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Mузикологија Musicology MУЗИКОЛОГИЈА Часопис Музиколошког института САНУ MUSICOLOGY Journal of the Institute of Musicology SASA 17 2014 Музиколошки институт Institute of Musicology Српске академије наука и уметности Serbian Academy of Sciences and Arts UDK 78(05) ISSN 1450-9814 MUSICOLOGY Journal of the Institute of Musicology SASA 17 Еditorial council Dejan Despić, Jim Samson (London), Albert van der Schoot (Amsterdam), Jarmila Gabrielová (Prague) Editorial board Aleksandar Vasić, Rastko Jakovljević, Danka Lajić Mihajlović, Ivana Medić, Biljana Milanovič, Melita Milin, Vesna Peno, Katarina Tomašević Editor-in-chief Jelena Jovanović Еditorial assistant Ivana Vesić Belgrade 2014 UDK 78(05) ISSN 1450-9814 МУЗИКОЛОГИЈА Часопис Музиколошког института САНУ 17 Уређивачки савет Дејан Деспић, Џим Семсон (Лондон), Алберт ван дер Схоут (Амстердам), Јармила Габријелова (Праг) Редакција Александар Васић, Растко Јаковљевић, Данка Лајић Михајловић, Ивана Медић, Биљана Милановић, Мелита Милин, Весна Пено, Катарина Томашевић Главни и одговорни уредник Јелена Јовановић Секретар редакције Ивана Весић Београд 2014 Часопис Музикологија је рецензирани научни часопис који издаје Музиколошки ин- ститута САНУ (Београд) од 2001. године. Посвећен је истраживању музике као ес- тетичког, културног, историјског и друштвеног феномена. Поред примарне оријен- тисаности на музиколошка и етноузиколошка разматрања, часопис је отворен према различитим сродним или мање сродним дисциплинама (историја, историја уметности и књижевности, етнологија, антропологија, социологија, комуникологија, семиотика, психологија музике итд.) као и према интердисциплинарним подухватима. Излази два пута годишње. Oбавештења о позивима за радове као и упутства за израду прилога налазе се на адреси: http://www.music.sanu.ac.rs/Srpski/MuzikologijaR.htm. The journal Musicology is a peer-reviewed scientific journal published by the Institute of Musicology SASA (Belgrade) since 2001. It is dedicated to the research of music as an aesthetical, cultural, historical and social phenomenon. It is primarily focused on musico- logical and ethnomusicological research, but it also favours approaches from diverse sci- entific disciplines (history, history of art and literature, ethnology, anthropology, sociology, comunicology, semiotics, music pshychology etc.) as well as interdisciplinary projects. It is published semianually. Call for papers and instructions for authors can be found on the following address: http://www.music.sanu.ac.rs/English/MuzikologijaR.htm. Издавач / Publisher Музиколошки институт САНУ / Institute of Musicology SASA Кнез Михаилова 36/IV, Београд / Belgrade http://www.music.sanu.ac.rs/ и-мејл / e-mail: [email protected]; [email protected] Лектори и преводиоци / Proofreaders and translators Александра Антић, Александар Васић (српски језик / Serbian), Естер Хелајзен, Ивана Медић, Elsie Dunin, (енглески језик / English), Горан Трутин (руски језик / Russian), Vera Merkel (немачки језик / German) Дизајн / Design Јован Глигоријевић Графичка обрада / Layout Борјан Милијић Штампа / Printed by Colorgrafx, Београд / Belgrade Тираж / Circulation 300 Часопис је у целини индексиран у http://www.doiserbia.nb.rs/, http://www.komunikacija. org.rs/komunikacija/ као и у међународној бази података ProQuest. The journal is indexed in http://www.doiserbia.nb.rs/, http://www.komunikacija.org.rs/ko- munikacija/ and in the international database ProQuest. Oбјављивање часописа помогло је Министарство просвете, науке и технолошког развоја Републике Србије, Министарство културе Републике Србије и СОКОЈ – Орга- низација музичких аутора Србије. The publication of the journal is financially subsidized by the Ministry of Education, Science and Technological Development of the Republic of Serbia, Ministry of Culture of the Republic of Serbia and SOKOJ – Serbian Music Authors` Organization. Садржај / Contents Аспекти извођаштва у (eтно)музикологији II Aspects of Performing in (Ethno)Musicology II Игор МацИјевскИ, Извођачка природа и уметнички текст у етничкој музици . 11 Ihor MacIjewskI, Performing Nature and Artistic Text in Ethnic Music . 19 ТаМаз габИсонИя, Критерии „аутентичности” в грузинском народном музыкальном исполнительстве . 21 TaMaz GabIsonIa, Criteria of ‘Authenticity’ in Traditional Georgian Musical Performance . 43 ryTIs aMbrazevIčIus, Performance of Musical Scale in Lithuanian Homophonic Singing . 45 рИТИс аМбразевИчИус, Извођење музичке лествице у традиционалној вокалној хомофонији: примери из Литваније . 67 serGIo MazzanTI, The Live Album or the Many Ways of Representing Performance. 69 серђо МацанТИ, Албум уживо или многоструки начини репрезента- ције извођења . 86 IrIna cvIjanovIć, Performing Sound of the Past: Remix in Electronic Dance Music Culture . 87 ИрИна цвИјановИћ, Извођење звука прошлости: ремикс у култури електронске музике за игру . 104 Varia галИна в. Тавлай, Cмеховое начало в белорусской песенной культуре как один из способов отражения картины мира . 107 GalIna v. TawlaI, The Principle of Laughter in Byelorussian Vocal Culture as a Form of Reflection on Images of the World . .127 весна Пено, О вишегласју у богослужбеној пракси православних Грка и Срба – теолошкокултуролошки дискурс . .129 vesna Peno, On the Multipart Singing in the Religious Practice of Orthodox Greeks and Serbs: The Theological-Culturological Discourse . .153 5 александар васИћ, Два погледа на југословенство у српској музичкој периодици међуратног доба. .155 aleksandar vasIć, Two Views on the Yugoslav Ideology in Serbian Music Periodicals Between the Two World Wars . .165 јелена јовановИћ, Појава концепт албума у популарној музици Југославије: ЛП плоче Камен на камен . .167 jelena jovanovIć, The Appearance of Concept Albums in Yugoslav Popular Music: Kamen Na Kamen - Long Play Records . .193 Јубилеји сестара Љубице и Данице Јанковић Sisters’ Ljubica and Danica Janković Jubilees elsIe IvancIch dunIn, Emergence of Ethnochoreology Internationally: The Janković Sisters, Maud Karpeles and Gertrude Kurath. .197 елзИ ИванчИћ дунИн, Појава етнокореологије на међународном нивоу: сестре Јанковић, Мод Карпелес и Гертруда Курат. .216 selena rakočevIć, Contribution of Ljubica and Danica Janković to Establishment of Ethnochoreology in Serbia as an Academic Scholarly Discipline . 219 селена ракочевИћ, Допринос Љубице и Данице Јанковић установљењу етнокореологије у Србији као академске научне дисциплине .243 МИрјана закИћ, Делатност Љубице и Данице Јанковић на плану етномузикологије . .245 MIrjana zakIć, The Ethnomusicological Endeavors of Danica and Ljubica Janković . .257 МарИја дуМнИћ, данка лајИћ МИхајловИћ, Институционализација етнокореологије у Србији: заоставштина Љубице Јанковић у Музиколошком институту САНУ . .259 MarIja duMnIć, danka lajIć MIhajlovIć, Institutionalization of Ethnochoreology in Serbia: The Legacy of Ljubica Janković at the Institute of Musicology SASA . .272 Младена ПрелИћ, Легат сестара Jанковић у Hародној библиотеци Cрбије. .273 Mladena PrelIć The Janković Sisters’ Legacy in the National Library of Serbia . 285 6 Прикази Reviews selena rakočevIć, Fügedi János and Vavrinez András (eds.), Régi magyar táncstílus – Az ugrós. Antológia / Old Hungarian Dance Style – The Ugrós. Anthology, Budapest: L’Harmattan Kiadó, MTA Bölcsészettudományi Kutatóközpont Zenetudományi Intézet, 2013. pp. 352. Младен МарковИћ, Родна Величковска, Македонско традиционално народно певање – етномузиколошки огледи, Београд: Етнолошка библиотека, посебна издања, књ. 8, 2013, 212 стр. .291 Ивана МедИћ, Јелена Арнаутовић, Између политике и тржишта. Популарна музика на Радио Београду у СФРЈ, Београд: Радио- телевизија Србије 2012, 251 стр. .296 МарИја дуМнИћ, Michal Tenzer, John Roeder (ур.), Analytical and Cross- Cultural Studies in World Music, Oxford University Press 2011, стр. Х+461 . .300 јелена јовановИћ, Пјевачка дружина Светлане Спајић, Сив соколе – српско традиционално пјевање, (компакт диск) Multimedia, 2013. 305 7 Аспекти извођаштва у (етно)музикологији II Aspects of Performing in (Еthno)Мusicology II Игор Мацијевски Извођачка природа и уметнички текст... DOI: 10.2298/MUZ1417011M UDK: 781.7:781.68 Извођачка природа и уметнички текст у етничкој1 музици Игор Мацијевски2 Руски институт за историју уметности (Санкт Петербург) Апстракт Чланак је посвећен феномену уметничког текста и путевима његовог на- стајања у традиционалној етничкој музици. Ревидирани су појмови као што је варијантност, који су се усталили у фолклористици, а чији су извори у европоцентричној представи (која полази од академске писане традиције) о некаквом првобитном тексту, који се затим непрестано мења. Истражујући генеративне (социо-психолошке, функционалне, жанровско-структурне) фак- торе формирања дела етничке музике, аутор види путеве њеног остваривања у скупу предвидљивих и реално остварених конкретних текстова и на основу њих математичком теоријом мноштва изводи интегралну формулу таквог му- зичког дела, како мале тако и велике форме. Кључне речи варирање, вектор преноса / транслације, импровизација, интерпретација, извођење, појмљива, планирана предвидљива, реална остварења, ситуација уметничке комуникације, уметнички текст Етничка музика се током последњих неколико деценија нашла у прилично парадоксалној ситуацији. С једне стране ратови, револуције, идеолошка борба, ре- пресија над носиоцима традиције, урбанизација, стереотипи- зација до милитантне шаблонизације облика масовне културе и медијског преношења, мутација свести са одлучним супрот- стављањем традицији у оквиру саме средине која је изнедрила ту традицију, али која је значајно мутирала
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