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Losing My Voice 1P.Indd 3 6/14/19 12:50 PM Losing My Voice 1P.Indd 4 6/14/19 12:50 PM Losing My Voice to Find It MARK STUART STORY
losing my voice to find it Losing My Voice_1P.indd 3 6/14/19 12:50 PM Losing My Voice_1P.indd 4 6/14/19 12:50 PM losing my voice to find it MARK STUART STORY MARK STUART Losing My Voice_1P.indd 5 6/14/19 12:50 PM © 2019 Mark Stuart All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopy, recording, scanning, or other— except for brief quotations in critical reviews or articles, without the prior written permission of the publisher. Published in Nashville, Tennessee, by Nelson Books, an imprint of Thomas Nelson. Nelson Books and Thomas Nelson are registered trademarks of HarperCollins Christian Publishing, Inc. Thomas Nelson titles may be purchased in bulk for educational, business, fund- raising, or sales promotional use. For information, please e- mail [email protected]. Scripture quotations are taken from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission of Zondervan. All rights reserved worldwide. www.Zondervan.com. The “NIV” and “New International Version” are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.® Any Internet addresses, phone numbers, or company or product information printed in this book are offered as a resource and are not intended in any way to be or to imply an endorsement by Thomas Nelson, nor does Thomas Nelson vouch for the existence, content, or services of these sites, phone numbers, companies, or products beyond the life of this book. -
June 1, 2016 Dear Customer, Please Be Advised That the Titles On
June 1, 2016 Dear Customer, Please be advised that the titles on this Summer 2016 Deleted Titles list will be DELETED from the Capitol Christian Distribution catalog effective Wednesday, June 8, 2016. These titles will no longer be available for orders on or after that date. All return authorization requests for these titles must be submitted no later than Sunday, August 7, 2016 and all physical returns received in our Jacksonville, IL Distribution Center no later than Thursday, October 6, 2016. As a reminder, you may request your return authorization online 24/7 at www.capitolchristiandistribution.com. Please remember to update your point of sale (POS) system to reflect these changes. If you have any questions about this information please contact your Capitol Christian Distribution sales representative at 1 (800) 877- 4443. Thank you for your attention to this matter. Best Regards, Greg Bays Executive Vice President Capitol Christian Distribution CAPITOL CHRISTIAN DISTRIBUTION SUMMER 2016 DELETED TITLES LIST Return Authorization Due Date August 7, 2016 • Physical Returns Due Date October 6, 2016 RECORDED MUSIC ARTIST TITLE UPC LABEL CONFIG Amy Grant Amy Grant 094639678525 Amy Grant Productions CD Amy Grant My Father's Eyes 094639678624 Amy Grant Productions CD Amy Grant Never Alone 094639678723 Amy Grant Productions CD Amy Grant Straight Ahead 094639679225 Amy Grant Productions CD Amy Grant Unguarded 094639679324 Amy Grant Productions CD Amy Grant House Of Love 094639679829 Amy Grant Productions CD Amy Grant Behind The Eyes 094639680023 Amy Grant Productions CD Amy Grant A Christmas To Remember 094639680122 Amy Grant Productions CD Amy Grant Simple Things 094639735723 Amy Grant Productions CD Amy Grant Icon 5099973589624 Amy Grant Productions CD Seventh Day Slumber Finally Awake 094635270525 BEC Recordings CD Manafest Glory 094637094129 BEC Recordings CD KJ-52 The Yearbook 094637829523 BEC Recordings CD Hawk Nelson Hawk Nelson Is My Friend 094639418527 BEC Recordings CD The O.C. -
The Liberty Champion, Volume 11, Issue 23)
Scholars Crossing 1993 -- 1994 Liberty University School Newspaper 4-26-1994 04-26-94 (The Liberty Champion, Volume 11, Issue 23) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_93_94 Recommended Citation "04-26-94 (The Liberty Champion, Volume 11, Issue 23)" (1994). 1993 -- 1994. 24. https://digitalcommons.liberty.edu/paper_93_94/24 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 1993 -- 1994 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. ^^"" _J J B Nonprofit org. ' ' U.S. Postage liversity, Lynchburg, Va. Tuesday. April 26,19926,19944 , Vol. 11, No. 23 LJS . va INSIDE: SGA to sponsor IN THE NEWS: Student senate will be ratifying the new Student Government Association constitution, on Thurs 'Spring Fling' party day, April 28. Page 2. By IVETTE HASSAN nal exams." Party include: airball for 18 Champion Reporter He also added that "we want people, bouncy boxing, gyro, CAMPUS C ALENDAR! Students encouraged to to leave the students in a good horizontal bungee run, dunking Liberty University's Student m help clean up the Liberty University campus. SG A will offer note at the end of the year." booth (with administrators, fac Life office will hold its second special prizes to students who participate. Page 2. "(The Block Party) is a time ulty and staff), two portable bas- "Block Party" on Saturday, May at the beginning and at the end ketball hoops and several 7, in the DeMoss parking lot, of the year where students can pingpong tables. -
Christian Rock Concerts As a Meeting Between Religion and Popular Culture
ANDREAS HAGER Christian Rock Concerts as a Meeting between Religion and Popular Culture Introduction Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s.1 The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical) Christianity, and the other in the commercial rock music industry. The subject of this paper is to study how this intermediate position is manifested and negotiated in Christian rock concerts. Such a performance of Christian rock music is here assumed to be both a rock concert and a religious service. The paper will examine how this duality is expressed in practices at Christian rock concerts. The research context of the study is, on the one hand, the sociology of religion, and on the other, the small but growing field of the study of religion and popular culture. The sociology of religion discusses the role and posi- tion of religion in contemporary society and culture. The duality of Chris- tian rock and Christian rock concerts, being part of both a traditional religion and a modern medium and business, is understood here as a concrete exam- ple of the relation of religion to modern society. The study of the relations between religion and popular culture seems to have been a latent field within research on religion at least since the 1970s, when the possibility of the research topic was suggested in a pioneer volume by John Nelson (1976). -
Contemporary Christian Music & The
PLAYING THE MARKET: CONTEMPORARY CHRISTIAN MUSIC & THE THEORY OF RELIGIOUS ECONOMY by Jamie Carrick B.A., The University of Calgary, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Religious Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2012 © Jamie Carrick, 2012 Abstract Contemporary Christian music (CCM) is a fascinating and understudied part of the religious vitality of modern American religion. In this dissertation the theory of religious economy is proposed as a valuable and highly serviceable methodological approach for the scholarly study of CCM. The theory of religious economy, or the marketplace approach, incorporates economic concepts and terminology in order to better explain American religion in its distinctly American context. In this study, I propose three ways in which this method can be applied. Firstly, I propose that CCM artists can be identified as religious firms operating on the “supply-side” of the religio-economic dynamic; it is their music, specifically the diverse brands of Christianity espoused there within, that can allow CCM artists to be interpreted in such a way. Secondly, the diversity within the public religious expressions of CCM artists can be recognized as being comparable to religious pluralism in a free marketplace of religion. Finally, it is suggested that the relationship between supply-side firms is determined, primarily, by the competitive reality of a free market religious economy. ii Table of Contents Abstract . ii Table of Contents . iii List of Figures . iv Acknowledgements . v 1 Introduction . 1 1.1 Introduction . 1 1.2 Religion & Popular Culture . -
Contemporary Christian Music and Oklahoma
- HOL Y ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS By BOBBI KAY HOOPER Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1993 Submitted to the Faculty of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE August, 2003 HOLY ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS Thesis Approved: ------'--~~D...e~--e----- 11 ACKNOWLEDGEMENTS My sincere appreciation goes out to my adviser. Dr. Jami A. Fullerton. for her insight, support and direction. It was a pleasure and privilege to work with her. My thanks go out to my committee members, Dr. Stan Kerterer and Dr. Tom Weir. ""hose knowledge and guidance helped make this publication possible. I want to thank my friend Matt Hamilton who generously gave of his time 10 act as the moderator for all fOUf of the focus groups and worked with me in analyzing the data. ] also want to thank the participants of this investigation - the Christian college students who so willingly shared their beliefs and opinions. They made research fun r My friends Bret and Gina r.uallen musl nlso be recognii'_cd for introducing me !(l tbe depth and vitality ofChrislian music. Finally. l must also give thanks to my parents. Bohby and Helen Hoopc,;r. whose faith ,md encouragement enabled me to see the possibilities and potential in sitting down. 111 - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION Overview ofThesis Research Problem 3 Justification Definition ofTerms 4 [I. LITERATURE REVIEW 5 Theoretical Framework 6 Uses and Gratifications 6 Media Dependency 7 Tuning In: Popular Music Uses and Gratifications 8 Bad Music, Bad Behavior: Effects of Rock Music 11 The Word is Out: Religious Broadcasting 14 Taking Music "Higher": ('eM 17 Uses & Gratifications applied to CCM 22 111. -
John James Newsboys Testimony
John James Newsboys Testimony Robert machine-gunned her bout concavely, she hypothesizes it penally. Fourfold Casper reconvened no oxidizes:unmalleability he premiss stoop inappreciativelyhis theopathies aftermischievously Antonino insolubilizingand clockwise. peremptorily, quite Elysian. Unpastured Isa Ccm bands including code. Christmas in my New England 1620-120 American. Thompson had heard. WAY Nation waynationofficial Instagram photos and videos. Testimony from John James lead vocalist of the Newsboys from 195 to 1997 Electricity or moist we're decrease a Celebrate Recovery post-hurricane title at. In testimony whereof I hereunto subcrtbe my nam and affix my official teal tkls SEAL. The Newsboys have star gold albums and military have sold over twenty million. A special testimony from John James former lead singer of newsboys. Deliver their testimony because a bystander Heidi Gardner faints at every. After Phyllis's testimony Eve calls Jane to do stand and asks her boy give her puppy She says that circumstance she was married her lay was Annette Dubois but. Following is testimony he may have. JMGriffith James Johnson James Tuft a James H Hamlen Jane L Stanford Jennie Sweeney John Palmer John Smith. The current study step is a high afterwards became great hall and learning how old to its execution wednesday, messed up in which stars jon voight and john james testimony. John James Interview John James 2010 Jesusfreakhideout. Up for killing in our desires so far as well established by taking fire zone was concluded that emerged was slightly wounded by general policy, musical sensibility or homeless. Edwards v People 151 Colo 262 Casetext Search Citator. -
Gospel with a Groove
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach Autumn E. Gillen Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Liturgy and Worship Commons, Marketing Commons, Music Commons, and the Practical Theology Commons Recommended Citation Gillen, Autumn E., "Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach" (2017). Selected Honors Theses. 76. http://firescholars.seu.edu/honors/76 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. GOSPEL WITH A GROOVE: A HISTORICAL PERSPECTIVE ON THE MARKETING STRATEGIES OF CONTEMPORARY CHRISTIAN MUSIC IN RELATION TO ITS EVANGELISTIC PURPOSE WITH RECOMMENDATIONS FOR FUTURE OUTREACH by Autumn Elizabeth Gillen Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 GOSPEL WITH A GROOVE 2 Copyright by Autumn Elizabeth Gillen 2017 GOSPEL WITH A GROOVE 3 Abstract Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. -
An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 8-21-2019 An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts Megan Marie Carlan Follow this and additional works at: https://digitalcommons.pace.edu/honorscollege_theses Part of the Music Business Commons An Examination of Contemporary Christian Music Success Within Mainstream Rock and Country Billboard Charts By Megan Marie Carlan Arts and Entertainment Management Dr. Theresa Lant Lubin School of Business August 21, 2019 Abstract Ranging from inspirational songs void of theological language to worship music imbued with overt religious messages, Contemporary Christian Music (CCM) has a long history of being ill-defined. Due to the genre’s flexible nature, many Christian artists over the years have used vague imagery and secular lyrical content to find favor among mainstream outlets. This study examined the most recent ten-year period of CCM to determine its ability to cross over into the mainstream music scene, while also assessing the impact of its lyrical content and genre on the probability of reaching such mainstream success. For the years 2008-2018, Billboard data were collected for every Christian song on the Hot 100, Hot Rock Songs, or Hot Country Songs in order to detect any noticeable trend regarding the rise or fall of CCM; each song then was coded for theological language. No obvious trend emerged regarding the mainstream success of CCM as a whole, but the genre of Rock was found to possess the greatest degree of mainstream success. Rock also, however, was shown to have a very low tolerance for theological language, contrasted with the high tolerance of Country. -
November 2014 and Introducing
New Releases November 2014 and introducing www.authenticmedia.co.uk Authentic Books – November 2014 Fields of Grace Faith, Friendship and the Day I Nearly Lost Everything Hannah Luce A deeply moving story of SUMMAry spirituality and friendship; Hannah Luce shares her extraordinary a plane crash, recovery childhood travelling the globe, evangelizing alongside her parents, and her time of ques- and discovery, from the tioning her faith. She shares the agonies arising daughter of preacher Ron from being the only survivor of a crash which killed her dearest friends and left her with Luce who co-founded severe burns, and how she has since found Teen Mania Ministries. resolution. HAnnAH LUCe is the founder of Mirror tree, a not-for-profit organization devoted to re-integrating refugees who have ‘This riveting personal account endured the horrors of rape, is not for sissies, yet it deftly genocide, civil wars, and conveys the beauty and depth of other traumas by funding educational research to love and faith among friends.’ improve their lives. She lives in Chicago. November 2014 // £9.99 Booklist KEY POINTS MORE INFO... • Autobiography of the daughter of a well-known American Written with robin gaby Fisher, the author of New York Times bestseller preacher After the Fire, who has twice been a finalist for the Pulitzer Prize in • gives insights into the difficulties faced by post-traumatic Feature Writing. stress and burns victims • Shows how we each have to find our own relationship withg od ‘gripping . a calamitous, fascinating memoir, written with surprising spiritual sophistication . Luce’s story serves as a tragic microcosm for MArketing an entire generation finding a faith of their own.’ • Sample to key media for interviews and excerpt publication • Profile through social media platforms Publishers Weekly tArget AUDienCe ‘i am astounded by Hannah’s will to live . -
Tobymac I Just Need You Free Mp3 Download Tobymac
tobymac i just need you free mp3 download tobyMac. The Eye On It Songfacts reports that Eye On It, TobyMac's fifth full-length studio album was released on August 28, 2012. Said TobyMac regarding the album title: "I want my music to depict what I'm going through. I want to write about the things that upset me, move me, hurt me and haunt me. The things that are real. With Tonight, I was determined to live more passionately with God. I was laying down the gauntlet. Eye On It is a continuation of that. It's saying, 'This is the person I want to be and I'm going to keep my eye on it, God willing!'" TobyMac "Tonight" The ascension of TobyMac's solo career has been nothing short of spectacular. In an era of declining music sales he has consistently defied the odds and has seen his sales increase with each new album release. This is no small feat. With his fourth studio album TONIGHT released on Feb. 9, he is poised to take things higher yet again. Having climbed the mountain once with the group dcTalk (4 Grammys, more than 8 million albums sold), TobyMac knows how difficult the journey can be and how much work the process actually takes. Rarely does an artist get to soar to great heights for a second time, but soar he has. He took home his first Grammy as a solo artist last year after receiving Grammy nominations for each of his first four solo projects (Momentum, Welcome To Diverse City, Portable Sounds, Tonight). -
NEWSBOYS UNITED to HEADLINE WINTER JAM 2019 Christian Music's Top Tour Unveils 360º Center Stage
! ! NEWSBOYS UNITED TO HEADLINE WINTER JAM 2019 Christian Music's Top Tour Unveils 360º Center Stage ! NASHVILLE, Tenn.— The Winter Jam Tour Spectacular, Christian music’s largest annual tour and one of the top first quarter tours in the world, made a series of major announcements during festivities held earlier this evening. Streamed around the world via Facebook LIVE, the event —at Nashville's Hard Rock Café—was attended by artists, industry personnel and national media. Revealing a history-making tour first, Winter Jam will be presented on a 360º “in the round” center stage, showcasing a diverse lineup helmed by supergroup Newsboys United. Comprised of current members Michael Tait, Duncan Phillips, Jeff Frankenstein and Jody Davis, along with former members Peter Furler and Phil Joel, Newsboys United are set to take the Winter Jam stage to deliver a string of the biggest hits from the iconic band’s three-decade career. One of the most popular groups in Christian music history, Newsboys have sold more than 8 million units and amassed eight Gold® certifications, 33 #1 radio hits, four GRAMMY® nominations, two American Music Award nominations and multiple Dove Awards. Winter Jam’s 2019 blockbuster lineup continues with GRAMMY®-nominated former “American Idol” finalist Danny Gokey; GRAMMY®-winning recording artist and "Overcomer" hitmaker Mandisa; Northern Ireland's "Count Every Blessing" worshippers Rend Collective; Skillet drummer and female solo rocker LEDGER; GRAMMY®- nominated tour creators and hosts NewSong; and Dove Award-nominated Gotee recording artist Hollyn. In addition, the Pre-Jam Party is slated to feature hip-hop recording artist Ty Brasel; rockers Manic Drive; singer/songwriter Dan Bremnes; and special guest former Stellar Kart and Audio Adrenaline frontman Adam Agee.