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Piano; Trio for Violin, Horn & Piano) Eric Huebner (Piano); Yuki Numata Resnick (Violin); Adam Unsworth (Horn) New Focus Recordings, Fcr 269, 2020
Désordre (Etudes pour Piano; Trio for violin, horn & piano) Eric Huebner (piano); Yuki Numata Resnick (violin); Adam Unsworth (horn) New focus Recordings, fcr 269, 2020 Kodály & Ligeti: Cello Works Hellen Weiß (Violin); Gabriel Schwabe (Violoncello) Naxos, NX 4202, 2020 Ligeti – Concertos (Concerto for piano and orchestra, Concerto for cello and orchestra, Chamber Concerto for 13 instrumentalists, Melodien) Joonas Ahonen (piano); Christian Poltéra (violoncello); BIT20 Ensemble; Baldur Brönnimann (conductor) BIS-2209 SACD, 2016 LIGETI – Les Siècles Live : Six Bagatelles, Kammerkonzert, Dix pièces pour quintette à vent Les Siècles; François-Xavier Roth (conductor) Musicales Actes Sud, 2016 musica viva vol. 22: Ligeti · Murail · Benjamin (Lontano) Pierre-Laurent Aimard (piano); Bavarian Radio Symphony Orchestra; George Benjamin, (conductor) NEOS, 11422, 2016 Shai Wosner: Haydn · Ligeti, Concertos & Capriccios (Capriccios Nos. 1 and 2) Shai Wosner (piano); Danish National Symphony Orchestra; Nicolas Collon (conductor) Onyx Classics, ONYX4174, 2016 Bartók | Ligeti, Concerto for piano and orchestra, Concerto for cello and orchestra, Concerto for violin and orchestra Hidéki Nagano (piano); Pierre Strauch (violoncello); Jeanne-Marie Conquer (violin); Ensemble intercontemporain; Matthias Pintscher (conductor) Alpha, 217, 2015 Chorwerk (Négy Lakodalmi Tánc; Nonsense Madrigals; Lux æterna) Noël Akchoté (electric guitar) Noël Akchoté Downloads, GLC-2, 2015 Rameau | Ligeti (Musica Ricercata) Cathy Krier (piano) Avi-Music – 8553308, 2014 Zürcher Bläserquintett: -
Repertoire List
APPROVED REPERTOIRE FOR 2022 COMPETITION: Please choose your repertoire from the approved selections below. Repertoire substitution requests will be considered by the Charlotte Symphony on an individual case-by-case basis. The deadline for all repertoire approvals is September 15, 2021. Please email [email protected] with any questions. VIOLIN VIOLINCELLO J.S. BACH Violin Concerto No. 1 in A Minor BOCCHERINI All cello concerti Violin Concerto No. 2 in E Major DVORAK Cello Concerto in B Minor BEETHOVEN Romance No. 1 in G Major Romance No. 2 in F Major HAYDN Cello Concerto No. 1 in C Major Cello Concerto No. 2 in D Major BRUCH Violin Concerto No. 1 in G Minor LALO Cello Concerto in D Minor HAYDN Violin Concerto in C Major Violin Concerto in G Major SAINT-SAENS Cello Concerto No. 1 in A Minor Cello Concerto No. 2 in D Minor LALO Symphonie Espagnole for Violin SCHUMANN Cello Concerto in A Minor MENDELSSOHN Violin Concerto in E Minor DOUBLE BASS MONTI Czárdás BOTTESINI Double Bass Concerto No. 2in B Minor MOZART Violin Concerti Nos. 1 – 5 DITTERSDORF Double Bass Concerto in E Major PROKOFIEV Violin Concerto No. 2 in G Minor DRAGONETTI All double bass concerti SAINT-SAENS Introduction & Rondo Capriccioso KOUSSEVITSKY Double Bass Concerto in F# Minor Violin Concerto No. 3 in B Minor HARP SCHUBERT Rondo in A Major for Violin and Strings DEBUSSY Danses Sacrée et Profane (in entirety) SIBELIUS Violin Concerto in D Minor DITTERSDORF Harp Concerto in A Major VIVALDI The Four Seasons HANDEL Harp Concerto in Bb Major, Op. -
A Study of Tyzen Hsiao's Piano Concerto, Op. 53
A Study of Tyzen Hsiao’s Piano Concerto, Op. 53: A Comparison with Rachmaninoff’s Piano Concerto No. 2 D.M.A Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Lin-Min Chang, M.M. Graduate Program in Music The Ohio State University 2018 D.M.A. Document Committee: Professor Steven Glaser, Advisor Dr. Anna Gowboy Dr. Kia-Hui Tan Copyright by Lin-Min Chang 2018 2 ABSTRACT One of the most prominent Taiwanese composers, Tyzen Hsiao, is known as the “Sergei Rachmaninoff of Taiwan.” The primary purpose of this document is to compare and discuss his Piano Concerto Op. 53, from a performer’s perspective, with the Second Piano Concerto of Sergei Rachmaninoff. Hsiao’s preferences of musical materials such as harmony, texture, and rhythmic patterns are influenced by Romantic, Impressionist, and 20th century musicians incorporating these elements together with Taiwanese folk song into a unique musical style. This document consists of four chapters. The first chapter introduces Hsiao’s biography and his musical style; the second chapter focuses on analyzing Hsiao’s Piano Concerto Op. 53 in C minor from a performer’s perspective; the third chapter is a comparison of Hsiao and Rachmaninoff’s Piano Concertos regarding the similarities of orchestration and structure, rhythm and technique, phrasing and articulation, harmony and texture. The chapter also covers the differences in the function of the cadenza, and the interaction between solo piano and orchestra; and the final chapter provides some performance suggestions to the practical issues in regard to phrasing, voicing, technique, color, pedaling, and articulation of Hsiao’s Piano Concerto from the perspective of a pianist. -
R Obert Schum Ann's Piano Concerto in AM Inor, Op. 54
Order Number 0S0T795 Robert Schumann’s Piano Concerto in A Minor, op. 54: A stemmatic analysis of the sources Kang, Mahn-Hee, Ph.D. The Ohio State University, 1992 U MI 300 N. Zeeb Rd. Ann Arbor, MI 48106 ROBERT SCHUMANN S PIANO CONCERTO IN A MINOR, OP. 54: A STEMMATIC ANALYSIS OF THE SOURCES DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Mahn-Hee Kang, B.M., M.M., M.M. The Ohio State University 1992 Dissertation Committee: Approved by Lois Rosow Charles Atkinson - Adviser Burdette Green School of Music Copyright by Mahn-Hee Kang 1992 In Memory of Malcolm Frager (1935-1991) 11 ACKNOWLEDGMENTS I would like to express my gratitude to the late Malcolm Frager, who not only enthusiastically encouraged me In my research but also gave me access to source materials that were otherwise unavailable or hard to find. He gave me an original exemplar of Carl Relnecke's edition of the concerto, and provided me with photocopies of Schumann's autograph manuscript, the wind parts from the first printed edition, and Clara Schumann's "Instructive edition." Mr. Frager. who was the first to publish information on the textual content of the autograph manuscript, made It possible for me to use his discoveries as a foundation for further research. I am deeply grateful to him for giving me this opportunity. I express sincere appreciation to my adviser Dr. Lois Rosow for her patience, understanding, guidance, and insight throughout the research. -
A Stylistic Analysis of Alexander Tcherepnin's Piano Concerto No. 4, Op
University of South Carolina Scholar Commons Theses and Dissertations Spring 2020 A Stylistic Analysis of Alexander Tcherepnin's Piano Concerto No. 4, Op. 78, With an Emphasis on Eurasian Influences Qin Ouyang Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Music Performance Commons Recommended Citation Ouyang, Q.(2020). A Stylistic Analysis of Alexander Tcherepnin's Piano Concerto No. 4, Op. 78, With an Emphasis on Eurasian Influences. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/5781 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF ALEXANDER TCHEREPNIN 'S PIANO CONCERTO NO. 4, OP. 78, WITH AN EMPHASIS ON EURASIAN INFLUENCES by Qin Ouyang Bachelor of Arts Shanghai Conservatory, 2010 Master of Music California State University, Northridge, 2013 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Musical Arts in Music Performance School of Music University of South Carolina 2020 Accepted by: Charles Fugo, Major Professor Phillip Bush, Committee Member Joseph Rackers, Committee Member David Garner, Committee Member Cheryl L. Addy, Vice Provost and Dean of the Graduate School © Copyright by Qin Ouyang, 2020 All Rights Reserved ii ACKNOWLEDGEMENTS I would like to express my sincere appreciation to Dr. Charles Fugo, my major professor, for his valuable advice and considerate guidance. A work of this weight would not come to fruition without his patience and encouragement. I extend my thanks to Dr. -
Musica Nova Vii
MUSICA NOVA VII SBORNÍK REFERÁTŮ Z MEZINÁRODNÍ KONFERENCE A VĚDECKÉHO SEMINÁŘE MUSICA NOVA VII ALmanac OF THE InternationaL CONFERENCE MUSICA NOVA VII JANÁČKOVA AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Brno 2012 HUDEBNÍ FAKULTA JANÁČKOVY AKADEMIE MÚZICKÝCH UMĚNÍ V BRNĚ Obsah / Contents INTRODUCTION ........................................................................................................................... 4 PWGL: An introduction to the program and some practical applications ................................. 5 Dimitris Andrikopoulos STRUCTURAL ASPECTS OF INSTRUMENTATION IN MULTI-PERCUSSION MUSIC ..................... 17 Jeff Beer The Aesthetics of Blurriness ..................................................................................................... 23 Peter Beyer ‘Dirty Light’: approaching lighting in audio-visual contexts beyond its material-immanent properties ........................................................................................ 33 Marko Ciciliani Gérard Grisey’s Quatre Chants pour franchir le seuil .............................................................. 40 Lukas Haselböck “The trend is that there is no trend” – Contemporary Music in Austria ................................. 49 Christian Heindl GPS-Art and others ................................................................................................................... 53 Marek Choloniewski Closed systems and polarities in music .................................................................................... 57 Ondřej Jirásek Intuitive -
2020/21 Season Join Music Director Jaap Van Zweden and Your Orchestra for the 2020/21 Season
2020/21 SEASON JOIN MUSIC DIRECTOR JAAP VAN ZWEDEN AND YOUR ORCHESTRA FOR THE 2020/21 SEASON. 04 08 10 14 16 18 20 21 22 23 Season Special Curated Curated Curated Curated Matinees Young Membership Subscribe Highlights Events Weekday Thursday Friday Saturday People’s Sampler Series Evening Series Evening Series Evening Series Concerts® GYÖRGY KURTÁG | SAMUEL BECKETT FIN DE PARTIE “Nothing is funnier than unhappiness.” In the dystopian world of Beckett’s Fin de partie (Endgame), we see a blind man, his helpless parents, and his hapless servant bumble and bicker as they wait for an end to their suffering — like four final pieces on a chessboard, waiting for the game to end. Kurtág’s music provides the timeless continuum for the eternal question, one that concerns us in the 21st century now more than ever: how will this universal game play out? The New York Philharmonic presents the US Premiere of Kurtág’s opera based on Beckett’s SEASON TWO tragicomedy in a fully staged production directed by Claire van Kampen (Farinelli and the King) PROJECT 19 and conducted by Jaap van Zweden. 19 Commissions To Celebrate the Centennial of the 19th Amendment nyphil.org/findepartie American women gained the right to vote with the ratification of the 19th Amendment in 1920. The New York Philharmonic is marking the centennial with Project 19, a multi-season initiative to commission and premiere 19 new works by ARTIST-IN-RESIDENCE women, launched last season. The single largest women-only commissioning initiative in history, Project 19 continues in 2020–21. CHICK COREA TAKEOVER Like Mozart, Chick Corea improvises the Unsuk Chin Ellen Reid cadenzas whenever he plays a Mozart piano Mary Kouyoumdjian Maria Schneider ROOMFUL OF TEETH concerto. -
Duality: Works for Tenor Saxophone Piano
Duality: Works for Tenor Saxophone & Piano Scott Sandberg tenor saxophone Nariaki Sugiura, piano Keith Teepen, piano WORKS BY McMichael | Lacour | Harvey Giovannini | Worley | Caravan WWW.ALBANYRECORDS.COM TROY1807 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Sandberg_1807_book.indd 1-2 12/18/19 4:13 PM Guy Lacour: Pièce Concertante The Music Frenchman Guy Lacour (1932-2013) had an active career as a performer, teacher, and composer. After winning first prize in both saxophone (class of Marcel Mule, 1952) Catherine McMichael: Duality and chamber music (class of Fernand Oubradous, 1955) at the Conservatoire National A pianist, arranger, composer, and publisher based in Saginaw, Michigan, Catherine Supérieur de Musique de Paris, he could be heard in both classical and popular venues. McMichael (b. 1954) leads a diverse musical life. She maintains a private studio with He specialized on the tenor saxophone, and joining the Marcel Mule Quartet was an students of all ages, is on faculty at Saginaw Valley State University, performs with important turning point in his career. It led to opportunities as a soloist and orchestral several ensembles, directs a church handbell choir, and maintains a busy schedule of musician, making it possible for him to increase the visibility of the lesser-known tenor commissions for ensembles such as the Saginaw Bay Orchestra, the Canadian Brass, saxophone. and the University of Massachusetts at Amherst. -
The Flute Works of Erwin Schulhoff
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 8-2019 The Flute Works of Erwin Schulhoff Sara Marie Schuhardt Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Schuhardt, Sara Marie, "The Flute Works of Erwin Schulhoff" (2019). Dissertations. 590. https://digscholarship.unco.edu/dissertations/590 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 SARA MARIE SCHUHARDT ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School THE FLUTE WORKS OF ERWIN SCHULHOFF A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Sara Marie Schuhardt College of Performing and Visual Arts School of Music August 2019 This Dissertation by: Sara Marie Schuhardt Entitled: The Flute Works of Erwin Schulhoff has been approved as meeting the requirement for the Degree of Doctor of Arts in College of Performing and Visual Arts in School of Music Accepted by the Doctoral Committee ______________________________________________________ Carissa Reddick, Ph.D., Research Advisor ______________________________________________________ James Hall, D.M.A., Committee Member _______________________________________________________ -
Jaap Van Zweden to Lead New York Philharmonic in Opening Two Weeks of the Orchestra's 180Th Season
FOR IMMEDIATE RELEASE September 2, 2021 JAAP VAN ZWEDEN TO LEAD NEW YORK PHILHARMONIC IN OPENING TWO WEEKS OF THE ORCHESTRA’S 180TH SEASON ___________________ Concerts To Take Place at Two Lincoln Center Venues: Alice Tully Hall, September 17–19 Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall, September 23–25 New York Premiere of Hannah KENDALL’s Kanashibari Soloists Include DANIIL TRIFONOV and YEFIM BRONFMAN Poetry Reading by MAHOGANY L. BROWNE, To Include a World Premiere Poem ___________________ The New York Philharmonic and Music Director Jaap van Zweden open the 2021–22 season, marking the return to live subscription performances since March 2020, when concerts were cancelled due to the COVID-19 pandemic. The Philharmonic’s 180th season opens with two programs, each held in a different venue — Alice Tully Hall and the Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall — during the ongoing renovation of David Geffen Hall. The Philharmonic’s season-opening program takes place September 17–19, 2021, at Alice Tully Hall, which includes the Orchestra’s first appearance in a Sunday matinee series since the 1964–65 season. The concerts begin with Anna Clyne’s Within Her Arms, a lament for string orchestra that has evoked comparisons with Barber’s Adagio for Strings. That is followed by two works for smaller ensembles: Copland’s Quiet City — featuring Philharmonic Principal Trumpet Christopher Martin and English horn / oboe Ryan Roberts in his solo debut — and Walker’s Antifonys for Chamber Orchestra. Daniil Trifonov, the 2019–20 Mary and James G. -
MOZART Piano Concerto No. 20 in D Minor, K. 466 (1785) Allegro Romance Allegro Assai Emanuel Ax, Piano
2017 2018 SEASON David Robertson, conductor Friday, September 29, 2017 at 10:30AM Emanuel Ax, piano MOZART Così fan tutte Overture, K. 588 (1790) (1756–1791) MOZART Piano Concerto No. 20 in D minor, K. 466 (1785) Allegro Romance Allegro assai Emanuel Ax, piano INTERMISSION MOZART Piano Concerto No. 14 in E-flat major, K. 449 (1784) Allegro vivace Andantino Allegro ma non troppo Emanuel Ax, piano MOZART Symphony No. 39 in E-flat major, K. 543 (1788) Adagio; Allegro Andante con moto Menuetto: Allegretto Finale: Allegro ACKNOWLEDGMENTS This concert is presented by the Thomas A. Kooyumjian Family Foundation. The concert of Friday, September 29 is underwritten in part by a generous gift from David A. Blanton, III. David Robertson is the Beofor Music Director and Conductor. Emanuel Ax is the Stanley J. Goodman Guest Artist. Pre-Concert Conversations are sponsored by Washington University Physicians. 23 FROM SALZBURG TO THE STRATOSPHERE BY RENÉ SPENCER SALLER TIMELINKS The piano concerto barely existed before Wolfgang Amadeus Mozart. He didn’t invent the form: J.S. Bach got there first (if harpsichord counts), and 1784 The American Joseph and Michael Haydn, whose scores Mozart Revolutionary War ends with the ratification of studied, also composed impressive works in the the Treaty of Paris. genre. But Mozart launched the keyboard concerto into the stratosphere. Piano Concerto No. 14, which 1785 Pioneering hot-air he completed early in his annus mirabilis of 1784, balloonist Jean-François was the first that he entered into his personal catalog Pilâtre de Rozier dies of completed works. As crazy as it seems to mere with a companion in an attempt to fly across the mortals, Mozart might have considered his first English Channel. -
Friedrich Cerha — Eine Art Chansons
FRIEDRICH CERHA Eine Art Chansons HK Gruber Kurt Prihoda Rainer Keuschnig Josef Pitzek 1999 20 YEARS 2019 © Manu Theobald FRIEDRICH CERHA (*1926) Eine Art Chansons Teil I 1 Statt Ouvertüre [Instead of an Overture] 1:27 2 hörprobe [audition] Ernst Jandl 0:57 3 sonett [sonnett] Gerhard Rühm 0:42 4 Klatsch [Gossip] Horst Beinek 0:15 5 Zungentraining [Tounge training] Brigitte Peter 0:18 6 Klassisch [Classic] Hermann Jandl 0:22 7 ein deutsches denkmal [A German Monument] Ernst Jandl 1:09 8 Kleines Gedicht für große Stotterer [Small Poem for Big Stutterers] Kurt Schwitters 1:28 9 Epitaph Klabund 1:10 10 Wenn der Puls [When the Pulse] anonymous 0:38 11 Mazurka (nach Satie) [Mazurka (after Satie)] 1:11 12 Vierzeiler [Quatrain] Werner Finck 0:57 13 sieben Kinder [seven Children] Ernst Jandl 0:33 14 Die Wühlmaus [The Vole] Fred Endrikat 0:57 15 Puppenmarsch [Doll March] 0:38 16 etüde in f [etude in f] Ernst Jandl 0:53 17 doixannda Ernst Jandl 0:56 3 Teil II 18 ich bekreuzige mich [I cross myself] Ernst Jandl 0:34 19 lichtung [(d)irection] Ernst Jandl 0:20 20 fragment Ernst Jandl 0:30 21 österreichisches fragment [austrian fragment] Friedrich Cerha 0:34 22 ich brech dich [i‘ll break you] Ernst Jandl 0:18 23 Waschmaschinen [Washing Machine] Beat Brechbühl 0:24 24 thechdthen jahr [sixteenth year] Ernst Jandl 0:46 25 falamaleikum Ernst Jandl 0:32 26 loch [laugh/hole] Ernst Jandl 0:29 27 wien: heldenplatz [vienna: heldenplatz] Ernst Jandl 1:03 28 13.