Fujifilm Exhibition Outline Digital Cameras
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Film Capture for Digitization
2000 International Symposium on Silver2000 Halide International Technology Symposium on Silver Halide Technology Copyright 2000, IS&T Film Capture for Digitization Allan F. Sowinski, Lois A. Buitano, Steven G. Link, and Gary L. House Imaging Materials and Media, Research & Development Eastman Kodak Company Rochester, NY USA Abstract printing devices, including silver halide paper writers, inkjet printers, and thermal dye transfer printers, that will accept Digital minilab photofinishing is beginning to spread rapidly image data inputs from a variety of sources including digital in the market place, in part, as a means to provide access to still cameras, and film and paper scanners. When film network imaging services, and also to fulfill the printing scanning and digital writing have supplemented traditional needs of the growing base of consumer digital still cameras. optical photofinishing sufficiently, image-taking films When film scanning and digital writing have supplemented designed for optimal scan printing will be feasible. traditional optical photofinishing sufficiently, image-taking Design opportunities to improve silver halide image films designed for optimal scan-printing will be feasible. capture may be afforded as a result of these photofinishing Representative film digitization schemes are surveyed technology changes. Some features of silver halide capture in order to determine some of the optimal features of input may merit improvement or alteration in order for it to silver halide capture media. Key historical features of films remain a very attractive consumer and professional imaging designed for optical printing are considered with respect to technology. In addition, electronic image processing may this new image-printing paradigm. One example of an allow new chemical or emulsion technologies in film system enabled new film feature is recording the scene with design that were difficult to manage with the strict increased color accuracy through theoretically possible requirements of trade optical printing compatibility. -
Using Kodak Chemicals in Minilabs
USING KODAK CHEMICALS IN MINILABS This publication is written specifically for minilab operators. It provides the most commonly needed technical information about film and paper processes for minilabs. Using KODAK FLEXICOLOR Chemicals and KODAK EKTACOLOR Chemicals in your minilab ensures that your film and paper processes will provide optimum results with the least possible environmental impact. This manual contains information on the film processing cycles recommended for KODAK GOLD, ULTRA MAX, ADVANTiX, and KODAK PROFESSIONAL Films. Also, this manual contains information on paper processing cycles for KODAK EDGE and ROYAL Papers. It is divided into four sections: • Chemicals and Chemical Handling • Processing Cycles for KODAK Chemicals • Process Monitoring • Troubleshooting Processes C-41 and RA-4 Note: If you are using KODAK SM Chemicals, see KODAK Publication No. Z-101, Using KODAK SM Chemicals in SM Minilabs. If you are using a KODAK Minilab System 88 or 89, a KODAK PROFESSIONAL RP 30 Laser Printer, a KIS DKS minilab system, a Fuji Frontier, or a Noritsu printer/processor designed for Process CP-48 or CP49E, you will find technical information on using KODAK Chemicals in those systems at www.kodak.com/go/photochemicals under the “Technical Publications” tab. ©Eastman Kodak Company, 2011 1 CHEMICALS AND CHEMICAL HANDLING High-quality customer orders begin with proper EFFECTS OF PROCESSING SOLUTIONS chemical handling and your choice of chemicals. Each solution affects the film or paper differently. Chemical handling includes how you store and mix Understanding the function of each solution can help you chemicals and your attention to chemical safety. diagnose processing problems. This section explains the following: Developer The developer chemically reduces the exposed silver •Chemical terms halide in the film or paper to form a metallic silver image. -
Download Tear Sheet
FUJIFILM X-S10 TAKE CONTROL OF YOUR STYLE INTRODUCING X-TRANS X-PROCESSOR 4 ISO UNPARALLELED PROFESSIONAL 26.1 MEGAPIXEL QUAD-CORE 160-12,800 5-AXIS 4K VIDEO BSI CMOS 4 SENSOR IMAGING ENGINE SENSITIVITY RANGE IMAGE STABILIZATION AT 30 FPS Photo © Kara Mercer | FUJIFILM X-S10 Mirrorless Digital Camera with FUJINON XC15-45mmF3.5-5.6 OIS PZ at 1/1250sec at f/6.4, ISO 250. Kara Mercer is a FUJIFILM compensated professional photographer. FUJIFILM and FUJINON are trademarks of FUJIFILM Corporation and its affiliates. © 2020 FUJIFILM North America Corporation and its affiliates. All rights reserved. SPECIFICATIONS A portable, intuitive camera, capable of outstanding performance. X-S10 offers renowned FUJIFILM design, engineering, and color science MODEL NAME FUJIFILM X-S10 in an accessible package. The newly created body features a deep grip for absolute security when making images handheld, even with larger lenses, Number of effective pixels 26.1 million pixels and an intuitive, simple control dial for effortless operation. It is also packed with state-of-the-art technology, including five-axis in-body image stabilization to enable smooth footage and super-sharp stills, a 180° vari-angle LCD touchscreen that covers even the most awkward angles, and Image sensor 23.5mm×15.6mm (APS-C) X-Trans CMOS 4 with primary color filter. superfast 0.02 second autofocus that is accurate down to -6EV. When combined with the outstanding 26.1 megapixel, back-side illuminated X-Trans Storage media SD memory card (~2GB) / SDHC memory card (~32GB) / SDXC memory card (~2TB) CMOS 4 sensor and quad-core X-Processor 4 CPU, it is possible to achieve stunning photography and cinema-quality video, while harnessing the UHS-I unique beauty arising from Fujifilm’s offered 18 Film Simulation modes. -
Requirements for Printing Technologies in Digital Photo Finishing
DPP2001: International Conference on Digital Production Printing and Industrial Applications Requirements for Printing Technologies in Digital Photo Finishing Tobias Damm Agfa Gevaert AG, Consumer Imaging, Lab Equipment D-81539 Munich, Germany Introduction The photo paper is designed to convert the negative film image into the positive photography. The paper Non-impact printing technologies have recently gained a gradation is about γ =2.5 in order to achieve an overall high level of image quality - this allows to produce gradation of the system of about γ =1.4. This results in: photo-like prints. • a high contrast of the prints, In the development of new printing technologies • an improved sharpness of details, and suitable for photo imaging applications, the question of • an enhancement of color saturation. the necessary image quality and the basic parameters affecting this quality, is of extreme importance. It is an advantage specific to the 2 step process – film Our investigation presented here addresses these and paper – that the images can still be improved after questions by defining the minimum technical exposing the film and before printing the photograph. requirements for high quality amateur photo printing. However, there are some shortcomings of the We derive data for visually perceived image quality conventional system which can be corrected when levels using prints produced on a high quality digital processing the images digitally between these two printing system. In this system scan data were generated production steps. from colour negative film, passed through an exactly Generally spoken, the photo paper defines the defined digital processing unit and outputted on a high possible range of parameters of the prints, but the actual quality colour laser recorder. -
Fujifilm. Expand the World of Imaging
FOR IMMEDIATE RELEASE CONTACT: Matthew Schmidt Fujifilm (914) 789-8529 [email protected] FUJIFILM ANNOUNCES THE ULTRA-WIDE XF10-24mmF4 R OIS LENS New XF10-24mmF4 R OIS offers exceptional image quality for premium X-Series digital cameras Valhalla, N.Y., December 18, 2013 – FUJIFILM North America Corporation today announced the new FUJINON XF10-24mmF4 R OIS, an ultra-wide 2.4x zoom lens with a 15-36mm equivalent that fits all FUJIFILM X-Series interchangeable lens cameras. With the introduction of the new XF10-24mmF4 R OIS, FUJIFILM now offers focal length options ranging from 15mm to 350mm (in 35mm equivalent). The FUJINON XF10-24mmF4 R OIS features ultra-wide focal length capabilities that make it the perfect choice for shooting dynamic, high impact landscapes images with maximum detail from the foreground to far distances. With a maximum F4 aperture fixed through the focal range, the XF10-24mmF4 R OIS also provides outstanding low light image quality for stunning indoor pictures. Using precision-made, responsive, and finely-tuned metal aperture and focus rings, the XF10-24mmF4 R OIS ensures a superb handling experience that consistently delivers outstanding optical performance throughout its zoom range. FUJINON XF10-24mm (15-36mm) F4 R OIS • FUJIFILM X-Mount is compatible with all FUJIFILM interchangeable system cameras • Powerful optical image stabilization minimizes shake and blur in low light • Newly designed optical system uses 4 high-precision aspherical lenses and 3 extra low dispersion glass lenses which maximize performance -
4 Minilab Processors
4 MINILAB PROCESSORS There are many different types of minilab processors, and Table 4-1 Process C-41RA Cycle they are used under a variety of conditions. KODAK Time* Temperature Chemicals are designed to offer you choices to get the best Solution/Step min:sec °C (°F) results from your minilab regardless of its operation. FLEXICOLOR 37.8 ± 0.15 Developer 3:15 (100.0 ± 0.25) WHICH PROCESS CYCLE SHOULD YOU Replenisher LORR USE FOR YOUR PROCESSOR? FLEXICOLOR RA 38 ± 3 Bleach Replenisher 1:00 There are three basic processing cycles for processing Kodak (100 ± 5) color negative films in minilabs. You can use each of these NR† FLEXICOLOR RA cycles in minilabs that operate with or without wash water. 38 ± 3 Fixer and 1:30 to 2:00 The description of the three cycles will help you decide (100 ± 5) Replenisher‡ which matches your particular processor and processing FLEXICOLOR 38 ± 3 conditions. Final Rinse and 1:00 (100 ± 5) Do not process KODAK VERICOLOR Slide Film / Replenisher§ SO-279/5072 in washless minilab process cycles that use 40 to 68 Dry As needed FLEXICOLOR Final Rinse and Replenisher, i.e., Process (104 to 155) C-41B and Process C-41RA. Process these films in Process * Immersion time plus crossover time to the next tank. Bleach, fixer, and C-41 only using FLEXICOLOR Stabilizer III and final rinse times are minimums; longer times are acceptable. Replenisher. † Use only KODAK FLEXICOLOR RA Bleach Replenisher NR. Your equipment must provide the higher agitation required for this solution. Note: If you are using a minilab that uses KODAK SM ‡ Use only KODAK FLEXICOLOR RA Fixer and Replenisher. -
Automatic Image Processing in Digital Photoprinters
IS&T©s 2000 PICS Conference IS&T©s 2000 PICS Conference Copyright 2000, IS&T Automatic Image Processing in Digital Photoprinters Tobias Damm Agfa Gevaert AG, Consumer Imaging, Lab Equipment D-81539 Munich, Germany Abstract In this paper the possibilities to remove shortcomings of the conventional photographic system as well as the expansion The conventional photographic system, based on AgX film of photographic production by digital means, focused on and paper will be briefly described. There are many issues to Minilab and wholesale finishing labs will be treated. In a be improved by digital image enhancement: at under exposed digital system the film is scanned with a high resolution, images the reduced contrast, color saturation and increased high dynamic film scanner. The data are processed and the grain; cross curving of film and paper; the problems due to corrected data are printed by a digital printer. The image files the limited contrast rendering ability of the paper with from digital cameras can also be fed into the processing unit respect to the total dynamic range and the loss of definition to produce prints and digital image files from film scans can at high saturated colors. be delivered. Automatic scratch and dust removal and new products with manipulated color saturation (sepia, black & white) are Conventional Photographic System examples for new possibilities due to digitization of the lab equipment. At the conventional photographic system the color negative The digital workflow is also a prerequisite for the pro- film and paper are well adjusted to each other to provide both duction of prints from digital cameras and to provide digital a good image quality and a high system robustness under files from scanned film. -
FUJICOLOR CRYSTAL ARCHIVE DIGITAL PAPER SUPER TYPE CN Is a Silver Halide Color Paper Designed Exclusively for Digital Output. Wh
1. Features and uses 2. Safelight FUJICOLOR CRYSTAL ARCHIVE DIGITAL PAPER Handle in total darkness. If safelight use is SUPER TYPE CN is a silver halide color paper designed unavoidable, observe the following precautions. exclusively for digital output. When used in conjunction Expose paper no longer than 1 minute to light with medium or large scale digital printer systems or the emitted through two Fuji Safelight Filter No. 103A FUJIFILM FRONTIER DIGITAL MINILAB, this paper (or Wratten Safelight Filter No. 13) in a 10 watt yields high image quality digital prints that make it tungsten lamp safelight located at least 1 meter from suitable for professional and commercial display uses. the work area Safelight filters fade with extended use and need Features regular checking. Replace when paper fogging is detected. High D-max Boasts a wide tonal range, Exposed paper is susceptible to safelight induced producing high image quality prints with a rich sensitivity increases in the exposed area. For this reason, exposed paper should be subjected as textural quality little as possible to safelight illumination. Purer Whiteness Clearer, more distinct print images and sharper text 3. Pre-processing paper handling / storage quality The higher the temperature and humidity, the more Vibrant Color Expanded color paper, whether unused, unexposed or exposed, is Reproduction reproduction range with susceptible to adverse changes in speed, color high color saturation, ideally balance, physical characteristics and other properties. suited to commercial -
User's Guide for KODAK Picture Kiosk Plus Software, V9.X
User's Guide for KODAK Picture Kiosk Plus Software, V9.X Including Information on the: KODAK Picture Kiosk Console 3/4/6/8/9 KODAK Picture Maker G4 Cabinet 17/120 KODAK Picture Maker G4 Cabinet 17/230 KODAK Picture Maker G4 Cabinet 24/120 KODAK Picture Maker G4 Cabinet 24/230 KODAK Picture Maker G4 Cabinet 36/120 KODAK Picture Maker G4 Cabinet 36/230 KODAK MOMENTS M1 Order Station Console 9 Contents Back Next Index Exit Table of Contents 1 Getting Started Showing the Language Selection Overview...................................................... 1-1 Screen........................................................ 2-4 Using This Guide ......................................... 1-2 Using Auto Shutdown and Startup............. 2-5 Before Using the Kiosk ................................ 1-2 Adjusting the Volume ................................. 2-6 Turning on the Kiosk.................................... 1-3 Setting the Time Zone................................ 2-7 Turning off the Kiosk.................................... 1-3 Setting the Date and Time ......................... 2-7 Navigating the Software .............................. 1-4 Setting the Retailer Store Information........ 2-8 Viewing the Shopping Cart .......................... 1-5 Configuring the Receipt Printer Feature .... 2-9 Using the Keyboard and Mouse .................. 1-6 Customizing the Receipt........................ 2-10 Connecting the keyboard and mouse ........ 1-6 Enabling Barcode Printing..................... 2-11 Disconnecting the keyboard and mouse.... 1-6 Sample Receipt ..................................... 2-13 KODAK Picture Kiosk G20 Configuration.... 1-7 Setting up Order Management................. 2-17 KODAK MOMENTS M1 Order Station Setting up the Local Area Network........... 2-18 Configuration ............................................... 1-8 Setting up the Kiosk Network................... 2-20 2 Setting up the Kiosk Sharing Devices with Other Kiosks ....... 2-21 Accessing the Setup Screen ....................... 2-1 Setting up the Host Kiosk ..................... -
Rental List V
Rental List V. 2018.1 February 1, 2018 Leo's Camera Supply -- Rental List Page 1 of 16 Terms and Conditions of Leo's Camera Supply Rentals Availability: Product availability is not guaranteed. To help ensure availability, please book your rental as far in advance as possible (maximum 4 weeks ahead). To aid the staff of Leo's & the renting public, please inform us ASAP of any change in your bookings. This allows us to re-circulate the equipment. Overdue rentals are subject to full daily charge (see late & overdue Rentals). Please call the store to make a booking. We can not guarantee bookings made via email! If a RENTER has a two "NO-SHOW" rental bookings, rental reservation privileges will be suspended. Deposits & Payment: All rentals are prepaid in full at time of pickup. (Visa, M/C, Debit or Cash) Rental Deposits can be made by Visa, M/C, Bank Draft or cash (if paid via credit card, card holder must be present at the time of deposit). (Debit not accepted.) Valid Picture ID is required for all rentals. If the renter is from within B.C. (Picture ID with current local address, i.e., B.C. Drivers License or BCID is acceptable) then a lower deposit applies. (Passport will only accept as proof of ID with recent Government issue letters with local address). If renter is from out of province (out of country) Leo's will request a deposit based on the full replacement value of the equipment to be rented! (see below for additional information.) Leo's Cameras may request a deposit equal to the replacement value of said equipment at their discretion unless prior arrangements have been made. -
You've Never Printed Like This Before
SPECIFICATIONS SUPPORTED APPLICATION Recording method 3-color exposure with OLED Film used FUJIFILM instax mini Instant Film (sold separately) Number of films 10 films/pack Film size 86 mm × 54 mm Image size 62 mm × 46 mm/2.4 in. × 1.8 in. Supported image size 800 × 600 dots Printing resolution 12.5 dots/mm (318 dpi, 80 μm dot pitch) Printing levels 256 levels per color (RGB) Interface Standard compliance: Bluetooth Ver. 4.2 (BLE) Supported image format JPEG, PNG, HEIF Printing time Image recording - photo output (fed out): Approximately 12 sec. Apple and the Apple logo are trademarks of Apple Inc., registered in the U.S. Approximate printing capacity Approximately 100 prints (from full charge) * The number of prints depends on the usage conditions. and other countries. App Store is a service mark of Apple Inc. You’ve never Power supply Lithium ion battery (internal type: not removable) instax mini link Google Play and the Google Play logo are trademarks of Google LLC. Charging time Approximately 80 to 120 minutes (Charging time depends on the temperature and battery remaining level) Power consumption Approximately 3 W Operating environment Temperature: +5 ºC to +40 ºC (+41 ºF to +104 ºF)Humidity: 20% to 80% (no condensation) SUPPORTED FILM printed like Main unit dimensions 90.3 mm × 34.6 mm × 124.5 mm/3.5 in. × 1.3 in. × 4.9 in.(excluding projecting parts) Main unit mass Approximately 209 g/7.3 oz (excluding film pack) Supplied accessory USB cable Instant lm The instax prints depicted are for illustrative purposes only. -
R2 Super Series Konica Minolta Digital Minilab System
Konica Minolta supports the digital on-site business For Digital On-Site Business of its customers by providing systems with high connectivity and expandability. Konica Minolta intends to continue working with its customers to develop the future of the digital on-site business. R2 SUPER SERIES KONICA MINOLTA DIGITAL MINILAB SYSTEM R2 SUPER 1000 R2 SUPER 700 R2 SUPER 1000 COMPACT R2 SUPER 700 COMPACT For safest results Carefully read the instruction manual before use and follow directions. Keep away from places subject to water, humidity, dust, oil, steam and other conditions, which may cause fire or other accident. Be sure to use the designated voltage and current. Digital ICE is a trademark of Kodak. Memory Stick is a trademark of Sony Corporation. Windows XP/2000 are registered trademarks of Microsoft Corporation in the United States and elsewhere. Photoshop and Illustrator are registered trademarks of Adobe Corporation in the United States and elsewhere. All other product and company names herein are trademarks of their respective owners. Specifications and design of products may be improved or ortherwise modified without prior notice. KONICA MINOLTA PHOTO IMAGING, INC. No.26-2, Nishishinjuku 1-chome, Shinjuku-ku, Tokyo 163-0512, Japan URL http://konicaminolta.com Ver.3 2004.11 10,000 *AD8 Konica Minolta’s answer for the age of the digital minilab. Performance and features that set the standard. Enabling features standard for your digital on-site business World class 400 x 800 dpi high-resolution image quality. Highly reliable printer, capable of large format prints up to 10 x 15 inches. Minilab system with outstanding network compatibility, enabling the full range of digital services.