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H 1916.5 Music: Jazz and Popular Music
Music: Jazz and Popular Music H 1916.5 BACKGROUND: This instruction sheet provides guidelines for assigning headings to jazz and popular music, and for using geographic and chronological subdivisions. 1. Headings. a. Jazz. Assign the heading Jazz, with geographic and chronological subdivisions if appropriate. In addition: (1) Solo jazz. Assign headings of the type Piano music (Jazz) or Guitar music (Jazz) to jazz for a solo instrument. (2) Solo instrument(s) accompanied by jazz ensemble. Assign headings of the type Trumpet with jazz ensemble or Concertos (Piano and saxophone with jazz ensemble) to music for one or more solo instruments accompanied by a jazz ensemble. (3) Genres or styles of jazz. Assign headings for specific jazz genres or styles, such as Big band music; Dixieland music. (4) Jazz vocals. Assign the heading Jazz vocals to songs performed in jazz style by a vocalist or vocal group, with or without accompaniment. b. Popular music. Assign the headings Popular music or Popular instrumental music when more specific headings for style or genre are not appropriate. Judge the portion of a collection sufficient for assigning more specific headings according to standard practice. Assign Popular music to items consisting entirely of vocal music or of both vocal and instrumental popular music. Assign Popular instrumental music to items consisting entirely of instrumental popular music. Subject Headings Manual H 1916.5 Page 1 June 2013 H 1916.5 Music: Jazz and Popular Music 2. Geographic and chronological subdivisions. Use geographic and chronological subdivisions for all items to which the subdivisions apply, collections and individual works. This policy differs from the policy for using geographic and chronological subdivisions under headings for Western art music, which is described in H 1160. -
When the Cowboy Sings Album Download Gatemouth Brown Gatemouth Brown - Double Live at the Cowboy Bar Mp3 Herunterladen
when the cowboy sings album download gatemouth brown Gatemouth Brown - Double Live At The Cowboy Bar mp3 herunterladen. Canned Heat - Clarence Gatemouth Brown - Live at Montreux - Продолжительность: 5:18 jlsrv 2. Clarence Gatemouth Brown - Dark End Of The Hallway - Продолжительность: 4:57 When The Cowboy Sings by Clarence Gatemouth Brown. Boil Them Cabbage Down. Up Jumped the Devil. The Girl I Left Behind Me. When My Blue Moon Turns to Gold Again. Georgette Blanc. Jackson Hole Cowboy. Golden Slipper. Honey Boy. Pressure Cooker. Alibi Blues. Chicken Shift. I Wonder. Slow Boogaloo. Battle of New Orleans. C-Jam Boogie. search for Clarence Gatemouth Brown , Double Live at the Cowboy Bar. Double Live is the first live album by American country music singer Garth Brooks. It was released on November 17, 1998 and is a two-disc compilation of live songs, recorded during Brooks' 199698 world tour. The album broke the first-week sales record at the time, previously held by Pearl Jam's Vs. when it sold 1,085,000 copies. It became the best-selling live album in the US since Eric Clapton's Unplugged in 1992, later becoming the best-selling live album in United States music history. It has. Gatemouth Brown Boogie - Clarence Gatemouth Brown. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. Gatemouth Brown - The Girl I Left Behind Me mp3. Gatemouth Brown - When My Blue Moon Turns To Gold Again mp3. Gatemouth Brown - Georgettw Blanc mp3. Gatemouth Brown - Jackson Hole Cowboy mp3. Gatemouth Brown - Golden Slipper mp3. Gatemouth Brown - Honey Boy mp3. -
FOREWORD by Tom Miller
Dave Stogner Only A Memory Away - The Dave and Vi Stogner Story (A history of his music and their romance) FOREWORD By Tom Miller It could have been disconcerting for the young fiddle player on the stage. Early evening in an empty honky-tonk, it's still light out. It's the beginning of the 1980's and we are in the middle of the Urban Cowboy scare. “Hat Acts” were all the rage at that time, too. Resistol rock and roll babies are playing Country music to thin air. The front door is open--there is no way to stop the momentum of Dave Stogner's entrance. The erect sixty-something cowboy with the square jaw marches directly to the middle of the sunken dance floor at O.T. Price's Music Hall and kneels, elbow on higher knee, hand on chin, eyes fixed on young fiddle player. Rodin's ”Thinker,” Stogner's “Fiddle Contemplator.” No sense being rattled. The fiddler played right to the chiseled Western Swing bandleader. If there is a big linebacker you might as well run right at him, if you can't get around him. Stogner was not moving. My attention turned to making sure we had enough Jack Daniels and beer stocked for the night--bartending was my intro to the concert coordinating business. A few minutes later Dave walked directly toward me at the bar, wearing a Texas sized grin spanning Waco to Juarez. The fiddle player that night would do just fine. I was in my late twenties and loved all kinds of music, except most produced pop stuff. -
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E
A Caravan of Culture: Visitors to Emporia, Kansas by Charles E. Webb INTRODUCTION hat do Ulysses S. Grant, "Buffalo Bill" Cody, Susan B. Anthony, Will Rogers, Ethel Barrymore, and Dr. \Verner Von Braun haye in common"? They were W among the hundreds of famous people that have visited EmpOria, Kansas during the past one hundred years. In dividuals and groups of national and international fame, represen ting the arts, seiencl's. education, politics, and entertainment, have pa~sed before Emporia audiences in a century long parade. Since 1879, this formidable array of personalities has provided informa tion and entertainment to Emporia citizens at an average rate of once eaeh fifteen days, The occasional appearanee of a famous personality in a small city may well be considered a matter of historical coineidence. When, however, such visits are numbered in the hundreds, arc fre quent, and persist for a century, it appears reasonable to rank the phenomenon as an important part of that eity's cultural heritage. Emporia, although located in the interior plains, never ae cepted the role of being an isolated community. It seems that the (own's pioneers eonsidered themselves not on the frontier fringi'" of America, but strategically situated near its heart. From the town's beginning, its inhabitants indicated an intention of being informed and participating members of the national and world communities. To better understand why Emporia was able to attract so many distinguished guests, a brief examination of its early development is required. In the formative years of the city's history wc may identify some of the events, attitudes, and preparations Ihat literally set the stage for a procession of renowned visitors. -
With Over Fteen Years of Touring to Date, the Quebe Sisters Have Delivered Their My Tracks When I Heard Them the Rst Time
“The Quebe Sisters simply stopped me in With over fteen years of touring to date, The Quebe Sisters have delivered their my tracks when I heard them the rst time. authentic triple ddle and three-part harmony sound to the concert halls and festivals Their blend of swing with a dash of of North America and Europe. contemporary color is unique in today’s music world. They project a cannonball of Grace, Sophia, and Hulda Quebe front an innovative Progressive Western Swing band stage presence and man can they play.” of archtop guitar, upright bass, ddles and sibling harmony. The Dallas-based ve-piece JIMMY BUFFETT presents a unique Americana blend of Western Swing, Jazz-in uenced Swing, Country, Texas-Style Fiddling, and Western music. “The Quebe Sisters are some of the most talented people I’ve ever met. They do “We differentiate our music as ‘Progressive Western Swing’ from simply ‘Western Swing’ Texas proud. They live in Texas, sound because we aren’t trying to sound just like Bob Wills,” Grace Quebe explains. like Texas and they’re prettier than Texas “Instead, we continue his vision, playing the style he pioneered in an authentic way by Bluebonnets, and sweeter than sugar cane. I love the Quebe Sisters”. incorporating new genres and songs, interpreting them using our own unique voice RICKY SKAGGS through Country instrumentation.” The band’s stripped-down acoustic instrumentation breathes new life into seasoned sounds “I rst heard the Quebe Sisters at the Philly Folk Festival, and was pretty blown away. I begged once found in Texas dance halls and honky-tonks. -
HOT CLUB of COWTOWN to PERFORM at LONE TREE ARTS CENTER Western Swing & Gypsy Jazz Trio
10075 Commons Street • Lone Tree, Colorado 80124 • www.lonetreeartscenter.org LTAC Contact: Katie Maltais, Marketing Director FOR IMMEDIATE RELEASE Phone: 720-509-1007 January 6, 2014 Mobile: 515-321-6016 Fax: 720-509-1101 Email: [email protected] HOT CLUB OF COWTOWN TO PERFORM AT LONE TREE ARTS CENTER Western Swing & Gypsy Jazz Trio LONE TREE, CO – The Lone Tree Arts Center (LTAC) will heat up a cold January night with a sizzling evening of swinging jazz music and western swing when Denver favorites Hot Club of Cowtown perform on Friday, January 31 at 8pm. The acclaimed trio, specializing in a joyful fusion of traditional western music and mid-century gypsy jazz, make a signature sound all their own. Colorado is a regular stop for Hot Club of Cowtown; they play frequently at venues such as Swallow Hill Music. Since their first recording in 1998, Austin-based Hot Club of Cowtown has grown to be the most globe-trotting, hardest-swinging Western swing trio on the planet. The first American band to tour Azerbaijan, they have opened stadiums for such artists as Bob Dylan and Willie Nelson and continue to bring their brand of western swing to a wide range of festival audiences all over the world. But for guitarist Whit Smith, fiddler Elana James and bassist Jake Erwin, it has always been about staying true to their roots. Remaining willfully out of the musical mainstream, Hot Club of Cowtown has created an international cult following for their sonic personification of joy and unique sound inspired by their namesakes: “Hot Club” from the hot jazz guitarist Django Reinhardt and violinist Stephane Grappelli’s Hot Club of France, and “Cowtown” from the Western swing influence of Bob Wills and His Texas Playboys. -
Jeff Hughson Collection
http://oac.cdlib.org/findaid/ark:/13030/c8gt5v7h No online items Guide to the Jeff Hughson collection Devon Miller Center for Sacramento History 551 Sequoia Pacific Blvd. Sacramento, California 95811-0229 Phone: (916) 808-7072 Fax: (916) 264-7582 Email: [email protected] URL: http://www.centerforsacramentohistory.org/ © 2013 Center for Sacramento History. All rights reserved. Guide to the Jeff Hughson MS 67 1 collection Guide to the Jeff Hughson collection Collection number: MS 67 Center for Sacramento History Sacramento, CA Processed by: Devon Miller Date Completed: 2020-02-26 Encoded by: Devon Miller © 2013 Center for Sacramento History. All rights reserved. Descriptive Summary Title: Jeff Hughson collection Dates: 1952-2009 Collection number: MS 67 Creator: Hughson, Jeff (1950 - ) Collection Size: 2 linear feet(2 boxes) Repository: Center for Sacramento History Sacramento, California 95811-0229 Abstract: Jeff Hughson was born in Sacramento in 1950 and graduated from Sacramento High School in 1968 and shortly thereafter joined the staff of KZAP, Sacramento’s first freeform rock music radio station. This collection contains biographical information on Jeff Hughson on the form of one DVD and several news articles, and periodicals, radio playlists, concert flyers, promotional material, sound recordings and VHS tapes collected by Hughson and documenting the musical scene in Sacramento from the 1960s to the 1980s. Physical location: 30:I:01 Languages: Languages represented in the collection: English Access Collection is open for research use. Publication Rights All requests to publish or quote from private manuscripts held by the Center for Sacramento History (CSH) must be submitted in writing to the archivist. -
Understanding Music Popular Music in the United States
Popular Music in the United States 8 N. Alan Clark and Thomas Heflin 8.1 OBJECTIVES • Basic knowledge of the history and origins of popular styles • Basic knowledge of representative artists in various popular styles • Ability to recognize representative music from various popular styles • Ability to identify the development of Ragtime, the Blues, Early Jazz, Bebop, Fusion, Rock, and other popular styles as a synthesis of both African and Western European musical practices • Ability to recognize important style traits of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, Rock, and Country • Ability to identify important historical facts about Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music • Ability to recognize important composers of Early Jazz, the Blues, Big Band Jazz, Bebop, Cool Jazz, Fusion, and Rock music 8.2 KEY TERMS • 45’s • Bob Dylan • A Tribe Called Quest • Broadway Musical • Alan Freed • Charles “Buddy” Bolden • Arthur Pryor • Chestnut Valley • Ballads • Children’s Song • BB King • Chuck Berry • Bebop • Contemporary Country • Big Band • Contemporary R&B • Bluegrass • Count Basie • Blues • Country Page | 255 UNDERSTANDING MUSIC POPULAR MUSIC IN THE UNITED STATES • Creole • Protest Song • Curtis Blow • Ragtime • Dance Music • Rap • Dixieland • Ray Charles • Duane Eddy • Rhythm and Blues • Duke Ellington • Richard Rodgers • Earth, Wind & Fire • Ricky Skaggs • Elvis Presley • Robert Johnson • Folk Music • Rock and Roll • Frank Sinatra • Sampling • Fusion • Scott Joplin • George Gershwin • Scratching • Hillbilly Music • Stan Kenton • Honky Tonk Music • Stan Kenton • Improvisation • Stephen Foster • Jelly Roll Morton • Storyville • Joan Baez • Swing • Leonard Bernstein • Syncopated • Louis Armstrong • The Beatles • LPs • Victor Herbert • Michael Bublé • Weather Report • Minstrel Show • Western Swing • Musical Theatre • William Billings • Operetta • WJW Radio • Original Dixieland Jazz Band • Work Songs • Oscar Hammerstein 8.3 INTRODUCTION Popular music is by definition music that is disseminated widely. -
The Center for Popular Music Middle Tennessee State University, Murfreesboro, Tn
THE CENTER FOR POPULAR MUSIC MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN JESSE AUSTIN MORRIS COLLECTION 13-070 Creator: Morris, Jesse Austin (April 26, 1932-August 30, 2014) Type of Material: Manuscript materials, books, serials, performance documents, iconographic items, artifacts, sound recordings, correspondence, and reproductions of various materials Physical Description: 22 linear feet of manuscript material, including 8 linear feet of Wills Brothers manuscript materials 6 linear feet of photographs, including 1 linear foot of Wills Brothers photographs 3 boxes of smaller 4x6 photographs 21 linear feet of manuscript audio/visual materials Dates: 1930-2012, bulk 1940-1990 RESTRICTIONS: All materials in this collection are subject to standard national and international copyright laws. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated to the Center by Jesse Austin Morris of Colorado Springs, Colorado on May 23, 2014. Former Center for Popular Music Director Dale Cockrell and Archivist Lucinda Cockrell picked up the collection from the home of Mr. Morris and transported it to the Center. Arrangement: The original arrangement scheme for the collection was maintained during processing. The exception to this arrangement was the audio/visual materials, which in the absence of any original order, are organized by format. Collection is arranged in six series: 1. General files; 2. Wills Brothers; 3. General photographs; 4. Wills Brothers photographs; 5. Small print photographs; 6. Manuscript Audio/Visual Materials. “JESSE AUSTIN MORRIS COLLECTION” 13-070 Subject/Index Terms: Western Swing Wills, Bob Wills, Johnnie Lee Cain’s Ballroom Country Music Texas Music Oklahoma Music Jazz music Giffis, Ken Agency History/Biographical Sketch: Jesse Austin Morris was editor of The Western Swing Journal and its smaller predecessors for twenty years and a well-known knowledge base in western swing research. -
Let's Play! Orchestras Online 2020-2021
LET'S PLAY! ORCHESTRAS ONLINE 2020-2021 youthsymphonykc.org WYATT VIOLIN SALES Instruments, bows and accessories for violin, viola, cello and bass to fit any budget or skill level. REPAIR & RESTORATION Expert violin maker and repairmen on staff in our on premise workshop. WELCOME TO Artistic repair and up-to-date restoration techniques including bow rehairing and repair. ORCHESTRAS ONLINE RENTALS Dear Friends, Quality instruments at affordable prices. In a year that has been everything and Our hearts go out Choosing to rent from our shop provides anything but ordinary, Youth Symphony to those who have you with the highest level of service available. of Kansas City is fortunate to be sustained by experienced loss as a community of extraordinary individuals! a result of, and during, the pandemic. From our students, parents and sectional coaches – to our donors, volunteers and Our aim is that this Open by Appointment staff – the steadfast commitment by all to year’s performances Curbside drop-off & pickup for repairs or purchases, provide a meaningful and enriching musical by our dedicated student musicians may In Store sales available experience is remarkable. Thank you to all provide hope for brighter days ahead and who have contributed to the success of our bring joy to this day. Wyatt Violin Shop young musicians during this unusual year. — May great music always be a good friend! 2418 South R D Mize Road For nearly all of us, a host of unknowns Independence, MO continue to overshadow things on which we Call or Text: 816-252-5656 can rely. While we remain grateful for the [email protected] opportunity to continue to serve area student wyattviolin.com musicians, we recognize that many have Steven C. -
Backforty Bunkhouse Newsletter
Backforty Bunkhouse Newsletter Distributed by BACKFORTY BUNKHOUSE PRODUCTIONS 106 Roswell St., Ruidoso, NM 88345 (575) 808-4111 Home of Backforty Roundup and CD Chorale Backforty Bunkhouse Publishing BMI Venue / Show Productions Western Music Radio Marketing www.Backforty Bunkhouse.com [email protected] www.MySpace.com/BackfortyBunkhouse Joe Baker The Backforty Bunkhouse Newsletter is sent to over 700 email subscribers periodically and is growing every day. There are DJs, artists Publisher and fans whose interest are Western Swing, Cowboy Poetry, Cowboy Heritage and Texas Honky Tonk music genres. We solicit your comments, suggestions and ways we may better serve you. If you do not want to receive this newsletter and want to be removed from our mailing list, reply to this email by entering “UNSUBSCRIBE” in the subject box of the email. ___________________________________________________________________________________________________________ Published by Joe Baker cords from days gone by. The Tom Houston Orchestra was formed in 1989. Houston, formerly a member of Cowtown Society of Western Music Heroes Stephen F. Austin State University in Nacogdoches, Academy of Western Artists Disc Jockey of the Y ear Texas, holds both Master‘s and Doctorate Degrees in Cowtown Society of Western Music Disc Jockey of the Year Western Swing Music Society of the Southwest Hall of Fame Membership Director—Cowtown Society of Western Music Board of Directors—Cowtown Society of Western Music Seattle Western Swing Music Society POWS Hall of Fame Backforty Newsletter—CSWM‟s Publication of the Year 2009 Totsie Slover, Editor __________________________________________________ TM © 2008 Texas County Performance from Florida State University. As a free- Line Productions, LLC lance performer on clarinet, flute and saxophone, he has performed throughout the United States. -
Editing 2 the Virgin Islands Daily News VIRGIN ISLANDS Tuesday, January 19, 2021 Health: Vaccine Is Not a ‘Cure,’ Masks Are Still Needed by A.J
PO Box 306625, St. Thomas, VI 00803 Step(34h0)e 99n8- 45A29., [email protected] m Editing 2 The Virgin Islands Daily News VIRGIN ISLANDS Tuesday, January 19, 2021 Health: Vaccine is not a ‘cure,’ masks are still needed By A.J. RAO cess in the body. government agencies and providers to Daily News Staff “For the overwhelming majority of ensure doses are available for those in “ patients and people in the community, Phase 1A and 1B groups. He added Getting a COVID-19 vaccination For the overwhelming majority of vaccines are safe and can prolong life, that VITEMA will be setting up hot- doesn’t mean you can ditch the face patients and people in the community, prevent death and improve the quality lines this week for the St. Thomas-St. mask or get out of travel restrictions. of life,” Hunte-Caesar said. John district and the St. Croix dis- So says Dr. Tai Hunte-Caesar, an vaccines are safe and can prolong life, While some may experience minor trict for seniors to more easily set up infectious disease specialist with the prevent death and improve the quality inflammatory side effects, like sore- appointment. V.I. Health Department, who recently ness, redness or body aches, the vast Health Department Immunization joined other health officials for a virtu- of life. majority of people will not experience Director Monife Stout said there is no al town hall meeting on the Pfizer and — Dr. Tai Hunte-Caesar anything, according to Hunte-Caesar. “out of pocket expense” to get a vac- Moderna vaccines.