DOCSLIB.ORG

1 State Historic Preservation Office Michigan Strategic Fund, Michigan Economic Development Corporation Staff Comments, August 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1 State Historic Preservation Office Michigan Strategic Fund, Michigan Economic Development Corporation Staff Comments, August 1 State Historic Preservation Office Michigan Strategic Fund, Michigan Economic Development Corporation Staff Comments, August 12, 2019 The Aretha Franklin Amphitheater/Chene Park Local Historic District On page 4, paragraph 1, the idea of creating large urban parks in America is typically attributed to the opening of Mt. Auburn Cemetery in Boston in 1831. Its surprising use as a park by the public led to the idea of Central Park in New York, which was approved in 1853. On page 4, the last line of paragraph 1 is misleading since Olmsted quit the Detroit project due to budget cuts and bureaucratic intervention. As a result, beyond the location of some of the drives, very little of Olmsted’s plan for Belle Isle was ever actually implemented. On page 4, paragraph 2, line 1, not sure what is being referred to regarding the 1845 date for the establishment of Belle Isle as a park. The park opened in 1884, according to the National Register nomination. Edward Bennet is merely mentioned -- was any of the plan he developed, in relation to the riverfront, ever implemented? Was anything from the 1927 Master Plan ever implemented? The report only addresses the Riverside Drive, which was not. On Page 4, paragraph 3 if you are trying to establish exceptional significance for this park based on planning and community development activities in the city, then there should be more information about the history of the master plans leading up to its development. For example, the National Register nomination for Hart Plaza makes note of the 7 booklets created for the master plan of 1947 and discusses the civic center development within that context. There was a booklet for riverfront development created in 1947--what did the plans for it entail? Who was involved with the planning? Was anything implemented? It is not sufficient to just mention that there were master plans for the riverfront in 1947 and 1965. The report needs to explain them, discuss the plans for the area that is now Chene Park and if implementation actually occurred. Page 4, paragraph 4, it is too broad a statement to say Detroit went into economic decline “after World War II.” It took some time. In 1960 Detroit was considered the wealthiest city in the nation and General Motors the largest manufacturing company in the world. The real decline didn’t begin until the late 1960s, early 1970s. On page 4, a quick search of Newspapers.com shows that in March 1978 President Carter proposed an $8.3 billion national plan to save America’s cities. A stronger discussion of this proposal would better place Detroit’s project in its national context. Some discussion of Coleman Young as the city’s first black mayor is in order as well as a short discussion about his approach to administration of the city. Was his intent to do something different and groundbreaking through the riverfront project? 1 On a page 5, paragraph 3, the discussion of Mayor Young’s Moving Detroit Forward plan is too light. Was the Linked Riverfront concept just one part of a larger revitalization plan for the city? What was actually implemented from Young’s overall plan? What were its major components and what was the plan for the Chene Park area? Why did Mayor Young want to focus on the riverfront? In 1969 Lake Erie and the Rouge River caught fire due to pollutants in the water. Was there a major environmental clean-up that had been successful? Also, what business and community leaders were involved in presenting it to President Carter? Was it actually presented to the President himself? How and why? How many other communities presented plans? On page 5, paragraph 4 what was the close relationship between Young and Carter? Why and how would that affect a grant application submitted by the city of Detroit to a federal program? Why did Detroit receive more grant money than any other city? What did other communities receive? There should be more background on the Urban Development Action Grant (UDGA) program. Why was it created? What was going in the country at this time? Was it considered an important grant nationally? What other projects around the country benefited from it? Because of economic conditions and the downturn of the automobile industry at that time? There should be more information on the social and economic condition of Detroit at the time the UDAG grant was applied for so that it can be understood why receiving it was of exceptional significance to the city. Page 5, paragraph 4 there should be an overview of what the Linked Riverfront Parks Project was and what was to be created by its implementation. The report jumps right into one component, music, without explaining the entire project plan. Also, please provide some context for Pine Knob, where and when was it constructed. Why couldn’t Detroit compete with it through its existing venues—because it was an outdoor theater? It may be appropriate to discuss the development of outdoor theaters during the post war era. Interlochen near Traverse City has an outdoor theater built in the 1940s. Wolf Trap near Washington DC was donated in 1966. Where they a trend? Page 6, paragraph 1 indicates that Chene Park was already established and was being redeveloped as part of the Linked Riverfront Parks Project. When was it actually established? Did not see mention of it in the previous discussions of master plans. Page 6, paragraph 2, the report mentions 3 water-related recreation areas that were purchased, what were they? Where were they located in relation to Chene Park? The report states the land for Chene Park was vacant at the time of purchase. Page 6, paragraph 3, if you are trying to show that Chene Park has exceptional significance for planning, then then there needs to be a much stronger discussion here of Detroit’s plans for the riverfront and a discusson of the Linked Riverfront Park planning within the context of 1970s park planning. Was it typical or unique? There should also be a discussion of the landscape architect and how this park fits in with his body of work. The plan for the Detroit riverfront should be compared with other major riverfront parks developed during that time period and with other Michigan waterfront parks that were undertaken in that era. It is easier to understand why other parks in Michigan stand out for exceptional 2 significance. For example Hart Plaza, was planned by the internationally respected artist, Isamu Noguchi. Flint’s River Bank Park, built in 1974, was designed by famed landscape architect Lawrence Halprin, who was a significant influence in 1970s urban park planning. It does not come across in the report how Chene Park meets National Park Service Criteria Consideration G. Pages 6 and 7, there is too much on programming and not enough on the history of the park’s development. On page 6, paragraph 3, the last line it states that Chene Park has already been expanded 2 times since it opened in 1984. What effect have the expansions had on the resource’s integrity? Page 8, paragraph 2 there should be more discussion on Rainy Hamilton and his work. Is there information available on the use of black architects by the city? Architect Nathan Johnson said that in the mid-1970s few black architects ever received city of Detroit projects—out of over 1000 projects that he completed only about 3 of were city contracts. What was Hamilton’s inspiration for the design of the pavilion building? How does it fit in within his body of work? The report indicates that Chene Park was just one park in a system of three parks. Why was just one of the parks selected for protection? In our opinion, this report does not show how Chene Park has exceptional significance and meets NPS Consideration G. In 2002, the SHPO adopted rules which state that local communities must follow the Secretary of Interior’s Standards for the National Register when establishing local historic districts. The park is just 25 years old. That does not seem to provide enough time to gain “sufficient historic perspective” to determine the historic significance. Nor does the report supply “the scholarly research and evaluation” required to make a determination of exceptional significance. There were many plans to redevelop Detroit and its riverfront. Enough time has not elapsed to indicate that the Linked Riverfront Park Project was more outstanding than any of the others and the report does not include sufficient information to show that it does. Nor does the report place Chene Park within the larger context of new planning theories and important planners/landscape architect that emerged after World War II, especially those related to riverfront development to show this park’s exceptional significance. 3 City of Detroit CITY COUNCIL HISTORIC DESIGNATION ADVISORY BOARD 218 Coleman A. Young Municipal Center, Detroit, Michigan 48226 Phone: 313.224.3487 Fax: 313.224.4336 Email: [email protected] DRAFT Preliminary Report Proposed Aretha Franklin Amphitheather/Chene Park Historic District 2200/2600 Atwater Street By a resolution dated October 23, 2018, the Detroit City Council charged the Historic Designation Advisory Board, a study committee, with the official study of the proposed Aretha Franklin Amphitheater/Chene Park Historic District in accordance with Chapter 25 of the 1984 Detroit City Code and the Michigan Local Historic Districts Act. The proposed Aretha Franklin Amphitheater/Chene Park Historic District consists of a single 9.3 acre parcel owned by the City of Detroit Parks & Recreation Department and contains a covered amphitheater with a stage, seating and an adjacent multi-level pavilion.
Load more

Recommended publications
  • US 6Th Circuit Judge Damon J. Keith 1922-2019
    U.S. 6th Circuit Judge Damon J. Keith 1922-2019 Damon J. Keith, a U.S. 6th Circuit Court of Appeals judge whose rulings as a federal district judge in Detroit in the 1970s catapulted him to the status of civil rights icon, died peacefully in his sleep early Sunday at his riverfront apartment in Detroit. He was 96. Keith, the grandson of slaves and the longest-serving African-American judge in the nation, burst onto the national stage in 1970 when, as a U.S. district judge, he ordered citywide busing to desegregate Pontiac schools. It was the first court decision to extend federal court-ordered busing to the North. In 1971, Keith ruled that President Richard Nixon and U.S. Attorney General John Mitchell violated the U.S. Constitution by wiretapping student radicals in Ann Arbor without a court order. In 1979, as judge on the U.S. 6th Circuit Court of Appeals, Keith upheld then-Mayor Coleman Young’s affirmative action plan to integrate the Detroit Police Department. Despite receiving hate mail and death threats, Keith never flinched. “It just let us know that there is still a lot of work to do,” he once said. He was Detroit’s most revered and admired black person next to Young, Detroit’s first black mayor, and Rosa Parks, whose refusal to give up her seat to a white man on an Alabama bus in 1955 sparked the modern civil rights movement. “One cannot be around Damon for very long without sensing his commitment to all that is good about our country,” Judge Peter Fay of the U.S.
    [Show full text]
  • The Bankruptcy of Detroit: What Role Did Race Play?
    The Bankruptcy of Detroit: What Role did Race Play? Reynolds Farley* University of Michigan at Michigan Perhaps no city in the United States has a longer and more vibrant history of racial conflict than Detroit. It is the only city where federal troops have been dispatched to the streets four times to put down racial bloodshed. By the 1990s, Detroit was the quintessential “Chocolate City-Vanilla Suburbs” metropolis. In 2013, Detroit be- came the largest city to enter bankruptcy. It is an oversimplification and inaccurate to argue that racial conflict and segregation caused the bankruptcy of Detroit. But racial issues were deeply intertwined with fundamental population shifts and em- ployment changes that together diminished the tax base of the city. Consideration is also given to the role continuing racial disparity will play in the future of Detroit after bankruptcy. INTRODUCTION The city of Detroit ran out of funds to pay its bills in early 2013. Emergency Man- ager Kevyn Orr, with the approval of Michigan Governor Snyder, sought and received bankruptcy protection from the federal court and Detroit became the largest city to enter bankruptcy. This paper explores the role that racial conflict played in the fiscal collapse of what was the nation’s fourth largest city. In June 1967 racial violence in Newark led to 26 deaths and, the next month, rioting in Detroit killed 43. President Johnson appointed Illinois Governor Kerner to chair a com- mission to explain the causes of urban racial violence. That Commission emphasized the grievances of blacks in big cities—segregated housing, discrimination in employment, poor schools, and frequent police violence including the questionable shooting of nu- merous African American men.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North! Z eeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9130640 The influence of Leonard B. Smith on the heritage of the band in the United States Polce, Vincent John, Ph.D.
    [Show full text]
  • WSU University Relations Division Records
    University Relations Division Collection Papers, 1936-1977 (predominantly, 1949-1977) 64.5 linear feet Accession # 5 OCLC # DALNET # The papers of the University Relations Division reflect the activities of Wayne’s public relations offices. They consist of press releases, photographs, correspondence, minutes, reports, and clippings. The papers focus on general subjects, including the promotion of the United States Bicentennial, Wayne's Centennial, the Michigan Legislature's allocation and Wayne's budget, and Wayne's athletics program. The Division underwent several name changes to more accurately reflect its services. In the 1940s it was called the Community Relations Program and aimed to establish a working relationship between the University and any group or individual within the community with the intent of selling the University as a service institution to the community. In August of 1949, all University activities and programs related to public communication and interpretation of the University’s work were integrated to form the Division of Community Relations under the direction of Percival Dodge. The new division included the Office of Press Relations, Wayne University Speakers’ Bureau, and the Office of Community Services. William E. Stirton replaced Dodge as the director on July 1, 1952. Frank X. Tuohey replaced Stirton in October of 1955. The Office of Press Relations and Publication Services, under Tuohey’s direction, assisted all units of the University in internal and external relations projects. The office was divided into art, printing, publications, and press relations. The primary function of the Office of Press Relations was to interpret the University to the community through all available media such as newspapers, magazines, radio and television.
    [Show full text]
  • Download Printable Version of Entire Document (PDF)
    DINNER PROGRAM MASTER OP CEREMONIES LeBARON TAYLOR INVOCATION WELCOME MAYORMARION 5. BARRY MESSAGE FROM THE PRESIDENT CONGRESSMAN LOUIS STOKES, PRESIDENT CONGRESSIONAL BLACKCAUCUS FOUNDATION PRESENTATION OP AWARDS GEORGE W. COLLINS AWARD J. LAMARHILL ADAMCLAYTONPOWELL AWARD COLEMAN YOUNG HUMANITARIANAWARD PERCY SUTTON WILLIAML.DAWSON AWARD CONGRESSWOMAN SHIRLEY CHLSHOLM INTRODUCTION OF CONGRESSIONAL BLACKCAUCUS MEMBERS AND CONGRESSIONAL BLACKCAUCUS FOUNDATIONBOARD MEMBERS CONGRESSMAN WALTER E. FVUNTROY DENIECE WILLIAMS ORCHESTRA CONDUCTED BYMR. WEBSTER LEWIS SALUTE TO BLACKBUSINESS CONGRESSMAN PARREN J. MITCHELL ACKNOWLEDGEMENT OF CONGRESSIONAL BLACK CAUCUS FOUNDATIONPATRONS CONGRESSMAN LOUIS STOKES AND CONGRESSMAN JULIANC DIXON 3 TABLE OF CONTENTS HONORARY CHAIRPERSONS 6 HONORARY DINNER COMMITTEE 6 BOARD OFDIRECTORS 7 DINNERCOMMITTEE 7 WELCOME MESSAGE FROM THEPRESIDENT 9 SPECIAL MESSAGE 11 CONGRESSIONAL BLACKCAUCUS MEMBERS 12 CONGRESSIONAL BLACK CAUCUS FOUNDATION: ANEWMISSION FOR NEW TIMES 50 THEGRADUATE LEGISLATIVEINTERNPROGRAM 55 1982 CONGRESSIONAL BLACKCAUCUS AWARDS 60 LEGISLATIVEUPDATE 66 ANECONOMIC DETOUR TO SUCCESS 74 CONSOLIDATED BANKANDTRUST 76 BEREAN SAVINGSASSOCIATION 76 THECONGRESSIONAL BLACKCAUCUS ANDBLACKBUSINESS 77 BLACKBUSINESS ALIVEANDDOING QUITEWELL 78 NON-TRADITIONALFINANCE FOR MINORITYBUSINESS ENTERPRISE 79 THEPHILADELPHIATRIBUNE 80 PARKERHOUSE SAUSAGE COMPANY 80 MINORITYBUSINESS ANDINTERNATIONALTRADE 81 OUR RESPONSIBILITY TO THEBLACKCOMMUNITY 81 BLACKBUSINESS INTHE1980S 83 E.E. WARD TRANSFER ANDSTORAGE COMPANY 84
    [Show full text]
  • Transafrica Board of Directors
    TRANSAFRICA BOARD OF DIRECTORS The Honorable Richard Gordon Hatcher Chairman Harry Belafonte William Lucy Reverend Charles Cobb Dr. Leslie Mclemore Courtland Cox Marc Stepp The Honorable Ronald Dellums The Honorable Percy Sutton Dr. Dorothy Height Dr. James Turner Dr. Sylvia Hill Reverend Wyatt Tee Walker Dr. Willard Johnson The Honorable Maxine Waters Robert White Randall Robinson Executive Director SPONSORS African and Caribbean Diplomatic Corps His Excellency Jose Luis Fernandes Lopes His Excellency Jean Robert Odgaza His Excellency Willem A. Udenhout Cape Verde Gabon Sun·nanze His Excellency Abdellah Ould Daddah His Excellency Charles Gomis His Excellency Dr. Paul John Firmino Lusaka Mauritania Cote d 'luoire Zambia His Excellency Keith Johnson Her Excellency Eugenia A. Wordsworth-Stevenson His Excellency Stanislaus Chigwedere Jamaica li/x>ria Zimbabwe His Excellency P'dul Pondi His Excellency Sir William Douglas His Excellency Jean Pierre Sohahong-Kombet Cameroon Barbados Central African Republic His Excellency Chitmansing J esseramsing His Excellency Alhaji Hamzat Ahmadu His Excellency Pierrot]. Rajaonarivelo Mauritius Nigeria Madagascar His Excellency Dr. Cedric Hilburn Grant His Excellency Ousman Ahmadou Sallah His Excellency Abdalla A. Abdalla Guyana The Gambia Sudan His Excellency Edmund Hawkins Lake His Excellency Aloys Uwimana His Excellency Mohamed Toure Antigua and BarlJuda Rwanda Mali His Excellency Ellom-Kodjo Schuppius His Excellency Roble Olhaye His Excellency Moussa Sangare Togo Djibouti Guinea His Excellency Mahamat
    [Show full text]
  • For Immediate Release Dso Celebrates Conclusion of Orchestra Hall Centennial with Unveiling of Artist Ken Aptekar's I Hear An
    FOR IMMEDIATE RELEASE DSO CELEBRATES CONCLUSION OF ORCHESTRA HALL CENTENNIAL WITH UNVEILING OF ARTIST KEN APTEKAR’S I HEAR AN ECHO Commissioned by Gary L. Wasserman & Charles A. Kashner in honor of DSO President and CEO Anne Parsons, painting will remain on display in the William Davidson Atrium of the Max M. and Marjorie S. Fisher Music Center Detroit, (October 26, 2020) – On Friday, the Detroit Symphony Orchestra (DSO) unveiled a new work by celebrated artist Ken Aptekar titled I hear an echo (2020). The painting, which references Orchestra Hall’s opening in 1919 and DSO’s then-music director Ossip Gabrilowitsch, was commissioned by Gary L. Wasserman & Charles A. Kashner as a tribute to the Orchestra Hall centennial and in honor of DSO President and CEO Anne Parsons. The unveiling ceremony took place on Orchestra Hall’s 101st birthday, Friday, October 23 at 6:30 p.m. for a small number of socially distanced guests in the William Davidson Atrium of the Max M. and Marjorie S. Fisher Music Center (The Max), where the painting will remain on display and viewable through the DSO’s front doors on Woodward Avenue. This partnership exemplifies the DSO’s collaborative spirit and shared vision for combining and supporting arts, artists, and culture of all kinds at The Max. The ceremony also featured a performance by DSO Acting Concertmaster Kimberly Kaloyanides Kennedy. Born and raised in Detroit, Aptekar is the son of art and music educators and credits the DSO and the Detroit Institute of Arts (DIA) as “keys to who [he] became as an artist.” He grew up attending DSO concerts at the orchestra’s then home of Ford Auditorium under music director Paul Paray, but heard DSO recordings from Orchestra Hall and longed to experience the outstanding acoustics firsthand.
    [Show full text]
  • Issues of the Sixties Inside Pages of the Detroit Fifth Estate, 1965-1970
    TITLE Capturing Detroit Through An Underground Lens: Issues of the Sixties Inside Pages of the Detroit Fifth Estate, 1965-1970. By Harold Bressmer Edsall, III Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date March 8, 2010 First Reader Second Reader t Capturing Detroit Through An Underground Lens: Issues of the Sixties Inside Pages of the Detroit Fifth Estate Newspaper, 1965-1970 CONTENTS Introduction 2/5ths In Every Garage 2 Chapter 1 Life in the Fourth Estate: Someone Had to Testify 12 Chapter 2 Origins of The Fifth Estate : Hard to Miss The 55 Black and White Coalition Chapter 3 Antiwar News: The Fifth Estate “A Peddler of 89 Smut” Chapter 4 The Fifth Estate , The Underground Press Syndicate, 126 And Countercultural Revenues Chapter 5 Time, Life, Luce, LBJ, LSD, and theFifth Estate 163 APPENDIX Distortion of an UM-Flint Graduate 200 BIBLIOGRAPHY 207 2 Introduction: 2/5ths In Every Garage 3 In December 1968 editors of the Detroit Fifth Estate (FE ), what was referred to as an “underground newspaper,” shared with its readers that “A girl wrote us from Britton, Mich, and told us that she had been caught selling papers to Adrian College students and got busted by her high school principal.”1 The authorities threatened the young lady with criminal charges for selling “pornographic literature, contributing to the delinquency of minors, and selling without a permit.”2 FE stated, “This goes on all the time, but it won’t turn us around.
    [Show full text]
  • Teacher Resource Lesson Plan
    TEACHER RESOURCE LESSON PLAN TUSKEGEE AIRMEN AND THE ARSENAL OF DEMOCRACY on American Life: Analyze the changes in American life brought about by U.S. participation in World War II including • Mobilization of economic, military, and social resources • Role of women and minorities in the war effort • Role of the home front in supporting the war effort (e.g., rationing, work hours, taxes) • Internment of Japanese-Americans (National Geographic Standard 10, p. 203) CREATED BY • United State History 8.3.1: Civil Rights Anthony Salciccioli, Clarenceville High School Movement: Analyze the key events, ideals, documents, and organizations in the struggle for civil rights by African Americans including INTRODUCTION • The impact of WWII and the Cold War (e.g., This lesson helps High School United States racial and gender integration of the military) History students, over two class periods, understand the important role the Tuskegee Airmen played in World War II, and that many of them were BACKGROUND INFORMATION from the Detroit area. In spite of adversity and limited opportunities, African Americans have played a significant role LEARNING OBJECTIVES in U.S. military history over the past 300 years. They were denied military leadership roles and Students will: skilled training because many believed they lacked • Utilize various skills sets in order to complete qualifications for combat duty. Before 1940, activities related to Michigan’s role in the African Americans were barred from flying for the Tuskegee Airmen U.S. military. Civil rights organizations and the • Create a “RAFT” writing based upon these black press exerted pressure that resulted in the activities as a summative assessment formation of an African American pursuit squadron based in Tuskegee, Alabama, in 1941.
    [Show full text]
  • Detroit Greenways Study
    Building the Riverfront Greenway The State of Greenway Investments Along the Detroit River The vision of a continuous greenway along future projects. In fact, many additional the Detroit River seemed like a dream only a projects are already in the planning and few years ago. But today, communities and design process. businesses in Greater Detroit are redefining their relationship to the river and champion- There is a growing desire to increase access ing linked greenways along its entire length to the Detroit River as communities and — from Lake St. Clair to Lake Erie, across to organizations work to overcome the historical Canada, and up key tributaries like the Rouge, separation from the river caused by a nearly Ecorse, and Huron rivers. continuous wall of commercial development. Now, trails and walkways are being Working in partnership with the Metropoli- incorporated along the river, improving the tan Affairs Coalition and other stakeholders, aesthetic appearance of the shoreline and the Greater Detroit American Heritage River reaping the resulting recreational, ecological, Initiative has identified linked greenways as and economic benefits. In its mission to one of its top six priorities. This report create linked riverfront greenways, the Greater presents 14 such projects, all of which have Detroit American Heritage River Initiative begun or been completed since June 1999. is actively partnering with the many organi- zations that share this vision, including the When all fourteen greenways projects are com- Greenways Initiative of the Community pleted, they will be unique destinations that Foundation for Southeastern Michigan, link open spaces, protect natural and cultural the Automobile National Heritage Area and resources, and offer many picturesque views the Canadian Heritage River Initiative.
    [Show full text]
  • Two Bullets Miss Icall Meet~G Woodspolicemen of Residents
    ------,-.-,-. -,-< ,-~-~>--','~"'~"-. :;---~-,."7"... ~>'~.••"".""",.-.','--','~,',-,'~\'-'~:"';:"'''"'-::--,.-t. ,"'0;:'''', ~""', <....,~~"-,~r;-;.•-;:~,....r.-....-.vJ"':"••~T;W~';:,!:,.",~::!:"....!",", :,':";,-~~:~,-"'--"!':"...~_:"':-..",":,-,,....~:":"~,-,~i.,:!""'...,:":":.:"~,.,"':~I':""""",:",, . -"":'. ,-,~~.""QQl4~f' .... '!'. !'-7~,:.." ~,,•.,~.;=~.,!lII.:~.;a~,.~C.... ~"Q"-"!II.,,"!I. pp.'!\I..;;a....IIII-t•• !I. l1li, L-d ..I!.•~"I......JaSS..... ".II!C.CIIII$II!IIII.EII, - ..'pillS.., .41111.~.a.a.eIS".dIlS.d.2.2••• a.2.$.2IE2, .E,_d, 'j' ", A ~ ~ AJI the News of All the Pointes Every Thursday Morning rosse ews Complete News Coverage of All the' Pointes Home of the News -;V;-;O~L'U~M-;;:-E-:2::3~'---:-N:-:O=--.-4:-::6---------af-r-~:-r~-~-s~-so-~i-l~-~n-:t-~-1:-;:-or--t,a-~-~~-h.----G-R-O-SS-E-P-O-IN-T-E-.-M-IC-H-IG-A-N-.-N-O-V-EM-B-E-R-I-5,-1-96-2------S4-'11Jo-p-~-~1'-c~-oe-~r----2-4-P-A-G-E-S---.T:-.'W-,-O-S-EC-T-,O-N-S--S-EC-T-IO-N-'- --------------------------------------......:....-------------------------------------- --------.-----:t IIEADLINES Richard School Wins Green Pennant oj the Two Bullets Miss ICall Meet~g \VEEK I To Hear SIde As Compiled by the WoodsPolicemen Of Residents Grosse Pointe News Leaders of 7 Mile - Mack Thursday, November 8 Taking Prisoner Development Meet with MRS, FRANKLIN DELANO Council to Formulate ROOSEVELT, widow of the late Program president, died last night in Officers Norman Handley and George Kasper Com- New York. She was 78. Mrs. mended by Director Bailey for Coolness in Bournemouthj Raymond Roosevelt, who had been ill six weeks, \vas suffering frO'm a Handling Difficult Situation and Linville road residents combination of tuberculosis and ------~- have been invited to attend anemia.
    [Show full text]
  • The Theater Designs of C. Howard Crane
    University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 1992 The Theater Designs of C. Howard Crane Lisa Maria DiChiera University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons DiChiera, Lisa Maria, "The Theater Designs of C. Howard Crane" (1992). Theses (Historic Preservation). 265. https://repository.upenn.edu/hp_theses/265 Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/265 For more information, please contact [email protected]. The Theater Designs of C. Howard Crane Disciplines Historic Preservation and Conservation Comments Copyright note: Penn School of Design permits distribution and display of this student work by University of Pennsylvania Libraries. Suggested Citation: DiChiera, Lisa Maria (1992). The Theater Designs of C. Howard Crane. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hp_theses/265 UNIVERSITY^ PENNSYLVANIA. UBRARIES THE THEATER DESIGNS OF C. HOWARD CRANE Lisa Maria DiChiera A THESIS in The Graduate Program in Historic Preservation Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE 1992 *Vid G. Dte-Lemg, Professor of ^rcnjie^tur Graduate Group Chairman and Advisor Andrew Craig Morrisorf; Architect, Reader FINE ARTS foil OF PENNSYLVANIA LIBRARII Contents List of Illustrations in Introduction 1 Chapter One: Setting the Stage: 3 A History of the Early Movie Industry Chapter Two: The Practice of C.
    [Show full text]