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Matrix® 430Vf User Manual
MATRIX® 430VF USER MANUAL 98-05351 R3 MATRIX® 430VF QUICK START GUIDE INTRODUCTION #1 SETUP THE CONSOLE 1. On guidance screen, press NAVIGATION AND GUIDANCE OPTIONS tab to display options. #2 GUIDANCE 2. Press HOME button . 3. Press CONSOLE button . Adjust settings as needed. X LCD Brightness X GNSS Demo Mode X Colour Scheme X Screenshot X X #3 Units Time Zone CONFIGURATION CONFIGURE THE MACHINE 4. From the Home screen , press CONFIGURATION button . 5. Select and configure a Machine profile . X Select Machine Profile Number A – use to select 1 of 5 machine profiles. JOB DATA The profile that is “active” is displayed/active on the operation screen. #4 X Set Machine Type B – used to select the type of machine to indicate how the vehicle will be displayed in relation to the rows and canopy on the Guidance screen. – Mounted and trailed Airblast – Tower nebuliser/Powder Machine CONSOLE – Self-propelled – Harvester X Set Number of Implement Sections C – used to select the number of implement sections. Range is 1 to 12 sections. C B A X Set Section Widths D – used to enter the width of each section. Each section can be a different width. #5 X Set In-Line Implement Offset Distance E – used to define the in-line distance D from the GNSS antenna (the zero point) to the implement. – Positive value will move the implement behind the GNSS antenna. E – Negative value will move the implement in front of the GNSS antenna. 6. Select and configure a Field profile . F H X Select Field Profile Number F – use to select 1 or 5 field profiles. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Magazin MOJO JOHN LENNON & PAUL
Tägliche BeatlesInfoMail 05.06.21: Magazine LENNON und McCARTNEY /// MANY YEARS AGO -------------------- Im Beatles Museum erhältlich: Magazine LENNON und McCARTNEY aus Großbritannien Abbildungen von links: Folder mit beiden Magazinen / Magazin LENNON / Magazin McCARTNEY. April/Mai 2021: Zwei Musikmagazine im Folder MOJO THE COLLECTORS SERIES-SET JOHN LENNON und PAUL McCARTNEY. 31,90 € Mojo Verlag, Großbritannien. je Heft / Format: 29,5 cm x 21 cm / 132 Seiten / viele Farb- und Schwarzweißfotos / englischsprachig. Folder-Format: 32,5 cm x 22,5 cm Inhalt JOHN LENNON: Early Life; The Young Beatle; Turn off Your Mind; John & Yoko; Imagine; Revolution 1971; The Lost Weekend; House Husband; Double Fantasy; Aftermath. Inhalt PAUL McCARTNEY: Growing Up; Prefab Times; Lennon-McCartney; Revolver; The White Album; Anthology 3; Wings; Band On The Run; Wings Over America; McCartney II; 50 Reasons We; Love Macca; New; Egypt Station. -------------------- Viele Grüße sendet Dir das Team vom Beatles Museum Stefan, Martin, Daniel und Katharina Das Beatles Museum ist wieder geöffnet - und problemlos zu besuchen. Der neue, aktuelle Stand, wie er uns bekannt ist (jetzt weniger Auflagen für Außengastronomie): Beatles Museum, Shop und Außengastronomie: ohne Voranmeldung, kein Testnachweis / Kontaktdaten werden erfasst / Maskenpflicht / Abstandspflicht. Café (Innengastronomie): „ggg“ - negativer Test (nicht älter als 24 Stunden, Selbsttest zum Selbstkostenpreis für 4 € bei uns möglich) / Impf- oder Genesungsnachweiß (jeweils mindestens zwei Wochen alt) / Kontaktdaten werden erfasst / Maskenpflicht bis zum Platz / Abstandspflicht. Öffnungszeiten (nach wie vor): Dienstag bis Sonntag und Feiertage, jeweils 10 bis 18 Uhr. Herzlich willkommen!!! -------------------- Bestellungen auch telefonisch möglich: Di. - So. von 10.00 bis 18.00 Uhr: 0345-290 390 0 Innerhalb Deutschland: Bei Bestellwert unter 50 €: Versandanteil für Briefe; für Inland-Pakete maximal 5,00 €. -
Yesterday (Beatles Song)
Yesterday (Beatles song) "Yesterday" is a song by English rock band the Bea- whether they had ever heard it before. Eventually it be- tles written by Paul McCartney (credited to Lennon– came like handing something in to the police. I thought McCartney) first released on the album Help! in the if no one claimed it after a few weeks then I could have United Kingdom in August 1965. it.”[5] “Yesterday”, with the B-side "Act Naturally", was re- Upon being convinced that he had not robbed anyone leased as a single in the United States in September 1965. of their melody, McCartney began writing lyrics to suit While it topped the American chart in October the song it. As Lennon and McCartney were known to do at the also hit the British top 10 in a cover version by Matt time, a substitute working lyric, titled “Scrambled Eggs” Monro. The song also appeared on the UK EP “Yester- (the working opening verse was “Scrambled eggs/Oh my day” in March 1966 and the Beatles’ US album Yesterday baby how I love your legs/Not as much as I love scram- and Today released in June 1966. bled eggs”), was used for the song until something more McCartney’s vocal and acoustic guitar, together with a suitable was written. In his biography, Paul McCartney: string quartet, essentially made for the first solo perfor- Many Years from Now, McCartney recalled: “So first of mance of the band. It remains popular today with more all I checked this melody out, and people said to me, 'No, than 2,200 cover versions[2] and is one of the most cov- it’s lovely, and I'm sure it’s all yours.' It took me a little ered songs in the history of recorded music.[note 1] “Yes- while to allow myself to claim it, but then like a prospec- terday” was voted the best song of the 20th century in a tor I finally staked my claim; stuck a little sign on it and said, 'Okay, it’s mine!' It had no words. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Professional Series Parents’ Guide
Professional Series Parents’ Guide ii Warranty Respironics warrants that the monitor will be free from defects in materials and workmanship for a period of two years from the time of purchase. Respironics accessories are warranted free of defects in materials and workmanship for a period of 90 days from the time of purchase. The Respironics equipment and authorized accessories are designed to function as described in the operator’s manual. The user/owner of this equipment shall have sole responsibility and liability for any injury to persons or damage to property (including this equipment) resulting from: Operation not in accordance with supplied operating instructions; Maintenance not in accordance with authorized maintenance/operational instructions; Service by anyone other than a factory authorized service representative; Modification of the equipment or accessories; or Use of damaged or unauthorized components and accessories. THIS LIMITED WARRANTY IS IN LIEU OF ANY AND ALL OTHER WARRANTIES, EXPRESSED OR IMPLIED, INCLUDING WITHOUT LIMITATION IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE; TO THE EXTENT THAT STATE OR FEDERAL LAW PROHIBITS EXCLUSIONS OF IMPLIED WARRANTIES, ANY SUCH IMPLIED WARRANTY IMPOSED BY LAW SHALL BE LIMITED TO A PERIOD OF NINETY (90) DAYS FROM THE DATE OF THE INITIAL PURCHASE FROM RESPIRONICS. iii User/Owner Responsibility The Respironics monitor and accessories are designed to work as described in the operator’s manual. The user(s) of this equipment should not use parts that have -
Infomail 1451: PAUL Mccartney-Fanhefte MACCAZINE
Alter Markt 12 • 06 108 Halle (Saale) • Telefon 03 45 - 290 390 0 : Di., Mi., Do., Fr., Sa., So. und an Feiertagen jeweils von 10 bis 20 Uhr InfoMail 1451: PAUL McCARTNEY-Fanhefte MACCAZINE Hallo M.B.M., hallo BEATLES-Fan, hier eine Auflistung der noch bei uns erhältlichen MACCAZINE-Hefte. In Deutschland sind diese wirklich fundierten Ausarbeitungen (sehr wahrscheinlich) nur bei uns im Beatles Museum zu bekommen: PAUL McCARTNEY - HEFT MACCAZINE – VENUS AND MARS SPECIAL Dutch Paul McCartney Fanclub, Niederlande. 14,90 Euro Heft; Hochformat: ca. 14,8 cm x ca. 21,0 cm; 60 Seiten; 4 Farb- und 112 Schwarzweiß-Abbildung; englischsprachig. Inhalt: Editorial; The recording of “Venus And Mars”: Rock on Lovers Everywhere; “Venus And Mars” Over the World: Chapter One: The Album; “Venus And Mars” Over the World: Chapter Two: The Singles; “Venus And Mars” Over the World: Chapter Three: The Charts; “Venus And Mars” Over the World: Chapter Four: Best Sound; “Venus And Mars” Over the World: Chapter Five: Odds & Ends; “Venus And Mars” Quad Squad; McCartney: “Abbey Road” Revisited; Venus And Mars Live Songs; Bootleg CD Special: Chapter One: Home Recordings; Bootleg CD Special: Chapter Two: Studio Outtakes 1974; Bootleg CD Special: Chapter Three: Rough Studio Mixes 1975; Bootleg CD Special: Chapter Four: Studio Outtakes 1975; Bootleg CD Special: Chapter Five: TV Broadcasts 1975; Bootleg CD Special: Chapter Six: Video Soundtrack; Bootleg CD Special: Chapter Seven: Single Versions; Bootleg CD Special: Chapter Eight: Four Channel Mixes. PAUL McCARTNEY - HEFT MACCAZINE – LONDON TOWN SPECIAL. Dutch Paul McCartney Fanclub, Niederlande. 14,90 Euro Heft; Hochformat: ca. -
The Beatles 1 Mp3, Flac, Wma
The Beatles 1 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: 1 Country: Italy Released: 2017 Style: Pop Rock MP3 version RAR size: 1872 mb FLAC version RAR size: 1333 mb WMA version RAR size: 1951 mb Rating: 4.4 Votes: 370 Other Formats: WMA AC3 AU MMF VOC RA VOX Tracklist Hide Credits 1 Love Me Do 2:20 2 From Me To You 1:56 3 She Loves You 2:21 4 I Want To Hold Your Hand 2:24 5 Can't Buy Me Love 2:11 6 A Hard Day's Night 2:33 7 I Feel Fine 2:18 8 Eight Days A Week 2:44 9 Ticket To Ride 3:10 10 Help! 2:18 11 Yesterday 2:05 12 Day Tripper 2:48 13 We Can Work It Out 2:15 14 Paperback Writer 2:18 15 Yellow Submarine 2:38 16 Eleanor Rigby 2:06 17 Penny Lane 2:59 All You Need Is Love 18 3:47 Engineer [Recording Engineer] – Eddie Kramer, Geoff Emerick Hello Goodbye 19 3:27 Engineer [Recording Engineer] – Geoff Emerick, Ken Scott Lady Madonna 20 2:16 Engineer [Recording Engineer] – Geoff Emerick, Ken Scott Hey Jude 21 7:04 Engineer [Recording Engineer] – Barry Sheffield Get Back 22 3:12 Engineer [Recording Engineer] – Glyn Johns 23 The Ballad Of John And Yoko 2:59 Something 24 Engineer [Recording Engineer] – Geoff Emerick, Glyn Johns, Jeff Jarratt, Phil 3:01 McDonaldWritten-By – Harrison* Come Together 25 4:18 Engineer [Recording Engineer] – Geoff Emerick, Phil McDonald Let It Be 26 3:50 Engineer [Recording Engineer] – Glyn Johns, Jeff Jarratt, Phil McDonald The Long And Winding Road 27 3:37 Engineer [Recording Engineer] – Glyn Johns, Peter Brown Producer – Phil Spector Companies, etc. -
Bachelorarbeit Im Studiengang Audiovisuelle Medien
Bachelorarbeit im Studiengang Audiovisuelle Medien Der Einfluss der Beatles auf die Musikproduktion *VORGELEGT VON DOMINIK STUHLER 1 INCH X 1800 FEET *AM 6. JULI 2016 zur Erlangung des Grades BACHELOR of Engineering *ERSTPRÜFER: PROF. OLIVER CURDT *ZWEITPRÜFER: PROF. JENS-HELGE HERGESELL Bachelorarbeit im Studiengang Audiovisuelle Medien Der Einfluss der Beatles auf die Musikproduktion vorgelegt von Dominik Stuhler an der Hochschule der Medien Stuttgart am 6. Juli 2016 zur Erlangung des akademischen Grades Bachelor of Engineering. Erstprüfer: Prof. Oliver Curdt Zweitprüfer: Prof. Jens-Helge Hergesell Erklärung Hiermit versichere ich, Dominik Stuhler, ehrenwörtlich, dass ich die vorliegende Bachelorarbeit mit dem Titel: „Der Einfluss der Beatles auf die Musikproduktion“ selbstständig und ohne fremde Hilfe verfasst und keine anderen als die angegebenen Hilfsmittel benutzt habe. Die Stellen der Arbeit, die dem Wortlaut oder dem Sinn nach anderen Werken entnommen wurden, sind in jedem Fall unter Angabe der Quelle kenntlich gemacht. Die Arbeit ist noch nicht veröffentlicht oder in anderer Form als Prüfungsleistung vorgelegt worden. Ich habe die Bedeutung der ehrenwörtlichen Versicherung und die prüfungsrechtlichen Folgen (§26 Abs. 2 Bachelor-SPO (6 Semester), § 24 Abs. 2 Bachelor-SPO (7 Semester), § 23 Abs. 2 Master-SPO (3 Semester) bzw. § 19 Abs. 2 Master-SPO (4 Semester und berufsbegleitend) der HdM) einer unrichtigen oder unvollständigen ehrenwörtlichen Versicherung zur Kenntnis genommen. Stuttgart, 4. Juli 2016 Dominik Stuhler Kurzfassung Die Beatles gehören zu den einflussreichsten Bands des 20. Jahrhunderts. Von einer Beat-Band unter vielen wandelten sie sich zu Künstlern, die die Pop- und Rockmusik revolutionierten. Ihr enormer Erfolg ermöglichte ihnen Arbeitsbedingungen im Tonstudio, die so anderen Musikern nicht möglich gewesen wären. -
TITLE Stella Mccartney: Responsibility's on the Agenda
TITLE Stella McCartney: responsibility's on the agenda INTRO She is one of the most successful fashion designers of our time and the woman behind the world's first vegetarian luxury fashion brand. But the road to the top has been tough. Stella McCartney talks to Anna Blom about panic attacks and the 'rich daddy's girl' label, and her own hard slog to get the fashion industry to become sustainable and modern. COPY How can you become one of the world's most successful fashion designers without using real leather? Stella McCartney, founder of the fashion house of the same name and daughter of ex-Beatle Sir Paul McCartney, has done just that. Famous for her feminine silhouettes and masculine-inspired garments, her fashion emporium is worth billions. Her 'Falabella' bag from 2010 is an icon, despite the fact that it is made using 'eco alter nappa', a mixture of recycled polyester and vegetable oils. Ever since her graduation show from Central Saint Martins in London in 1995, she has refused to use real leather, furs or feathers. She has been vegetarian since childhood, and when she was growing up her father Paul used to challenge her and her siblings to come up with an alternative to meat for the family's dinner. Her late mother Linda McCartney even launched a successful series of frozen vegetarian food in the UK, long before today's veggie trend. This consideration for people, animals and nature has followed Stella McCartney throughout her life. "For me, vegetarianism is based on ethics. My mum was very vocal and we were all educated to understand why we weren't eating meat. -
FIELD, Issue 95, Fall 2016
HH HH FIELD CONTEMPORARY POETRY AND POETICS NUMBER 95 FALL 2016 OBERLIN COLLEGE PRESS EDITORS David Young David Walker ASSOCIATE Pamela Alexander EDITORS Kazim Ali DeSales Harrison Shane McCrae EDITOR-AT- Martha Collins LARGE MANAGING Marco Wilkinson EDITOR EDITORIAL Sarah Goldstone ASSISTANT Juliet Wayne DESIGN Steve Farkas www.oberlin.edu/ocpress Published twice yearly by Oberlin College. Poems should be submitted through the online submissions manager on our website. Subscription orders should be sent to FIELD, Oberlin College Press, 50 N. Professor St., Oberlin, OH 44074. Checks payable to Oberlin College Press: $16.00 a year / $28.00 for two years/ $40.00 for three years. Single issues $8.00 postpaid. Please add $4.00 per year for Canadian addresses and $9.00 for all other countries. Back issues $12.00 each. Contact us about availability. FIELD is also available for download from the Os&ls online bookstore at www.0s-ls.com/field. FIELD is indexed in Humanities International Complete. Copyright © 2016 by Oberlin College. ISSN: 0015-0657 CONTENTS 7 C.D. Wright: A Symposium Jenny Goodman 11 Tough and Tender: The Speaker as Mentor in "Falling Beasts" Laura Kasischke 19 Brighter Is Not Necessarily Better Pamela Alexander 23 Fire and Water Sharon Olds 28 On a First Reading of "Our Dust" Kazim All 32 On "Crescent" Stephen Burt 36 Consolations and Regrets * * * Max Ritvo 43 Uncle Needle 44 December 29 Mimi White 47 The ER James Haug 48 Wood Came Down the River 49 The Turkey Ideal Traci Brimhall 50 Kiinstlerroman Ralph Burns 51 One Afterlife