timbaland apologize album download Timbaland Presents Shock Value. "2 Man Show," the epilogue of Timbaland Presents Shock Value, involves 24 men and women. The title refers to Timbaland and Elton John. John, despite being Elton John, doesn't sing on the song, but he does play some loose piano. Most of the vocals are left to Timbaland, who improvises with a nonstop series of directions, comments, and grunts. He participates in some nonchalant call-and-response singing as well. It's a relaxed way to close an exhausting album, and it's also an odd way to utilize Elton John and a 19-person choir. While the song is an extreme example, it does illustrate the inexplicable and intermittently unpredictable nature of an album that would be more accurately titled Timbaland Presents Slight Confusion or Timbaland Presents an Uneven Mess. The reigning producer of R&B and rap since 1996, the year of Ginuwine's "Pony" and Aaliyah's "If Your Girl Only Knew," Timbaland has amassed piles of ingenious and commercially successful releases. Due to his work on Nelly Furtado's "Promiscuous" and Justin Timberlake's "SexyBack," two of the least-avoidable pop singles released in 2006, his profile has never been higher. Consequentially, there has never been more anticipation for one of his own albums. His three albums with sidekick Magoo, in addition to the solo-proper Tim's Bio, each had measurable amounts of hype around their release dates. A new level of visibility, combined with a lot of eclectic star power and a couple silly beefs, has turned Shock Value into a major release. If you haven't read any interviews with Tim from the past few years, or if you missed some of the more telling hints, such as his work on Brandy's Coldplay-sampling "Should I Go," there could be some shock involved while listening to the album for the first time. Although he has continued to contribute beats for MCs -- Young Jeezy's "3 a.m.," Snoop Dogg's "Get a Light," and Redman's "Put It Down" are a few recent examples -- Tim has frequently said that he is bored with rap and into rock, and here he takes the opportunity to reach beyond R&B, rap, and straight-up pop. "Throw It on Me," with the Hives (a good-time garage rock band from Sweden), is a frisky, careening number that must have taken all of ten minutes to put together. A remix of "Apologize," a ballad by OneRepublic (a band that might soundtrack the next season of Grey's Anatomy, or the imaginary annex between Abercrombie & Fitch and The Gap), incorporates an unobtrusive Timbaland beat and some distant vocal accents. With She Wants Revenge (a bad-time faux-British synth duo) and Fall Out Boy (you probably know about them), Tim is an interloper who takes part in songs that wouldn't be worse off without his presence. It's most jarring to hear him as a temporary member of the typically sullen She Wants Revenge, where his downcast verses give way to Justin Warfield's heavily affected drone. The four songs involving the rockers are the only ones that have the potential to shock, and they're bundled together during the last quarter of the album, so it's not as if they're even being emphasized. Otherwise, Shock Value is similar in setup to Diddy's certifiably flawed and maliciously (and/or unjustly) panned Press Play, a sprawling but often pleasurable album involving so many MCs, singers, and studio hands that a head count would rival that of the sessions for "We Are the World." Tim, along with super-talented associates Danja and Keri Hilson, are some of the common links between the two albums, which share a similar balance between rap tracks heavy on mostly empty grandstanding, pop-R&B songs with male-female exchanges, and a couple club-oriented surprises that go outside the norms of modern rap and R&B. So, in a number of ways, Shock Value can be viewed a sister release to the Diddy album. Like Press Play, many of the album's key performances come from the females. Hilson, a songwriter, arranger, and singer who has also had a hand in Mary J. Blige's "Take Me as I Am" and Omarion's "Ice Box," is central to three of the album's most memorable songs. "Miscommunication" is the greatest of the three, where she delivers one of the most advanced hooks of the last several years. She took pity on a pathetic fellow (played by a temporarily humble-ish Timbaland), was repaid with a stifling relationship that went too far, and comes up with a disarming way of saying "You're killing me." A completely unnecessary ear-sore of a closing verse from Tim's brother Sebastian does little to harm its effect. "Bounce," one of Tim's toughest and most sinister beats, is offset by comically over-the-top wordplay from Missy Elliott and Dr. Dre, along with an equally ridiculous appearance from Justin Timberlake ("Like your ass had the hiccups/Like we was riding in my pickup"). Missy outdoes the guys, entering with "Hold up, hell naw/Like Britney Spears, I wear no draws." The rest of the verse is Missy at her lewd best, nothing new yet still 100 percent capable of keeping the testosterone level in check. Even though it's very possible that the involved recorded their parts in different studios, you can imagine them in fits of laughter while trying to top one another's outrageousness. The track is where the blast had by Tim and company, detectable throughout the majority of the album (a saving grace), is at its most contagious. When the album doesn't sound like a blast is being had, Tim's rhymes are usually within close proximity. They tend to leave a stale aftertaste. As with Jay-Z's Kingdom Come, listening to unrelatable boasts about extreme commercial and financial successes can get tiresome fast, especially when self-satisfaction wipes out any sense of hunger or passion. He brags about making half a million for a beat, and then, a few tracks later, the figure is a quarter of a million. Either he makes too much money to count, or his ghostwriters didn't compare notes. And while he is a competent enough MC to hang with the guest verses -- including low-wattage turns from 50 Cent and Tony Yayo, along with relatively engaging appearances from Attitude, D.O.E., and Magoo -- he's much more effective when restricting himself to incidental goading and singing that merely glides over the beat. Beyond the Elton John feature, the flat-out puzzling moments are limited, yet they certainly add to the album's lack of sturdiness. Bearing a heavy resemblance to Ciara's "Promise," "Fantasy" was produced by Walter "Lil' Walt" Millsap with Boss Beats and bears no credit to Timbaland. It's also the only song on the album where vocals are provided by one person. "Release," strangely placed third on the album -- just after lead single "Give It to Me" -- is a tossed-off house track, just as much of a Basement Jaxx rip as Basement Jaxx's own "U Can't Stop Me" (off 1999's Remedy) is a rip of Tim and Missy Elliott's earlier hits together. Shock Value would be less of a hot-and-cold affair with a couple more songs in the vein of "Give It to Me." A leisurely club track full of swagger, it is immediate enough to connect on the first listen, while Tim also sneaks in enough subtle layers to make it increasingly insidious with each play. This song isn't lacking bizarreness or complications, either. Furtado's words are benign enough, but it's evident that Timberlake is taking an ignorant shot at Prince, while Timbaland (despite claiming that he is not targeting one specific person) is most likely referring to one-man beat factory slash opportunist Scott Storch. These are two of the most pointless beefs in the history of pointless beefs, so the details needn't be recounted. It is worth noting, however, that "Give It to Me" provoked Storch to record a laughably inept response track. Regardless of Shock Value's missteps, Tim's track record says all that is necessary. Timbaland apologize album download. Your cart is empty. Cet élément a bien été ajouté / retiré de vos favoris. Timbaland. Released on 10/2/15 by Mosley Music, LLC - Epic Main artist: Timbaland Genre: Hip-Hop/Rap. Listen to this album in high quality now on our apps. Enjoy this album on Qobuz apps with your subscription. Enjoy this album on Qobuz apps with your subscription. Listen on Qobuz. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $1.49. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Timbaland, Associated Performer, Main Artist - Tink, Associated Performer, Featured Artist - Future, Associated Performer, Featured Artist - Timbaland feat. Tink & Future, Associated Performer - Timothy Mosley, Composer, Lyricist. (P) 2015 Mosley Music, Under Exclusive License to Epic Records, a division of Sony Music Entertainment. About the album. 1 disc(s) - 1 track(s) Total length: 00:04:08. (P) 2015 Mosley Music, Under Exclusive License to Epic Records, a division of Sony Music Entertainment. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. My Songs (Deluxe) Chopin : Piano Concertos. Timbaland’s Beat Saber Music Pack by BeatClub. Playlists. CALL ME IF YOU GET LOST. Tyler, The Creator. WAP (feat. Megan Thee Stallion) (Explicit) Daniel Dumile, alias MF DOOM, lived a thousand lives and his career was a succession of false starts and bright flashes. Before passing away on the 31st of October, 2020, Dumile had been a young virtuoso rapper welcomed with open arms by the music industry, then an outcast that sneaked back onto the scene through the back door after years of wandering (now masked), the 'go-to-guy' of independent rap during the 2000s and then some kind of Indie messiah as dubbed by Thom Yorke and Flying Lotus. Elusive, whimsical, a trickster and a money maker, DOOM rewrote the rules of rap music, rubbed people up the wrong way and paved the way for a whole generation of MCs. With the mixtapes Monster, Beast Mode and 56 Nights which were released only weeks apart between October 2014 and March 2015, Future took back the reigns of his career and marked a turning point for contemporary rap music. Let us look back on the chaotic rise of the most important and fascinating rapper of recent times. Warp, the record label which led to the blossoming of some of the most boundary-pushing artists of the electronic music scene, such as Aphex Twin, LFO, Boards of Canada, Autechre, and Squarepusher, now has their catalogue available on Qobuz. It’s the perfect opportunity to revisit the history of Britain’s best-respected independent label. [Music] Timbaland – Apologize ft. OneRepublic. Thrill your day with this amazing song from Timbaland titled “ Apologize ” featuring OneRepublic . “ Apologize ” (also spelled “ Apologise ” internationally) is the debut single written by OneRepublic frontman Ryan Tedder for OneRepublic ‘s debut album Dreaming Out Loud . It was released as the lead single of that album. A remix version was included on the Timbaland album, Shock Value , and on the deluxe version of Dreaming Out Loud. The song was the biggest radio airplay hit in the history of the Mainstream Top 40 chart in North America, with 10,394 plays in one week, until its record was broken by Leona Lewis’s “ Bleeding Love “, which was also co-written by Tedder. The song was a major hit internationally, reaching number one in 16 countries, including Australia, Austria, Canada, Germany, Italy, New Zealand, Sweden, Turkey, and the Netherlands, as well as staying at number one for eight consecutive weeks on the Billboard Pop 100 chart. The song peaked at number two on the Billboard Hot 100, staying in the top-10 for 25 weeks, and spent 13 weeks at number one in Canada. “ Apologize ” earned the band a Grammy Award nomination for Best Pop Performance by a Duo or Group with Vocals and was ranked number 50 on the list of the Billboard Hot 100’s All-Time Top Songs list from the chart’s first 50 years. It spent 25 consecutive weeks in the top 10, the longest stay there for any song since “Smooth” by Santana, which spent 30 weeks in 1999. It was also ranked number 10 on the Billboard Hot 100 Songs of the Decade. It was OneRepublic’s biggest hit single in the United States until “Counting Stars” was released in 2013. Timbaland remixed the song for his second studio album, Shock Value (2007). This version, also produced by Greg Wells, included an extra line of percussion, new backing vocals, and added sound samples, in addition to sound mixing and various other minor changes. The guitar solo after the second verse was omitted, completing its transformation to a more R&B style to fit with Shock Value. When the remix debuted, on the back of the strong Timbaland name, radio outlets announced the artist for the song as “Timbaland” or “Timbaland with OneRepublic”. As the song gained popularity, it was changed to “Timbaland Presents OneRepublic”. An official video associated with the remix was filmed on September 19, 2007 , and released in early October. The video premiered on VH1’s Top 20 Countdown on October 27, 2007 . The video was directed by Robert Hales and was shot in a recording studio showing OneRepublic performing the song. The video also includes scenes from a New Year’s Eve countdown party, starring actor Brian A. Pollack. In a third version of the video, also directed by Robert Hales and associated with the remix, Timbaland is portrayed remixing the song himself. A European version of the video features clips of the film Keinohrhasen, starring Til Schweiger. A Japanese version of the video was also made available for a short time. It features the same footage as the original but has more scenes from different camera angles. It also features footage of people falling and floating in the air in slow motion. The music video currently has 294.31 million views.(The Video must be on the account of OneRepublic channel but it is on Timbaland’s channel) “ Apologize ” was OneRepublic’s breakout hit. In the United States, “Apologize” peaked at number two on the Billboard Hot 100 for four non- consecutive weeks, first blocked from the top spot for two weeks by Chris Brown’s “Kiss Kiss” and then for two weeks by Alicia Keys’ “No One”. It spent 11 weeks at number three and 25 weeks inside the top 10 and peaked at number three for 10 weeks on the Hot 100 Airplay. It also topped the Billboard Pop 100 and became the third single from Shock Value to have topped the chart. It also became the album’s first number-one single on the Billboard Adult Top 40. It is also the second consecutive single from Shock Value to reach number one on the US Mainstream Top 40 radio. It became only the tenth song to sell over 5 million by May 2011 in the US. As of February 2014, it had sold 5,819,000 copies. In late 2009, the song was ranked in 10th place on the Billboard Hot 100 Decade-End chart, making it the highest-ranking song and the only top-10 ranking song on there to not top the weekly Billboard Hot 100 chart. In the UK, “Apologize” climbed to number 32 on the strength of digital downloads alone, and peaked at number three. The song spent 28 consecutive weeks in the top 40 and 13 weeks in the top 10. The song ended 2007 as the year’s sixteenth biggest selling single in Britain. In Australia, the single debuted at number 10 on the ARIA Singles Chart, and peaked at number one. It stayed at the top for eight consecutive weeks, and was certified 4x Platinum by ARIA. The song reached number one on both the Canadian Hot 100 and New Zealand RIANZ Chart. It is the most downloaded single of all time in Australia and New Zealand. On Billboard’s official European Hot 100 Singles chart, the song debuted at number 16, making it the highest debut chart position of any new act in the history of the chart. It later entered the top 10. The song went gold in Russia with 100,000 copies sold. In Germany, the song was downloaded 437,000 times , making it the third best-selling download single of all time behind Lady Gaga ‘s “ Poker Face ” and Lena Meyer-Landrut ‘s “Satellite”. With your headset slugged on, thrill your day with this amazing song and don’t forget to share with us here at All Naija Entertainment on what you feel about the song via the comment section below…. . . . Download! Share!! Enjoy. Listen Below; Download Song “Apologize” by Timbaland Mp3/Audio. Some Quotable Lyrics. I’m holding on your rope Got me ten feet off the ground And I’m hearing what you say But I just can’t make a sound You tell me that you need me Then you go and cut me down But wait You tell me that you’re sorry Didn’t think I’d turn around and say. That it’s too late to apologize, it’s too late I said it’s too late to apologize, it’s too late. I’d take another chance, take a fall, take a shot for you And I need you like a heart needs a beat But that’s nothing new. I loved you with a fire red, now it’s turning blue And you say Sorry like an angel Heaven let me think was you But I’m afraid. It’s too late to apologize, it’s too late I said it’s too late to apologize, it’s too late Woahooo woah Get Full Lyrics Here. Timbaland. Get notified on all the latest Music, Movies and TV Shows. With a unique loyalty program, the Hungama rewards you for predefined action on our platform. Accumulated coins can be redeemed to, Hungama subscriptions. You can also login to Hungama Apps(Music & Movies) with your Hungama web credentials & redeem coins to download MP3/MP4 tracks. You need to be a registered user to enjoy the benefits of Rewards Program. You are not authorised arena user. Please subscribe to Arena to play this content. Timbaland. American producer Timbaland ascended to the top of the pop industry in the late '90s, impressively balancing his in-demand hitmaking abilities with his outlandish production style. At the time, few rap producers were capable of such a balance between commerce and craft. Timbaland produced an endless list of hits for a select group of affiliates (Missy Elliott, Aaliyah, Jay-Z, Ginuwine) and a number of other A-list artists (Ludacris, Snoop Dogg, Nas, Justin Timberlake), infusing a remarkable sense of individuality and creativity into his productions. His trademark sound featured stuttering, bass-heavy bounce beats offset by resounding high-end synth stabs, all of this often complemented by his signature quiet murmuring beneath the track. However, over time Timbaland began taking an increasingly assembly-line approach to production, working with a team of co-producers and songwriters including Nathaniel "Danjahandz" Hills, the Clutch, and Justin Timberlake. He also began producing an increasingly wide array of acts, ranging from alternative icons Björk and M.I.A. to MOR pop/rockers the Fray and Ashlee Simpson. In the late '90s, when Timbaland was still relatively new on the scene, the Virginia native worked extensively with Missy ("The Rain"), Aaliyah ("If Your Girl Only Knew"), and Ginuwine ("Pony"). Later, once he'd established himself with these three, he began working with the top rappers in the industry, namely Jay-Z ("Big Pimpin'"), Nas ("You Won't See Me Tonight"), Snoop Dogg ("Snoop Dogg [What's My Name, Pt. 2]"), and Ludacris ("Rollout [My Business]"). He also worked occasionally with lesser-known regional artists such as Petey Pablo ("Raise Up"), Pastor Troy ("Are We Cuttin'"), and Tweet ("Oops [Oh My]"). As a result of his exceptional success as a producer, Timbaland eventually established his own record label, Beat Club, and began unveiling his own stable of artists (Bubba Sparxxx, Ms. Jade).