DOCSLIB.ORG

The Pimpernel Press

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Pimpernel Press Pimpernel Pimpernel Press Press catalogue autumn 2015 Pimpernel Press publishes books that are elegantly and authoritatively written, beautifully illustrated and manufactured to the highest standards. The core subjects are art, design, places and gardens. E-mail [email protected] [email protected] Telephone: +44 (0) 20 7289 7100 Mobile +44 (0) 7775 917 202 Follow us on twitter @pimpernelpress Pimpernel Press ltd E www.pimpernelpress.com Pimpernel Press Pimpernel Press is an independent publisher founded in 2013 by Jo Christian. We publish fine illustrated books on gardens and gardening, art and artists, design, architecture and places; practical books on arts and crafts; gift books; and stationery. All our books are elegantly and authoritatively written, beautifully illustrated and manufactured to the highest standards. E-mail [email protected] Telephone +44 (0) 20 7289 7100 Mobile +44 (0) 7775 917 202 22 Marylands Road, London W9 2DY Follow us on twitter @pimpernelpress Cover: Tomatoes in a greenhouse at Eythrope, from Paradise and Plenty (pages 2–3) NEW TITLE Paradise and Plenty a rothschild family garden MARY KEEN PHOTOGRAPHY BY TOM HATTON INTRODUCTION BY GREGORY LONG, PRESIDENT OF THE NEW YORK BOTANICAL GARDEN AFTERWORD BY LORD AND LADY ROTHSCHILD The productive garden at Lord Rothschild’s private MARY KEEN is an internationally house, Eythrope in Buckinghamshire, is legendary in known designer who has worked on gardens in France, Corfu and America the garden world for the excellence of the gardening as well as for many high-profile and as a haven for traditional techniques that might clients in England. She has made several gardens for Lord Rothschild otherwise be lost. Under the leadership of the renowned and she also designed the gardens head gardener, Sue Dickinson, this garden works on a around the new opera house at scale that is now unique, producing, year-round, all the Glyndebourne. She has lectured in New York, Chicago, Seattle, Vancouver fruit, vegetables and flowers for a country house where and South Africa as well as in England. entertaining still happens on a grand scale and where For twenty years she was a member of the National Trust Garden everything is done to the highest standards. panel which advises on the care of Paradise and Plenty opens a window on a garden that important and historic gardens. She has, until now, been kept intensely private, and on a has monthly columns in the Daily Telegraph and Garden magazine and world beyond most gardeners’ dreams. But in this book is a regular contributor to Gardens everything shown is useful as well as beautiful. Gregory Illustrated and the Spectator. The Long of the New York Botanical Garden points out author of five books, she writes from the heart rather than to order, and in his introduction that as more and more people turn this book is her first after a gap of to growing their own, books are needed that show twenty years. the techniques of dedicated cultivation, as well as the results. Many of the techniques used at Eythrope are old and tried, but have fallen out of use almost everywhere else. Others have been adopted more recently, as careful Publication October 2015 trials have proved their worth. If you want to know the SPECIFICATIONS ‘If you are a home gardener looking for inspiration, you will find it here. If you are very best ways to prepare your soil, grow your herbs, Hardback, £50 270 x 210mm/8¼ x 10½ inches a garden historian searching out old traditions, read on. If you are a professional prune your apple trees, train your roses, plant tulip bulbs hoping to learn new tricks, you have come to the right place. Or if you are an armchair 304 pages, 7 double-gatefolds or propagate geraniums, or which are the best tried and 250 photographs gardener looking to escape to a magical realm behind high garden walls, tested tomatoes, snowdrops or chrysanthemums to 978-1-9102-5812-5 where no one but you will be invited, this book is for you.’ plant, you'll find out here. In the words of the author World rights available GREGORY LONG, PRESIDENT, NEW YORK BOTANICAL GARDEN herself, ‘This book has to be how as well as wow.’ except German 2 3 NEW TITLE ‘Masterpieces of comic erudition . If you don‘t already know these books, you have a treat awaiting you. They sum up our architectural inheritance Osbert Lancaster’s in a hugely entertaining and quite inimitable way.’ Principles of Architecture FIONA MACCARTHY INCLUDING PILLAR TO POST HOMES SWEET HOMES DRAYNEFLETE REVEALED This beautiful boxed set contains three long-out- OSBERT LANCASTER (1908–86) of-print and influential books by the great British was a painter, a writer, a cartoonist, a theatre designer, an authority on humorist Osbert Lancaster (1908–86). architecture and design, and above all First published in 1938, Pillar to Post is the story of a great British humorist. His pocket cartoons depicting the aristocratic architecture through the ages and takes us in words and Maudie Littlehampton, her family and pictures from the Egypt of the pyramids to Twentieth friends, which appeared in the Daily Century Functional (by way of Stockbroker’s Tudor Express for forty years, recorded in his inimitably English way the life, and By-Pass Variegated). news and opinions of the period. Homes Sweet Homes, first published in 1939, is a His books on architecture and history of architectural interiors, sequel to Pillar to Post. design were as witty as they were authoritative: in them he depicted It gives full scope to Lancaster’s genius for showing buildings and interiors with an people in their settings: the carousing Normans in unerring instinct for the minutiae of stylistic change and recreated with the communal hall; the cocktail-drinking couple in irrepressible humour the way of life Curzon Street Baroque; the First Russian Ballet lady of the original inhabitants. outstretched on her day bed; the Cultured Cottage couple in their Arts & Crafts Interior. On Pillar to Post Drayneflete Revealed (1949) traces the development ‘One of the most influential books on architecture ever published.’ GAVIN STAMP of a typical (if invented) English town. Starting from its muddy Saxon origins – the Fleet River is the ancient Publication October 2015 On Homes Sweet Homes river that runs in sewers under the City of London – SPECIFICATIONS Boxed set, £35 ‘ it follows the changing fortunes of the architectural Superb: so full of such lovely wit that it would be better to quote from it rather 230 x 180mm/7 x 9 inches than try to describe it.’ OBSERVER development from village to small city and the foibles 304 pages and fashions of the inhabitants. 150 line drawings On Drayneflete Revealed Illustrated throughout with the author’s own black 978-1-9102-5837-8 ‘Mr Lancaster has never done anything better.’ SPECTATOR and white line drawings and diagrams. World rights 4 5 NEW TITLE NEW TITLE The Graphic Work of An Anthology Rex Whistler of Mine illustrations, posters, advertisements REX WHISTLER AFTERWORD BY LAURENCE WHISTLER HUGH CECIL AND MIRABEL CECIL INTRODUCTION BY HUGH AND MIRABEL CECIL Books by HUGH CECIL During the 1920s and 1930s Rex Whistler designed A facsimile edition of the ‘little anthology’ of favourite REX WHISTLER (1905–1944) was include The Flower of Battle: dust jackets and produced illustrations for books poems compiled and illustrated by Rex Whistler one of the most intriguing artists How Britain Wrote the Great of the interwar years. His work War (Steerforth, 1996). ranging from Beverley Nichols’ Down the Garden Path in 1923. This is a personal collection, hand-written encompassed all areas of art and to Isak Dineson‘s Seven Gothic Tales and including and embellished, by a young artist who had recently design, from set design for opera, MIRABEL CECIL is author of A ballet and the West End theatre to Kind of Prospero (Walker, 1996) and, magical editions of Gulliver’s Travels, Hans Andersen‘s discovered poetry. Rex Whistler was just eighteen and book illustration. He painted moving with David Mlinaric, of Mlinaric On Fairy Tales and Walter de la Mare’s The Lord Fish. in his first year at the Slade when he began to compile and memorable portraits, of people Decorating (Frances Lincoln, 2008). He also produced scores of advertisements, including it, using an ordinary ruled exercise book to keep his and of their houses. And he was the outstanding mural painter of his day. Together Hugh and Mirabel posters for exhibitions, catalogues for Fortnum & Mason, handwriting straight. The poems are well known and As a 20-year old student at the Slade have written Clever Hearts: and, for the Guinness brewery, Songs of Our Grandfathers: well loved, the watercolours are enchanting. Every page School he painted a mural which a Life of Desmond and Molly , with humorous versions of shows Rex Whistler’s new-found delight in verse of can still be seen on the walls of the MacCarthy (Gollancz, 1990), Re-set in Guinness Time restaurant at Tate Britain. Later murals which won both the Duff Cooper traditional ditties. His advertisements for Shell oil are a romantic kind: Keats, Marvell, de la Mare, Emily are to be seen at Port Lympne in Prize and the Marsh Biography masterpieces of comic ingenuity. Dickinson, Shelley, Tennyson, Gray, Edith Sitwell and Kent, Mottisfont Abbey in Hampshire, Award; Imperial Marriage Dorneywood in Buckinghamshire and (History Press, 2005); In Search others. But, though serious about the poems, he could Plas Newydd on Anglesey. of Rex Whistler: His Life and His On In Search of Rex Whistler not, being Rex Whistler, deny himself flippancy on a At the outbreak of the Second Work (Frances Lincoln, 2012) title page, or in a pencilled comment added to Keats’ World War he volunteered to serve and, most recently, ‘A considerable work of art in itself.
Load more

Recommended publications
  • Cecil Beaton: VALOUR in the FACE of BEAUTY
    Cecil Beaton: VALOUR IN THE FACE OF BEAUTY FROM BRIGHT YOUNG THING AND DOCUMENTER OF LONDON‘S LOST GENERATION OF THE 20S TO A DOCUMENTER OF A NEW GENERATION WHO WOULD LOSE THEIR LIVES IN THE SECOND WORLD WAR, THIS IS JUST ONE SLICE OF Cecil Beaton‘s REMARKABLE LIFE THROUGH PHOTOGRAPHY. ©THE CECIL BEATON STUDIO ARCHIVE AT SOTHEBY’S. STUDIO ARCHIVE AT ©THE CECIL BEATON TEXT Mark Simpson CECIL BEATON SELF-PORTRAIT, CAMBRIDGE FOOTLIGHTS, 1925 Another Another 254 Man Summer/Autumn 2020 Man 255 CECIL BEATON In a world saturated with social me-dear surveillance and Beaton: No, no one could help me. It was up to me to find suffused with surplus selfies, being ‘interesting’ becomes ever- the sort of world that I wanted. more compulsory – just as it becomes ever-more elusive. Not Face to Face, 1962 just for artists in this brave new connected, visual, attention- seeking world, but for civilians too. Cecil Walter Hardy Beaton was born in 1904 into a Little wonder that Cecil Beaton, a man who essentially prosperous Edwardian middle-class family in Hampstead, a invented himself and his astonishing career with a portable leafy suburb of London. He was the product of true theatrical camera loaded with his ambition and longing, one of the romance: his mother Esther was a Cumbrian blacksmith’s brightest of his bright young generation of the 1920s, has daughter who was visiting London when she fell in love with become more famous, not less. As we plough relentlessly into his father Ernest, a timber merchant, after seeing him onstage a 21st century that he anticipated in many ways, long before in the lead role in an amateur dramatic production.
    [Show full text]
  • Copyright Statement
    COPYRIGHT STATEMENT This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and no quotation from the thesis and no information derived from it may be published without the author’s prior consent. i ii REX WHISTLER (1905 – 1944): PATRONAGE AND ARTISTIC IDENTITY by NIKKI FRATER A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities & Performing Arts Faculty of Arts and Humanities September 2014 iii Nikki Frater REX WHISTLER (1905-1944): PATRONAGE AND ARTISTIC IDENTITY Abstract This thesis explores the life and work of Rex Whistler, from his first commissions whilst at the Slade up until the time he enlisted for active service in World War Two. His death in that conflict meant that this was a career that lasted barely twenty years; however it comprised a large range of creative endeavours. Although all these facets of Whistler’s career are touched upon, the main focus is on his work in murals and the fields of advertising and commercial design. The thesis goes beyond the remit of a purely biographical stance and places Whistler’s career in context by looking at the contemporary art world in which he worked, and the private, commercial and public commissions he secured. In doing so, it aims to provide a more comprehensive account of Whistler’s achievement than has been afforded in any of the existing literature or biographies. This deeper examination of the artist’s practice has been made possible by considerable amounts of new factual information derived from the Whistler Archive and other archival sources.
    [Show full text]
  • John Whistler (1905–1944) Bolebec House, 7 Oving Road, Whitchurch
    Reginald (Rex) John Whistler (1905–1944) Bolebec House, 7 Oving Road, Whitchurch HP22 4JF The artist Rex Whistler was born in 1905 in Eltham. He moved, with his family, to Farnham Common in Buckinghamshire in the 1920s just before he was accepted at the Royal Academy. He disliked the regime there and was ‘sacked for incompetence’. He then proceeded to study at the Slade School of Art. Upon leaving the Slade he became a professional artist. Rex’s most noted work during the early part of his career was for the café at the Tate Gallery, completed in 1927, which includes impressions of the Corinthian Arch and Boycott Pavilions at Stowe. One of the Boycott Pavilions also featured in a later self-portrait. Rex was part of a group of influential artists of the early 20th century who travelled up to the Slade art school from the commuter belts of Bucks and Berks. He painted many members of London society, including Edith Sitwell, Cecil Beaton and other members of the set to which he belonged, which became known as ‘The Bright Young Things’. Rex also produced mural and trompe l’oeil paintings at Plas Newydd, home of Lady Caroline Paget. He and Lady Caroline became close friends and he painted numerous portraits of her, including a startling nude (Whistler). His murals for Edwina Mountbatten’s 30-room luxury flat in Brook House, Park Lane, London were later installed by the Mountbattens’ son-in-law, decorator David Hicks, in his own houses. Rex also created designs for Wedgwood china and designed the scenery and costumes for Ninette de Valois and Gavin Gordon’s Hogarth-inspired 1935 ballet The Rake’s Progress as well as producing book illustrations, notably those for Hans Andersen’s Fairy Tales and Legends (Whistler).
    [Show full text]
  • Rex Whistler 1905 - 1944
    Rex Whistler Rex in front of his tank with his tank crew Rex Whistler 1905 - 1944 Christened Reginald John Whistler, but always known as Rex. He was born on June 24th 1905 in Eltham, Greater, London. From a very early age he was very good at drawing. He had a talent for drawing from memory which was quite frowned on when he was at The Royal Academy; he only lasted one term there. He was then taken on at Slade School of Art, where Professor Henry Tonks saw that he had a rare talent. He wanted his students to paint murals and that is how Rex came to paint the restaurant walls in the Tate Britain in London. Whilst at The Slade he was befriended by Stephen Tennant, son of Baron Glenconner and later on stepson of Viscount Grey. This was Rex’s introduction to the rich and famous and also to Wiltshire, which he really loved and came back time and time again. It was through Stephen that Rex came in contact with Edith Olivier, who lived at Daye House in the grounds of Wilton House. This was a platonic relationship as Edith was 33 years older than him. But she became his mentor on almost everything that was going on in his life. During his lifetime because of her and Stephen’s connections, Rex moved in the circle of the “bright young things “and painted for the rich and famous. He was not just an artist; he illustrated books, designed posters and china, did stage sets as well as the costumes.
    [Show full text]
  • News Release
    News Release CECIL BEATON’S DAZZLING BRIGHT YOUNG THINGS BROUGHT TOGETHER FOR THE FIRST TIME IN MAJOR NEW EXHIBITION Rarely exhibited prints by renowned photographer Cecil Beaton go on display at National Portrait Gallery London L-R: Mrs Freeman-Thomas by Cecil Beaton, 1928. © The Cecil Beaton Studio Archive; Cecil Beaton by Paul Tanqueray, 1937. National Portrait Gallery, London © Estate of Paul Tanqueray; The Bright Young Things at Wilsford by Cecil Beaton, 1927. © The Cecil Beaton Studio Archive. Cecil Beaton’s Bright Young Things National Portrait Gallery, London 12 March – 7 June 2020 Cecil Beaton’s portraits from a golden age are brought together for the first time in a major new exhibition at the National Portrait Gallery, London. Featuring 170 works, many of which are rarely exhibited, Cecil Beaton’s Bright Young Things explores the extravagant world of the glamorous and stylish ‘Bright Young Things’ of the twenties and thirties, seen through the eye of renowned British photographer Cecil Beaton. Through the prism of Beaton’s portraits the exhibition presents the leading cast, to many of whom he would become close, and who in these early years helped refine his remarkable photographic style - artists and friends Rex Whistler and Stephen Tennant, set and costume designer Oliver Messel, composer William Walton, modernist poets Iris Tree and Nancy Cunard, glamorous socialites Edwina Mountbatten and Diana Guinness (née Mitford), actresses and anglophiles Tallulah Bankhead and Anna May Wong, among many others. Brought to vivid life each of them has a story to tell. There are the slightly less well known too – style icons Paula Gellibrand, the Marquesa de Casa Maury and Baba, Princesse de Faucigny-Lucinge, the eccentric composer and aesthete Lord Berners, modernist poet Brian Howard, part model for Brideshead Revisited’s mannered ‘Anthony Blanche’, ballet dancer Tilly Losch and Dolly Wilde Oscar’s equally flamboyant niece.
    [Show full text]
  • News Release
    NEWS RELEASE FOURTH STRFFT AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 Revised: July 1985 EXHIBITION FACT SHEET Title: THE TREASURE HOUSES OF BRITAIN: FIVE HUNDRED YEARS OF PRIVATE PATRONAGE AND ART COLLECTING Patrons; Their Royal Highnesses The Prince and Princess of Wales Dates: November 3, 1985 through March. 16, 1986. (This exhibition will not travel. Most loans from houses open to view are expected to remain in place until the late suitmer of 1985 and to be returned before many of the houses open for their visitors in the spring of 1986.) Credits: This exhibition is made possible by a generous grant from the Ford Motor Company. The exhibition was organized by the National Gallery of Art, Washington, in collaboration with the British Council and is supported by indemnities from Her Majesty's Treasury and the U.S. Federal Council on the Arts and the Humanities. Further British assistance was supplied by the National Trust and the Historic Houses Association. British Airways has been designated the official carrier of the exhibition. History of the exhibition; The idea that the National Gallery of Art consider holding a major exhibition devoted to British art evolved in discussions with the British Council in 1979. J. Carter Brown, Director of the National Gallery of Art, proposed an exhibition on the British country house as a "vessel of civilization," bringing together works of art illustrating the extraordinary achievement of collecting and patronage throughout Britain over the past five hundred years. As this concept carried with it the additional, contemporary advantage of stimulating greater interest in and support of those houses open to public viewing, it was enthusiastically endorsed by the late Lord Howard of Henderskelfe, then-Chairman of the Historic Houses Association, Julian Andrews, Director of the Fine Arts Department of the British Council, and Lord Gibson, Chairman of the National Trust.
    [Show full text]
  • NAM Report and Accounts 2013/14
    NATIONAL ARMY MUSEUM REGISTERED CHARITY NUMBER 237902 CONSOLIDATED FINANCIAL STATEMENTS 31ST MARCH 2014 -1- NATIONAL ARMY MUSEUM FOREWORD AND REPORT OF COUNCIL YEAR ENDED 31 MARCH 2014 CONTENTS PAGE Foreword and Report of Council Reference and Administrative Information 2 Structure, Governance and Management 3 Objectives and Activities 5 Achievements and Performance Chelsea Re-development 6 Access and Audience Development 6 Reaching out to People and Museums 8 A Dynamic, World-Class Collection 10 People and Resources 15 Future Plans: Building for the Future 17 Remuneration Report 21 Statement of Council’s and Director General’s Responsibilities 24 Governance Statement 25 The Certificate and Report of the Comptroller and Auditor General to the 31 Council of the National Army Museum Statement of Financial Activities 33 Balance Sheet 34 Cash Flow Statement 35 Notes to the Financial Statements 36 -2- NATIONAL ARMY MUSEUM FOREWORD AND REPORT OF COUNCIL YEAR ENDED 31 MARCH 2014 REFERENCE AND ADMINISTRATIVE INFORMATION Introduction The accounts of the National Army Museum (NAM) are presented for the financial year ended 31 March 2014. The accounts are prepared in accordance with a direction given by the Secretary of State for Defence under Section 30(3) of the National Heritage Act 1983 and law applicable to charities in England and Wales. The NAM is a charity registered with the Charity Commission (reference no. 237902) and a Non-Departmental Public Body, sponsored by the Ministry of Defence. Address and principal office of Museum National Army Museum, Royal Hospital Road, Chelsea, London SW3 4HT Subsidiary Company The Museum undertakes trading activities through its wholly owned subsidiary, National Army Museum Trading Limited (company number 06707366) (NAMTL).
    [Show full text]
  • Design for a 1936 Post Office Telegram Watercolour, Ink and Pencil, with Framing Lines in Green and Brown Ink, on Paper Laid Down on Board
    Rex WHISTLER (Eltham 1905 - nr. Giberville 1944) Design for a 1936 Post Office Telegram Watercolour, ink and pencil, with framing lines in green and brown ink, on paper laid down on board. Inscribed POST OFFICE in pencil and Greetings Telegram in red ink in a cartouche at the top. Annotated Delete interior rules in pencil towards the upper centre of the sheet. Inscribed The official P. O. Crown / & Post Office in Roman print / all in the deep rose / colour in pencil in the upper right margin. Illegibly inscribed R. [Whistler?] in pencil in the upper left margin. Inscribed A dull(?) gray for the Telegram paper(?) / or a[?] a jade(?) green (all crossed out) in pencil in the lower left margin. Inscribed with dimensions 8 1/2” in pencil in the lower margin. 170 x 220 mm. (6 3/4 x 8 5/8 in.) [image] 211 x 257 mm. (8 3/8 x 10 1/8 in.) [sheet] As a recent monograph on the artist has noted, ‘As far as commercial art was concerned, Rex [Whistler] was fortunate in emerging as a thriving artist in the late 1920s, the golden age of advertising…Rex seldom spent long on commercial assignments, fitting them between more pressing commissions. He signed very few but retained most copyrights.’ Whistler produced posters for the London Underground, catalogues for Fortnum and Mason in Piccadilly, leaflets for Imperial Airways, posters for the Shell oil company and many other advertising campaigns. This design for a Post Office Telegram form is second of two that were commissioned from Rex Whistler in 1936 by the General Post Office, and followed his successful design for the 1936 Valentine’s Day telegram – the first to be printed in several colours – which enabled people to send a nine-word message for just nine pence.
    [Show full text]
  • A Summer Miscellany 2021
    A SUMMER MISCELLANY 2021 1. ABERCONWAY (Christabel). The Story of Mr. Korah. Illustrated by Rex Whistler. London, Michael Joseph,1954 First edition. The story of Mr. Korah and how he is taken captive by an octopus and how he escapes. The tale--based on the Old Testament story of Korah, Datham, and Abiram--was improvised by Lady Aberconway to Whistler as he sketched scenes. He liked the story so much that he began full-colouir illustrations but only finished three before being killed during World War II. The book presents those three colour illustrations with the sketches he produced initiall 4to, original quarter red cloth boards and illustrated blue dust jacket. Tipped-in frontispiece and two further plates in colour, plus black and white sketches, by Whistler. A very good copy. [9783] £95 2. AMIS, Kingsley. A Case of Samples. Poems 1946-1956. Victor Gollancz London, 1956 First Edition. 8vo., original cloth with price-clipped dust wrapper. Spine of wrapper slightly darkened, inconspicuous embossed ownership stamp, otherwise a very good copy. A collection of Amis’s verse, some of which were previously published in journals such as ‘The London Magazine’ and ‘The Spectator’. [32663] £195 3. AMIS, Martin. The Zone of Interest. Jonathan Cape London, 2014 First Edition. Signed by Amis on the title page. 8vo., original cloth, in dust jacket. A fine copy. [26058] £30 4. ARISTOTLE. The Ethics of Aristotle. Revised from the 1847 translation by D. P. Chase. Arthur L. Humphreys London 1902 First Humphreys edition. Handsomely printed, title-page printed in red and black. Historiated initials.
    [Show full text]
  • Rex Whistler (1905-1944)
    Rex Whistler (1905-1944) ©Tim Brooks Nov 2014 It was an afternoon back in 1985. The doorbell rang, and we answered to find a man standing on the doorstep, slightly agitated and clutching a book. He introduced himself as a near- neighbour, and explained that he was trying to identify a house in Abbots Langley referred to as "The Knoll" in the book he was clutching. "I'm pretty sure it's your house" he declared. This was the late Bill Good, and the book which had so excited him was "The Laughter and the Urn", Laurence Whistler's newly published biography of his brother Rex. We couldn't confirm this link until November 2002 when we were extensively redecorating the living room, and I levered all of the skirting boards from the walls. Clearly pencilled on the back of one of these pieces of wood was "The Knoll". We had evidence to back up Bill's speculation!1 So this very house in Abbots Road was, between 1914 and 1923, the home of the Whistler Family, and particularly of Rex, in his formative years between the ages of 9 and 18. Not surprisingly we were intrigued to learn who Rex and Laurence Whistler were, and why Bill was so excited. We quickly learned that Rex was a somewhat enigmatic character, with an uncanny ability to accurately draw complex images both from memory and from his imagination. Indeed, reading Laurence's biography there are many clues leading to an impression that Rex might have been diagnosed today as an autistic savant.
    [Show full text]
  • LOWELL LIBSON LTD 2 016 • New York · Annual Exhibition British Art: Recent Acquisitions at Stellan Holm · 1018 Madison Avenue 23–30 January 2016
    LOWELL LIBSON LTD 2 016 • New York · annual exhibition British Art: Recent Acquisitions at Stellan Holm · 1018 Madison Avenue 23–30 January 2016 Maastricht TEFAF: The European Fine Art Fair 11–20 March 2016 LONDON MASTERPIECE LONDON 30 June–6 July 2016 London LONDON ART WEEK 1–8 July 2016 [ B ] LOWELL LIBSON LTD 2016 • Agostino Aglio 80 Catherine Andras 54 Mary Black 38 Adam Buck 56 3 Clifford Street · London w1s 2lf Edward Burch 64 Telephone: +44 (0)20 7734 8686 John Constable 84, 88 Email: [email protected] Website: www.lowell-libson.com Richard Cosway 68 John Robert Cozens 28 Lowell Libson [email protected] Sir Nathaniel Dance 18 Jonny Yarker [email protected] John Downman 42 Deborah Greenhalgh [email protected] Richard Eurich 106 Thomas Gainsborough 26 Cressida St Aubyn [email protected] Benjamin Robert Haydon 74 John Hoppner 48 Thomas Hudson 14 James Jefferys 58, 62 Louis Laguerre 9 Lady Mary Lowther 34 Samuel Palmer 98 George Richmond 77 Thomas Rowlandson 32 John Russell 50 We are delighted to be supporting the following exhibitions in 2016: Archibald Skirving 45 NEW YORK Michael Henry Spang 64 Pierre-Jean Mariette and The Art of Collecting Drawings George Stubbs 22 The Morgan Library & Museum, New York, Henry Tonks 102 22 January – 1 May William Turner of Oxford 94 LONDON Light, time, legacy: Francis Towne’s Benjamin West 70 watercolours of Rome The British Museum, Rex Whistler 104 21 January – 14 August Matthew Cotes Wyatt 72 This catalogue presents some of the remarkable acquisitions that we have made over the last year.
    [Show full text]
  • Proceedings and Notes 2015
    THE ART WORKERS’ GUILD PROCEEDINGS AND NOTES · NO. 30 · DECEMBER 2015 a message from the master Looking at the range of talks given this year, anyone not at Master’s Night in January may have wondered about the overall theme of my year. My talk called it ‘things I might have done’, but perhaps more explanation is needed. I am sure I am not the fi rst to have found preparing for Master’s Night cathartic. It sent me off into distractions and dreams for months. Revisiting things, thoughts, people, photographs and drawings that had been tucked away years ago, looking at them with a more dispassion- ate eye and trying to put my life into perspective. I reached 70 this year, an age when one takes stock anyway. My career was built in the design of architectural interiors and buildings, but I was always an artist underneath, only able to think with a pencil or brush in my hands, and pursuing many other artistic interests and passions. Making things, playing with colour, designing buildings, interior decorating, mural painting, product design, drawing, cycling, photography, painting interiors, creating gardens, designing fabrics, sculpting – these are my passions and (except perhaps cycling) areas in which I might have built a diff erent life. Over the year I have been truly delighted by the breadth and sheer quality of talks we have heard. I would particularly like to thank my Guild speakers: PMs Peyton Skipwith, Edmund Fairfax Lucy and Ian Archie Beck, and Bros Alan Powers, Ian Rank-Broadley, Ben Pentreath, Mark Miodownik and Geoff rey Preston.
    [Show full text]