Kennesaw State University Mixed Chamber Ensembles
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Violinistsjourn00khunrich.Pdf
University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Felix Khuner A VIOLINIST'S JOURNEY FROM VIENNA'S KOLISCH QUARTET TO THE SAN FRANCISCO SYMPHONY AND OPERA ORCHESTRAS With an Introduction by Tom Heimberg Interviews Conducted by Caroline Crawford in 1989-1990 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a method of collecting historical information through tape-recorded interviews between a narrator with firsthand knowledge of historically significant events and a well- informed interviewer, with the goal of preserving substantive additions to the historical record. The tape recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Felix Khuner dated December 7, 1989. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. -
Juilliard String Quartet
SoNoKLECT '06-'07 A Concert Series of Modern Music TERRY VosBEIN, DIRECTOR Juilliard String Quartet The Complete Bart6k Quartets WILSON HALL LENFEST CENTER FOR 'IHE ARTS WASHINGTON AND LEE UNIVERSITY 25 & 26 MAY 2007 8:30 P.M. FRIDAY NI GHT First String Quartet , Op. 7, Sz . 40 (1908) Lento Allegretto Int rod uzione: allegro Allegro vivace pr esto Third String Quartet, Sz. 85 (1927) Prim a parte- Moderat o Second a par te- Allegro Recapitul azione della prim a part e: Mode rato-a ttacca Cod a: Allegro molto - INTERMISSION - Fifth String Quartet, Sz. 102 (1934) Allegro Ad agio rnolto Scherzo: Alla bulga rese- Vivace And ante Finale: Allegro vivace 2 SATURDAY NIGHT Second String Quartet, Op. 17, Sz. 67 (1915-17) Moderato Allegro molto capriccioso Lento Fourth String Quartet, Sz. 91 (1928) Allegro Prestissimo, con sordino Non troppo lento Allegretto pizzicato Allegro molto - INTERMISSION - Sixth String Quartet (1939) Mesto: Piu mosso, pesante-Vivace Mes to-Marcia Mesto: Burletta-Moderato Mesto 3 Bart6k: A Juilliard Quartet Legacy Celebrati ng its sixtieth ann iversary, the Juilli ard String Qu artet re-creates a se minal moment in its history: the first cycle of the six Bart6k quart ets to be perfo rmed in the United States. Seven performances of the compl ete set across the coun try and in Japan dur ing the anni versary seas on, 2006-07, wi ll recall the landmark 1948 premiere at Tanglewoo d. The Bart6k cycle is one of wha t violist Samu el Rhodes, the ensemble's senior member, describes as "common threads that have been supr emely important to the Juilliard Strin g Qu artet." These long-standing interes ts also include the Beethoven quar tets; commissioning important contemp orary compo sers, mo stly Ameri can, to extend the quart et repert oire and tradition ; and a stron g commitm ent to teaching, both chamb er mu sic and the players' ind ividual instrum ents. -
Catalogo Per Autori Ed Esecutori
Abel, Carl Friedrich Quartetti, archi, Op. 8, No. 5, la maggiore The Salomon Quartet The Schein String Quartet Addy, Obo Wawshishijay Kronos Quartet Adorno, Theodor Wiesengrund Zwei Stucke fur Strechquartett op. 2 Buchberger Quartett Albert, Eugene : de Quartetti, archi, Op. 7, la minore Sarastro Quartett Quartetti, archi, Op. 11, mi bemolle maggiore Sarastro Quartett Alvarez, Javier Metro Chabacano Cuarteto Latinoamericano 1 Alwyn, William Quartetti, archi, n. 3 Quartet of London Rhapsody for String Quartet Arditti string quartet Andersson, Per Polska fran Hammarsvall, Delsbo The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom Quartet The Skane Quartet Andriessen, Hendrik Il pensiero Raphael Quartet Aperghis, Georges Triangle Carre Trio Le Cercle Apostel, Hans Erich Quartetti, archi, Op. 7 LaSalle Quartet Arenskij, Anton Stepanovic Quartetti, archi, op. 35 Paul Rosenthal, Vl Matthias Maurer, Vla Godfried Hoogeveen, Vlc Nathaniel Rosen, Vlc Arriaga y Balzola, Juan Crisostomo Jacobo Antonio : de Quartetti, archi, No. 1, re minore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Quartetti, archi, No. 2, la maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet 2 Quartetti, archi, Nr. 3, mi bemolle maggiore Voces Streichquartette Quartet sine nomine Rasoumovsky Quartet Atterberg, Kurt Quartetti, archi, Op. 11 The Garaguly Quartet Aulin, Tor Vaggvisa The Follinger-Hedberg Quartet The Galli Quintet The Goteborg Quartet The Halsingborg Quartet The Kjellstrom -
NI 5646 NI NI 5646 Mastered and Manufactured in the UK
kf=RSQS ïïïKïó~ëíçåÉKÅçKìâ Photographs courtesy of the Foundation Weigl Karl 2 19 idiomatischen Sequenzbildungen. Bemerkenswert ist nach der fin de siede - WORLD PREMIERE RECORDINGS Stimmung heraufbeschwörenden Coda des harmonisch höchst eigenwilligen Larghettos die Einleitung zum humorvoll-spielerischen Finale: Scherz, Augenzwinkern? Schaut her, ihr Modernen? Hoffen wir, daß Pablo Casals' Prophezeiung endlich wahr wird: "Karl Weigls Musik wird nicht verloren sein. Man wird zu ihr zurückkommen, wenn der Sturm sich gelegt haben wird..." Artis Quartett, Wien Das Artis Quartett wurde 1980 an der Wiener Musikhochschule gegründet. Nach weiteren Studien beim LaSalle Quartett am College Conservatory of Music in Cincinnati (1984/85) und etlichen Preisen bei internationalen Musikwettbewerben begann das Quartett seine internationale Karriere, die es in die wichtigsten Musikzentren der Welt führte. Reisen in den Fernen Osten sowie nach Nord- und Südamerika wurden durch die Teilnahme an den wichtigsten Musikfesten Europas ergänzt, darunter die Festivals in Salzburg und Schleswig-Holstein, das Flandern Festival, die Schubertiade Feldkirch, die Wiener, Pariser und Berliner Festwochen sowie das Pablo Casals Festival in Prades. String Quartet No. 1 in C minor, Op. 20 44.05 Seit 1988 spielt das Artis-Quartett auf Einladung der Gesellschaft der 1 I Allegro con fuoco - Stürmisch bewegt 10.2810.28 Musikfreunde in Wien eine eigene jährliche Konzertserie im Wiener Musikverein. In 2 II Adagio - Sehr langsam 12.0012.00 England gastiert es regelmäßig in der Wigmore Hall. 3 III Wild und bacchantisch -furioso 11.53 Bis heute hat das Quartett mehr als 20 CDs aufgenommen, die mit diversen Preisen 4 IV Andante moderato - Sehr langsam 9.44 9.44 ausgezeichnet wurden, darunter dem Grand Prix International du Disque, dem Prix String Quartet No. -
The String Quartet
The Cambridge Companion to THE STRING QUARTET ............ edited by Robin Stowell published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge, CB2 2RU, UK 40 West 20th Street, New York, NY 10011–4211, USA 477 Williamstown Road, Port Melbourne, VIC 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Cambridge University Press 2003 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2003 Printed in the United Kingdom at the University Press, Cambridge Typeface Minion 10.75/14 pt. SystemLATEX2ε [tb] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge Companion to the string quartet / edited by Robin Stowell. p. cm. – (Cambridge companions to music) Includes bibliographical references and indexes. ISBN 0 521 80194 X (hardback) – ISBN 0 521 00042 4 (paperback) 1. String quartet. I. Stowell, Robin. II. Series. ML1160.C36 2003 785.7194 – dc21 2003043508 ISBN 0 521 80194 X hardback ISBN 0 521 00042 4 paperback Contents List of illustrations [page viii] Notes on the contributors [ix] Preface [xii] Acknowledgements [xiv] Note on pitch [xv] r Part I Social -
CHAN 9999 BOOK.Qxd 10/5/07 3:38 Pm Page 2
CHAN 9999 front.qxd 10/5/07 3:31 pm Page 1 CHANDOS CHAN 9999 CHAN 9999 BOOK.qxd 10/5/07 3:38 pm Page 2 Alban Berg (1885–1935) Complete Chamber Music String Quartet, Op. 3 (1909–10) 25:53 1 I Langsam 10:18 2 II Mäßige Viertel 10:59 premiere recording 3 Hier ist Friede, Op. 4 No. 5 (1912)* 4:34 from Altenberg Lieder arranged for piano, harmonium, violin and cello by Alban Berg (1917) Ziemlich langsam premiere recording Four Pieces, Op. 5 (1913) 8:02 for clarinet and piano arranged for viola and piano by Henk Guittart (1992) 4 I Mäßig 1:28 5 II Sehr langsam 2:08 6 III Sehr rasch 1:19 7 IV Langsam 3:05 8 Adagio* 13:13 Alban Berg, c. 1925 Second movement from the Chamber Concerto for piano, violin and 13 wind instruments (1923–25) arranged for violin, clarinet and piano by Alban Berg (1935) 3 CHAN 9999 BOOK.qxd 10/5/07 3:38 pm Page 4 Berg: Complete Chamber Music Lyric Suite (1925–26) 28:41 With the exception of the Lyric Suite and the writing songs for performance by and within for string quartet Chamber Concerto, all the works on the the family. Writing to the publisher Emil 9 Allegretto giovale 3:08 present CD were written in the three years Hertzka in 1910, Schoenberg observed: from 1910 to 1913, when Alban Berg [Alban Berg] is an extraordinarily gifted composer, 10 Andante amoroso 6:15 (1885–1935) was in his mid-twenties. but the state he was in when he came to me was 11 Allegro misterioso – Trio estatico 3:24 The earliest work, the String Quartet, Op. -
National Gallery of Art Concerts in 2008-2009 Include Four World Premieres and a Revival of a Work Commissioned by the Gallery
Office of Press and Public Information Fourth Street and Constitution Av enue NW Washington, DC Phone: 202-842-6353 Fax: 202-789-3044 www.nga.gov/press Release Date: August 15, 2008 National Gallery of Art Concerts in 2008-2009 Include Four World Premieres and a Revival of A Work Commissioned by the Gallery Ma’alot Wind Quintet perf orms on January 11 at the National Gallery of Art as part of the “Mendelssohn on the Mall” celebration. Washington, DC—The National Gallery of Art presents its 67th season of the longest- running free concert series in the nation's capital from October 3, 2008, through June 28, 2009. This season will introduce to the Washington public several compositions that have not been heard here before. In the context of a festival of Swiss culture, pianist Gilles Vonsattel will play a new work by Nico Muhly on October 12, and the Festival Strings Lucerne will play Stellen by Dieter Ammann on October 19, both commissioned and composed for the occasion. The Gallery also has commissioned two works for this season. The first is a work for chamber ensemble by Jeffrey Mumford, which will be heard on November 30 in a concert by the Verge Ensemble as part of a citywide festival called "3gen." The festival will feature the music of Elliott Carter, Olivier Messiaen, Charles Wuorinen, and younger composers who are indebted to them. Working jointly with the National Museum of Women in the Arts (NMWA), the Gallery has also commissioned a suite for string quartet and piano by Jessica Krash. -
Juilliard String Quartet Today, with (L to R) Smirnoff, Krosnick, Rhodes and Copes
Opposite page: The Juilliard String Quartet today, with (l to r) Smirnoff, Krosnick, Rhodes and Copes. Inset: In the late 1950s with Hillyer, Mann, Isidore Cohen and Claus Adam. he Juilliard String Quartet is arguably America’s best-known chamber music ensemble—and certainly one of the most admired. And although its current members are only in middle age, the quartet itself cannot escape the adjective “venerable.” Violinist Robert Mann founded the T group in 1946 with violist Raphael Hillyer, cellist Arthur Winograd and the late violinist Robert Koff. With Mann in the first violinist’s chair for an amazing fifty of the ensemble’s sixty-one years— and with remarkably few other personnel changes—the quartet has performed and recorded, taught aspiring chamber musicians, championed American com- posers, and introduced at least two generations of concertgoers to the European masterworks. In 1962—with Isidore Cohen as second violinist and Claus Adam as cellist—the Juilliard succeeded the legendary Budapest String Quartet as ensemble-in-residence at the Library of Congress and went on to perform there often broadcasting live concerts nationwide for 40 years. In recognition of its extraordinary contribution to the nation’s cultural #life, the Juilliard String Quartet has been named the 2008 recipient of Chamber Music America’s Richard J. Bogomolny National Service Award, the organization’s highest honor. On January 6, 2008, founding members Mann, Winograd, and Hillyer will #join Earl Carlyss (violin II from 1966 to 1986) and the current quartet— violinists Joel Smirnoff and Ronald Copes, violist Samuel Rhodes, and cellist Joel Krosnick—to receive the award at CMA’s Thirtieth Anniversary National Conference in New York City. -
String Quartet No
NI 5821 For more information about the Artis-Quartett visit www.artis-quartett.at EGON Also available on Nimbus by the Artis-Quartett NI 5563 ALEXANDER ZEMLINSKY WELLESZ String Quartet No. 1 in A major, Op. 4 String Quartet No. 2, Op. 15 NI 5604 ALEXANDER ZEMLINSKY String Quartet No. 3, Op. 19 STRING String Quartet No. 4, Op. 25 QUARTETS JOHANNA MÜLLER-HERMANN No.3 Op.25 | No.4 Op.28 String Quartet in E-fl at major, Op. 6 No.6 Op.64 NI 5646 KARL WEIGL String Quartet No. 1 in C minor, Op. 20 String Quartet No. 5 in G major, Op. 31 NI 5668 ANTON WEBERN The Complete Works for String Quartet and String Trio ARTIS For more information visit www.wyastone.co.uk QUARTETT WIEN 12 NI 5821 NI 5821 contemporary British music, and his Second Symphony, for all its Schubertian leanings, actually bears the subtitle The English.) This forms an introduction to the spiky, almost neo-classical music of the Comodo, but this is not allowed to develop very far before a chant-like unison theme intervenes, clearly developed from the Grave. The Comodo Egon Wellesz (1885-1974) music then forges ahead, but at the climax the Grave tempo returns and the lyrical following theme fl owers into a kind of majestic chorale before the peaceful close of the movement. Artis-Quartett Wien The second movement, Allegretto, is a very short scherzo in 3/8 time. Out of repeated-note fi gures bandied about between the four instruments a busy, angular momentum appears and then dissipates back into a unison jab of repeated notes. -
Calder Quartet Sun / Feb 25 / 4:00 Pm
2017-18 THE BROAD STAGE ARTISTS-IN-RESIDENCE CALDER QUARTET SUN / FEB 25 / 4:00 PM Benjamin Jacobson, violin Andrew Bulbrook, violin Jonathan Moerschel, viola Eric Byers, cello The Calder Quartet Residency at The Broad Stage has been made possible in part through a generous grant from the Colburn Foundation. Calder Quartet is represented worldwide by Intermusica. There will be one 15-minute intermission. 34 PROGRAM Felix Mendelssohn (1809-1847) String Quartet No. 2, Op. 13 Adagio – Allegro vivace Adagio non lento Intermezzo. Allegretto con moto – Allegro di molto Presto – Adagio non lento György Kurtág (b. 1926) 6 Moments Musicaux for string quartet, Op.44 Invocatio Footfalls Capriccio In memoriam György Sebök [étude pour les harmoniques] Les adieux (in Janáčeks Manier) Intermission Ludwig van Beethoven (1770-1827) String Quartet No. 15, Op. 132 Allegro Allegro ma non tanto Molto Adagio. Andante Alla marcia, assai vivace Allegro appassionato. Presto BIO today’s best emerging composers. The group continues to work and collaborate The CALDER QUARTET performs a broad with artists across musical genres, range of repertoire at an exceptional level, spanning the ranges of the classical and always striving to channel and fulfill the contemporary music world, as well as composer’s vision. Already the choice of rock and film/tv soundtracks, and in many leading composers to perform their venues ranging from museums to Carnegie works, the group’s distinctive approach is and the Hollywood Bowl. Inspired by exemplified by a musical curiosity brought innovative American artist Alexander to everything they perform. Calder, the Calder Quartet’s desire to Winners of the prestigious 2014 Avery bring immediacy and context to the works Fisher Career Grant, they are widely they perform creates an artfully crafted known for the discovery, commissioning, musical experience. -
Three Case Studies in Twentieth-Century Performance Practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2012 Three case studies in twentieth-century performance practice Tina Huettenrauch Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Huettenrauch, Tina, "Three case studies in twentieth-century performance practice" (2012). LSU Doctoral Dissertations. 547. https://digitalcommons.lsu.edu/gradschool_dissertations/547 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THREE CASE STUDIES IN TWENTIETH-CENTURY PERFORMANCE PRACTICE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Music by Tina Huettenrauch B.A., Millsaps College, 2005 M.M., Louisiana State University and Agricultural and Mechanical College, 2008 August 2012 ACKNOWLEDGEMENTS First and foremost I wish to express my deepest gratitude to my dissertation advisor, Jan Herlinger, for his tireless commitment to this project, unceasing encouragement, precise and careful editing of my writing, and many insightful suggestions and comments. His dedication to his students and the field of musicology has always been a tremendous inspiration and I am truly grateful to have had him to guide me on this journey. I wish to thank my committee, Brett Boutwell, Andreas Giger, Alison McFarland, Robert Peck, and John Pizer for their continuous support, meticulous reading of the chapter drafts, and ready willingness to help. -
UCSB Department of Music Welcomes Renowned Artists to String Faculty
University of California, Santa Barbara Department of Music Santa Barbara, CA 93106-6070 CONTACT: Adriane Hill Marketing and Communications Manager (805) 893-3230 [email protected] www.music.ucsb.edu FOR IMMEDIATE RELEASE / September 19, 2016 UCSB DEPARTMENT OF MUSIC WELCOMES RENOWNED ARTISTS TO STRING FACULTY UCSB welcomes cellist Jennifer Kloetzel and violist Jonathan Moerschel to the Department of Music SANTA BARBARA, September 19, 2016—UC Santa Barbara welcomes two renowned artists to the Department of Music’s String Program faculty: cellist Jennifer Kloetzel, formerly of the Cypress Quartet, and Jonathan Moerschel, of the Calder Quartet. The artists are set to teach applied music lessons to undergraduate and graduate students, and coach the many diverse chamber music ensembles within the Department of Music, including the Young Artists String and Piano Quartets, and the University Chamber Orchestra. A graduate of The Juilliard School and a Fulbright Scholar, cellist Jennifer Kloetzel has concertized throughout the United States, Europe, and Asia. A founding member of the Cypress String Quartet, Ms. Kloetzel has toured the world and performed at outstanding venues such as the Kennedy Center for the Performing Arts, the Chautauqua Institute and the Ravinia Festival, the Lobkowicz Palaces in both Vienna and Prague, as well as prominent colleges and conservatories nationwide. Ms. Kloetzel is noted for her elegant playing and has given numerous recitals, including concerts for San Francisco Performances and on WQXR in New York. In the past few seasons, she performed the world premiere of a Cello Suite by Daniel Asia, as well as a Cello Concerto, Cloud Atlas, and unaccompanied cello work, Lift, that were both written for her by MIT composer Elena Ruehr.