – 2 Broadcasting Cultural Corporatism. – 3 Venice 1932: Better Art Through Organisation. – 4 Italy’s International Cultural Outreach: Strategies and Themes. – 5 Venice 1934: Art and the State, Italy and the League. – 6 Conclusion. 1 Introduction The great ideological conflict of the interwar decades was a clash of world- views and visions of society, but it also had a quite practical component: which ideology could best respond to the concrete problems of the age? Problems like economic breakdown, mass unemployment, and labour unrest were not only practical, of course: they seemed linked to a broader breakdown of so- Studi di storia 8 e-ISSN 2610-9107 | ISSN 2610-9883 ISBN [ebook] 978-88-6969-317-5 | ISBN [print] 978-88-6969-318-2 Open access 137 Published 2019-05-31 © 2019 | cb Creative Commons Attribution 4.0 International Public License DOI 10.30687/978-88-6969-317-5/007 Martin Fascist Italy’s Illiberal Cultural Networks. -
Inheriting the Yugoslav Century: Art, History, and Generation
Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 ABSTRACT Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 Copyright by Ivana Bago 2018 Abstract The dissertation examines the work contemporary artists, curators, and scholars who have, in the last two decades, addressed urgent political and economic questions by revisiting the legacies of the Yugoslav twentieth century: multinationalism, socialist self-management, non- alignment, and -
The Photo-Text in the Mussolini Era
Athens Journal of Humanities & Arts - Volume 8, Issue 4, October 2021 – Pages 341-361 The Photo-Text in the Mussolini Era By Carla Rossetti In the 1930s, Fascism’s Mythopoeia found in propaganda photobooks a comfortable space in which to configure itself. The layout of the photobooks draws on the experiments carried out by the editors of “Campo Grafico” [1933 - 1939] and by eclectic personalities like Guido Modiano; with reference to photography, on the other hand, from the modernist style developed by the amateurs of photographic circles reworking the experience gained by the European avant-gardes since the previous decade. All these innovations led to a rethinking of the usual relationship between image and text, gaining a new and a much more dynamic interaction between visual and textual. Through the analysis of some of the most important photobooks of the Fascist Era, the following article aims to show some aspects of the verbal and visual rhetoric which the Fascist regime used to generate an articulated model of the world in which to believe, even if its appearance differed radically from what one saw with one's own eyes or experienced on one's own skin every day. In propaganda photo books, the facts are emphasized, even judged, in order to construct a specious argument that leaves no room for doubt. Introduction and Literature Review The history of Fascist propaganda photography is an emblematic story of how, in the 1920s and 1930s, photography participated in the political events of the Nation, contributing to the construction of an epic and heroic tale of the Italian totalitarianism. -
Jewish Citizens of Socialist Yugoslavia: Politics of Jewish Identity in a Socialist State, 1944-1974
JEWISH CITIZENS OF SOCIALIST YUGOSLAVIA: POLITICS OF JEWISH IDENTITY IN A SOCIALIST STATE, 1944-1974 by Emil Kerenji A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in The University of Michigan 2008 Doctoral Committee: Professor Todd M. Endelman, Co-Chair Professor John V. Fine, Jr., Co-Chair Professor Zvi Y. Gitelman Professor Geoffrey H. Eley Associate Professor Brian A. Porter-Szűcs © Emil Kerenji 2008 Acknowledgments I would like to thank all those who supported me in a number of different and creative ways in the long and uncertain process of researching and writing a doctoral dissertation. First of all, I would like to thank John Fine and Todd Endelman, because of whom I came to Michigan in the first place. I thank them for their guidance and friendship. Geoff Eley, Zvi Gitelman, and Brian Porter have challenged me, each in their own ways, to push my thinking in different directions. My intellectual and academic development is equally indebted to my fellow Ph.D. students and friends I made during my life in Ann Arbor. Edin Hajdarpašić, Bhavani Raman, Olivera Jokić, Chandra Bhimull, Tijana Krstić, Natalie Rothman, Lenny Ureña, Marie Cruz, Juan Hernandez, Nita Luci, Ema Grama, Lisa Nichols, Ania Cichopek, Mary O’Reilly, Yasmeen Hanoosh, Frank Cody, Ed Murphy, Anna Mirkova are among them, not in any particular order. Doing research in the Balkans is sometimes a challenge, and many people helped me navigate the process creatively. At the Jewish Historical Museum in Belgrade, I would like to thank Milica Mihailović, Vojislava Radovanović, and Branka Džidić. -
The Croats Under the Rulers of the Croatian National Dynasty
THE CROATS Fourteen Centuries of Perseverance Publisher Croatian World Congress (CWC) Editor: Šimun Šito Ćorić Text and Selection of Illustrations Anđelko Mijatović Ivan Bekavac Cover Illustration The History of the Croats, sculpture by Ivan Meštrović Copyright Croatian World Congress (CWC), 2018 Print ITG d.o.o. Zagreb Zagreb, 2018 This book has been published with the support of the Croatian Ministry of culture Cataloguing-in-Publication data available in the Online Catalogue of the National and University Library in Zagreb under CIP record 001012762 ISBN 978-953-48326-2-2 (print) 1 The Croats under the Rulers of the Croatian National Dynasty The Croats are one of the oldest European peoples. They arrived in an organized manner to the eastern Adriatic coast and the re- gion bordered by the Drina, Drava and Danube rivers in the first half of the seventh century, during the time of major Avar-Byzan- tine Wars and general upheavals in Europe. In the territory where they settled, they organized During the reign of Prince themselves into three political entities, based on the previ Branimir, Pope John VIII, ous Roman administrative organizations: White (western) the universal authority at Croatia, commonly referred to as Dalmatian Croatia, and Red the time, granted (southern) Croatia, both of which were under Byzantine su Croatia international premacy, and Pannonian Croatia, which was under Avar su recognition. premacy. The Croats in Pannonian Croatia became Frankish vassals at the end of the eighth century, while those in Dalmatia came under Frankish rule at the beginning of the ninth century, and those in Red Croatia remained under Byzantine supremacy. -
The Croatian Ustasha Regime and Its Policies Towards
THE IDEOLOGY OF NATION AND RACE: THE CROATIAN USTASHA REGIME AND ITS POLICIES TOWARD MINORITIES IN THE INDEPENDENT STATE OF CROATIA, 1941-1945. NEVENKO BARTULIN A thesis submitted in fulfilment Of the requirements for the degree of Doctor of Philosophy University of New South Wales November 2006 1 2 3 Acknowledgements I would like to thank my supervisor Dr. Nicholas Doumanis, lecturer in the School of History at the University of New South Wales (UNSW), Sydney, Australia, for the valuable guidance, advice and suggestions that he has provided me in the course of the writing of this thesis. Thanks also go to his colleague, and my co-supervisor, Günther Minnerup, as well as to Dr. Milan Vojkovi, who also read this thesis. I further owe a great deal of gratitude to the rest of the academic and administrative staff of the School of History at UNSW, and especially to my fellow research students, in particular, Matthew Fitzpatrick, Susie Protschky and Sally Cove, for all their help, support and companionship. Thanks are also due to the staff of the Department of History at the University of Zagreb (Sveuilište u Zagrebu), particularly prof. dr. sc. Ivo Goldstein, and to the staff of the Croatian State Archive (Hrvatski državni arhiv) and the National and University Library (Nacionalna i sveuilišna knjižnica) in Zagreb, for the assistance they provided me during my research trip to Croatia in 2004. I must also thank the University of Zagreb’s Office for International Relations (Ured za meunarodnu suradnju) for the accommodation made available to me during my research trip.