Released 24Th January 2018 DARK HORSE COMICS NOV170031
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Bill Rogers Collection Inventory (Without Notes).Xlsx
Title Publisher Author(s) Illustrator(s) Year Issue No. Donor No. of copies Box # King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 13 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Mark Silvestri, Ricardo 1982 14 Bill Rogers 1 J1 Group Villamonte King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 12 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench Alan Kupperberg and 1982 11 Bill Rogers 1 J1 Group Ernie Chan King Conan Marvel Comics Doug Moench Ricardo Villamonte 1982 10 Bill Rogers 1 J1 Group King Conan Marvel Comics Doug Moench John Buscema, Ernie 1982 9 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 8 Bill Rogers 1 J1 Group Chan King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1981 6 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar Mike Docherty, Art 1988 33 Bill Rogers 1 J1 Nnicholos King Conan Marvel Comics Roy Thomas John Buscema, Danny 1981 5 Bill Rogers 2 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema, Danny 1980 3 Bill Rogers 1 J1 Group Bulanadi King Conan Marvel Comics Roy Thomas John Buscema and Ernie 1980 2 Bill Rogers 1 J1 Group Chan Conan the King Marvel Don Kraar M. Silvestri, Art Nichols 1985 29 Bill Rogers 1 J1 Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 30 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Geof 1985 31 Bill Rogers 1 J1 Isherwood, Mike Kaluta Conan the King Marvel Don Kraar Mike Docherty, Vince 1986 32 Bill Rogers -
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories
Complexity in the Comic and Graphic Novel Medium: Inquiry Through Bestselling Batman Stories PAUL A. CRUTCHER DAPTATIONS OF GRAPHIC NOVELS AND COMICS FOR MAJOR MOTION pictures, TV programs, and video games in just the last five Ayears are certainly compelling, and include the X-Men, Wol- verine, Hulk, Punisher, Iron Man, Spiderman, Batman, Superman, Watchmen, 300, 30 Days of Night, Wanted, The Surrogates, Kick-Ass, The Losers, Scott Pilgrim vs. the World, and more. Nevertheless, how many of the people consuming those products would visit a comic book shop, understand comics and graphic novels as sophisticated, see them as valid and significant for serious criticism and scholarship, or prefer or appreciate the medium over these film, TV, and game adaptations? Similarly, in what ways is the medium complex according to its ad- vocates, and in what ways do we see that complexity in Batman graphic novels? Recent and seminal work done to validate the comics and graphic novel medium includes Rocco Versaci’s This Book Contains Graphic Language, Scott McCloud’s Understanding Comics, and Douglas Wolk’s Reading Comics. Arguments from these and other scholars and writers suggest that significant graphic novels about the Batman, one of the most popular and iconic characters ever produced—including Frank Miller, Klaus Janson, and Lynn Varley’s Dark Knight Returns, Grant Morrison and Dave McKean’s Arkham Asylum, and Alan Moore and Brian Bolland’s Killing Joke—can provide unique complexity not found in prose-based novels and traditional films. The Journal of Popular Culture, Vol. 44, No. 1, 2011 r 2011, Wiley Periodicals, Inc. -
Preview Book
Story, Art, and Letters by Stan Sakai Colors by Tom Luth Collection Design by Shawn Lee Edited by Bobby Curnow with Philip R. Simon and Megan Walker Cover by Stan Sakai with Colors by Tom Luth TEENAGE MUTANT NINJA TURTLES/USAGI YOJIMBO. JULY 2017. FIRST PRINTING. © 2017 Viacom International Inc. All Rights Reserved. Nickelodeon, TEENAGE MUTANT NINJA TURTLES, and all related titles, logos and characters are trademarks of Viacom International Inc. © 2017 Viacom Overseas Holdings C.V. All Rights Reserved. Nickelodeon, TEENAGE MUTANT NINJA TURTLES, and all related titles, logos and characters are trademarks of Viacom Overseas Holdings C.V. Based on characters created by Peter Laird and Kevin Eastman. Usagi Yojimbo™ © 2017 Stan Sakai. Usagi Yojimbo™ and all other characters prominently featured herein are trademarks of Stan Sakai. All rights reserved. Dark Horse Comics® is a trademark of Dark Horse Comics, Inc., registered in various categories and countries. All rights reserved. © 2017 Idea and Design Works, LLC. All Rights Reserved. IDW Publishing, a division of Idea and Design Works, LLC. Editorial offices: 2765 Truxtun Road, San Diego, CA 92106. The IDW logo is registered in the U.S. Patent and Trademark Office. Any similarities to persons living or dead are purely coincidental. With the exception of artwork used for review purposes, none of the contents of this publication may be reprinted without the permission of Idea and Design Works, LLC. Printed in Korea. IDW Publishing does not read or accept unsolicited submissions of ideas, stories, or artwork. . -
Sloane Drayson Knigge Comic Inventory (Without
Title Publisher Author(s) Illustrator(s) Year Number Donor Box # 1,000,000 DC One Million 80-Page Giant DC NA NA 1999 NA Sloane Drayson-Knigge 1 A Moment of Silence Marvel Bill Jemas Mark Bagley 2002 1 Sloane Drayson-Knigge 1 Alex Ross Millennium Edition Wizard Various Various 1999 NA Sloane Drayson-Knigge 1 Open Space Marvel Comics Lawrence Watt-Evans Alex Ross 1999 0 Sloane Drayson-Knigge 1 Alf Marvel Comics Michael Gallagher Dave Manak 1990 33 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 1 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 2 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 3 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 1999 4 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 5 Sloane Drayson-Knigge 1 Alleycat Image Bob Napton and Matt Hawkins NA 2000 6 Sloane Drayson-Knigge 1 Aphrodite IX Top Cow Productions David Wohl and Dave Finch Dave Finch 2000 0 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 600 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 601 Sloane Drayson-Knigge 1 Archie Marries Veronica Archie Comics Publications Michael Uslan Stan Goldberg 2009 602 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 603 Sloane Drayson-Knigge 1 Archie Marries Betty Archie Comics Publications Michael Uslan Stan Goldberg 2009 -
30Th ANNIVERSARY 30Th ANNIVERSARY
July 2019 No.113 COMICS’ BRONZE AGE AND BEYOND! $8.95 ™ Movie 30th ANNIVERSARY ISSUE 7 with special guests MICHAEL USLAN • 7 7 3 SAM HAMM • BILLY DEE WILLIAMS 0 0 8 5 6 1989: DC Comics’ Year of the Bat • DENNY O’NEIL & JERRY ORDWAY’s Batman Adaptation • 2 8 MINDY NEWELL’s Catwoman • GRANT MORRISON & DAVE McKEAN’s Arkham Asylum • 1 Batman TM & © DC Comics. All Rights Reserved. JOEY CAVALIERI & JOE STATON’S Huntress • MAX ALLAN COLLINS’ Batman Newspaper Strip Volume 1, Number 113 July 2019 EDITOR-IN-CHIEF Comics’ Bronze Age and Beyond! Michael Eury TM PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST José Luis García-López COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek IN MEMORIAM: Norm Breyfogle . 2 SPECIAL THANKS BACK SEAT DRIVER: Editorial by Michael Eury . 3 Karen Berger Arthur Nowrot Keith Birdsong Dennis O’Neil OFF MY CHEST: Guest column by Michael Uslan . 4 Brian Bolland Jerry Ordway It’s the 40th anniversary of the Batman movie that’s turning 30?? Dr. Uslan explains Marc Buxton Jon Pinto Greg Carpenter Janina Scarlet INTERVIEW: Michael Uslan, The Boy Who Loved Batman . 6 Dewey Cassell Jim Starlin A look back at Batman’s path to a multiplex near you Michał Chudolinski Joe Staton Max Allan Collins Joe Stuber INTERVIEW: Sam Hamm, The Man Who Made Bruce Wayne Sane . 11 DC Comics John Trumbull A candid conversation with the Batman screenwriter-turned-comic scribe Kevin Dooley Michael Uslan Mike Gold Warner Bros. INTERVIEW: Billy Dee Williams, The Man Who Would be Two-Face . -
Az Arkham Elmegyógyintézet Kapuján Innen És
KRITIKA 1989-et írunk. A Denevérember ekkor már az a Sötét Lovag, megyógyintézet, melynek sikere nyomán az író felértékelődött a akinek a magyar olvasók is megismerhették, hiszen túl van már kiadók szemében. a Frank Miller-féle nagygenerálon (The Dark Knight Returns, Az A kilencvenes években nagyrészt a DC-nek dolgozott: itt első év) és az Alan Moore-féle A gyilkos tréfán.1 A szuperhőszsáner írja a szürrealista-dadaista elemekkel megbolondított Doom is megújult Moore Watchmen2 című opusának hatására. A fenti Patrolt (1989–1993), egy rövidke ideig a Flash-t (1997), vala- történetek sikere ékesen bizonyította azt, hogy igenis van igény mint átfazonírozza a Justice League of Americát (1997–2000). a felnőtteket megcélzó szuperhősképregényekre. Egy háromrészes történet erejéig Todd MacFarlane Spawnján is 1989-re a graphic novel formátumú (könyvterjedelmű) dolgozik – ez a történet volt az első magyarul megjelent mun- képregény helyet szorított magának az amerikai könyvesboltok kája még 1998-ban.6 Az Egyesült Államokban 1993–94-ben polcain egyebek mellett Frank Miller The Dark Knight Returns, kijött Reflections (a hazai kiadásban: Emlékek) című sztori nem Art Spiegelman Maus3, valamint Alan Moore és Dave Gibbons különösebben erős, de Morrison mítosz-újraértelmező attitűdje Watchmen című munkáinak köszönhetően. Grant Morrisonnak itt is tettenérhető, hiszen a pokolbeli szuperhős eredettörténe- és Dave McKeannek is egy ilyen képregénye jelenik meg ebben tét egy új elemmel fűszerezi meg, rávilágítva arra, milyen alku az évben a DC Comics kiadónál. állt a Pokol katonájaként feltámasztott szuperhérosz halálának 1989-ben Morrison még nem számít igazán jelentékeny hátterében. Ezek mellett egy saját, szerzői sorozatot is készít The képregényírónak. A skót szerző éppen első komolyabb ameri- Invisibles címen (1994–2000), melybe az őt érdeklő témák (idő- kai munkáján, az Animal Man című sorozaton dolgozik a DC- utazás, mágia, összeesküvés-elméletek, punk rock) mellett a saját nél. -
Check All That Apply)
Form Version: February 2001 EFFECTIVE TERM: Fall 2003 PALOMAR COLLEGE COURSE OUTLINE OF RECORD FOR DEGREE CREDIT COURSE X Transfer Course X A.A. Degree applicable course (check all that apply) COURSE NUMBER AND TITLE: ENG 290 -- Comic Books As Literature UNIT VALUE: 3 MINIMUM NUMBER OF SEMESTER HOURS: 48 BASIC SKILLS REQUIREMENTS: Appropriate Language Skills ENTRANCE REQUIREMENTS PREREQUISITE: Eligibility for ENG 100 COREQUISITE: NONE RECOMMENDED PREPARATION: NONE SCOPE OF COURSE: An analysis of the comic book in terms of its unique poetics (the complicated interplay of word and image); the themes that are suggested in various works; the history and development of the form and its subgenres; and the expectations of comic book readers. Examines the influence of history, culture, and economics on comic book artists and writers. Explores definitions of “literature,” how these definitions apply to comic books, and the tensions that arise from such applications. SPECIFIC COURSE OBJECTIVES: The successful student will: 1. Demonstrate an understanding of the unique poetics of comic books and how that poetics differs from other media, such as prose and film. 2. Analyze representative works in order to interpret their styles, themes, and audience expectations, and compare and contrast the styles, themes, and audience expectations of works by several different artists/writers. 3. Demonstrate knowledge about the history and development of the comic book as an artistic, narrative form. 4. Demonstrate knowledge about the characteristics of and developments in the various subgenres of comic books (e.g., war comics, horror comics, superhero comics, underground comics). 5. Identify important historical, cultural, and economic factors that have influenced comic book artists/writers. -
Epic Games and EA Announce 'Bulletstorm Epic Edition' With
Epic Games and EA Announce ‘Bulletstorm Epic Edition' With Exclusive Early Access to Gears of War 3 Beta REDWOOD CITY, Calif.--(BUSINESS WIRE)-- People Can Fly, Epic Games, Electronic Arts Inc. (NASDAQ:ERTS) and Microsoft Game Studios today announced the "Epic Edition" of Bulletstorm™, the highly anticipated new action shooter from the makers of the award-winning Unreal Tournament and Gears of War series of games. In this unique promotion, Epic Games and EA are blowing out the launch of Bulletstorm with access to the public beta for Gears of War 3, the spectacular conclusion to one of the most memorable and celebrated sagas in video games. Players that purchase the Epic Edition are guaranteed early access to the Gears of War 3 beta*. Pre-order now to reserve a copy of the Epic Edition which will be available on Feb. 22, 2011 for MSRP $59.99, only for the Xbox 360® video game and entertainment system, while supplies last. "Epic is poised to break new ground in 2011 with Gears of War 3 and Bulletstorm," said Dr. Michael Capps, president of Epic Games. "With these two highly anticipated triple-A experiences comes a unique opportunity to do something to really excite players, and that's what we intend to accomplish with the support of Microsoft Game Studios and EA. This is for the shooter fans." In addition to access to the beta, the Epic Edition gives players bonus in-game Bulletstorm content when playing online, including 25,000 experience points, visual upgrades for their iconic leash, deadly Peace Maker Carbine, boots and armor. -
Igncc18 Programme
www.internationalgraphicnovelandcomicsconference.com [email protected] #IGNCC18 @TheIGNCC RETRO! TIME, MEMORY, NOSTALGIA THE NINTH INTERNATIONAL GRAPHIC NOVEL AND COMICS CONFERENCE WEDNESDAY 27TH – FRIDAY 29TH JUNE 2018 BOURNEMOUTH UNIVERSITY, UK Retro – a looking to the past – is everywhere in contemporary culture. Cultural critics like Jameson argue that retro and nostalgia are symptoms of postmodernism – that we can pick and choose various items and cultural phenomena from different eras and place them together in a pastiche that means little and decontextualizes their historicity. However, as Bergson argues in Memory and Matter, the senses evoke memories, and popular culture artefacts like comics can bring the past to life in many ways. The smell and feel of old paper can trigger memories just as easily as revisiting an old haunt or hearing a piece of music from one’s youth. As fans and academics we often look to the past to tell us about the present. We may argue about the supposed ‘golden age’ of comics. Our collecting habits may even define our lifestyles and who we are. But nostalgia has its dark side and some regard this continuous looking to the past as a negative emotion in which we aim to restore a lost adolescence. In Mediated Nostalgia, Ryan Lizardi argues that the contemporary media fosters narcissistic nostalgia ‘to develop individualized pasts that are defined by idealized versions of beloved lost media texts’ (2). This argument suggests that fans are media dupes lost in a reverie of nostalgic melancholia; but is belied by the diverse responses of fandom to media texts. Moreover, ‘retro’ can be taken to imply an ironic appropriation. -
Drew Edward Johnson 1835 N Screenland Drive, Burbank, CA
Drew Edward Johnson 1835 N Screenland Drive, Burbank, CA. 91505 (818) 445-1006 [email protected] http://drewedwardjohnson.deviantart.com www.facebook.com/The-Art-of-Drew-Edward-Johnson Biography Drew Edward Johnson began his illustration career in 1996 as series artist on Dark Horse Comics’/Lucasfilm’s STAR WARS: X-WING ROGUE SQUADRON comic book. His work has since been published by DC Comics, Marvel Comics, Image Comics, Wildstorm Productions, Boom! Studios, IDW, Legendary Comics, Zenescope Entertainment, Archie Comics, Disney Publishing, and Sports Illustrated. Past commercial clients have included Warner Brothers Studios, Hasbro Toys, Mattel Toys, Paramount Studios, and Walt Disney Studios. Drew is best known for his recent work on Legendary Comics’ best-selling graphic novel, GODZILLA: AFTERSHOCK, as well as for his work as series illustrator on DC Comics’ WONDER WOMAN, SUPERGIRL and THE AUTHORITY. In 2013, Drew moved into the field of television animation, working as a Storyboard Revisionist for two episodes of Marvel Animantion’s series, HULK & THE AGENTS OF SMASH. Drew’s other animation works include Storyboard artist on four episodes of Marvel Animation’s series, GUARDIANS OF THE GALAXY, season 2, as well as character concept design for Bento Box Entertainment’s shows THE BLUES BROTHERS and BOTCOP in 2016. Over the course of his career, Drew has served as a member of illustration studios such as Jolly Roger Studio, of Macon, GA, as well as Helioscope Studio of Portland, OR. He is currently a member of Garage Art Studio of North Hollywood, CA. Work Experience Freelance Storyboard Artist 2016-Current Responsiblities include working with show director to create storyboard roughs and clean-ups using Toon Boom Storyboard Pro 4.1, and creating PDF files of rough and clean boards as well as track-timed animatic Quicktime movies. -
Report on Micro Data, Sorted by Title
English Language Graphic Novels Winners and Nominations of Comics and Graphic Novels Awards up to 2004 (list sorted first by title) Prepared by Olivier Charbonneau [email protected] Concordia University Data current as of May 18, 2004 PS. Please feel free to use and circulate this list – as long as the person using or receiving it does not use it for commercial purposes (selecting books for a library is OK) and agrees to send me a thank you letter at the following address: Olivier Charbonneau, Webster Library, room LB-279 Concordia University 1400 de Maisonneuve Blvd. W. Montreal, Quebec, H3G 1M8 Page 1 of 56 Title Publisher Wins Nominations 100 Unknown 1 Workman, John letterer 100 BulletDC 4 5 Azzarello, Brian writer Johnson, Dave cover 2002-2003 Risso, Eduardo artist 1001 Nights of BacchusDark Horse Comics 1 Schutz, Diana editor 1963 Image 2 Moore, Alan 20 Nude Dancers 20Tundra 1 Martin, Mark 20/20 VisionsDC/Vertigo 1 Alonso, Axel editor Berger, Karen editor 300Dark Horse Comics 2 2 Miller, Frank Varley, Lynn colorist 32 Stories Drawn & Quarterly 1 Tomine, Adrian A Contract with GodDC 2 Eisner, Will A Decade of Dark HorseDark Horse Comics 1 Stradley, Randy editor A History of ViolenceParadox 1 Wagner, John A Jew in Communist PragueNBM 1 4 Giardino, Vittorio Nantier, Terry editor A Small KillingVG Graphics/Dark Horse 1 1 Moore, Alan Zarate, Oscar A1Atomeka 1 2 Elliott, Dave editor Abraham StonePlatinum/Malibu 2 Kubert, Joe Page 2 of 56 Title Publisher Wins Nominations Acid Bath CaseKitchen Sink Press 1 Schreiner, Dave editor -
Draft Draft Draft Draft Draft Draft Draft Draft
BATTLESTARDRAFT GALACTICA (CLASSIC): FOLLY OF THE GODS DRAFT DRAFT DRAFT DRAFT DRAFT An all-new adventure set in the continuity of the classic 1978 Battlestar Galactica television ISBN-13: 978-1-5241-0314-9 series! The Galactica's search for sanctuary takes them beyond the limits of known reality and Price: $19.99 ($26.50 CAN) Publisher: Dynamite into a cosmic mystery where the hunters become the hunted, ruin and despair dot the skies, Entertainment and Adama goes where friend and family can't follow. Cullen Bunn (Sinestro Corps, Writer: Cullen Bunn Deadpool)DRAFT and Alex Sanchez (Mad Max: Ride, 30 Days Of Night) invite you on a journey Artist: Alex Sanchez unlike any in the history of Battlestar Galactica! Size: 6.75 x 10.25 Page Count: 120 Format: Softcover, Full Color Recommended Age: Mature Reviews: Readers (ages 16 and up) Other Works by Creators: "Incredibly well-crafted and entertaining." - Geek Sushi Uncanny X-Men: Superior Vol. DRAFT 1: Survival of the Fittest (ISBN-13 978-0-7851-9607-5, "A contemporary feel without losing the charm of the source material." - Capeless Crusader KEY SELLING POINTS: $15.99), The Sixth Gun Volume 1: Cold Dead Fingers Cullen Bunn is the writer of The Sixth Gunn, Harrow County, Blood Feud, Uncanny X-Men, (ISBN-13 978-1-934964-60-6, Drax, and Micronauts. He won a 2015 Ghastly Award for Best Writer on Army of Darkness: $19.99) Comparison Title: Star Trek Ash in Space. His website address is www.cullenbunn.com, and he has 21,600 Twitter Omnibus Volume 2: The Early followersDRAFT (@cullenbunn).