Fantastic Art Dada Surrealism

Total Page:16

File Type:pdf, Size:1020Kb

Fantastic Art Dada Surrealism Fantastic Art Dada Surrealism edited by Alfred H. Barr, Jr. essays by Georges Huguet MoMAExh_0055_MasterChecklist The Museum of Modern Art, New York, 1936 Fantastic art: 15th and 16th centuries ARCIMBOLDO, Giuseppe. Italian pain- BOSCH (van AEKEN) , Hieronymus. ter and theatrical designer.Born Milan, c. Dutch painter and designer for engravings. 1530. Court painter to the Austrian Em- Born c. 1460 [?]; active at '8 Hertogen- perors, Ferdinand I, Maximilian II, Ru- bosch in Holland, 1488-1512. Inflnenced dolfII. Specialized in compositeheads and by Geertgen tot Sint J ans and hy the Mas- allegorical figures made up of flowers, ter of the Virgo inter Virgines. Painter fruits, and animals: Four Elements; Four of diabolical visions and hell. Influenced Seasons. Ennobled, 1591. Died Milan, 1593. Brueghel who took over many of his sub- _- -c-, jects. Many drawings of fantastic figures t:thotog!"aphs attributed to him are engravingsafter his ..L..--- l. Bust composed of animals work but probably not by his own hand . ........-2. Fire Died '8 Hertogenbosch, 1516. "-'3. Water *10. Study for a Temptation of St. An· c-: 4. Winter thony, ink, 8 x 10% inches 0'*5. Summer, 1563 Lent by the Louvre Museum, Paris MoMAExh_0055_MasterChecklist Original paintings in the Picture Gal- 11. Small fishes are bait for large fishes lery, Vienna (Grandibus exigui sunt pisces pis- cibus esca), engraved by Peter Hrue- ARCIMBOLDO, traditiou of ghel the elder, 1557 6. Landscape-head (donble image) Lent anonymously Oil on pane], 12Y2x 1614 inches Note: probably either a North Ital- Pbotograp ian or an Austrian painting of theS:f2:- e Temptation of St. Anthony 16th century Original painting in the Lisbon Mu- Lent anonymously eeum @ot~;h> BALDUNG, Hans, called GRIEN. Oer- man painter and graphic artist. Born Wey- v13. The Capital Sins ersheim (Alsace), c. 1480. Influenced by Original painting in the Gallery of Durer. Court painter to Bishop of Struss- the Escorial, Spain burg, and worked at Freiburg under pat. *14. The Temptation of Saint Anthony, ronage of Margrave Christoph von Baden. attributed to Bosch Many allegorical subjects and portraits, Oil on panel, 15% x 9% inches principally in woodcuts. Died Strassburg, Lent by' the William Rockhill Nelson 1545. Gallery of Art, KansasCity, Missouri *7. Bewitched groom, woodcut Lent by W. G. Russell Allen, Boston BOSCH, School of Reproduced from a facsimile *15. Descent into hell 8. Seven horses fighting in a wood, Oil on panel, 21 x 46 inches woodcut, 1534 Lent by The Metropolitan Museum Lent hy the Museum of Fine Arts, of Art, New York Boston BRUEGHEL, Peter, the cider. Flemish 9. Witches' sabbath, woodcut painter and graphic artist. Born Brueghel Lent bv W. G. Russell Alleu, Boston c. 1525-1530. Pupil of Peter Koeck van 246 'I Aalst and Hieronymus Cock.Influenced in FLO RlS, Cornelis II (de VRlENDT), subject matter by Bosch. Although chiefly Flemish sculptor, architect and designer a painter of scenes from peasant life, h~ of ornamental engravings. Born Antwerp, produced all manner of fantastic and dia- 1514. Traveled in Italy and introduced bolical etchings and drawings. Died Brus- Roman grotesque style into The Nether- sels, c. 1570. Innds.Active as architect andsculptorfrom 1549 on. Died Antwerp, 1579. 16. Avarice, engraving Lent anonymously 22-24. Three ornamental designs, en- . graved by Corneille 17. Jlfascarade d'Ourson et de JIltlen- Lent by Miss Janice Loeb,Paris tin, woodcut Taken from Brueghel'e painting, GIOVANNI DI PAOLO Dl GRAZIA. Combat of Carnival and Lent Italian painter and illuminator. Born Lent by \V. G. Russell Allen, Boston Siena, 1403 [? J. Assimilated wide variety of styles,including elements of Byzantine DURER,Albrecht. Germau painter, graph. art, Duccio, Simone Martini, Barna, and io artist, illustrator and writer on art Gentile da Fahriano. Signed and dated theory. Born Nuremberg, 1471. Occupied Crucifixion, 1440, now in SienaAcademy. chiefly as painter until 1510, after that de- Executed,probably for the church of San voted himselfMoMAExh_0055_MasterChecklist to graphic arts, of which he Domenico in 1445, a Last Judgment; a was probably the greatest master of his fragment of another painting of the same age. Died Nuremberg, 1528. subject, representing Paradise, is in The 18. The Beast with Seven Heads and . Metropolitan Museum, New York. Cu.lmi- the Beast with Lamb's Horns, wood- nation of lyrical and romantic tendencies cut from The Apocalypse, 1498 in six scenesfrom life of John the Baptist, Lent by W. G. Russell Allen, Boston The Art Institute of Chicago.Died Siena, 1482. 19. The Whore of Babylon, woodcut from The Apocalypse, 1498 '25. Shipwreck-Miracle of St. Nicholas Lent by W. G. Russell Allen, Boston of Bari, c. 1450 Tempera on panel, 20% x 16% inches '20. Man in despair, etching on iron, Lent through the courtesy of th~ 1516 Trustee of the Johnson Collection, Lent by thc Museum of Fine Arts, Philadelphia Boston GIOVANNI DA UDINE. Umbrian mnral FINE, Oronce. French mathematician and and easel painter. Born, 1487. Pupil of astronomer. Born 1494. Professor of math- Giorgione and Raphael. Designer of all ematics and architecture, Royal College, types of ornamental decoration. Died Paris. Designed woodcuts for his own and Rome, 1564. others' books on these subjects.Died, 1555. 26. Dragon, pen drawing attributed to AI. Woodcut from Raison d'Architecture Giovanni da Udine. Antique Extraicte de Victruve, et Lent by the Fogg Art Museum,Cam- aultres Architectures, by Diego de bridge, Loeser Collection Sagredo, Paris, Simon de Colinee, c. 1530 GOUJON, Jean. French sculptor and arch- Q.tigj,ndl in The, Metr~itan.j\Ju. itect. Born, 1515. Chief of the group of eeum of Art, New~ artistswho designed and executedthe dec- 247 ,I orations of the palace of Fontainebleau. ~5. The encounter Died, 1572. {. Q!'iginili in The Metropolitan Mu- eeum of Art, New York "'27-30. Fourwoodcuts, attributed to Con- jon, from Orus Apollo de Aegy pte de JAMNITZER, Wenzel. Austrian goldsmith La Signification des Notes Hierogly- and engraver. Born Vienna, 1508. \Vorked phiques des Aegyptiens, Paris, Ker- in Nuremberg for Emperor Charles V and vel', 1543. Lent by William 1\1. Ivins, others. Died, 1585. Jr., New York ~36. Etching from Perspectiva Corporum HOLBEIN, Hans, the younger. Foremost Reguloriurn, Nuremberg, 1568 German portrait painter of the 16th cen- Q!'igiru;\l in The Metropohtan 1\1u- tury. Born Augeburg, 1497. "1orked prin- seum of Art, New York cipally in Switzerland and England, where he became painter to Henry VIII. Died, LEONARDO DA VINCI. Italian artist, 1543. musician, engineer, mathematician and scientist. Born near Florence, 1452. Died cJilotOgl'aiV Chateau de Cloux, France, 1519. /31. Two Ambassadors "'37-38. \VOOdcut8 after designs by Leo- Note: the bizarrely foreshortened uardo da Vinci hom Divina Propor- MoMAExh_0055_MasterChecklist skull hanging in mid-air between the tione, by Luca Pacioli (da Borgo S. two figures is the most famous ex- Sepo lcro }, Venice, Paganinus de Pa- ample of extremejy distorted per- ganinis, June 1, 1509 spective. The skull has sometimes Lent by Philip Hofer, New York been considered an emblematic sig- nature derived from Holbein's name :MUSI, Agostino del, called Agostino "hollow bone". VENEZIANO. Italian engraver. Born Original painting in the National Venice, c. 1490; worked there under in- Gallery, London fluence of Giulio Campagnola, J acopo de' Barberi and Durer. Rome, 1516, as one of HUYS~ Peter. Flemish painter and en- chief pupils of Marcantonio. Dated w01'k8, graver. Active in Antwerp, 1545-77. Signed 1509-36.Engravings after Raphael, Giulio and dated paintings reveal him as follower Romano, Baccio Bandinelli. Famous for of Hieronymus Bosch and Jan Massys: grotesques mingl iug original antique mo- Temptation of St. Anthony, 1547; Hell, tives with those of Raphael's school. Prado, j\1adrid, 1570. *39. The carcass, engraving *32. Temptation of St. Anthony Note: sometimes Ialsely attributed Oil on pane], 43 x 49 inches to Marcantonio. This engraving has Lent by The Metropolitan Museum been considered an allegory of ma- of Art, New York laria. Lent anonymously. JAMNITZER, Christopher. Flemish gold- smith and engraver. Born Nuremberg, PENNI, Luca, Italian follower of Raphael. 1563. In 1600 published a set of grotesque Born Florence, end of 15th century. Died, subjects. Died, 1618. 1556. Etchings from Neuw Grottessken Buch, '40. The dream of Raphael or The mel- Nuremberg, 1610 ancholy of :l\1ichelangelo~ after a design attributed to Luca Penni, en- Tournament v"'33. graved by Giorgio Gbisi J 34. Grotesque design Lent by W. G. Russell Allen, Boston 248 RICHIER, Ligier. French sculptor, Born Sculptors and Goldsmiths, printed 1540. St. Mihiel, 1506. Studied with Michel- Died,1556. angelo. Died, 1572. P]rotogr~q)hs J4a. Thewonder-grapesofAlbersweiler ~ J (Die Wundertraube von Alberswei-l- V41. Figure from the tomb of Rene de er}, woodcut, 1542 Chalous, Bar-le-Duc Note: These grapes grewa red beard. Q!igin.aL in The Metropolitan Th-fu- SCHONGAUER, Martin. Foremost Ger- seum of Art, New York man engraver of the 15th century. Born Colmar, c. 1445. Influenced by Rogel' van Lombard School, 15th century del' \~Teyden. Died Colmar, c. 1489. 45. Emblematic symbols, ink: 011 parch. ment, partly pricked for transfer 42. The Temptation of St. Anthony, Note: probably studies for l mprese engraving (personal heraldic devices) for Duke Lent hy W. G. Russell Allen, Boston Guglielmo II of Moufen-ato Lent by the Fogg Art Museum, Cam- SCHON, Erhard. German painter, bridge, Loeser Collection draughtsman and engraver. Born, c. 1500. Earliest dated work, 1515. Pupil or imita- MoMAExh_0055_MasterChecklist North Italian School, 15th century tor of Durer. Worked at Nuremberg. Died *46. Fall of Phaeton after 1550. Oil on panel, 1714 x 20%inches L--43. The devfl-wlth bagpipes, woodcut Lent by the Wadsworth Atheneum, Original in The Metropolitan Thill- Hartford scum of Art, New York French School [?], 16th century V 43a.
Recommended publications
  • WASHINGTON, B.C. June 14, 1973. a Major Catalog on the National
    SIXTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 • 737-4215 extension 224 MAJOR ITALIAN ENGRAVINGS CATALOG PUBLISHED BY NATIONAL GALLERY WASHINGTON, B.C. June 14, 1973. A major catalog on the National Gallery of Art's collection of fifteenth and early sixteenth century Italian prints has been published by the National Gallery. This catalog has been produced in conjunction with the Gallery's comprehensive exhibition, Prints of _the Italian Renaissance, on view June 23 through October 7, 1973. The new volume, Early Italian Engravings from the National Gallery of Art, is the third in a series on the Gallery's graphic arts holdings and the first to be devoted to Italian prints. Over 600 pages in length, it includes reproductions of and scholarly entries on all 191 engravings belonging to the Gallery, and 175 supplementary illustrations. The catalog also contains detailed biographies of every engraver represented in the collection, and discusses problems of dating and stylistic development as they apply to the artist's entire oeuvre in essays which reflect the most extensive new research done in this field since the publication in 1948 of the second part of Arthur M. Hind's corpus. Early Italian Engraving. New ideas are advanced about the attributions of early Florentine prints, and entirely new chronologies are proposed for the engravings of such artists as Andrea Mantegna, Jacopo de f Barbari, and Giulio Campagnola. (more) -2. MAJOR ITALIAN ENGRAVINGS CATALOG PUBLISHED BY NATIONAL GALLERY In addition, the general introduction to the catalog traces the entire development of printmaking in Italy in a systematic way, stressing the importance of the influence of the northern engravers, particularly DUrer and Schongauer.
    [Show full text]
  • In Memoriam Frederick Dougla
    Central Library of Rochester and Monroe County · Historic Monographs Collection Central Library of Rochester and Monroe County · Historic Monographs Collection CANNOT BE PHOTOCOPIED * Not For Circulation Central Library of Rochester and Monroe County · Historic Monographs Collection / III llllllllllll 3 9077 03100227 5 Central Library of Rochester and Monroe County · Historic Monographs Collection jFrebericfc Bouglass t Central Library of Rochester and Monroe County · Historic Monographs Collection fry ^tty <y /z^ {.CJ24. Central Library of Rochester and Monroe County · Historic Monographs Collection Hn flDemoriam Frederick Douglass ;?v r (f) ^m^JjZ^u To live that freedom, truth and life Might never know eclipse To die, with woman's work and words Aglow upon his lips, To face the foes of human kind Through years of wounds and scars, It is enough ; lead on to find Thy place amid the stars." Mary Lowe Dickinson. PHILADELPHIA: JOHN C YORSTON & CO., Publishers J897 Central Library of Rochester and Monroe County · Historic Monographs Collection Copyright. 1897 & CO. JOHN C. YORSTON Central Library of Rochester and Monroe County · Historic Monographs Collection 73 7^ In WLzmtxtrnm 3fr*r**i]Ch anglais; "I have seen dark hours in my life, and I have seen the darkness gradually disappearing, and the light gradually increasing. One by one, I have seen obstacles removed, errors corrected, prejudices softened, proscriptions relinquished, and my people advancing in all the elements I that make up the sum of general welfare. remember that God reigns in eternity, and that, whatever delays, dis appointments and discouragements may come, truth, justice, liberty and humanity will prevail." Extract from address of Mr.
    [Show full text]
  • The Frontier, November 1932
    University of Montana ScholarWorks at University of Montana The Frontier and The Frontier and Midland Literary Magazines, 1920-1939 University of Montana Publications 11-1932 The Frontier, November 1932 Harold G. Merriam Follow this and additional works at: https://scholarworks.umt.edu/frontier Let us know how access to this document benefits ou.y Recommended Citation Merriam, Harold G., "The Frontier, November 1932" (1932). The Frontier and The Frontier and Midland Literary Magazines, 1920-1939. 41. https://scholarworks.umt.edu/frontier/41 This Journal is brought to you for free and open access by the University of Montana Publications at ScholarWorks at University of Montana. It has been accepted for inclusion in The Frontier and The Frontier and Midland Literary Magazines, 1920-1939 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. V'«l o P i THE1$III! NOVEMBER, 1932 FRONTIER A MAGAZINt Of THf NORTHWfST THE WEST—A LOST CHAPTER c a r e y McW il l ia m s THE SIXES RUNS TO THE SEA Story by HOWARD McKINLEY CORNING SCOUTING WITH THE U. S. ARMY, 1876-77 J. W. REDINGTON THE RESERVATION JOHN M. KLINE Poems by Jason Bolles, Mary B. Clapp, A . E. Clements, Ethel R. Fuller, G. Frank Goodpasture, Raymond Kresensky, Queene B. Lister, Lydia Littell, Catherine Macleod, Charles Olsen, Lawrence Pratt, Lucy Robinson, Claite A . Thom son, Harold Vinal, Elizabeth Waters, W . A. Ward, Gale Wilhelm, Anne Zuker. O T H E R STO R IE S by Brassil Fitzgerald and Harry Huse.
    [Show full text]
  • The Representation of Roma in Major European Museum Collections
    The Council of Europe is a key player in the fight to respect THE REPRESENTATION OF ROMA the rights and equal treatment of Roma and Travellers. As such, it implements various actions aimed at combating IN MAJOR EUROPEAN discrimination: facilitating the access of Roma and Travellers to public services and justice; giving visibility to their history, MUSEUM COLLECTIONS culture and languages; and ensuring their participation in the different levels of decision making. Another aspect of the Council of Europe’s work is to improve the wider public’s understanding of the Roma and their place in Europe. Knowing and understanding Roma and Travellers, their customs, their professions, their history, their migration and the laws affecting them are indispensable elements for interpreting the situation of Roma and Travellers today and understanding the discrimination they face. This publication focuses on what the works exhibited at the Louvre Museum tell us about the place and perception of Roma in Europe from the15th to the 19th centuries. Students aged 12 to 18, teachers, and any other visitor to the Louvre interested in this theme, will find detailed worksheets on 15 paintings representing Roma and Travellers and a booklet to foster reflection on the works and their context, while creating links with our contemporary perception of Roma and Travellers in today’s society. 05320 0 PREMS ENG The Council of Europe is the continent’s leading human rights organisation. It comprises 47 member Volume I – The Louvre states, including all members of the European Union. Sarah Carmona All Council of Europe member states have signed up to the European Convention on Human Rights, a treaty designed to protect human rights, democracy and the rule of law.
    [Show full text]
  • College of Fine and Applied Arts Annual Meeting 5:00P.M.; Tuesday, April 5, 2011 Temple Buell Architecture Gallery, Architecture Building
    COLLEGE OF FINE AND APPLIED ARTS ANNUAL MEETING 5:00P.M.; TUESDAY, APRIL 5, 2011 TEMPLE BUELL ARCHITECTURE GALLERY, ARCHITECTURE BUILDING AGENDA 1. Welcome: Robert Graves, Dean 2. Approval of April 5, 2010 draft Annual Meeting Minutes (ATTACHMENT A) 3. Administrative Reports and Dean’s Report 4. Action Items – need motion to approve (ATTACHMENT B) Nominations for Standing Committees a. Courses and Curricula b. Elections and Credentials c. Library 5. Unit Reports 6. Academic Professional Award for Excellence and Faculty Awards for Excellence (ATTACHMENT C) 7. College Summary Data (Available on FAA Web site after meeting) a. Sabbatical Requests (ATTACHMENT D) b. Dean’s Special Grant Awards (ATTACHMENT E) c. Creative Research Awards (ATTACHMENT F) d. Student Scholarships/Enrollment (ATTACHMENT G) e. Kate Neal Kinley Memorial Fellowship (ATTACHMENT H) f. Retirements (ATTACHMENT I) g. Notable Achievements (ATTACHMENT J) h. College Committee Reports (ATTACHMENT K) 8. Other Business and Open Discussion 9. Adjournment Please join your colleagues for refreshments and conversation after the meeting in the Temple Buell Architecture Gallery, Architecture Building ATTACHMENT A ANNUAL MEETING MINUTES COLLEGE OF FINE AND APPLIED ARTS 5:00P.M.; MONDAY, APRIL 5, 2010 FESTIVAL FOYER, KRANNERT CENTER FOR THE PERFORMING ARTS 1. Welcome: Robert Graves, Dean Dean Robert Graves described the difficulties that the College faced in AY 2009-2010. Even during the past five years, when the economy was in better shape than it is now, it had become increasingly clear that the College did not have funds or personnel sufficient to accomplish comfortably all the activities it currently undertakes. In view of these challenges, the College leadership began a process of re- examination in an effort to find economies of scale, explore new collaborations, and spur creative thinking and cooperation.
    [Show full text]
  • Concordia Theological Quarterly
    teach the faithful, reach lost, and care for all. Forming servants in Jesus Christ who CONCORDIA THEOLOGICAL QUARTERLY CONCORDIA THEOLOGICAL SEMINARY THEOLOGICAL CONCORDIA CONCORDIA Fort Wayne, IN 46825-4996 Fort Wayne, 6600 North Clinton Street THEOLOGICAL QUARTERLY Volume 81 Number 3–4 July/October 2017 REFORMATION 500 ANNIVERSARY ISSUE The Ninety-Five Theses Cameron A. MacKenzie Luther on Galatians as the Banner of the July/Oct 2017 Reformation Naomichi Masaki Pfarramt, Geography, and the Order of the Church Mark D. Nispel Luther’s Use of Apologetics Adam S. Francisco Antichrist in the Scriptures and Lutheran Confessions 81:3–4 Charles A. Gieschen ORGANIZATION Berne, IN 46711 NON-PROFIT NON-PROFIT Permit No. 43 Will the Real Martin Luther Stand Up? U.S. Postage PAID David P. Scaer Luther Lessons for the Present Crisis Peter J. Scaer The Great Litany Benjamin T. G. Mayes US ISSN 0038-8610 Concordia Theological Quarterly Concordia Theological Quarterly, a continuation of The Springfielder, is a theological journal of The Lutheran Church—Missouri Synod, published for its ministerium by the faculty of Concordia Theological Seminary, Fort Wayne, Indiana. Editor: David P. Scaer ([email protected]) Associate Editor: Charles A. Gieschen ([email protected]) Assistant Editor: Benjamin T.G. Mayes ([email protected]) Book Review Editor: Peter J. Scaer ([email protected]) Members of the Editorial Committee James G. Bushur, Paul J. Grime, John G. Nordling, and Lawrence R. Rast Jr. Editorial Assistant: Eamonn M. Ferguson The Faculty James G. Bushur Naomichi Masaki David P. Scaer Carl C. Fickenscher II Benjamin T.G.
    [Show full text]
  • Breast Cancer, WOMEN's Health & Therapeutics
    9th European Congress on Breast Cancer, Women’s Health & Therapeutics Paris, France Feb 25-26, 2019 Future of Breast Cancer & Women’s Health: Innovations and Research Outlook Breast Cancer 2019 Breast CanceR 2019 Future Shape of Breast Cancer & Women’s Health: Accessions, Organizations & Research Conference Dedicated to Innovate Solution to the Public Health Challenges Your single Destination to reach Largest Assemblage of participants from Breast Cancer and Women’s Health Community Opportunity beyond any Comparison to Attend & Network Experience the Global Ambiance with Researchers with Similar Significance Make New Associations and Fostering Potential Partnerships Learning & Knowledge in a Single Package Worldwide Acknowledgement to your Research Profile Explore the best in Cutting Edge Research Learn Beyond your Field of Interest Professional Development to Elevate your Knowledge and Skills Breast Cancer 2019 Speakers Representation from 50+ Countries 1 Conference | 2 Days | 9th Conference in Breast Cancer 15 Keynote Talks | 75 Plenary Speakers | 17 Interactive sessions Symposia | Workshops | Best Poster Award 200 Attendees | 50 Professors | and many more . http://breastcancer.alliedacademies.com http://breastcancer.alliedacademies.com Greetings! Welcome to most exciting and fascinating Paris, France! Within this splendid setting, we plan to deliver a conference that will exceed your expectations. During this year’s Conference, we hope that you will seize the opportunity to rekindle ongoing connections and spark new ones with your colleagues from around the globe. It’s with great pleasure and great honor to invite you to the “9th Euro Congress on Breast Cancer, Women’s Health & Therapeutics” scheduled during Feb 25-26 at Paris, France. Welcome Message The Conference will be organized around the theme “Rediscovering the Novel Approaches of Breast Cancer and Women’s Health” Breast Cancer 2019 anticipates more than 500 participants around the globe to experience thought provoking Keynote lectures, Oral & Poster presentations.
    [Show full text]
  • Puzzles Games What Am I 2
    What Am I? GUESS THE MYSTERY THING Here are some clues: I was born in 1503 in Florence, Italy. page 1 My twin lives in Madrid, Spain. page 2 I owe my fame to the study of anatomy. page 3 My name implies happiness. page 4 I am a child of the Renaissance. page 5 My admirers sing my praises. page 6 In my youth, I made the long journey from Italy to France. page 7 I tend to pose in a three-quarter position. page 8 When I was absent, people became more interested in getting to know me. page 9 I once had the opportunity to meet Jackie Kennedy. page 10 People claim that I am priceless. page 11 I have resided at many royal palaces. page 12 People are often disappointed by my size. page 13 The hair around my eyes is blatantly absent. page 14 I am nervous about being hit with flying objects. page 15 During World War II, I was sent away for safekeeping. page 16 I am celebrated the world over. page 17 Under my public exterior lies secrets to my past. page 18 I was once abducted from my home. page 19 My fans frequently send me cards, letters, and emails. page 20 Pablo Picasso was accused of abducting me. page 21 My creator was a part of the last supper. page 22 I belong to the French government. page 23 Many people have speculated about my smile. page 24 If you visit the Louvre Museum in Paris, you will see me.
    [Show full text]
  • Following the Early Modern Engraver, 1480-1650 September 18, 2009-January 3, 2010
    The Brilliant Line: Following the Early Modern Engraver, 1480-1650 September 18, 2009-January 3, 2010 When the first engravings appeared in southern Germany around 1430, the incision of metal was still the domain of goldsmiths and other metalworkers who used burins and punches to incise armor, liturgical objects, and jewelry with designs. As paper became widely available in Europe, some of these craftsmen recorded their designs by printing them with ink onto paper. Thus the art of engraving was born. An engraver drives a burin, a metal tool with a lozenge-shaped tip, into a prepared copperplate, creating recessed grooves that will capture ink. After the plate is inked and its flat surfaces wiped clean, the copperplate is forced through a press against dampened paper. The ink, pulled from inside the lines, transfers onto the paper, printing the incised image in reverse. Engraving has a wholly linear visual language. Its lines are distinguished by their precision, clarity, and completeness, qualities which, when printed, result in vigorous and distinctly brilliant patterns of marks. Because lines once incised are very difficult to remove, engraving promotes both a systematic approach to the copperplate and the repetition of proven formulas for creating tone, volume, texture, and light. The history of the medium is therefore defined by the rapid development of a shared technical knowledge passed among artists dispersed across Renaissance and Baroque (Early Modern) Europe&mdash;from the Rhine region of Germany to Florence, Nuremberg, Venice, Rome, Antwerp, and Paris. While engravers relied on systems of line passed down through generations, their craft was not mechanical.
    [Show full text]
  • Table of Contents More Information
    Cambridge University Press 978-1-107-61273-0 - Travels in France: During the Years 1787, 1788 and 1789 Edited by Constantia Maxwell Table of Contents More information TABLE OF CONTENTS Arthur Young, Esq., F.R.S. ..... frontispiece Editorial Note ........ page xi Editor's Introduction ........ xiii Author's Preface ........ liii Author's Note upon Methods of Writing Books of Travel . i PART I JOURNAL FIRST JOURNEY {May 15th to November nth, 1787) ... 5 Arrival at Calais. Boulogne. Excellence of the French roads. Montreuil. Abbe­ ville. Manufacture of Van Robais. Amiens. The Treaty of Commerce with England (1786). Clermont. The Chateau and Forest of Chantilly. Luzarches. Arrival in Paris. Meeting with the Due de Liancourt. Conversation with M. de Broussonnet and M. Desmarest. Arrival at Versailles. Royal ceremonies. The Palace of Versailles . ........ pp. 5-14 Departure from Paris. The road to Orleans. The Pays de Beauce. Orleans. The province of Sologne. Metayers. Vierzon. Vatan. Manufactures at Chateauroux. Argenton. Beauty of the country. Limoges. The Bishop and Lord Macartney. The work of Turgot. The King's stud at Pompadour. Brive. Trade at Souillac. The river Dordogne. Poverty of the peasants. View of the Pyrenees. The vine­ yards of Cahors. Caussade. Montauban. Toulouse. The Canal of Brienne. House of M. du Barry. St Martory* St Gaudens. Arrival at Bagneres-de-Luchon pp. 14-30 A comparison between French and English inns. Life at Bagneres-de-Luchon. French manners and customs. The valley of Larboust. Dampness of the climate. Bears and wolves. Departure for Spain. Re-entry into France. Contrast between French and Spanish conditions.
    [Show full text]
  • Exhibition Checklist: a Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022
    UPDATED: 8/11/2020 10:45:10 AM Exhibition Checklist: A Superb Baroque: Art in Genoa, 1600-1750 Sep 26, 2021–Jan 9, 2022 The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator of Prints and Drawings National Gallery of Art; Piero Boccardo, superintendent of collections for the City of Genoa; and Franco Boggero, director of historic and artistic heritage at the Soprintendenza Archeologia, Belle Arti e Paesaggio, Genoa. The exhibition is organized by the National Gallery of Art, Washington, and the Scuderie del Quirinale, Rome, with special cooperation from the City and Museums of Genoa. The exhibition is made possible by the Robert Lehman Foundation. Additional funding is provided by The Exhibition Circle of the National Gallery of Art. The exhibition is supported by an indemnity from the Federal Council on the Arts and the Humanities. Press Release: https://www.nga.gov/press/exh/5051.html Order Press Images: https://www.nga.gov/press/exh/5051/images.html Press Contact: Laurie Tylec, (202) 842-6355 or [email protected] Object ID: 5051-345 Valerio Castello David Offering the Head of Goliath to King Saul, 1640/1645 red chalk on laid paper overall: 28.6 x 25.8 cm (11 1/4 x 10 3/16 in.) National Gallery of Art, Washington, Rosenwald Collection Object ID: 5051-315 Giovanni Benedetto Castiglione The Genius of Castiglione, before 1648 etching plate: 37 x 24.6 cm (14 9/16 x 9 11/16 in.) sheet: 37.3 x 25 cm (14 11/16 x 9 13/16 in.) National Gallery of Art, Washington, Gift of Ruth B.
    [Show full text]
  • History of Modern Art Painting Sculpture Architecture Photography
    HISTORY OF MODERN ART PAINTING SCULPTURE ARCHITECTURE PHOTOGRAPHY SEVENTH EDITION LK024_P0001EDarmason_HoMA_FM_Combined.indd i 14/09/2012 15:49 LK024_P0001EDarmason_HoMA_FM_Combined.indd ii 14/09/2012 15:49 HISTORY OF MODERN ART PAINTING SCULPTURE ARCHITECTURE PHOTOGRAPHY SEVENTH EDITION H.H. ARNASON ELIZABETH C. MANSFIELD National Humanities Center Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montréal Toronto Delhi Mexico City São Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo LK024_P0001EDarmason_HoMA_FM_Combined.indd iii 14/09/2012 15:49 Editorial Director: Craig Campanella This book was designed and produced by Editor-in-Chief: Sarah Touborg Laurence King Publishing Ltd, London Senior Sponsoring Editor: Helen Ronan www.laurenceking.com Editorial Assistant: Victoria Engros Production Manager: Simon Walsh Vice President, Director of Marketing: Brandy Dawson Page Design: Robin Farrow Executive Marketing Manager: Kate Mitchell Photo Researcher: Emma Brown Editorial Project Manager: David Nitti Copy Editor: Lis Ingles Production Liaison: Barbara Cappuccio Managing Editor: Melissa Feimer Senior Operations Supervisor: Mary Fischer Operations Specialist: Diane Peirano Senior Digital Media Editor: David Alick Media Project Manager: Rich Barnes Cover photo: Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912 (detail). Oil on canvas, 58 ϫ 35” (147.3 ϫ 88.9 cm). Philadelphia Museum of Art. page 2: Georges Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884–86 (detail). 1 1 Oil on canvas, 6’ 9 ∕2” ϫ 10’ 1 ∕4” (2.1 ϫ 3.1 m). The Art Institute of Chicago. Credits and acknowledgments borrowed from other sources and reproduced, with permission, in this textbook appear on the appropriate page within text or in the picture credits on pages 809–16.
    [Show full text]