Herman Melville, Moby-Dick (1851)
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Invisible Man: Somebody's Protest Novel Thomas A
Masthead Logo The Iowa Review Volume 1 Article 29 Issue 2 Spring 1970 Invisible Man: Somebody's Protest Novel Thomas A. Vogler Follow this and additional works at: https://ir.uiowa.edu/iowareview Part of the Creative Writing Commons Recommended Citation Vogler, Thomas A.. "Invisible Man: Somebody's Protest Novel." The Iowa Review 1.2 (1970): 64-82. Web. Available at: https://doi.org/10.17077/0021-065X.1062 This Contents is brought to you for free and open access by Iowa Research Online. It has been accepted for inclusion in The oI wa Review by an authorized administrator of Iowa Research Online. For more information, please contact [email protected]. Invisible Man: Somebody's Protest Novel Thomas A. Vogler a This simply because I had notion it somehow would be of help to that Kurtz at time I did not understand. He was a me. I whom the see?you just word for see did not the man in the name any more than you do. Do you see him? Do ? you see the story? Do you see anything? Conrad can see . Oh say you .? (National Anthem) a With Hemingway and Faulkner both dead, this is not time of recognized liter are ary giants. The public, and critics too, too easily preoccupied with literary giantism, with finding the next heir to the vacated throne. Publishers want their books to and are not timid about claims. Readers want to feel sell, very making that what are is what to be in terms that can they reading they ought reading, be reached from the of a historical Our contem only vantage point perspective. -
A Thematic Reading of Sherlock Holmes and His Adaptations
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2016 Crime and culture : a thematic reading of Sherlock Holmes and his adaptations. Britney Broyles University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the American Popular Culture Commons, Asian American Studies Commons, Chinese Studies Commons, Cultural History Commons, Literature in English, British Isles Commons, Other Arts and Humanities Commons, Other Film and Media Studies Commons, and the Television Commons Recommended Citation Broyles, Britney, "Crime and culture : a thematic reading of Sherlock Holmes and his adaptations." (2016). Electronic Theses and Dissertations. Paper 2584. https://doi.org/10.18297/etd/2584 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY December 2016 Copyright 2016 by Britney Broyles All rights reserved CRIME AND CULTURE: A THEMATIC READING OF SHERLOCK HOLMES AND HIS ADAPTATIONS By Britney Broyles B.A., University of Louisville, 2008 M.A., University of Louisville, 2012 Dissertation Approved on November 22, 2016 by the following Dissertation Committee: Dr. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
Richard Wright and Ralph Ellison: Conflicting Masculinities
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1994 Richard Wright and Ralph Ellison: Conflicting Masculinities H. Alexander Nejako College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Literature Commons Recommended Citation Nejako, H. Alexander, "Richard Wright and Ralph Ellison: Conflicting Masculinities" (1994). Dissertations, Theses, and Masters Projects. Paper 1539625892. https://dx.doi.org/doi:10.21220/s2-nehz-v842 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. RICHARD WRIGHT AND RALPH ELLISON: CONFLICTING MASCULINITIES A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by H. Alexander Nejako 1994 ProQuest Number: 10629319 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10629319 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. -
Quinlivan & Prendergast, 2020
Quinlivan & AKL 19° 12° Prendergast, 2020 BREAKING NEWS Budget 2020: $50bn cash-splash includes wage subsidy extension, free trades training / Contact us Terms and Conditions Advertise with us Facebook Twitter X / Contact us Terms and Conditions Advertise with us Facebook Twitter X / Contact us Terms and Conditions Advertise with us Facebook Twitter X / Contact us Terms and Conditions Advertise with us Facebook Twitter X / Contact us Terms and Conditions Advertise with us Facebook Twitter X / NZ ELECTION 2020 Election 2020: Donation allegations likely to sink New Zealand First - political scientist 11/02/2020 Mark Quinlivan Ella Prendergast Contact us Terms and Conditions Advertise with us Facebook Twitter X Political scientist Bryce Edwards speaks about the donation allegations. Credits: The AM Show A political scientist believes the Government will be feeling the heat as the New Zealand First Party faces allegations surrounding its donation practices. The Serious Fraud Office is weighing up whether to probe the accusations that the party is hiding donations in a slush fund. Prime Minister Jacinda Ardern, meanwhile, has demanded a full independent look at political donation laws. Political scientist Bryce Edwards told The AM Show Ardern is correct to conduct some sort of inquiry. "I think it's likely to sink New Zealand First in 2020 and it will dog this Government throughout this year," he said. "It goes to the heart of democracy and the way it affects people's lives. Related News Jacinda Ardern refuses to say she trusts Winston Peters amid NZ First donation allegations / Investigation into NZ First Foundation donations referred to Serious Fraud Office Contact us Terms and Conditions Advertise with us Facebook Twitter X "We're supposed to be the most corrupt-free country on the planet yet what we're seeing here are just major issues." Edwards believes Ardern will be weighing up all her options including an early election. -
Netflix and the Development of the Internet Television Network
Syracuse University SURFACE Dissertations - ALL SURFACE May 2016 Netflix and the Development of the Internet Television Network Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/etd Part of the Social and Behavioral Sciences Commons Recommended Citation Osur, Laura, "Netflix and the Development of the Internet Television Network" (2016). Dissertations - ALL. 448. https://surface.syr.edu/etd/448 This Dissertation is brought to you for free and open access by the SURFACE at SURFACE. It has been accepted for inclusion in Dissertations - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When Netflix launched in April 1998, Internet video was in its infancy. Eighteen years later, Netflix has developed into the first truly global Internet TV network. Many books have been written about the five broadcast networks – NBC, CBS, ABC, Fox, and the CW – and many about the major cable networks – HBO, CNN, MTV, Nickelodeon, just to name a few – and this is the fitting time to undertake a detailed analysis of how Netflix, as the preeminent Internet TV networks, has come to be. This book, then, combines historical, industrial, and textual analysis to investigate, contextualize, and historicize Netflix's development as an Internet TV network. The book is split into four chapters. The first explores the ways in which Netflix's development during its early years a DVD-by-mail company – 1998-2007, a period I am calling "Netflix as Rental Company" – lay the foundations for the company's future iterations and successes. During this period, Netflix adapted DVD distribution to the Internet, revolutionizing the way viewers receive, watch, and choose content, and built a brand reputation on consumer-centric innovation. -
John A. Williams's the Man Who Cried I Am
Ewa Luczak $IWHUWKH(QGRI0DQ-RKQ$:LOOLDPV¶V The Man Who Cried I Am Among the books written by African American writers and addressing the expatriate H[SHULHQFH-RKQ$:LOOLDPV¶VThe Man Who Cried I Am (1965) takes a central place. It testifies to the radical shift in the way exile, modernity and identity are constructed in African American literature in the 1960s. It sums up the radical move of the generation of the 1960s from the concept of exile embodied by the immigration of Richard Wright m A toZDUGV WKH FRQFHSW RI QRPDGLVP HQWKXVLDVWLFDOO\ HQGRUVHG E\ WKH \RXQJHU ³1HZ I 1 %UHHG´ A new way of configuring exile was concomitant with and perhaps also trig- d e i gered by a new way of conceptualizing Europe. Just as the United States of America was r C reappraised by revolutionary black leaders, Europe was probed, investigated and interro- o h gated for its role on the world stage: even though it still attracted black writers with the W n promise of respite from the racism rampant in the streets of the United States, Europe a M underwent scrutiny for its legacy of slavery, racism and colonization. Turning their exile e into a journey into the origin of Western racism, black writers challenged a number of h T concepts and ideological frameworks which, according to them, constituted the founda- tions of European modernity. A major concept that underwent a disfigurement and re- configuration was that of humanism. 7KDW:LOOLDPV¶VQRYHOSODFHV³PDQ´DWWKHFHQWHULVZLWKRXWGRXEW7KHWLWOHWXUQV WKHUHDGHU¶VDWWHQWLRQWRDPDQZKRDVVHUWVKLV existence in what looks like a desper- ate act of screaming. -
Your Name Here
TEXTUAL (DIS)CONNECTIONS: ELECTRIFICATION, NARRATIVE FAILURE, AND THE BILDUNGSROMAN IN RALPH ELLISON’S INVISIBLE MAN AND E.L. DOCTOROW’S THE BOOK OF DANIEL by EDWARD JOHN ARDENEAUX IV (Under the Direction of Jed Rasula) ABSTRACT This thesis, (artificially) situated between two world’s fairs, explores the problems of electricity and subjectivity in Ralph Ellison’s Invisible Man and E.L. Doctorow’s The Book of Daniel. Specifically, it detangles the consequences that these problems provoke for narrative, examined through failures and layers of narrative creation. Beyond these specific novels, this thesis illuminates the Bildungsroman as a generic category in relation to these new generic variants. The failure of the Bildungsroman to evolve, as a category, in American spaces and alongside new youth identities forces a contrast between the way the world once worked and new models of coping and striving in chaotic, electrified landscapes. Through a study of these distinctly American voices and the narratives they create, this thesis examines the influence of electricity on novel form/content and narrative endings as moments of possible textual transcendence. INDEX WORDS: Ralph Ellison, Invisible Man, E.L. Doctorow, The Book of Daniel, World’s Fair, world’s fairs, Franco Moretti, David Nye, Hayden White, Narrative Failure, Electric Socialization, Youth, Electrification, Shock, Electricity, Narrative, Novel, Contemporary American Fiction, Bildungsroman, Genre TEXTUAL (DIS)CONNECTIONS: ELECTRIFICATION, NARRATIVE FAILURE, AND THE BILDGUNGSROMAN IN RALPH ELLISON’S INVISIBLE MAN AND E.L. DOCTOROW’S THE BOOK OF DANIEL by EDWARD JOHN ARDENEAUX IV B.A., The University of New Orleans, 2004 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2008 © 2008 Edward Ardeneaux IV All Rights Reserved TEXTUAL (DIS)CONNECTIONS: ELECTRIFICATION, NARRATIVE FAILURE, AND THE BILDUNGSROMAN IN RALPH ELLISON’S INVISIBLE MAN AND E.L. -
Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 P.M., SR34K1 (Attemsgasse 25, Basement) Dr
Topics in Anglophone Literary Studies Thar She Blows! Moby-Dick Meets the Digital Generation Spring 2018 Wednesdays, 5–6.30 p.m., SR34K1 (Attemsgasse 25, basement) Dr. Michael Fuchs 1. About the Course “Call me Ishmael.” Even if you haven’t read Moby-Dick, you will probably know the novel’s iconic open- ing line. Likewise, even if you haven’t read Moby-Dick, you will have a rough idea as to what its story is about—Captain Ahab’s frantic hunt of a white sperm whale. The very fact that people know about Moby-Dick without knowing Moby-Dick testifies to the book’s cultural relevance and power. Indeed, as we will see, Moby-Dick is about so much more than the mere conflict between man and nature. This undergraduate seminar will consist of two main parts: In the first half of the semester, we will engage in a close reading of what many literary scholars and also the general public consider one of the (if not the) “great American novels.” In the second half of the semester, we will look at the presence of Moby-Dick in popular culture. Accordingly, we will watch movie adaptations, read comic adaptations, listen to music adaptations, but also explore some other texts in which Moby-Dick (and/or Moby Dick) plays a dominant role. Since the first part of this undergraduate seminar will pursue a close reading of Moby-Dick, the main objective here will be that students gain a deeper understanding of Moby-Dick and its socio- economic environment; in particular, students will come to understand (and appreciate) what might be termed Moby-Dick’s postmodernism avant la lettre, its rhetorical strategies, its ecological subtexts, its engagement with scientific discourse, and nineteenth-century whale-hunting. -
BSA DECISIONS ISSUED SUMMARY for the Quarter July to September
BSA DECISIONS ISSUED SUMMARY for the Quarter July to September Upheld No. Complainant Broadcaster Programme Nature of the complaint Standards Finding 2008-036 Hammond TVNZ Eyes Wide Shut Movie containing sex scenes, language, drug use Children's interests Upheld 2008-032 Findlay TVNZ Rome Historical drama contained course language Good taste and decency Upheld 2007-138 LM TVNZ Skin Doctors Woman undergoing breast augmentation Privacy Upheld 2008-040 Pryde RNZ Nine to Noon Update on situation in Fiji Accuracy, balance Upheld (accuracy) 2008-066 Harrison TVNZ Ugly Betty Contained sexual themes Programme classification, Upheld promo children's interests, good (programme taste and decency classification and children's interests) 2008-039A Nudds TVNZ Wolf Creek Horror film with disturbing violence Violence, Children's Upheld (violence) interests, good taste and decency 2008-039B McIntosh TVNZ Wolf Creek Horror film with disturbing violence Violence, Children's Upheld (violence) interests, good taste and decency Not Upheld No. Complainant Broadcaster Programme Nature of the complaint Standards Finding 2008-041 Scott TVWorks Ltd 3 News Report that celebrity had obtained diversion for Privacy Not Upheld shoplifting 2008-030 Blazey TVWorks Ltd 3 News Item showed clothed body of dead teenager Good taste and decency Not Upheld 2008-017 South Pacific RadioWorks Radio Live Host disclosed address of house used in TV Privacy Not Upheld Pictures Ltd programme 2008-027 FitzPatrick TVNZ Close Up Discussion about ASA ruling Balance Not Upheld 2008-042 Clancy -
Vzor Závěrečné Práce
UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta Katedra anglického jazyka JIŘÍ JOSEFUS III. ročník - prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání a společenské vědy se zaměřením na vzdělávání THE IMAGE OF WOMEN IN RAY BRADURY'S EARLY NOVELS Bakalářská práce Vedoucí závěrečné písemné práce: Mgr. Josef Nevařil, Ph.D. Olomouc 2013 Prohlašuji, že jsem závěrečnou písemnou práci zpracoval samostatně a použil jen uvedených pramenů, literatury a elektronických zdrojů. V Olomouci dne 18. dubna 2013 ____________________________________ I would like to thank Mgr. Josef Nevařil, Ph.D. for his guidance, valuable advice, constructive criticism and his patience. I would also like to thank my girlfriend and to everyone else who believed that I would successfully finish this thesis for their support. ABSTRACT ..................................................................................................................... - 5 - INTRODUCTION ........................................................................................................... - 6 - 1 RAY BRADBURY ........................................................................................................ - 7 - 1.1 BIOGRAPHY ................................................................................................................ - 7 - 1.2 BRADBURY AND WOMEN .......................................................................................... - 10 - 2 FAHRENHEIT 451 ................................................................................................... -
Fahrenheit 451
FAHRENHEIT 451: A DESCRIPTIVE BIBLIOGRAPHY Amanda Kay Barrett Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of English, Indiana University May 2011 Accepted by the Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. __________________________________________ Jonathan R. Eller, Ph.D., Chair Master’s Thesis Committee __________________________________________ William F. Touponce, Ph.D. __________________________________________ M. A. Coleman, Ph.D. ii ACKNOWLEDGEMENTS To my wonderful thesis committee, especially Dr. Jonathan Eller who guided me step by step through the writing and editing of this thesis. To my family and friends for encouraging me and supporting me during the long days of typing, reading and editing. Special thanks to my mother, for being my rock and my role model. To the entire English department at IUPUI – I have enjoyed all these years in your hands and look forward to being a loyal and enthusiastic alumna. iii TABLE OF CONTENTS Narrative Introduction ..........................................................................................................1 Genealogical Table of Contents .........................................................................................17 Fahrenheit 451: A Descriptive Bibliography .....................................................................24 Primary Bibliography.........................................................................................................91