This Exhibition About Local Benefactor and Victorian Councillor Thomas
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Westminster Abbey a Service for the New Parliament
St Margaret’s Church Westminster Abbey A Service for the New Parliament Wednesday 8th January 2020 9.30 am The whole of the church is served by a hearing loop. Users should turn the hearing aid to the setting marked T. Members of the congregation are kindly requested to refrain from using private cameras, video, or sound recording equipment. Please ensure that mobile telephones and other electronic devices are switched off. The service is conducted by The Very Reverend Dr David Hoyle, Dean of Westminster. The service is sung by the Choir of St Margaret’s Church, conducted by Greg Morris, Director of Music. The organ is played by Matthew Jorysz, Assistant Organist, Westminster Abbey. The organist plays: Meditation on Brother James’s Air Harold Darke (1888–1976) Dies sind die heil’gen zehn Gebot’ BWV 678 Johann Sebastian Bach (1685–1750) The Lord Speaker is received at the East Door. All stand as he is conducted to his seat, and then sit. The Speaker of the House of Commons is received at the East Door. All stand as he is conducted to his seat, and then sit. 2 O R D E R O F S E R V I C E All stand to sing THE HYMN E thou my vision, O Lord of my heart, B be all else but naught to me, save that thou art, be thou my best thought in the day and the night, both waking and sleeping, thy presence my light. Be thou my wisdom, be thou my true word, be thou ever with me, and I with thee, Lord; be thou my great Father, and I thy true son, be thou in me dwelling, and I with thee one. -
Somerset House
Somerset House Conway Archive Old Somerset House, London – The River Front of Old Somerset House, from a Watercolour by Paul Sandby, RA, Image CON-B1035-F1-12 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Kenton Couse, Image CON-B1035-F1-01, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Drawing by Thomas Sandby in Royal Library, Windsor Castle, Image CON-B1035- F1-15, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of 1797 described as after a painting of 1650 by Cornelis Bol, Image CON-B1035-F1-16, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Engraving of The Southern Front of Somerset House with its Extensive Gardens &c, Drawing by Jan Kip c. 1720, Image CON-B1035F1-10 The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of Etching by W. Hallam (British Museum), 1607-77, Image CON-B1035-F1- 08, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – from Britannia Illustrata, vol. 1, 1714, pl.4, Image CON-B1035-F1-09, The Courtauld Institute of Art, CC-BY-NC Old Somerset House, London – Detail of a painting by Cornelis Bol, c.1640-50, Evelyn Collection, Image CON- B1035-F1-17, The Courtauld Institute of Art, CC-BY-NC Somerset House, London - Detail of vestibule, Image CON-B1034-F2-13 The Courtauld Institute of Art, CC-BY-NC Details unavailable Somerset House, London – The Strand Façade, Image CON-B1034-F1-02, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South Side of courtyard area, taken 1969, Image CON-B1034-F1-28 The Courtauld Institute of Art, CC-BY-NC Somerset House, London – West side of covered way through north range, taken 1985, Image CON-B1034-F1-34, The Courtauld Institute of Art, CC-BY-NC Somerset House, London – South face of north range and gate linking with inner west range, taken 1969, Image CON-B1034-F3-19, The Courtauld Institute of Art, CC-BY-NC Somerset House, London, CON-B1034-F3-17, The Courtauld Institute of Art, CC-BY-NC. -
The Custom House
THE CUSTOM HOUSE The London Custom House is a forgotten treasure, on a prime site on the Thames with glorious views of the river and Tower Bridge. The question now before the City Corporation is whether it should become a luxury hotel with limited public access or whether it should have a more public use, especially the magnificent 180 foot Long Room. The Custom House is zoned for office use and permission for a hotel requires a change of use which the City may be hesitant to give. Circumstances have changed since the Custom House was sold as part of a £370 million job lot of HMRC properties around the UK to an offshore company in Bermuda – a sale that caused considerable merriment among HM customs staff in view of the tax avoidance issues it raised. SAVE Britain’s Heritage has therefore worked with the architect John Burrell to show how this monumental public building, once thronged with people, can have a more public use again. SAVE invites public debate on the future of the Custom House. Re-connecting The City to the River Thames The Custom House is less than 200 metres from Leadenhall Market and the Lloyds Building and the Gherkin just beyond where high-rise buildings crowd out the sky. Who among the tens of thousands of City workers emerging from their offices in search of air and light make the short journey to the river? For decades it has been made virtually impossible by the traffic fumed canyon that is Lower Thames Street. Yet recently for several weeks we have seen a London free of traffic where people can move on foot or bike without being overwhelmed by noxious fumes. -
Gunnersbury Park and Museum Improvements
1 Gunnersbury Park and Museum Introduction Vision Ealing and Hounslow Councils are planning a major programme of works Gunnersbury Park and Museum will become a vibrant to restore and develop Gunnersbury Park and Museum. community hub and a leading visitor destination. It will be a place of enjoyment, discovery and learning by Gunnersbury 2026 is a masterplan that aims to renovate and restore the engaging local, national and international audiences entire site by 2026, which is the centenary of Gunnersbury becoming a public park. This will involve restoring heritage features, fi nding uses for drawn to its historic landscape and building set within an key buildings and new sports and community facilities. extensive parkland offering a wide range of facilities and an inspiring programme of events and activities. In order to make such a large project manageable, it will be undertaken in phases, beginning with the Heritage Lottery Fund(HLF) project. Heritage Lottery Funded (HLF) Projects: 3 10 11 12 1 1. Large Mansion (Gunnersbury Park House) & Museum (See boards 5, 9 6, & 7) 2 5 4 2. Gunnersbury Park Improvements (See boards 8, 9 and 10) 8 Future phases of works: 3. Gunnersbury House (small mansion) - commercial / community 7 options under investigation 4. East and West Stables - commercial / community options under investigation 5. Japanese Garden - future community garden project 6 6. Potomac Lake - community wildlife and fi shing project under discussion Gunnersbury 2026 Masterplan 7. Sports facilities - community sports hub options under investigation Future phases of works 8. Children’s Playground - refurbishment through planned maintenance Proposed Heritage Lottery funded projects area N programme (completed) Improvement to entrances as a part of proposed Heritage Lottery funded projects 9. -
Download Our 2019-20 Annual Report and Financial Statement
DocuSign Envelope ID: 2F76974F-6ABC-477C-BD62-86076B65FA72 Registered charity number 1063640 Company number 03388137 Somerset House Trust Report and financial statements for the year ended 31 March 2020 DocuSign Envelope ID: 2F76974F-6ABC-477C-BD62-86076B65FA72 Somerset House Trust Legal and Administration details For the year ended 31 March 2020 Registered Office Somerset House Strand London WC2R 1LA 1063640 Registered Charity number Company Number 03388137 incorporated in England and Wales Directors (Trustees): The directors of the company who were in office during the year and up to the date of signing the financial statements were: Mr William Sieghart CBE Chair of the Board of Trustees Ms Judy Gibbons Deputy Chair of the Board of Trustees Mr Jonathan Higgins Resigned 18 March 2020 Sir Malcolm Grant Resigned 9 December 2019 Mr Marcus Lyon Resigned 25 September 2019 Ms Caroline Michel Resigned 25 September 2019 Mr James Lambert OBE Member of the Audit & Risk Committee Mr Brian Eno Chair of Creative Ambassadors Group Mr Julien Sevaux Mrs Melanie Hall QC Member of the Audit & Risk Committee Mr Paul Goswell Ms Carol Fairweather Chair of the Audit & Risk Committee Mr Nader Mousavizadeh Resigned 31 January 2020 Mr Oluwole Kolade Appointed 12 June 2019 Member of the Nominations & Governance Committee Ms Martine D'Anglejan-Chatillon Appointed 12 June 2019 Mr Jonathan Newhouse Appointed 18 March 2020 Ms Alix Burge Appointed 18 March 2020 Member of the Audit & Risk Committee Ms Monica Monajem Appointed 18 March 2020 Chair of the Development Advisory -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Simon Thurley, ‘Kensington Palace: an Incident in Anglo-Dutch Architectural Collaboration?’, the Georgian Group Journal, Vol
Simon Thurley, ‘Kensington Palace: an incident in Anglo-Dutch architectural collaboration?’, The Georgian Group Journal, Vol. XVII, 2009, pp. 1–18 TEXT © THE AUTHORS 2009 KENSINGTON PALACE: AN INCIDENT IN ANGLO-DUTCH ARCHITECTURAL COLLABORATION? SIMON THURLEY illiam III was brought up in what is often The second was after the death of Charles II in Wtermed the ‘Golden Age’ of Dutch culture, in when William and Mary became next in line to the a country whose intellectual and artistic singularity throne of England after James II. In this period and creativity were recognised across Europe. William’s court, such as it was, was swelled by He came, as King, to a country that Voltaire saw as English visitors and his palaces were enlarged and having made, since , ‘greater progress in all the made more magnificent, both to entertain them, and arts than in all preceding ages’, and having the to reflect his increased status. These bursts of cultural influence to create in Europe the ‘Age of the architectural activity were triggered by the practical English’. The marriage of the two cultures in the requirements of a prince, rather than being the result person of King William was surely to hold great of a love of building and architectural display such as things for the state of English architecture. Yet, in that which drove his grandparents. In Jacob van reality, the English king who spent more on building der Does wrote of William’s grandfather, Frederik than any other in the seventeenth century led court Hendrik, that he was ‘possessed by such a passion architecture into a cul-de-sac. -
Famous Places in London
Famous places in London Residenz der englischen Könige Sitz der britischen Regierung große Glocke, Wahrzeichen Londons großer Park in London Wachsfigurenkabinett Treffpunkt im Zentrum Londons berühmte Kathedrale ehemaliges Gefängnis, heute Museum, Kronjuwelen sind dort untergebracht berühmte Brücke, kann geöffnet werden, Wahrzeichen Londons großer Platz mit Nelson-Denkmal Krönungskirche des englischen Königshauses berühmte Markthallen berühmtes Warenhaus Riesenrad in London Sammelplatz für Unzufriedene, die die Menge mit ihren Schimpfreden unterhalten, im Hyde Park Sitz der englischen Kriminalpolizei Wohnsitz der königlichen Familie erstellt von Sabine Kainz für den Wiener Bildungsserver www.lehrerweb.at - www.kidsweb.at - www.elternweb.at Big Ben Scotland Yard Westminster Abbey Piccadilly Circus Hyde Park St. Paul’s Cathedral The Tower of London Tower Bridge Covent Garden Speakers Corner Houses of Parliament Buckingham Palace Trafalgar Square Madame Tussaud´s Harrods London Eye Kensington Palace erstellt von Sabine Kainz für den Wiener Bildungsserver www.lehrerweb.at - www.kidsweb.at - www.elternweb.at Famous places in London Buckingham Palace Residenz der englischen Könige Houses of Parliament Sitz der britischen Regierung Big Ben große Glocke, Wahrzeichen Londons Hyde Park großer Park in London Madame Tussaud´s Wachsfigurenkabinett Piccadilly Circus Treffpunkt im Zentrum Londons St. Paul’s Cathedral berühmte Kathedrale ehemaliges Gefängnis, heute The Tower of London Museum, Kronjuwelen sind dort untergebracht berühmte Brücke, kann geöffnet -
Brent Valley & Barnet Plateau Area Framework All London Green Grid
All Brent Valley & Barnet Plateau London Area Framework Green Grid 11 DRAFT Contents 1 Foreword and Introduction 2 All London Green Grid Vision and Methodology 3 ALGG Framework Plan 4 ALGG Area Frameworks 5 ALGG Governance 6 Area Strategy 9 Area Description 10 Strategic Context 11 Vision 14 Objectives 16 Opportunities 20 Project Identification 22 Clusters 24 Projects Map 28 Rolling Projects List 34 Phase One Early Delivery 36 Project Details 48 Forward Strategy 50 Gap Analysis 51 Recommendations 52 Appendices 54 Baseline Description 56 ALGG SPG Chapter 5 GGA11 Links 58 Group Membership Note: This area framework should be read in tandem with All London Green Grid SPG Chapter 5 for GGA11 which contains statements in respect of Area Description, Strategic Corridors, Links and Opportunities. The ALGG SPG document is guidance that is supplementary to London Plan policies. While it does not have the same formal development plan status as these policies, it has been formally adopted by the Mayor as supplementary guidance under his powers under the Greater London Authority Act 1999 (as amended). Adoption followed a period of public consultation, and a summary of the comments received and the responses of the Mayor to those comments is available on the Greater London Authority website. It will therefore be a material consideration in drawing up development plan documents and in taking planning decisions. The All London Green Grid SPG was developed in parallel with the area frameworks it can be found at the following link: http://www.london.gov.uk/publication/all-london- green-grid-spg . Cover Image: View across Silver Jubilee Park to the Brent Reservoir Foreword 1 Introduction – All London Green Grid Vision and Methodology Introduction Area Frameworks Partnership - Working The various and unique landscapes of London are Area Frameworks help to support the delivery of Strong and open working relationships with many recognised as an asset that can reinforce character, the All London Green Grid objectives. -
St Paul's Brentford
ST PAUL’S BRENTFORD Consultation Draft Conservation Area Appraisal September 2017 ST PAUL’S BRENTFORD Foreword I am pleased to present the draft St Paul’s Conservation Area Appraisal. St Paul’s is an important part of Brentford and a valuable part of the heritage of the borough. This draft appraisal builds on the original conservation statements for Hounslow’s conservation areas and has been reviewed as part of a comprehensive review of Hounslow’s conservation area statements. The purpose of the appraisal is to provide an overview of historic developments and key components that contribute to the special interest. This appraisal will also identify positive and negative contributors as well as opportunities for improvement in order to inform a comprehensive understanding of the conservation area. The regeneration of Brentford offers the opportunity to improve the high street and areas surrounding the conservation area through high quality new development and improved public spaces. We hope this document will play a significant role in the future management of St Paul’s Conservation Area and will be a guide for developers, residents and planners. We look forward to hearing your views on the draft appraisal and will amend this where appropriate, following consultation. Steve Curran Councillor Steve Curran Leader of the Council and Cabinet Member for Corporate Strategy, Planning and Regeneration 2 ST PAUL’S BRENTFORD Executive Summary Presented here is the draft consultation version of the St. Paul’s Brentford Conservation Area Appraisal. The purpose of a conservation area appraisal is to provide an overview of the historic development of the area and to describe the key components that contribute to the special interest of the area. -
TREC Section 4: Acton Town Station/Gunnersbury Park to Boston Manor Station (Optional Extension to Ealing Broadway)
TREC Section 4: Acton Town Station/Gunnersbury Park to Boston Manor Station (optional extension to Ealing Broadway). Distance: 8.4 km (5.4 miles). Public Transport: Section 4 starts at Acton Town Underground Station (District and Piccadilly lines), finishing at Boston Manor Underground Station (Piccadilly Line). There is an optional exit en route at Brentford Station or an optional 3.7 km (2.3 miles) extension from Boston Manor to Ealing Broadway Station (using part of the TREC Section 1 route). Surface and Terrain: The first half of the route is along level paths, including through parks: Gunnersbury and Carville Hall Park South; however the section along the Thames Path and the River Brent/Grand Union Canal Walk does involve some steps (an alternative route avoiding the steps is suggested); the route eventually reaches Boston Manor Park and Station. Refreshments: Acton Town Station; Gunnersbury Park Café; Brentford High Street (near Brentford Lock); Boston Manor Park Café (seasonal), Boston Manor Station and shops nearby. Covid-19 restrictions: Check availability of refreshments and toilets before your walk. Public Toilets: Acton Town Station (charge); Gunnersbury Park; Boston Manor Park Café (seasonal). The route starts from south-west Acton, one of the seven towns of the London Borough of Ealing, Acton means "oak farm" or "farm by oak trees". This final section of TREC does stray into the north east of the London Borough of Hounslow going through parts of old Brentford, however as this was historically part of the Parish of Ealing when it did extend to the River Thames we think it’s appropriate to include in TREC. -
The Geoarchaeology of Past River Thames Channels at Syon Park, Brentford
THE GEOARCHAEOLOGY OF PAST RIVER THAMES CHANNELS AT SYON PARK, BRENTFORD Jane Corcoran, Mary Nicholls and Robert Cowie SUMMARY lakes created during the mid-18th century (discussed later). The western lake extends Geoarchaeological investigations in a shallow valley in from the Isleworth end of the park to the Syon Park identified two superimposed former channels main car park for both Syon House and the of the River Thames. The first formed during the Mid Hilton London Syon Park Hotel (hereafter Devensian c.50,000 bp. The second was narrower and the hotel site), while the other lies to the formed within the course of the first channel at the end north-east near the Brentford end of the of the Late Devensian. Both would have cut off part of park. The south-west and north-east ends the former floodplain, creating an island (now occupied of the arc are respectively centred on NGR by Syon House and part of its adjacent gardens and 516650 176370 and 517730 177050 (Fig 1). park). The later channel silted up early in the Holocene. In dry conditions part of the palaeochannel The valley left by both channels would have influenced may be seen from the air as a dark cropmark human land use in the area. During the Mesolithic the on the south-east side of the west lake and is valley floor gradually became dryer, although the area visible, for example, on an aerial photograph continued to be boggy and prone to localised flooding till taken in August 1944. modern times, leaving the ‘island’ as a distinct area of This article presents a summary of the geo- higher, dryer land.