DOCSLIB.ORG

Esplanade Gardenguide.Forweb.Qxd 6/22/07 10:36 AM Page 2

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Esplanade Gardenguide.Forweb.Qxd 6/22/07 10:36 AM Page 2 ED70480_Esplanade_gardenguide.forweb.qxd 6/22/07 10:36 AM Page 2 t h e THE DESIGNERS Esplanade At the Chicago Daniel Urban Kiley (1912–2004) Botanic Garden, Considered one of the the Esplanade is a modern-day village founding fathers of modern landscape green—a place to gather, to rest, to architecture, Dan Kiley take in the view. reshaped America’s ideas about the outdoors during Its world-class design is simple and a career that lasted more elegant, thoroughly modern in its use of than 60 years. TO LEARN MORE LOOK UP AND OUT Photo: Aaron Kiley space—yet written in the basic geometric If you’ve traveled in America, you’ve seen Kiley’s Saunders, William S., ed. Daniel Urban Kiley: The Early work: the grounds beneath the soaring St. Louis shapes of formal, classical design. It made sense to approach Dan Kiley to design Gardens. New York: Princeton Architectural Press, 1999. the Esplanade. As one of the 20th century’s Memorial Arch, the thrilling fountains at the Kiley, Daniel. Dan Kiley: The Complete Works of Though it is a garden of great dignity, greatest modern landscape architects, Kiley United States Air Force Academy in Colorado, America’s Master Landscape Architect. In collaboration had helped to redefine ideas about space. and New York City’s Lincoln Center. Kiley the Esplanade is a public space, a with Jane Amidon. Boston: Little Brown and Co., Rather than trying to recreate nature, as their designed gardens large and small, private and pub- 1999. “people” space, a garden that is meant Romantic predecessors had done, Modernists lic. He collaborated with the best modern archi- Trieb, Mark, ed. Modern Landscape Architecture: A like Kiley looked at space as three-dimensional to be used. tects—Eero Saarinen, Louis Kahn, Edward Critical Review. Cambridge: The MIT Press, 1993. volume, capable of being arranged into Larrabee Barnes—on projects geometric pieces flowing into and out of one Lenhardt Library that broke down the barriers between indoor and es·pla·nade (es'ple näd') n. a level, another. For these and other titles, visit the Lenhardt Library of outdoor architecture. the Chicago Botanic Garden Library, open 9 a.m. to 4 Modernists were pragmatists as well. They open space; especially, a public walk, In 1997, Dan Kiley was awarded the National p.m. Monday through Saturday. understood that humans actively use their Medal of Arts by President Bill Clinton. www.chicagobotanic.org/library often along a shore. landscapes—for agriculture, for living, for play. Realizing that man’s connection to the land Joseph Regenstein, Jr. School of the can be lost in urban life, Modernists searched Chicago Botanic Garden Peter Morrow Meyer The Joseph Regenstein, Jr. School of the Chicago for ways to reestablish that contact in even Having worked with Kiley Botanic Garden offers classes and seminars in gardening, the most urban of sites. for nearly 14 years, Peter landscape design and more. For a course guide, please The tenets of modern landscape architecture Meyer continued as the call (847) 835-8261 or visit continue to resonate: Keep it simple. Make it designer of the Esplanade www.chicagobotanic.org/school. useful. Let the spaces flow. Strive to make connections. when Kiley passed away in 2004. Meyer has designed Dan Kiley was a master and executed commissions of these ideas. around the world, collaborating with some of www.chicagobotanic.org (847) 835-5440 today’s most recognized architects and artists. The Chicago Botanic Garden is owned by the Forest Preserve District of Cook County. © 2007 Chicago Botanic Garden ED70480_Esplanade_gardenguide.forweb.qxd 6/22/07 10:36 AM Page 1 THE ESPLANADE GEOMETRY IN them, marking the transition where the formal Esplanade gives way to the more natural gardens THE GARDEN beyond. Yews are quick growers that tolerate aggressive pruning (here, two to three times a year). Kiley was renowned for merging classic elements of The Right Plant Equals The Right Effect garden design with a clean, Peter Morrow Meyer chose particular plants to modern perspective. The create particular effects in particular sites. (This is simple geometric forms that good advice for home gardeners, too.) humans have long used to The allée is lined with shape nature became the Dutch Elm Disease (DED) has disease-resistant elms. vocabulary of his landscape design. They destroyed most of the elms in In time they will form are used throughout the Esplanade. ™ America; Commendation elms an arch that visitors The Commons: Allée and Tapis Vert are, to date, one of the best will pass through before A natural gathering place, the Commons disease-resistant tree varieties. they experience the combines allée (avenue) with tapis vert (carpet of The Chicagoland Grows™ “burst” outward to the green). This simple, rectangular shape is three- program, of which the Chicago water and sky beyond. dimensional—with elms as walls and roof, and Botanic Garden is a partner, Despite their size, trees grass at your feet. is introducing this hybrid. can create subtle effects. As you cross A Wall of Water: Sound, Sight, Movement the bridge to the Esplanade, a natural wall of The design of the Esplanade acknowledges the columnar beeches guides you toward the allée. Chicago Botanic Garden’s deep ties to the water GARDEN BOTANIC CHICAGO Willow trees wave at the water’s edge—even when The Crescent (the entire Garden is a series of islands within a young, their effect is romantic. American lake system): hornbeam, tightly clipped into a hedge, forms the “Should not the role of Concentric tiers are shaped by • The allée leads directly to the water and its back side of the seating areas. hundreds of evergreen boxwood. view of Smith Fountain. A stalwart, structural plant that’s A grove of birches veils the Regenstein Center, design be to reconnect easily shaped, tightly clipped • Three long fountains provide the Esplanade’s enhancing the effect of “a building in a garden.” boxwood creates the illusion of a best sound effect with a wall of water plumes. White-barked ‘Whitespire Sr.’ was chosen for its human beings with mass of green “steps” flanking The fountains draw you toward them with borer resistance, multi-stemmed shape and open the curved beds. Watch for bold their sound and shimmering water. crown. A mix of ferns and a sprinkling of their space on planting ideas in the Crescent’s • The lake walk and water terrace give visitors hydrangeas add texture and color. beds each season. direct access to the water as well as to the Waterlilies, long lauded as one of the most the land?” Crescent and Native Plant Gardens. beautiful flowers known to man, add elegance to the water’s edge. A Bosque (Grove) of Cones ~ Dan Kiley Topiaried yews stand in a grove, like sentinels, around the Pavilion. Their man-made shapes contrast with the informal, loose spruce behind.
Load more

Recommended publications
  • Defining Architectural Design Excellence Columbus Indiana
    Defining Architectural Design Excellence Columbus Indiana 1 Searching for Definitions of Architectural Design Excellence in a Measuring World Defining Architectural Design Excellence 2012 AIA Committee on Design Conference Columbus, Indiana | April 12-15, 2012 “Great architecture is...a triple achievement. It is the solving of a concrete problem. It is the free expression of the architect himself. And it is an inspired and intuitive expression of the client.” J. Irwin Miller “Mediocrity is expensive.” J. Irwin Miller “I won’t try to define architectural design excellence, but I can discuss its value and strategy in Columbus, Indiana.” Will Miller Defining Architectural Design Excellence..............................................Columbus, Indiana 2012 AIA Committee on Design The AIA Committee on Design would like to acknowledge the following sponsors for their generous support of the 2012 AIA COD domestic conference in Columbus, Indiana. DIAMOND PARTNER GOLD PARTNER SILVER PARTNER PATRON DUNLAP & Company, Inc. AIA Indianapolis FORCE DESIGN, Inc. Jim Childress & Ann Thompson FORCE CONSTRUCTION Columbus Indiana Company, Inc. Architectural Archives www.columbusarchives.org REPP & MUNDT, Inc. General Contractors Costello Family Fund to Support the AIAS Chapter at Ball State University TAYLOR BROS. Construction Co., Inc. CSO Architects, Inc. www.csoinc.net Pentzer Printing, Inc. INDIANA UNIVERSITY CENTER for ART + DESIGN 3 Table of Contents Remarks from CONFERENCE SCHEDULE SITE VISITS DOWNTOWN FOOD/DINING Mike Mense, FAIA OPTIONAL TOURS/SITES
    [Show full text]
  • THE WESTFIELD LEADER the Leading and Most Widely Circulated Weekly Newgpaper in Union County YEAR—No
    THE WESTFIELD LEADER The Leading And Most Widely Circulated Weekly Newgpaper In Union County YEAR—No. 1 Entered a» Second Clans Matter Published Post Office. Westfleld. K. 1 WESTFIELD, NEW JERSEY, THURSDAY, SEPTEMBER 13, 1956 Every Thursday 32 Page.—* CwU )elinquency Problem Is Registration For Adult Westfiety Public United Campaign jerious, Mayor Warns School Set For Monday School Enrollment Hits 6,000 Mark Children, Adults Registration night for the West- Goal Is $132,550 Responsibility Of field Adult School will be Monday Urged to Take from 7:30 to 9 p.m. in the cafe- Figures Reflect Salk Polio Series teria of the Roosevelt Junior High Increase of 537 You Have 2 More Parents Cited In School at 301 Clark street. Coun- Increase of 20 The Wwtfield Board of selors and instructors will be avail- Over Last Year Weeks to Register Heal tit today reminded resi- able to advise students in the se- Juvenile Control dent* th*t all re»trictio»« on ection of proper courses. Classes The largest enrollment in the There was a smart fellow Per Cent Over the use of privately purchased begin Oct. 1 and continue for ten history of the Westfield public called Morrie Tin seriousness of the juvenile polio vaccine have now be«n consecutive Monday nights ending schools was announced today by Who told his young brother i:»nuency problem was pointed removed. All age groups now Dec. 3. Superintendent of Schools Dr. S. named Lorrie: Last Year's Total today by Mayor H. Emerson are eligible to receive theae Booklets wen mailed out this N.
    [Show full text]
  • Rese a C R Hc Reach R C O F T H E 0 5
    Architectural Research Centers Consortium THE REACH OF R E S E A R C H R 2 C 0 C 0 5 Spring Research Conference MISSISSIPPI STATE UNIVERSITY COLLEGE OF ARCHITECTURE, ART AND DESIGN - JACKSON, MISSISSIPPI 2005 ARCC Spring Research Conference The Reach of Research i 2005 ARCC Spring Research Conference The Reach of Research 6 – 9 April 2005 College of Architecture, Art and Design Mississippi State University Jackson, Mississippi ii Published by: School of Architecture College of Architecture, Art + Design Mississippi State University P.O. Box AQ Mississippi State, MS 39762 www.sarc.msstate.edu No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. ISBN # 000-9974588-1-4 Editors: James L. West David J. Perkes Anne H. Howell iii Architectural Research Centers Consortium Purpose and Mission Architectural Research Centers Consortium, Inc. is an international consortium committed to the expansion of the research culture and infrastructure in architecture, planning and related disciplines. Since its founding as a nonprofit corporation in 1976, ARCC has represented a concerned commitment to the improvement of the physical environment and the quality of life. As an organization of researchers and research centers, ARCC sponsors workshops, sustains networks and exchanges information and experiences intended to help build a research culture and infrastructure – in architecture schools and beyond. 2005 ARCC spring Research Conference The Reach of Research Conference Coordinators Jim West, Mississippi State University J. Brooke Harrington, Temple University David Perkes, Mississippi State University ARCC Officers and Board of Directors J.
    [Show full text]
  • 2010–2011 Our Mission
    ANNUAL REPORT 2010–2011 OUR MISSION The Indianapolis Museum of Art serves the creative interests of its communities by fostering exploration of art, design, and the natural environment. The IMA promotes these interests through the collection, presentation, interpretation, and conservation of its artistic, historic, and environmental assets. FROM THE CHAIRMAN 02 FROM THE MELVIN & BREN SIMON DIRECTOR AND CEO 04 THE YEAR IN REVIEW 08 EXHIBITIONS 18 AUDIENCE ENGAGEMENT 22 PUBLIC PROGRAMS 24 ART ACQUISITIONS 30 LOANS FROM THE COLLECTION 44 DONORS 46 IMA BOARD OF GOVERNORS 56 AFFILIATE GROUP LEADERSHIP 58 IMA STAFF 59 FINANCIAL REPORT 66 Note: This report is for fiscal year July 2010 through June 2011. COVER Thornton Dial, American, b. 1928, Don’t Matter How Raggly the Flag, It Still Got to Tie Us Together (detail), 2003, mattress coils, chicken wire, clothing, can lids, found metal, plastic twine, wire, Splash Zone compound, enamel, spray paint, on canvas on wood, 71 x 114 x 8 in. James E. Roberts Fund, Deaccession Sculpture Fund, Xenia and Irwin Miller Fund, Alice and Kirk McKinney Fund, Anonymous IV Art Fund, Henry F. and Katherine DeBoest Memorial Fund, Martha Delzell Memorial Fund, Mary V. Black Art Endowment Fund, Elizabeth S. Lawton Fine Art Fund, Emma Harter Sweetser Fund, General Endowed Art Fund, Delavan Smith Fund, General Memorial Art Fund, Deaccessioned Contemporary Art Fund, General Art Fund, Frank Curtis Springer & Irving Moxley Springer Purchase Fund, and the Mrs. Pierre F. Goodrich Endowed Art Fund 2008.182 BACK COVER Miller House and Garden LEFT The Wood Pavilion at the IMA 4 | FROM THE CHAIRMAN FROM THE CHAIRMAN | 5 RESEARCH LEADERSHIP From the In addition to opening the new state-of-the-art Conservation Science Laboratory this past March, the IMA has fulfilled the challenge grant from the Andrew W.
    [Show full text]
  • Mid-Century Modernism and the Landscape Idea
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Open Access Dissertations 2-2011 Reading Landscape: Mid-Century Modernism and the Landscape Idea Jeffrey David Blankenship University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/open_access_dissertations Part of the Geochemistry Commons, Geology Commons, and the Geophysics and Seismology Commons Recommended Citation Blankenship, Jeffrey David, "Reading Landscape: Mid-Century Modernism and the Landscape Idea" (2011). Open Access Dissertations. 324. https://scholarworks.umass.edu/open_access_dissertations/324 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Open Access Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. READING LANDSCAPE: MID-CENTURY MODERNISM AND THE LANDSCAPE IDEA A Dissertation Presented by JEFFREY D. BLANKENSHIP Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2011 Geosciences Geography © Copyright by Jeffrey D. Blankenship 2011 All Rights Reserved READING LANDSCAPE: MID-CENTURY MODERNISM AND THE LANDSCAPE IDEA A Dissertation Presented by JEFFREY D. BLANKENSHIP Approved as to style and content by: __________________________________________ Richard Wilkie, Chair __________________________________________ George
    [Show full text]
  • Society of Fellows News American Academy in Rome
    SOCIETY OF FELLOWS NEWS AMERICAN ACADEMY IN ROME GARDENS SPRING 2004 From the Editor Catherine Seavitt FAAR’98 The Latin word hortus translates as and the delicacy of life itself, through Society of Fellows NEWS "kitchen garden", which certainly its very materiality. A field of golden SPRING 2004 implies a very different notion than wheat is certainly a powerful image - Published by the Society of Fellows of FAAR’98 that of a large public park or a private epitomized in Agnes Denes 's The American Academy in Rome pleasure garden. Conceptually, the Wheatfield, the planting and harvesting 7 East 60 Street kitchen garden embodies notions of of two acres of wheat at the Battery New York, NY 10022-1001 USA growth, careful tending, and suste- Park landfill, New York, in 1982. This tel 212 751 7200 www.sof-aarome.org Catherine Seavitt FAAR’98 nance, as well as a deeper notion of is a work that profoundly addresses Editor: Co-Editors: Stefanie Walker FAAR’01 text the stewardship of the land. The capitalism and hunger as well as the Joanne Spurza FAAR’89 news cycling of nature is visible in the sea- sustainability of our own humanity. Brian Curran FAAR’94 obits sonal passage of fruits and vegetables, Agnes' Wheatfield is particularly SOF Liason: Elsa Dessberg as is the quirky character of plants - poignant in light of the aftermath of the eternal return of the tomatoes September 11, 2001. Contents and the certain invasion of the A garden captures the spiritual SOF President’s Message 3 rhubarb. The challenges of a small notion of the eternal return, and per- From the AAR President, New York 4 kitchen garden certainly have some haps no city matches that spirit more From the AAR Director, Rome 6 News From Rome 8 analog with each of our own person- than Rome, the Eternal City.
    [Show full text]
  • AIA Committee on Design Conference, Columbus, Indiana April 12-15, 2012: “Defining Architectural Design Excellence”
    AIA Committee on Design conference, Columbus, Indiana April 12-15, 2012: “Defining Architectural Design Excellence” Last year Columbus, Indiana was rediscovered in the national media with the public opening of the Miller House and Gardens. An exquisite design collaboration of Eero Saarinen, Alexander Girard and Dan Kiley, completed in 1957, the landmark has been declared “America’s most significant modernist house”. While the house is now owned by the Indianapolis Museum of Art (IMA) and public tours are available through the Columbus Visitors Center, the tours are often sold out, limited in numbers and access. The IMA is providing the AIA-COD the opportunity to visit the house and gardens as an “open house”, with guides distributed throughout to provide information, and is allowing us personal photography. If you have visited Columbus in the past, you are aware of its recognition for its many modern buildings designed by nationally and internationally recognized architects, including Eliel Saarinen, Eero Saarinen, Harry Weese, Robert Venturi, I.M. Pei, Gunnar Birkerts, Kevin Roche, and Richard Meier. Columbus has been called the “mecca of modern architecture” and “the Athens of the Prairie”. In 2000, in a highly unusual move, six modern architecture and landscape architecture sites were designated as National Historic Landmarks; including First Christian Church (Eliel Saarinen), Irwin Union Bank (Eero Saarinen), Miller House and Gardens, North Christian Church (Eero Saarinen), Mabel McDowell Elementary School (John Carl Warnecke), and First Baptist Church (Harry Weese). The AIA COD conference will visit each of these locations. The commitment to design excellence has continued in Columbus the last 10 years, in fact thriving to have had the most construction per capita through the Great Recession.
    [Show full text]
  • Pennsylvania Avenue Cultural Landscape Inventory
    National Park Service Cultural Landscapes Inventory Pennsylvania Avenue, NW-White House to the Capitol National Mall and Memorial Parks-L’Enfant Plan Reservations May 10, 2016 Pennsylvania Avenue, NW-White House to the Capitol National Mall and Memorial Parks-L’Enfant Plan Reservations Table of Contents Inventory Unit Summary & Site Plan ............................................................................................ Page 3 Concurrence Status ...................................................................................................................... Page 10 Geographic Information & Location Map ................................................................................... Page 11 Management Information ............................................................................................................. Page 12 National Register Information ..................................................................................................... Page 13 Chronology & Physical History ................................................................................................... Page 24 Analysis & Evaluation of Integrity .............................................................................................. Page 67 Condition Assessment .................................................................................................................. Page 92 Treatment ....................................................................................................................................
    [Show full text]
  • Modernism in Bartholomew County, Indiana, from 1942
    NPS Form 10-900 USDI/NPS NRHP Registration Form (Rev. 8-86) OMB No. 1024-0018 MODERNISM IN BARTHOLOMEW COUNTY, INDIANA, FROM 1942 Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form E. STATEMENT OF HISTORIC CONTEXTS INTRODUCTION This National Historic Landmark Theme Study, entitled “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana from 1942,” is a revision of an earlier study, “Modernism in Architecture, Landscape Architecture, Design and Art in Bartholomew County, Indiana, 1942-1999.” The initial documentation was completed in 1999 and endorsed by the Landmarks Committee at its April 2000 meeting. It led to the designation of six Bartholomew County buildings as National Historic Landmarks in 2000 and 2001 First Christian Church (Eliel Saarinen, 1942; NHL, 2001), the Irwin Union Bank and Trust (Eero Saarinen, 1954; NHL, 2000), the Miller House (Eero Saarinen, 1955; NHL, 2000), the Mabel McDowell School (John Carl Warnecke, 1960; NHL, 2001), North Christian Church (Eero Saarinen, 1964; NHL, 2000) and First Baptist Church (Harry Weese, 1965; NHL, 2000). No fewer than ninety-five other built works of architecture or landscape architecture by major American architects in Columbus and greater Bartholomew County were included in the study, plus many renovations and an extensive number of unbuilt projects. In 2007, a request to lengthen the period of significance for the theme study as it specifically relates to the registration requirements for properties, from 1965 to 1973, was accepted by the NHL program and the original study was revised to define a more natural cut-off date with regard to both Modern design trends and the pace of Bartholomew County’s cycles of new construction.
    [Show full text]
  • Executive Committee Board of Trustees American Society of Landscape Architects 636 Eye Street NW Washington, DC 20001-3736
    Reed Hilderbrand LLC Landscape Architecture Executive Committee Board of Trustees American Society of Landscape Architects 636 Eye Street NW Washington, DC 20001-3736 Re: Letter of Nomination for the ASLA Design Medal: Peter Walker REED| HILDERBRAND Dear Executive Committee Members: I am honored to present the nomination for Peter Walker, Principal of Peter Walker and Partners Landscape Architecture, for the ASLA Design Medal. It is my personal view that there is no living landscape architect with a more widely recognized body of work. As a writer and critic, I have worked closely with Pete and have benefitted from his encouragement, guidance, and generosity. As a teacher, I have taught by his example, and I continue to utilize ample references from his built works and body of publications. Perhaps for these reasons I cannot claim complete objectivity in this nomination—but who among us can? We have all benefitted from his example and his effort to make landscape architecture known to the world. My career would have been markedly different without exposure to Pete’s shared wisdom and his works. I think that’s true for many of us, as some notable colleagues will attest. I would like to cite a few key remarks from letters written in support of this nomination. Several of the writers indicated surprise that this honor had not already been bestowed upon Pete. Although he was awarded our society’s highest honor, the ASLA Medal (2004), and has also received IFLA’s Sir Geoffrey Jellicoe Gold Medal (2005) for lifetime achievement, the Honor Award of the American Institute of Architects (1992), Harvard’s Centennial Medal (2004), and the University of Virginia’s Thomas Jefferson Medal (2004), he has not been recognized with the ASLA Design Medal.
    [Show full text]
  • The Landscape Architecture Legacy of Dan Kiley Opens at the Center for Architecture
    FOR IMMEDIATE RELEASE Press contacts: Camila Schaulsohn - 212.358.6114, [email protected] Nord Wennerstrom – 202.255.7076, [email protected] The Landscape Architecture Legacy of Dan Kiley opens at the Center for Architecture The travelling photographic exhibition, on view during Landscape Architecture Month, honors a key figure in Modernist landscape architecture NEW YORK, New York, March 26, 2015 – The Landscape Architecture Legacy of Dan Kiley, a traveling photographic exhibition organized by The Cultural Landscape Foundation (TCLF) will open at the Center for Architecture on March 26, 2015 at 6:00 pm. The exhibition will be on view through June 20, 2015. The opening of The Landscape Architecture Legacy of Dan Kiley at the Center will kick off Landscape Architecture Month. During April, the Center for Architecture will also present an exhibition of the winners of the American Society of Landscape Architects (ASLA) New York Chapter 2015 Awards. These exhibitions will be complemented by a series of public programs on related topics. Dan Kiley (1912-2004) worked with renowned architects including Eero Saarinen, Louis Kahn, and I.M. Pei, to create internationally-acknowledged Modernist icons. His design legacy is substantial, influential, and, like the broad swath of our Modernist-designed landscapes, ephemeral. The exhibition honors Kiley and calls attention to the need for informed and effective stewardship of his work - and by extension Modernist landscape design. 1 The Landscape Architecture Legacy of Dan Kiley prompts questions and discussions about responsible stewardship, which is central to TCLF’s mission. While some Kiley designs are dying quiet deaths, others are extremely well maintained or require only modest attention to achieve their brilliance once again.
    [Show full text]
  • National Park Service National Capital Region Administrative History, 1952-2005
    NATIONAL PARK SERVICE NATIONAL CAPITAL REGION ADMINISTRATIVE HISTORY, 1952-2005 Final Report Prepared by Robinson & Associates, Inc. June 6, 2008 National Capital Region Administrative History Final Report Robinson & Associates, Inc. June 6, 2008 Page 1 ______________________________________________________________________________________ NATIONAL CAPITAL REGION ADMINISTRATIVE HISTORY TABLE OF CONTENTS LIST OF FIGURES 3 ACKNOWLEDGEMENTS 7 INTRODUCTION Purpose 9 Methodology 10 Executive Summary 12 CHAPTER I: ORGANIZATION OF THE NATIONAL CAPITAL REGION Administration 17 Planning 24 Design and Construction 26 Maintenance 30 Museum Collections Management 32 Illustrations 34 CHAPTER II: OUTSIDE THE SERVICE: PHILANTHROPY, PARTNERS, AND CONCESSIONS Philanthropy 43 Partners 44 Interagency Cooperation 49 Concessions 50 Illustrations 53 CHAPTER III: THE NATIONAL CAPITAL REGION AND THE POST-WORLD WAR II GROWTH OF METROPOLITAN WASHINGTON Growth of the Region 55 The Commission of Fine Arts and the National Capital Planning Commission 56 NCR and Metropolitan Transportation Needs 58 Mission 66 65 The Bicentennial 73 Illustrations 77 CHAPTER IV: NATURAL RESOURCES Natural Resources Management in the National Park Service, 1952-2005 83 Natural Resources in the National Capital Region 87 The Potomac and Anacostia Rivers 91 Interpretation of Natural Resources 94 Lady Bird Johnson’s Beautification Program 99 Illustrations 104 National Capital Region Administrative History Final Report Robinson & Associates, Inc. June 6, 2008 Page 2 ______________________________________________________________________________________
    [Show full text]